Sands From Mars Issue 26

7/25/2019 Sands From Mars Issue 26

1/36

SANDS FROM MARS ISSUE 26

NUMERO DEDICATO ALLE CREATURE DALTRI MONDI

SOMMARIO

IL PATTO DI GRENADAESISTONO I MEN IN BLACK?

CRHISTINE LA MACCHINA INFERNALEIL MASTINO DEI BASKERVILLE ESISTE

VRILLON ED IL SUO MESSAGGIO AL POPOLO DELLA TERRA.

LA TERRIFICANTE STORIA DI LAKE SHAWNEE E DEL SUO PARCO DEI DIVERTIMENTIMALEDETTO.

SULLA LUNA CERA GIA QUALCUNO PRIMA DEL 1969.RECENSIONI DI LIBRI E MUSICA

VERSO ITACA E OLTRE ITACAANY KIND OF DRUG FOR UST ONE KIND OF LOVE

LINKS DEI NUMERI PRECEDENTI! AGIORNAMENTI E SANDS IN PILLOLE.


2/36

IL PATTO DI GRENADA

D"#$%&' () *(+,-*(- ( S$% M$#(%- '))$%%- */-#*-! )$ ,#-%(,-&' L$"#$ M. E(*'%0-'#'))-+-%(+- ' ,#'*('%&' '3)( S&$&( U%(&(! 0$ 4$&&- "%$ #(5')$(-%' /0' /-%4'#+$ %-% *-)&$%&-

)'*(*&'%$ '3)( $)('%(! +$ $%/0' )$ ,#'*'%$ ( "% ,$&&- $ () 3-5'#%- $+'#(/$%- ' 3)( $)('%( *&'**($ ,(7 ( 98 $%%(.

I) 3-5'#%- $+'#(/$%- (%4$&&( 3( $3)( $%%( :8 $5#';;' ,$&&"(&- /-% "% $//-#- '/'%%$)'! /0' (%/$+;(- ( #(*-#*' &'/%-)-3(/0'! /-%-*/'%' +'(/0' ' $*-%-+(/0'! 3)( $)('%( $5#';;'#- ,-&"&-

,#')'5$#' *($ $%(+$)( *($ '**'#( "+$%( ,'# *&"(! '*,'#(+'%&( '//. $ ,$&&- %-% 5'%(**' 4$&&- )-#- ')+$)'.

I1 - )' ;$*( (

G#--+)$


3/36

E//- ="(%( /0' /( 5'##';;' $ ,'%*$#' *' ="'( 4$+-*( #$,(+'%&( -)-#-*( ' $"+$&(/(! ,'%*($+- $)/$*- T#$5(* W$)&-%

#$,(&- ,(7 5-)&' %'))$ *"$ 5(&$! /-% '5('%&( *'3%( ( ,#')('5(! (+,($%&( ' '*$+(! /0' */-+,$#5' ,'#/(%="' 3(-#%( $ "%$ ,(//-)$ /(&&$(%$ ') %-# A+'#(/$! *'%$ /0' %'**"%- )- #(-5$**'.

P(7 5-)&' 0$ #($$&&$&- () *"- #$//-%&-! $%$%- $) $"+$&(/-! 4(%- $ )(+$#%' ,-/- $ ,-/- )' ,$#&(-)-#-*'! &"&&- ="'*&- ,'# %-% 4$ /$,(#' *' *($ *&$&- "% /$+;($+'%&- $&- $) &'+,- /0' ,$**$&-!

$ "% /-+$%- ,-*& (,%-&(/- (++'**-3)( $3)( '**'#( $)('%(! - $ /-*$)-.G( ,$#)$++- (% "% %"+'#- ,$**$&- ( /-+' $%(+$)( %-&&"#%( /-+' ( 3"4(! ( ;$#;$3($%%( ,-**$%-'**'#' $**-/($&( $( #$,(+'%&( $)('%(! /-+' "%$ *-#&$ ( ,#'*'%$ (%="('&$%&' /0' ,'# @/-,#(**' ()

5'#- #(/-#- *',-)&- %'))$ +'+-#($. /0($#- /0' ="$)/-*$ ( 5'#- '5' ,"# '**'#/(! ' %-% ,'#/0 )- *( 5"-)' -5$#'! +$ ,'#/0 -,,'

/-*' ,-#&$%- $ ="'*&$ /-%/)"*(-%'! /0' )- *( 5-3)($ /#''#' - %-.N'3)( $%%( 8 (% ,$#&(/-)$#' 4"#-%- -5$&( '/(%' ( /$,( $%(+$)(! $ +"//0' /$5$))( *'(-%$&( (%+$%('#$ (%'*,)(/$;()' ' *'%$ $)/"% *'3%- ( -,'#$(-%'! (% &'+,( (% /"( () )$*'# ( ="'))$ ,#'/(*(-%'

' &'/%-)-3($ %-% '*(*&'5$ $**-)"&$+'%&'.V'%%'#- -5$&( $%/0' $)( $%(+$)( ( /$+,$3%$ *'(-%$&( -,,"#' */-+,$#5'#-! +$ '**'%- +-)&-

+'%- (+,-#&$%&( $%/0' '/-%-+(/$+'%&'! %-% *' %' ,$#) $44$&&-.A%/0' () /$*- ') C0",$/$;#$*!

,-';;' '**'#' &"&&$ "%$ +'**(%*/'%$ ,'# /-,#(#' *&"( *" $%(+$)( /0' 5'%3-%- 4$&&( &"&&-#$.M$ )' &'-#(' *-%- +-)&',)(/(! +$ *'%$ ,#-5' /0' ,-#&(%- (% %'**"% ,-*&-! /( *( ," ;$*$#' *-)&$%&-*"))' ,#-5'! /-+' *' *( *&'**' (%5'*&(3$%- *" "% ')(&&-.

S( *$ ;'%(**(+- /0' (%/-%( - $//-#( ( ="'*&- 3'%'#' $55'%%'#- $%/0' (% R"**($! G'#+$%($ ' $)(,$'*(! +$ /-% '44'&&( (5'#*( ,$#'! $%/0' *' )$ /0("*"#$ ( ="'( ,$'*(! %'( ,'#(-( (% /"( $55'%%'#-

="'*&( /-%&$&&(! ,-';;' $5'# 4$&&- *( /0' $%/-#$ $'**- %-% *' %' *$,,($ ,(7 ( &$%&-.M-)&( *-*&'%3-%- /0' 3)( A)('%( /-+' *' /' %' 4-**' "%$ #$$ *-)$ *$#';;'#- $##(5$&( $ "% ,"%&-'))$ )-#- '5-)"(-%'! ,'# ="'*&- %-% #("*/(#';;'#- ,(7 $ ,#-/#'$#' ' ="(%( $5#';;'#- ;(*-3%- '3)(

"+$%( ,'# $5'#' .%.$. $ /-+;(%$#' /-% () )-#- ' -&&'%'#' (;#(( $ %-( ' )-#-! (% 3#$- ( 4$#/-%&(%"$#' "%$ *,'/(' +())'%$#($! +$ *' *-%- /-* $5$%&( %'))' )-#- #(/'#/0' /-+' ,-**-%- %-%

'**'#/( $%/-#$ $##(5$&( -,- ="$*( /'%&- $%%(?

I *($+- 3( $##(5$&( %-( $))$ #(/-+;(%$(-%' ') 3'%-+$ $%(+$)' ' 5'3'&$)'! ,#-;$;()+'%&' (%*'3#'&-! $%/0' "+$%- ' %-% /( *-%- $##(5$&( )-#-?
https://it.wikipedia.org/wiki/Travis_Waltonhttps://it.wikipedia.org/wiki/Chupacabrahttps://it.wikipedia.org/wiki/Travis_Waltonhttps://it.wikipedia.org/wiki/Chupacabra


4/36

S'/-%- +' /( '5-%- '**'#' $)' +-&(5$(-%(! ="$)/0' $)$ /-*$ )( *,(%3' $ $-,'#$#/( /-+'/$5('.

C $%/0' (,-&($ /0' /$&&"#(%- *-)- )' ,'#*-%' /0' ,-**('-%- "% @$%(+$! */#(&&- $ 5(#3-)'&&'!,-(/0 %-% /#'- /0' ,-**$%- '*(*&'#' '))' ,'#*-%' *'%$! %-% ,'# "% (*/-#*- #')(3(-*- ( ="$)/0'

&(,-! +$ ,'#/0 )$%(+$ () /-%/'%$&- '))' '%'#3(' 5(&$)( ( "%$ ,'#*-%$ -)' $))' $)' /-*'J,'%*- ="(%( /0' *($ "%$ ,$#&(/-)$#' &(,- '%'#3($ /0' 5$%%- /'#/$%-! 4-#*' ,'# "*$#/( /-+'

;$&&'#('! 4-#*' ,'# $)( */-,( $ %-( */-%-*/("&( - 4-#*' *&$%%- /'#/$%- ( /$,(#' /0' /-* (% '44'&&("%$%(+$.

C( *-%- 2 4()+ +-)&- ,$#&(/-)$#( /0' ,$#)$%- '( #$,(+'%&( $)('%(! (% +$%('#$ %"-5$ - /-+"%="'4"-#( $( *-)(&( */0'+(


5/36

IL QUARTO TIPO

S( $&&$ ( "% M-


6/36

DARK SKIES OSCURE PRESENE

Q"'*&- 4()+ $&&$ )$#3-+'%&- #$,(+'%&( $%- "%$ #(5(*(&$(-%' ( $)/"%' @,$&-)-3(' #(*/-%$&'"#$%&' /$*( ( ,-**'**(-%' ( /$*' - ( ,'#*-%' ' )' '*,-%' *-&&- "%$ )"/' (44'#'%&' ' "4-)-3($.

S-%- *-,#$&&"&&- $ %-&$#' ( (*'3%( '( ;$+;(%( /0' 5'%3-%- 5(*&( ' $,,$#'%&'+'%&' (%4$%&()( ' (4$%&$*($! '*/#(5-%- (%5'/' ;'%(**(+- /-*' *"//'**' (% ,$**$&- $) ;$+;(%- *&'**-.

Q"'*&( (*'3%( ="'*&$ 5-)&$ #'$)( ' %-% 4(%(-%' /(%'+$&-3#$4(/$ *( ,-**-%- 5''#' %')) ';--


7/36

SEIGIORNI SULLA TERRA

D-5' 3)( '*-#/(*+(! )' ,-**'**(-%( '+-%($/0' ' 4$&&( (%'*,)(/$;()( )'3$&( $) +$)(3%- 5'%3-%- (%5'/'*,('3$&( (% "%$ /0($5' ') &"&&- %"-5$ ' #(5-)"(-%$#($! $%/0' *' ,'# 4-#$ '#'&(/$.
https://it.wikipedia.org/wiki/6_giorni_sulla_Terrahttps://it.wikipedia.org/wiki/6_giorni_sulla_Terra


8/36

ESISTONO I MEN IN BLACK?

E*(*&-%- 5'#$+'%&' ="'*&( ,'#*-%$33( /0' $5#';;'#- () /-+,(&- ( 4$# */-+,$#(#' -3%( $//($ /0',-**$ '**'#' "%$ ,#-5$ /0' /-%4'#+( /0' '*(*&-%- $)' 4-#+' ( 5(&$ %'))"%(5'#*-?

Q"'*&' ,'#*-%' $ 5-)&' %-% ,#-,#($+'%&' 5'*&(&' ( %'#-! +$ ( ;)7 */"#- *-%- (5'%&$&' ()@/-%(+'%&- ( +(3)($($ ( *&-#(' *-,#$&&"&&- %'3)( $%%( 8! +$ )$ )-#- -#(3(%' *(/"#$+'%&' (

="$)/0' '/'%%(- ,#(+$.P'%$&' $))$44$#' R-*'))! $ ="'))".4.-. /#$*0 &$%&- /(&$&- ' /0' *'+;#$ /0' %-% *($ *&$&- %'++'%- ()

,#(+- %'))$ *&-#($ '))"+$%(& ' ( ="'))$ A+'#(/$%$! *' %-% $5'**'#- 3( $5"&- "% &'$+ ,#-%&-="'*&$ '5'%('%$ /-+' ,-( 4"! /-+' $5#';;'#- 4$&&- $ (%*$;;($#' )' ,#-5' (% +$%('#$ /-*

4"%(-%$)'?N-% /#'- /0' () 3-5'#%- $+'#(/$%- *( *($ $&- $ 4$#' ,'# /-*&(&"(#' "% 3#",,- /0' %'3)( $%%( 0$/$+;($&- %-+'! +$ %-% )$ )-#- +(**(-%'! ,'# '))' *'+,)(/( @,-**(;()(& /0' $##(5$**'#- (%5$*-#(

*,$($)(.L(%*$;;($+'%&- ( "% $55'%(+'%&- - ( ="$)*($*( /-*$ +-)&- ,(7 /-+,)(/$&- /0' 4$# /#''#' /0'

*($ () &"&&- "%(%5'%(-%' 4$%&$*&(/$.L$ /#'$(-%' ( 4()+! 4"+'&&( ' &')'4()+ 0$ #('+,(&- )' /$*' ' )' &'*&' ( ="'*&( 4$%&-+$&(/( ,'#*-%$33(

/0' *-%- (5'%&$&( (%5'%(-%( ( 4$%&$*($ ' %-% ,(7 ,'#*-%' #'$)(.N-% (+'%&(/0($+- /0' 3)( $55(*&$+'%&( - 3)( (%/-%(! *,'**- ,-/- ,($/'5-)( /-% 3)( "-+(%( (%

%'#-! %-% *-%- *-)- $ #')'3$#' $))A+'#(/$! +$ /' %' *-%- '( /$*( $%/0' (% I&$)($ ' (% &'+,(*,'/($)+'%&'! (% /"( %-% *' %' ,$#)$5$ +-)&-.

N') %"+'#- ( *$%* *( ,$#)$ '))"-+- #'&&()' ') P-! *&-#($ ,(7 /0' )'33'%$#($! +$ /0' &-#%$(%('- %') &'+,- $%/0' $( ,#(+( $%%( >8! ' ( ="$%&- '3)( *$%( &(,( $;;($%- 4$&&- ( &"&&- ,'#/$%/'))$#' ="'))'5'%&-.

C'#&$+'%&' /-% )$ &'/%-)-3($ *'+,#' ,(7 ,#-3#'(&$ ' $ /"( *($+- *'+,#' ,(7 )'3$&( -55(- /0'="'*&' ,'#*-%' %-% )' *( ';;$ %'++'%- ,(7 5''#'! ,'#/0 /-+-$+'%&' $( )-#- /-+,"&'#

,-**-%- /-%-))$#' ="$)*($*( /-*$ ' ="$)*($*( ,'#*-%$.V-( (#'&' /0' &"&&- ="'*&- 4$%&$*($! +$ /0( ," $#' "%$ ,#-5$ /0' ="'*&' ,'#*-%' $("&$&( - %- $

'**'#( $)('%( %-% /( /-%-))(%-?D$)$ ,$#&' *($+- *'+,#' ,(7 '*,-*&( $))$ ,(#$&'#($ (%4-#+$&(/$! $) 4"#&- ('%&(&! $))$ /)-%$(-%'

'))$ ,$**-#! $ ,#-4()( 4$/';--< 4$)*( '//. +$3$#( &"&&- /-))'3$&--0% K'') /0' #(/-#'#'&' )'3$&- $) /$*-'))"-+- 4$)'%$ ,(7 5-)&' 0$ '&&- /0' (% &$%&( /$*( $ )"(

'*$+(%$&(! )(+,-**(;()(& ( $##(5$#' $ "%$ 5'#$ ' ,#-,#($ /-%/)"*(-%' - *,('3$(-%'! *&$&- () 4$&&-/0' %') 3(#- ( 612 +'*(! )' ,'#*-%' (+,)(/$&' %'))'5'%&- +-#(5$%- (% +$%('#$ #','%&(%$ ' -,,-

*,'**- @$) +-+'%&- 3("*&-! 4$/'%- *,$#(#' /-* &'*&(+-%( -/")$#(! ,#-5' -33'&&(5' '//.
http://www.scribd.com/doc/196478270/Sands-From-Mars-Issue-20https://www.scribd.com/doc/294110962/Sand-in-pillole-11-Il-Mistero-Dell-Uomo-Falenahttp://www.scribd.com/doc/196478270/Sands-From-Mars-Issue-20https://www.scribd.com/doc/294110962/Sand-in-pillole-11-Il-Mistero-Dell-Uomo-Falena


9/36

S' *( ,'%*$ $) /$*-N') 1962 W();'#& S+(&0 -,- $5'# (/0($#$&- ,";;)(/$+'%&' /0' '*(*&'5$ "% -#3$%- *",'#(-#' $))$

C.I.A. /0' *-#5'3)($**' () /$*- UFO! ' /0' 4-**' $(#(&&"#$ '$3-5'#%$&(5-! +"-#'(+,#-55(*$+'%&'! ;'%/0 *($ +-)&- 3(-5$%' ' $,,$#'%&'+'%&' *'%$ ,#-;)'+( 4(*(/( ="$)/0'

*'&&(+$%$ -,- )$ (/0($#$(-%'.

S";(&- ,#(+$ E$# R",,')& "% (%5'*&(3$&-#' /-))'3$&- $) ,#-3'&&- @;)"' ;--

W$5'%' G(#5$% 4-%$&-#' '))$ #(5(*&$ F)(%3 S$"/'# R'5('! )$ ,#(+$ ' ,(7 $"&-#'5-)' #(5(*&$ *")4'%-+'%- ".4.-. 3"$#$ /$*- +"-#' -,- $5'# '&&- /-*' -,,- */-+-' ' (% ,#-/(%&- ( 4$#' "%$

(/0($#$(-%' -,,- */-&&$%&'.N') 6 &-// $) ;#$*()($%- O)$5- F-%&'* /0' (%&'#'**$&-*( $) /$*- ( "% "4- /#$*0 (% ;#$*()'! $

U;$&";$ /0' "44(/($)+'%&' %-% -5'5$ '*(*&'#'.I) 4#$%/'*' A())'#'& /0' ,'# (% "% (%/('%&' $'#'- 3(-#%( -,- $5'# 4$&&- (/0($#$(-%' ( 5-)'#

/-*&(&"(#' "%$ /-++(**(-%' *"))- *&"(- '3)( "4-! %-% /-%-))$&$ $ -#3$%( +()(&$#( - 3-5'#%$&(5(.$+'* M/D-%$) %') 192 5'%%' -5$&- %') '*'#&- '))A#(-%$ /-% "% 4-#- %'))$ &'+,($!

"44(/($)+'%&' *"(/($ ,'# () -,,- *'** %-% ,-&'5$ *"(/($#*( $ /$*$ *"$?.Q"'*&( *-%- *-)- '*'+,(! +$ %' '*(*&-%- ,$#'//0( ( /$*( /-+' ="'*&( -5' ,'# /$"*' ="$*( %$&"#$)(!

,'#*-%' */-+-' *-%- +-#&' 3("*&- ,#(+$ ( $#' $) +-%- "%$ #(*,-*&$ *' %-% '4(%(&(5$! +$$)+'%- -;('&&(5$ *") /$*- '( (*/0( 5-)$%&(.

E$# . R",,')& %') 1961 -,- $5'# (/0($#$&- ,";;)(/$+'%&' /0' $5#';;' 4$&&- '))' #(5')$(-%(*/-&&$%&( *"3)( "4-! ' *") /-%-))- ( ="'*&( '5'%&( $ ,$#&' '3)( "-+(%( (% %'#-! 4'/' "% ('-4#-%&+-)&- *-*,'&&- ,-/0( 3(-#%( -,-! $**'#'%- /0' 3)( "4-! )"4-)-3($ ' ="$%&- $5'**' '&&- 4(%- $ ="')+-+'%&- 4-**'#- *-)&$%&- '))' *&",($33(%(! +$ 3"$#$ /$*- +-# *-%/$&- $ "% (%4$#&- ,#(+$ /0'

*( ,-&'**' (%&'#5(*&$#' ")&'#(-#+'%&' ' /0($#(#' )$ 4$//'%$.

M$ )' /-*' %-% 4(%(*/-%- /'#&- ="$)/0' '/'%%(- 4$! (%4$&&( %') *-)- ,'#(-- $ () 192 ' () 1998 /(4"#-%- +-#&( @*-*,'&&' ( (%3'3%'#( (+,'3%$&( %') ,#-3'&&- 3"'##' *&'))$#( -5' &"&&( #(/-#'#'&'

4-**' *&$&- +'**- (% $&&- %') /$*- /( 4-**' *&$&- "% $&&$//- $))- *,$(- '*&'#%- )$ */"*$ "44(/($)' '#$( &'%'#' *-&&- /-%-))- )' 5$#(' %$(-%( /0' ,-**''5$%- $#+( %"/)'$#(.

V(+$) D$(;0$( ( 2 $%%(! *5-)3'5$ "% ')(/$&- )$5-#- $))(%&'#%- ') ,#-3'&&-! +$ () $3-*&- ')196 ,'#/-##' ,(7 ( 288


10/36

,#(+$ &(,-)-3($ 5'*&(&- %'#-! *($ ,'# -%%' /0' ,'# "-+(%(! *,'**- -//0($)(! $ 5-)&' "% /$,,'))-*'+,#' %'#-! /$+(/($ ;($%/$! ' 5-)&- ="$*( %$*/-*&- $3)( -//0($)(.

S'/-%$ &(,-)-3($ *(+()' $))$ ,#(+$ +$ *'%$ -//0($)( ' () /-+,)'&- (%5'/' /0' %'#- ;)" */"#-.T'#$ &(,-)-3($ "-+(%( *'+,#' ' *-)&$%&- '**'#( +$*/0()(! 5'*&(&( ( */"#-! $%/0' 3#(3(-! /-% ()5-)&- *,'**- /-,'#&- $ "% /$,,"//(-! -,,"#' $ "% /$,,'))- ( )$%$ /$)$&- 4(% ="$*( *"3)( -//0(!

;$5'#- $)$&- ') /$,,-&&- -,,"#' +$3)(-%' $ /-)- $)&- &$%&- $ /-,#(#' )$ ,$#&' (%4'#(-#' ') 5-)&-4(%- $ $##(5$#' $3)( -//0(.

S,'**- () )-#- 5(*- 5('%' +$*/0'#$&- ' %$*/-*&- $))$ 5(*&$! +$ ="$)/0' 5-)&$ *( ,-&"&- %-&$#' /0'$5'5$%- -//0( +-)&- 3#$%( ' $ +$%-#)$! /-+,)'&$+'%&' %'#( (% &"&&$ )$ )-#- 3#$%'$! ' )$ ,'))'

#(*")&$5$ 3#(3($*$! 5'#-3%-)$ ' $)/"%' 5-)&' #(/-,'#&$ ( */$3)('.

S'+;#$ /0($#- /0' ="$)/"%- ( ="'*&( @M'% %-% *($%- ') &"&&- "+$%(! +$ ,-**$%- $,,$#&'%'#' $,-,-)( $)('%( *'+,#' $ #(/-))'3$#' $) ,$&&- ( G#$%$&$.

S,'**- ( #$,(+'%&( - $;"/&(-% *-%- *&$&( #(/-%-&&( $))$ 5(*(-%' ( +()(&$#(! - ,'#*-%' 5'*&(&' (*/"#- - ( ;)" /-+' ( +()(&$#(! +$ /-% 4-#+' "+$%-((! %-% ') &"&&- "+$%( ="(%(.


11/36

CRHISTINE LA MACCHINA INFERNALE () &(&-)- 4$+-*(**(+- ( "% #$//-%&- ( S&'5'% K(%3! ,-( $*4-#+$&- (% 4()+! +$ *' %-% 4-**' &"&&$

4$%&$*($?

Q"'*&$ D-3' ') 196! ::8 /$5$))( L(+(&' E(&(-% @G-)'%E$3)' *$#';;' )$ /$"*$ ( -(%' (+-#&( $ ( *"-( ,-**'**-#(! %') 4()+ (%5'/' *( $&&$5$ ( "%$ P)+-"&0 F"# ') >! +$ ="$)/0'

(44'#'%$ -5# ,"# '**'#/( %-?I%(($)+'%&' 5'%%' $/="(*&$&$ /-+' +$//0(%$ '))$ ,-)(($ ,'# )$ /-%&'$ ( O) O#/0$# B'$/0! ,-(

(% *'3"(&- 5'%%' 5'%"&$ $ "% "-+- $%($%- ' ,-( ="$)/-*$ /-+(%/( $ *"//''#'! ="$)/-*$ (*(%(*-.

T"&&( ( ' "44(/($)( /0' 3"($#-%- )$ +$//0(%$ +-#(#-%- -,- $5'# "//(*- $,,$#&'%'%&( '))$ )-#-4$+(3)($ ,'# ,-( ( *'3"(&- *"(/($#*( $ )-#- 5-)&$.

M$ )' /-*' ;($##' /0' *"//''5$%- '#$%- $) ( ) ( -3%( *,('3$(-%' )$ +$//0(%$ *( $//'%'5$ '*( *,'3%'5$ $ *-)$! *($ %') +-&-#' /0' %'( 4$#(! *,'**- )' ,-#&('#' *( $,#(5$%- ="$%- 5'%(5$

(+;-//$&$ "%$ /"#5$! -,,"#' () +-&-#' $%$5$ *" ( 3(#( $/="(*'%- )$ +$**(+$ 5')-/(& *'%$ /0' (),'$)' 5'%(**' &-//$&-.

A))$ 4(%' )$%($%- (**' /0' )$"&- '#$ #'*,-%*$;()' ( $)+'%- 1 +-#&(! +$ 4-#*' () %"+'#- *$#';;',(7 $)&-.

L$ +$//0(%$ ,$** ="(%( $ W'% A))'%! /0' )$ 3"( -3%( 3(-#%-.

N'3)( $%%( 8 ' 98 $)/"%( +'+;#( '))' /0('*' )-/$)(! 5$%$)($#-%- )$"&-! /#''%- ( */$//($#'() +$)(3%- /0' *'/-%- )-#- $5'5$ (%4'*&$&- )$"&-! /0' (% ="') ,'#(-- '#$ (% (*"*-! +$ :2 ,'#*-%'/0' $,,$#&'%'5$%- $ ="'( 3#",,( ' /0' ,$#&'/(,$#-%- $ ="'))$ (**$/#$(-%'! +-#(#-%- (% +$%('#$

5(-)'%&$ $ /"( $)/"%( 5'%%'#- '/$,(&$&( "#$%&' "% -##'%- (%/('%&' *$$)' /-% "% &(# $ 1 #"-&'!/0' %'))- */-%- '/$,(& &"&&' )' ,'#*-%'! +'%' ( )-#- +-#(#-%- (%5'*&(&( $ "% 4")+(%'.


12/36

U% /$*- %') 68 ' "%- %') 8! /-(%5-)*'#- "' ;$+;(%( /0' -,- '**'#' (%5'*&(&( $ $)' $"&-!5'%%'#- +(*&'#(-*$+'%&' */$3)($&(! /-+' *' 4-**'#- $&&(#$&(! *") /-4$%- '))$ D-3' - *") ,$#$"#&(!

$/="(*'%- '))' 4'#(&' +-#&$)( /0' )( ,-#&$#-%- $ '/''#' ,#(+$ '))$##(5- '( ,$#$+'(/(.L")&(+- /$*- #(3"$#$ () 288 (% /"( "% #$3$(%- &-//$%- )$="()$ #'$)'! *(+;-)- '))$"&-! &-#%

$ /$*$ ' -,- $5'# "//(*- &"&&$ )$ *"$ 4$+(3)($! /$%' /-+,#'*- ('' 4"-/- $ *' *&'**- ' $))$ /$*$;#"/($%-)$ 4(%- $))' 4-%$+'%&$.

N') 2818 "% $)- 3#",,- ( 4$%$&(/( #')(3(-*( $5'%- '/(*- /0' "% '+-%' $5'5$ ,#'*- ,-**'**-'))$"&-! ,'%*$#-%- ( (5('#' (% ,'( )$"&-! 5'%'#)$ (% ,$#&' $ 5$#( *4$*/($/$##-' ' 5($


13/36

(%&'#%'&! +$ W'% A))'% ="$%- )- 5'%%' $ *$,'#' 4'/' "% $,,'))- *" (%&'#%'& ,'#/0 5'%(**'#-#(-5$&( ( ,'(! (% ,-/- &'+,- 5'%%'#- #(-5$&( ' )$"&- 5'%%' #(/-*"(&$.

C $ (#' /0' W'% A))'% 4" )"%(/$ ,#-,#('&$#($ '))$"&- $ /"( %-% 5'%%' &-#&- "% /$,'))-! )$+$//0(%$ *" ( )'( %-% ';;' %'**"% '44'&&-! +$ 4" &'*&(+-%' ( +-)&' +-#&( *$%'.

A))'% *( -44'%' +-)&- $))' $//"*' /0' 5'%3-%- $&' $ ="'*&$"&- $ 3#",,( #')(3(-*( ' $))' ,'#*-%'

*&'**'! ,'#/0 $44'#+$ /0' )' *&-#(' /-))'3$&' $))$ D-3' *-%- *&$&' *-)- '))' /-(%/('%'! ,'#/0 *'5'#$+'%&' ="$)/-*$ ( +$)'4(/- 5( $);'#3$**' '%-! $))-#$ $%/0' $ )"( - $( *"-( ,$#'%&( $*,-#&$&($))$ +$//0(%$ $5#';;'#- 4$&&- "%$ ;#"&&$ 4(%'.

A))'% /-% ( ,'( '))$ D-3'! 3(-/$&&-)(! ,'#)(%' ' $)( -33'&&( $5#';;' $-;;$&- "%$ R$;'##!V-)5- 1992! /0' $%/-#$ $'**- 3"('#';;' ' "&()('#';;' ,'# *'%*(;()($#' )' ,'#*-%' 5'#*- )$

*(%#-+' '))$"&(*+-.


14/36

IL MASTINO DEI BASKERVILLE ESISTE

I) 4$+-*- +$*&(%- '( B$*

P#-,#(- #'/'%&'+'%&' "#$%&' "%- */$5- $#/0'-)-3(/- ,#'**- )' #-5(%' ( "%$%&(/$ $;;$($ $L'(*&-% %') S"44-) #(&&-

*"))' $+,' ,-*&'#(-#(! )$ )'33'%$ ,$#)$5$ /0' ="'*&'**'#' /-+,(**' '%-#+( ;$)( ,'# *,-*&$#*(!,(7 /0' /-##'#' /-+' "% %-#+$)' /$%'! /-*$ /0' $5#';;' "%$ *,('3$(-%' %') ,$#&(/-)$#' *5()",,-

'))' $+,' ,-*&'#(-#(.I) 5''#)- -,- () $+-%&-! - "(#' ( *"-( ,$**( '#$ 3( ="'*&- "% ,#'*$3(- ( +-#&'! $%/0' *'%$

5''#)- - (+;$&&'#*( (% )"(.
https://www.google.it/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&cad=rja&uact=8&ved=0ahUKEwi7wK_5q6DKAhUJPRQKHf8yBHkQFggkMAA&url=https%3A%2F%2Fit.wikipedia.org%2Fwiki%2FIl_mastino_di_Baskerville_(film_1939)&usg=AFQjCNF3XWIOZcmZ2zxQ_n8g8gAevelFTQhttps://www.google.it/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&cad=rja&uact=8&ved=0ahUKEwi7wK_5q6DKAhUJPRQKHf8yBHkQFggkMAA&url=https%3A%2F%2Fit.wikipedia.org%2Fwiki%2FIl_mastino_di_Baskerville_(film_1939)&usg=AFQjCNF3XWIOZcmZ2zxQ_n8g8gAevelFTQ


15/36

E#$ 5(*&- /-+' "% '**'#' (%4'#%$)' /0' '#$ ,-#&$&-#' ( +-#&'! (*"(-%( ' (*3#$($! )$ *"$$,,$#&'%'%$ $) #'3%- ($;-)(/- '#$ $&$ $))$ *",'#*&((-%' /0' #')'3$5$ &"&&( 3)( $%(+$)( %'#(! $(

3$&&(! $( /$%(! $( /-#5(! $))' ,'/-#' /-+' '**'#( +$)'4(/( (% ="$%&- */"#( ( ,')-.L' +(*"#' *&(+$&' 4"#-%- ( 21> /'%&(+'( ( )"%30'$! ' "% ,'*- $,,#-**(+$&(5- /0' -5'5$

$##(5$#' $( 98 /0()(! %-&'5-)+'%&' +-)&- *",'#(-#' $))$ #$$ ( /$%' ,(7 3#$%' /-%-*/("&-.I)D$() M$()#(5')$ /0' )- */0')'- *$#';;' *&$&- -5$&- $ ( #'*&( ( "' /$&&'#$)(! -5' *'/-%-

)$ /#-%$/$ ') 1>! () /$%' (%4'#%$)' $5#';;' "//(*- (5'#*( 4'')( $//-#*( ,'# )$ +'**$! $))-*/-,,($#' ( "% 4"#(-*- &'+,-#$)'.L$ 4-**$ ,-/- ,#-4-%$! /(#/$ 28 /'%&(+'( *$#';;' *&$&$ */$5$&$ ,#'**$,,-/- %') ,'#(-- (% /"( %')

S"44-)< ' %'))$ #'3(-%' '))A%3)($ O#('%&$)' '#$%- #(,-#&$&( (5'#*( $55(*&$+'%&( ' $33#'**(-%( $,$#&' ( ="'*&$%(+$)'.

A)/"%( #'*&( ( +$&'#($)' $#3())$ -5$&( %'))$ 4-**$ $#$%%- "%$ $&$(-%' $) /$#;-%(-! ,(7 ,#'/(*$' *( *$,# *' )- */0')'- - %-% ') 16 *'/-)-.
http://www.dailymail.co.uk/news/article-2629353/Is-skeleton-legendary-devil-dog-Black-Shuck-terrorised-16th-century-East-Anglia.htmlhttp://www.dailymail.co.uk/news/article-2629353/Is-skeleton-legendary-devil-dog-Black-Shuck-terrorised-16th-century-East-Anglia.htmlhttp://www.dailymail.co.uk/news/article-2629353/Is-skeleton-legendary-devil-dog-Black-Shuck-terrorised-16th-century-East-Anglia.html


16/36

L$ )'33'%$ $44'#+$ /0' +'%' ( 4'')( '#$%- #("%(&( $))(%&'#%- '))$ /0('*$ '))$ S$%&(**(+$T#(%(&! (% B)&0;"#30! *$#';;' */-,,($&- "% 4-#&' &'+,-#$)'! ' () ,-#&-%' *( *$#';;' *,$)$%/$&- ,'#

)' $+,$&' ') /$%'! /0' ,-( *( *$#';;' $55'%&$&- *" ( "% "-+- ' "% ;$+;(%-! ,'# ="'*&$(**$/#$(-%'! )$ /$+,$%$ ') /$+,$%()' /$' #-5(%-*$+'%&' $ &'##$! ' )' ;#"/($&"#' *") ,-#&-%'

'))$ /0('*$! (+-*'#';;'#- )' $+,$&' $&' $ ="'*&'**'#' ($;-)(/-.


17/36


18/36

VRILLON ED IL SUO MESSAGGIO AL POPOLO DELLA TERRA

I) 26 %-5'+;#' 19 +'%' '#$%- (% -%$ )' $*+(**(-%( '))'+(&&'%&' (%3)'*' TV E%3)$%S-"&0'#% T')'5(*(-%! "%- *$%- *'3%$)' ( %$&"#$ (3%-&$ *(%*'# %'))$ %-#+$)' ,#-3#$++$(-%'!

="'))- /0' $,,$#5' *,$5'%& %-% ,-/- () ,-,-)- (%3)'*' *'+,#' $,,$#'%&'+'%&' $%="())-.U% *'(/'%&' '$&'##'*' ( %-+' V#())-% $,,$#&'%'%&' $) C-+$%- G$)$&&(/- A*0$&$#! ,$#) ,'#*'( )"%30(**(+( +(%"&( $))$ ,-,-)$(-%'! ,#'%'%- () @,-**'**- ,'# &$)' &'+,- ( ;'% > #(,'&(&-#( '

$##(5$%- $ &-//$#' $&$5'#*- )$ #'&' IBA I%','%'%& B#-$/$*&(%3 A"&0-#(&! *,(%3'%- )$$*+(**(-%' $ (*&$%' (+,-#&$%&(! 4(%- $ #$33("%3'#' /(&& /-+' A%-5'#! L-%#$! N';"#!

O4-#! R'$(%3! S-"&00$+,&-% ' W(%/0'*&'#J (% *-*&$%$ 4" "% *'3%$)' /-% "%$ 4-#$ %-% /-+"%'

' /-% "%$ ,-&'%$ 4-#*' ,-/- #$33("%3(;()' $ ="$)*($*( '+(&&'%&' '*(*&'%&' $))-#$.A,,'%$ 4(%(&$ )$ $*+(**(-%' /0' ,#-/''&&' *'%$ '3"$ ' *'%$ ,#-;)'+(! +$)3#$- 3)( *4-#(

(%/#'(;()( ,'# */0'#+$#' () *'3%$)' $ ,$#&' '))$ &5 %$(-%$)' (%3)'*'! /( 4" "%$ /-#*$ ,'# /'#/$#' (4$# /#''#' $))$ 3'%&' /0' #($&&$**' ( "% *'3%$)' ,(#$&$! ( $)/"%' ,#-5' $"(- ( "%'+(&&'%&'

+(%-#' - ,#-5' &'/%(/0'! +$ *'%$ +$( 4$#' #(4'#(+'%&- $ "%'+(&&'%&' ,$#&(/-)$#' - 4$#' %-+( ($)/"% 3'%'#'.

L$ %-&(($ #(+;$) *" &"&&( ( 3(-#%$)( ') +-%-! (% +$%('#$ *'+,#' ,(7 ,#'-//",$%&'! ' &"&&- (),($%'&$ %' #(+$*' /-(%5-)&- ' */-%5-)&- $))$ %-&(($ /0' V#())-% #()$*/( $))$ &'##$ (% ="'( *'( +(%"&(.

Q"'*&- () #'*-/-%&- ( /( /0' (**' $))-#$! (% "% ,'#(-- (% /"( ( /-+,"&'# -//",$5$%- *&$%'(%&'#' (% /"( 3)-;$) %'&! (%&'#%'& - $)( &(,( ( #'&( &')'+$&(/0' '#$%- *-)- "% *-3%-.

Q"'*&$ )$ 5-/' ( V#())-%! "% #$,,#'*'%&$%&' ') C-+$%- G$)$&&(/- A*0&$#! /0' 5( ,$#)$.P'# +-)&( $%%( /( $5'&' 5(*&- /-+' )"/( %'( /(')(.

V( ,$#)($+- -#$ (% ,$/' ' (% *$33'$! /-+' $;;($+- 4$&&- /-% ( 5-*( 4#$&'))( ' *-#'))'! $,,'#&"&&-!*") 5-*- ,($%'&$ T'##$.

N-( 5'%($+- $ $55'#&(#5( *") '*&(%- '))$ 5-*$ #$$ ' ') 5-*- +-%-! ( +-- /0' ,-**($&'/-+"%(/$#' $( 5-*( *(+()( () ,'#/-#*- /0' -5#'&' (%$,#'%'#' ,'# '5(&$#' ( (*$*( /0'

+(%$//($%- () 5-*- +-%-! ' 3)( '**'#( *"3)( $)( +-%( (%&-#%- $ 5-(.Q"'*&- $44(%/0 ,-**($&' /-%(5('#' () 3#$%' #(*5'3)(- ') ,($%'&$ /0' ,$**'# %'))$ %"-5$ E#$

'))A/="$#(-.L$ %"-5$ '#$ ," '**'#' "% 3#$%' +-+'%&- ( ,$/' ' *5()",,- ,'# )$ 5-*$ #$$! +$ *-)- *' (

5-*( 3-5'#%$%&( *-%- (%4-#+$&( '))' 4-#' +$)(3%' /0' ,-**-%- -*/"#$#' ( )-#- 3("((.R'*&$ ="( $%/-#$ ' $*/-)&$! $&- /0' ="'*&$ -//$*(-%' ," %-% &-#%$#' ,(7.T"&&' )' 5-*' $#+( ( +$)5$3(& '5-%- '**'#' #(+-**'.


19/36

I) +-+'%&- '( /-%4)(&&( -#$ ,$**$&-! ' )$ #$$ '))$ ="$)' 4$&' ,$#&' ," ,#-/''#' $))' ,(7 $)&'4$*( '))$ *"$ '5-)"(-%' *' +-*'#'&' ( '**'#%' '3%(.

A5'&' &'+,- +$ ;#'5' ,'# (+,$#$#' $ 5(5'#' (%*('+' %'))$ ,$/' ' %'))$ ;'%'5-)'%$.P(//-)( 3#",,( $,,'#&"&&- *") ,($%'&$ *&$%%- (+,$#$%- ="'*&- ' '*(*&-%- ,'# ,$**$#' $))$ )"/'

'))$);$ '))$ %"-5$ '#$ ( &"&&( 5-(.

S('&' )(;'#( ( $//'&&$#' - #(4("&$#' ( )-#- (%*'3%$+'%&(! +$ *-)&$%&- /-)-#- /0' (+,$#'#$%%- $ 5(5'#'%'))$ ,$/' ,$**'#$%%- $( ,(7 $)&( #'3%( ( *5()",,- *,(#(&"$)'.A*/-)&$ -#$ )$ 5-/' ( V#())-%! #$,,#'*'%&$%&' ') C-+$%- G$)$&&(/- ( A*0&$# /0' 5( ,$#)$.S($&' /-%*$,'5-)( /0' /( *$#$%%- +-)&( 4$)*( ,#-4'&( ' 3"(' /0' -,'#$%- %') 5-*- +-%-.

S"//0('#$%%- )$ 5-*$ '%'#3($ X )'%'#3($ /0' 5-( /0($+$&' '%$#- X "*$%-)$ ,'# 4(%( ($;-)(/(!$%-5( (% /$+;(- $5$%( *'%$ 5$)-#'.

I) 5-*- D(5(%- * *",'#(-#' 5( ,#-&'33'#.D-5'&' (+,$#$#' $ '**'#' *'%*(;()( $))$ 5-/' '))$ V'#(& '%- ( 5-( /0' ," (#5( /-* )$ 5'#(&

' /-* )$ /-%4"*(-%'! () /$-* ' )$ +'%-3%$.I+,$#$&' $ $*/-)&$#' )$ 5-/' '))$ 5'#(& $) 5-*- (%&'#%-! 5( 3"('# *") *'%&('#- '))'5-)"(-%'.

Q"'*&- () %-*- +'**$33(- ,'# ( %-*( /$#( $+(/(.

V( $;;($+- 3"$#$&- /#'*/'#' ,'# +-)&( $%%(! /-*( /-+' 5-( $5'&' 3"$#$&- )' %-*' )"/( %'( /(')(.O#$ 5-( *$,'&' /0' %-( *($+- ="(! ' /0' /( *-%- +(#($( ( '**'#( (%&-#%- ' *"))$ &'##$ ,(7 ( ="$%&( (

5-*( */('%($&( $++'&&$%-.N-( *($+- ,#-4-%$+'%&' (%&'#'**$&( $ 5-( ' $) 5-*- *'%&('#- $&$5'#*- )$ )"/' ' 4$#'+- ( &"&&-

,'# $("&$#5(.N-% $;;($&' ,$"#$! /'#/$&' *-)- ( /-%-*/'#5( ' 5(5'#' (% $#+-%($ $) ,$**- ') 5-*- ,($%'&$.

N-( ') C-+$%- G$)$&&(/- ( A*0&$#! 5( #(%3#$($+- ,'# )$ 5-*$ $&&'%(-%'.S&($+- -#$ )$*/($%- ( 5-*( ,($%( '*(*&'%$.

P-**($&' '**'#' B'%''&&( $))$+-#' ' $))$ V'#(& *",#'+$ '))U%(5'#*-.

C0' (#'? I) +'**$33(- $%/0' *' 4-**' *&$&$ "%$ ;"4$)$! $5$ $55'#&(+'%&( $3)( $)&( 3#$( ( 3-5'#%-*" /-+' $5#';;'#- -5"&- 4$#' ,'# ,#'5'%(#' )$ (*"(-%' '3)( '/-*(*&'+(! ' ,'# 5(5'#' (% ,$/'.

O55($+'%&' %-% 4" /#'"&-.S( (**' $))-#$ /0' )'+'&&(&-#' ( H$%%(%3&-%! 4-**' (% 3#$( ( #(/'5'#' *'3%$)( $%/0' %-% 5($ /$5-!

/(- 5($ '&'#' ' /0' 4-**' ="(%( @*-33'&&- $ ,-**(;()( (%4()$(-%( %-% $"&-#($&' ( *'3%$)( /0'4-**'#- *"))$ 3("*&$ 4#'="'%$.

S( ,$#) /0' 4-**' *&$&- */-,'#&- "% 0$/


20/36

C $ ,'%*$#' ,'# /0' *-)- "% +'*' ,#(+$ %'))-**'#5$&-#(- '(/$&- $) ,#-3'&&- S'&(! -55'#- )$#(/'#/$ ( 4-#+' ( 5(&$ *" $)( ,($%'&( - ( /-+"%(/$(-%( #$(- /0' ,#-5'%(**'#- $))- *,$(-! /-% ()#$(-&')'*/-,(- B(3 E$# '))U%(5'#*(& '))- S&$&- ')) O0(- () -&&-# '## R. E0+$% () 1> $3-*&-

19! #'3(* "% *'3%$)' /0' %-% ,#-5'%(5$ $))$ &'##$ +$ %'++'%- $))$ %-*$ 3$)$**($ "%*'3%$)' #(,'&(&(5- ' /0' "# ;'% 2 *'/-%(! ' /0' +'#$5(3)( $ &$) ,"%&- )- */('%($&- /0' %' #(/$5

() &$;")$&-! /0' %-% ,-& 4$# $)- /0' $ +$#3(%' +'&&'#' () &'#+(%' @WOW ,'# (%(/$#' )$*$-#(%$#('& ') 4$&&-! $ ="') +-+'%&- ="'))"%(/- /$*- ( (%&'#4'#'%$ $)('%$ 5('%' /0($+$&- (%&$)' +--.

N') 281 5'%%' #()'5$&- "% %"-5- *'3%$)' ,#-,#(- $) ,#-3'&&- S'&(! /0' "# /(#/$ *'/-%(! +$'**'%- ,(7 ,#-%&( '))$ ,#(+$ 5-)&$ 5'%%' %-% *-)- #'3(*$&- (% &"&&( ( +-( +$ 5'%%' $%/0'

#()'5$&$ )$ 4-%&' ( ,#-5'%('%$ 5(/(%- $))$ *&'))$ TYC 1228911.

I) 4$&&-#' ,$#&(/-)$#' *&$ %') 4$&&- /0' () *'3%$)' - %-% $5'5$ "%$ 4-%&' ,#'/(*$! +$ *( *$,'5$*-)&$%&- $ -5' %-% ,#-5'%(5$! +'%' ="( /( -5'#'++- $5$%&( $ "% #$(- 4$#-! "% *'3%$)'/-*&$%&' ' #(,'&(&(5- /-+' $ '*'+,(- "% *.-.*. - "% *'3%$)' ( #()'5$+'%&- #'*&$ $ $%$)($#' *'*( ,-**$ $&&$#' ,'# ( "% *'3%$)' %$&"#$)' -3%( /-#,- /')'*&' ,#-,$3$ *'3%$)( #$(-! ' ,-';;'

="(%( '**'#' ="'))- '))$ *&'))$ *&'**$ - ( "% /-#,- $ )'( 5(/(%- $%/-#$ %-% ('%&(4(/$&-! -,,"#' *'*( ,-**$ $&&$#' ( "% *'3%$)' (%&'))(3'%&' +$%$&- $ ="$)/"%-.


21/36

LA TERRIFICANTE STORIA DI LAKE SHAWNEE E DEL SUO PARCO DEI DIVERTIMENTIMALEDETTO.

I) ,$#/- '( (5'#&(+'%&( ( L$


22/36

A)/"%( 30-*& 0"%&'# 3("#$%- ( $5'#)$ 5(*&$ ' #(,#'*$ $,,$#(#' *-,#$ )$ 3#$%' #"-&$ 5'*&(&$ ( ;($%/-/-% 5(*&-*' +$//0(' ( *$%3"' /0' /-)$%- 3(7.

L$ *&-#($ (%(( ="$%- "% 3#",,- ( /-)(%( %') 1: /'#/ ( #(5'%(/$#' () ,-**'**- ( ="'))' &'##'!/-*$ /0' %-% 5'%%' 5(*&$ ;'%' $3)( (%($%( /0' )$ #(&'%'5$%- *$/#$.

L$ /0($+$5$%- M'#/'# C-"%&! ' #(&'%%'#- /0' )$ 4$+(3)($ C)$ $5'**' -44'*- ( )-#- D'(!,#'&'%'%- "% &'##'%- %-% )-#-.

B$#&)' () ,(7 3(-5$%' '))$ 4$+(3)($! 5'%%' */$),$&- ' "//(*-! () ,$#' 5'%%' ;#$//$&-! +'%' )$*-#'))$ T$;(&0$ 5'%%' (%*'3"(&$ ' $//-)&'))$&$! )$*/($%-)$ +-#(#' (**$%3"$&$ ,'# )' 4'#(&'.

M$ )$ /-*$ ,'33(-#' -5'5$ $%/-#$ *"//''#' $) 4(3)(- +$33(-#'.E'


23/36

Q"'*&$ ;$#$ ( "% (3%-&- *&$&$ (**',,'))(&$ ' )$*/($&$ $;;$%-%$&$ *"))'#;$! 4-#*' "#$%&' "%-'3)( */$5( ( #()'5$+'%&-! -,,"#' ="$)/0' /-#$33(-*- /0' 0$ 5-)"&- 4$#' "%$ ;#$5$&$.


24/36

C',,- $ #(/-#- ( -5' 5'%%'#- "//(*( ( /-+,-%'%&( '))$ 4$+(3)($ C)$.

G$)-# B($%/- II )$&&"$)' ,$#-%' ') ,$#/-! (/' ( $5'#' $5"&- %'))$ -%$ 5(*(-%( (%*,('3$;()(!*'%*$(-%( ( +-#&' ' "(&- *"-%( ( $%' (;$)(.

N') 288> ="$%- 5'%%' 3(#$&- "% -/"+'%&$#(- *"( ,-*&( ,(7 *,$5'%&-*( A+'#(/$! &"&&- )- *&$44 *(#(4("& ( +'&&'#5( ,('' ( %-&&' ' () *'%*(&(5- '))$ -",' (**' ( *'%&-#' )$ -%$ -,,- -*&()' ' (

$5'# "(&- '( /$%&( ' *"-%( /-+' )(&$%(' (%($%'.D$ $))-#$! () ,$#/- *&$&- +'&$ ( &"&&( ="'( 3#",,( /0' *( (%&'#'**$%- ') ,$#$%-#+$)' /-+' (

V(#3(%($ P$#$%-#+$) I%5'*&(3$&(-%* VIPA /0' ,$**$#-%- )$ %-&&' *") )"-3- ,'# /'#/$#' ( #'3(*$#'="$)/-*$.


25/36

U%$ 4-&- %') 3(-#%- $,'#&"#$ ') ,$#/-.


26/36


27/36

SULLA LUNA CERA GIA QUALCUNO PRIMA DEL 1969

S'/-%- $*-% M$#&'))! $"&-#' ( @LA,-/$)(**' '))$ C-%-*/'%$ ! ="$%- %') 196 )$ *-%$R$%3'# 5'%%' +$%$&$ %'))- *,$(- ,'# */$&&$#' 4-&-3#$4(' $ $)&$ #(*-)"(-%' '))$ )"%$! %'

5'%%'#- 4$&&' :16! +$ *-)&$%&- $)/"%' (5'%%'#- ( ,";;)(/- -+(%(-.P'#/0?

C'#$ 4-#*' ="$)/-*$ /0' %-% $%$5$ +-*$&-?L$ ="$%&(& ( 4-&- ,$#)($+- ( ="'))' 5'#' -55($+'%&' ' %-% '))' +(3)($($ ( 4$


28/36


29/36

Q"(%( #(*")&'#';;' /-*! /0' )' 4-&- *-%- #(&-//$&' - #(4$&&' +$ /0' *"))$ )"%$ /( *($+- 5'#$+'%&'$%$&(.

M$ )$ -+$%$ )$ *-/('&! *,'/($)+'%&' ="'))$ +()(&$#'! +(**()(*&(/$ ' $'#-*,$($)'! ," $5'#''))' *$%' (%5-)"(-%(?22 $%%( ,#(+$ '))$))"%$33(- */-,#-%- )' +(/#--%'! ,-( $%%- )$ /-),$ $ ="'*&")&(+' ( $5'#

#-5(%$&- )' 4-&- *"))$ )"%$! *' %' '#$%- */-#$&(?A,-))- 11 &"&&- ;'%' ,'#4'&&- *'%$ (%&-,,(! $)+'%- "44(/($)+'%&'! ,-( "%$ *'#(' ( /$&$*-4( ' 4)-,

,$"#-*( 4$#$%%- ,'#'#' )$ 5(&$ $ $)/"%( $*-%$"&( ' 4$))(#' +(**(-%(! ," *"//''#'?S' 4-**'#- $%$&' $) /-%$#(- )' /-*'! *$#';;' *&$&$ "%$ %-#+$)' '5-)"(-%' '( 4$&&(! +$ /-*

/-+' *' ,'# -3%( ,$**- %' $5'**'#- 4$&&- "%- (%('-.M$ 5'%($+- $) ,#-;)'+$ ,#(%/(,$)'! ="'))- ( +$%"4$&&(! $*-%$5( ' $)- *"))$ )"%$! *' $55'#-

%-% / %"))$ ( &"&&- ="'*&-! /#'- /0' ;$*&'#';;'#- ,-/0' 4-&-3#$4(' 4$&&' $ "% *$&'))(&' ,'# /0($#(#')$ 4$//'%$! +$ *$%$+'%&' $%/0' )' 4-&- /0' 5'%3-%- #'*' ,";;)(/0' *,'**-! 5'%3-%- +$*/0'#$&'

(% ,$#&'! $33("%&( 4()( /-)-#' '//. ' ,$#)- %-% *-)- '))' 4-&- '))$ )"%$.

E))(* S()5'# (/' %') *"- )(;#- @ )$ 5(&$ *"))$ &'##$ %-% ( ="'*&- ,($%'&$ /0' )'5-)"(-%' "+$%$*$#';;' *&$&$ @$("&$&$ - $(#(&&"#$ /0' 4-**'#- ( ,#-5'%('%$ '$&'##'*' ( %-*( $5(.


30/36

S' ="'*&- 4-**' '*$&&- /( *$#';;' "%$ #(*,-*&$ $( ="'*(&( *-,#$! ,-(/0 *' )$ /-%-*/'%$ %-% $&$ $&"&&' )' ,$#&( /0' /-+,-%3-%- )$ /-+,#'%*(-%' ( ="') /0' *( -&&('%'! $))-#$ %-#+$)' /0' /( *($%-

'( ,$#$-**( ' '( ,$**( $))(%('-! ,'#/0 +$%/$ ()


31/36

L$ 3#$5(& +(%-#' #'%'#';;' +'%- 4$&(/-*- +"-5'#*(! $#';;' +'%- ,'*- $))$ */0('%$! ( 4(3)(%$*/'#';;'#- /-% +'%- 4$&(/$ ' /-% "%$ 3#$%'$ ,(7 /-%4-#+' $))$ 3#$5(&! )$ )"%30'$ ')3(-#%- *$#';;' +(3)(-#' ,'# () 4(*(/-! ' () 4$&&- /0' )'**'#' "+$%- %-% *-,,-#&( $) )"/' *-)$#'!

,-';;' '**'#' *,('3$&$ *'+,)(/'+'%&' /-% "%$ ,#-5'%('%$ *-&&'##$%'$ '3)( $;(&$%&( -#(3(%$)( (M$#&'.

S,'**- *( (,-&($&- /0' *") ,($%'&$ $5#';;'#- ,-&"&- $%/0' '**'#/( 4-#+' ( 5(&$! +$ 5(*&$)-*&()(& ') ,($%'&$! *'+,#' /0' *($ $55'#- /-* -*&()' *( *$#';;' #(%&$%$&$ *'+,#' ( ,(7 %')*-&&-*"-)-! +$ ="'*&- -5"&- $) 4$&&- /0' ,'# %-( *$#';;' (%/-%/',(;()' 5(5'#' *-&&- &'##$! +$ *' )$

5(&$ *( 4-**' *5()",,$&$ ,#-,#(- )?A5#';;'#- ,'#/( $5"&- $ *'+,#' )$;(&"(%' ( 5(5'#' (% /-*"(-%( *-&&-&'##$ /-*"(&' %') &'+,-!

- +$3$#( ,"#' 3)( $;(&$%&( ( M$#&' %-% ,#-5'%3-%- $ ="') ,($%'&$! ' *' 4-**'#- )-#- ( %-*(,#-3'%(&-#(! 5-##';;' (#' /0' ,-'++- 5'%(#' $ "% $)- ,($%'&$ '$*-)$#'.


32/36

C-+"%="' *($ ' $ -5"%="' 5'%($+- *' *-)- 4-**(+- "% ,- ,( $&&'%&( $ /-+' $&&($+- () ,($%'&$*" /"( 5(5($+- $))-#$ 4-#*' *$#';;' $%/0' ,(7 5(5(;()'! $)(+'%&( ,#'*&- - &$#( /( -5'#'+- /-% "%

,($%'&$ #(-&&- /-+' )$ )"%$.


33/36

VERSO ITACA E OLTRE ITACAFAUST EDIIONI

I "' )(;#( '))$ F$"*& E((-%(! ' *-%- "%$ #$//-)&$ '( #$//-%&( '( ,$#&'/(,$%&( $( /-#*( ( */#(&&"#$/#'$&(5$ ') ,#-4'**-# R-;'#&- P$(! /0' #$//-)3-%- () 4#"&&- ( ="'*&' )'(-%( /0' 4"%(-%$%- /-+'

"%$ *-#&$ ( */#(&&"#$ &'#$,($! -5' )' ,'#*-%' 5'*&'%- $)( ,$%%(! (5'#*( $( ,#-,#(! ,-&'%-(5'%&$#' /( /0' %-% *-%-! (% "% $+;('%&' /#'$&- $))$ )-#- (++$3(%$(-%'! ($ )-#- #(/-#((%4$%($ ' $( )-#- *-3%(! '//- /0' ,-**-%- "*/(#' $))- */-,'#&- *'%$ &'+'#' ( $5'#' /-%4#-%&( (

$)/"% &(,-! -,,"#' (5'%&$#' )'*$&&- -,,-*&- ( ="') /0' *-%- (% #'$)&! - /-+,-#&$#*( /-+' %-%$5#';;'#- +$( () /-#$33(- ( 4$#' %'))$ 5(&$ ( &"&&( ( 3(-#%(.

M$*/0'#' "%="' /0' /-,#-%-! +$ ,(7 *,'**- */-,#-%- () ,#-,#(- (- %$*/-*&-! ="'))- /0' 4-#*'%'++'%- %-( /-%-*/($+- ;'%'! -,,- $&&'%&( $ %-% 4$# $,')$#' /( /0' ,'%*($+- #'$)+'%&'.

D$ *'3%$)$#' $ ( 5$#( #$//-%&( ="'))( (R$(+-%- G$)$%&'! ,#'*'%&' (% &"&&( "' ( )(;#( ' /0' %'),#(+- 5( "% (%/-%- (+,-**(;()' $ () *-3%- ' )$ 5'3)($! /-% )"-+- /0' 0$ (%5'%&$&- ()

*'/-)-! N(


34/36

ANY KIND OF DRUG FOR UST ONE KIND OF LOVE

I) %"-5- ' $&&'*(**(+- / ( C#0(*&($% R$(%'#4(%$)+'%&' "*/(&-! ' /( 4$ (+'%&(/$#' &"&&- () &'+,-,$**$&- $ $*,'&&$#' )$);$ ( "% )$5-#- /0' '5-/$ (++$3(%( ,'#*' %'))$ +'%&' ' -5' ( )$5-#( %')

/$+,- '))$ /(%'+$&-3#$4($ +"*(/$)' *( 4$%%- *'%&(#'! ,'#/0 ="'*&( ;#$%( #(/0($+$%- $%/0'(++$3(%(! *"-%(! /-)-#( ' *(&"$(-%( ' %-% #(+$%3-%- *'+,)(/( $/


35/36

NUMERI ARRETRATI DI SANDS FROM MARS ED AGGIORNAMENTI

SANDS FROM MARS NEW EDITION N.1

SANDS FROM MARS NEW EDITON N.2SANDS FROM MARS NEW EDITON N.:SANDS FROM MARS NEW EDITON N.SANDS FROM MARS NEW EDITON N.>SANDS FROM MARS NEW EDITON N.6SANDS FROM MARS NEW EDITION N.

SANDS FROM MARS NEW EDITION N9SANDS FROM MARS NEW EDITION N.18SANDS FROM MARS NEW EDITION N.11SANDS FROM MARS NEW EDITION N.12SANDS FROM MARS NEW EDITION N.1:

SANDS FROM MARS NEW EDITION N.1SANDS FROM MARS NEW EDITION N.1>SANDS FROM MARS NEW EDITION N.16SANDS FROM MARS NEW EDITION N.1SANDS FROM MARS NEW EDITION. 1SANDS FROM MARS NEW EDITION. 19SANDS FROM MARS NEW EDITION 28SANDS FROM MARS NEW EDITION 21SAND FROM MARS NEW EDITION 22

SANDS FROM MARS NEW EDITION 2:SANDS FROM MARS NEW EDITION 2

AGGIORNAMENTI

INTERVISTA ESCLUSIVA A DREAM ARIAIN ITALIANOIN INGLESE

RECENSIONE IN ITALIANOIN INGLESE

MAURIIO GANAROLI INTERVISTAM.O.D.

INTERVISTA ESCLUSIVADAVE SIROBY GUERRA INTERVISTA

EUGENIO SQUARCIAROBY GUERRA INTERVISTA

GIANLUCA EVANGELISTIAIONE FUTURISTA

MAURIIO GANAROLI INTERVISTAFRANCO DAGA

RECENSIONE E INTERVISTAWIREFRAME

INTERVISTA ALLARTISTAHOU CHENG GUANGIN ITALIANO! INGLESE E CINESE
http://www.scribd.com/doc/53735028/Sands-From-Mars-NUOVA-VERSIONE-1http://www.scribd.com/doc/58841526/Sands-From-Mars-New-Edition2http://www.scribd.com/doc/62116683/Sands-From-Mars-New-Edition-n3http://www.scribd.com/doc/68801594/Sands-From-Mars-New-Edition-n-4http://www.scribd.com/doc/74297518/Sands-From-Mars-New-Edition-n-5http://www.scribd.com/doc/76807904/Sands-From-Mars-New-Edition-n-6http://www.scribd.com/doc/80671575/SANDS-FROM-MARS-NEW-EDITION-ISSUE-7http://www.scribd.com/doc/88008460/Sands-From-Mars-issue-8-e-9-double-numberhttp://www.scribd.com/doc/22413314/Tutorial-Scribd-in-Italianohttp://www.scribd.com/doc/103150666/Sands-From-Mars-new-edition-issue-11http://www.scribd.com/doc/108481912/Sands-From-Mars-n-12http://var/www/apps/conversion/tmp/sands%2013/SANDS%20FROM%20MARS%20NUMERO%2013.dochttp://www.scribd.com/doc/119499016/Sands-From-Mars-14http://www.scribd.com/doc/131392616/SANDS-FROM-MARS-ISSUE-15-dochttp://www.scribd.com/doc/140686523/SANDS-FROM-MARS-ISSUE-16http://www.scribd.com/doc/148627627/SANDS-FROM-MARS-ISSUE-17-dochttp://www.scribd.com/doc/157756656http://www.scribd.com/doc/176035597/Sands-From-Mars-Issue-19http://www.scribd.com/doc/196478270/Sands-From-Mars-Issue-20http://www.scribd.com/doc/217320945/SANDS-FROM-MARS-21http://www.scribd.com/doc/236370330/SANDS-FROM-MARS-ISSUE-22http://it.scribd.com/doc/248371360/SANDS-FROM-MARS-ISSUE-23#scribdhttps://www.scribd.com/doc/256409776/Sands-From-Mars-issue-24http://www.scribd.com/doc/62662097/INTERVISTA-ESCLUSIVA-A-DREAM-ARIA-EDIZIONE-SPECIALE-IN-ITALIANOhttp://www.scribd.com/doc/62662097/INTERVISTA-ESCLUSIVA-A-DREAM-ARIA-EDIZIONE-SPECIALE-IN-ITALIANOhttp://www.scribd.com/doc/62661585/Esclusive-Interview-to-Dream-Aria-Special-Edition-english-versionhttp://www.scribd.com/doc/65835011/RECENSIONE-PER-DREAM-ARIAhttp://www.scribd.com/doc/65834663/REVIEW-TO-DREAM-ARIAhttp://www.scribd.com/doc/74790974/Maurizio-Ganzaroli-intervista-M-O-D-aggiornamento-n-5-di-sands-from-mars-new-editionhttp://www.scribd.com/doc/74790974/Maurizio-Ganzaroli-intervista-M-O-D-aggiornamento-n-5-di-sands-from-mars-new-editionhttp://www.scribd.com/doc/58842053/EXCLUSIVE-AND-SPECIAL-INTERVIEW-TO-DAVE-SIXX-AND-RECENSION-AOBUT-THE-TWO-NEW-ALBUMhttp://www.scribd.com/doc/58842053/EXCLUSIVE-AND-SPECIAL-INTERVIEW-TO-DAVE-SIXX-AND-RECENSION-AOBUT-THE-TWO-NEW-ALBUMhttp://www.scribd.com/doc/55307470/ROBERTO-GUERRA-INTERVISTA-EUGENIO-SQUARCIAhttp://www.scribd.com/doc/55307470/ROBERTO-GUERRA-INTERVISTA-EUGENIO-SQUARCIAhttp://www.scribd.com/doc/55222426/ROBY-GUERRA-INTERVISTA-GIANLUCA-EVANGELISTIhttp://www.scribd.com/doc/55222426/ROBY-GUERRA-INTERVISTA-GIANLUCA-EVANGELISTIhttp://www.scribd.com/doc/54815306/azione-futuristahttp://www.scribd.com/doc/54657309/Intervista-Esclusiva-a-Franco-Daga-Sfmhttp://www.scribd.com/doc/54657309/Intervista-Esclusiva-a-Franco-Daga-Sfmhttp://www.scribd.com/doc/54091758/RECENSIONE-ED-INTERVISTA-A-CARLO-BUCCIARELLI-ED-ANIA-DONDALSKA-WIREFRAMEShttp://www.scribd.com/doc/54091758/RECENSIONE-ED-INTERVISTA-A-CARLO-BUCCIARELLI-ED-ANIA-DONDALSKA-WIREFRAMEShttp://www.scribd.com/doc/92112081/ARTE-IN-CINA-INTERVISTA-A-ZHOU-CHENGGUANGhttp://www.scribd.com/doc/92112081/ARTE-IN-CINA-INTERVISTA-A-ZHOU-CHENGGUANGhttp://www.scribd.com/doc/92112081/ARTE-IN-CINA-INTERVISTA-A-ZHOU-CHENGGUANGhttp://www.scribd.com/doc/53735028/Sands-From-Mars-NUOVA-VERSIONE-1http://www.scribd.com/doc/58841526/Sands-From-Mars-New-Edition2http://www.scribd.com/doc/62116683/Sands-From-Mars-New-Edition-n3http://www.scribd.com/doc/68801594/Sands-From-Mars-New-Edition-n-4http://www.scribd.com/doc/74297518/Sands-From-Mars-New-Edition-n-5http://www.scribd.com/doc/76807904/Sands-From-Mars-New-Edition-n-6http://www.scribd.com/doc/80671575/SANDS-FROM-MARS-NEW-EDITION-ISSUE-7http://www.scribd.com/doc/88008460/Sands-From-Mars-issue-8-e-9-double-numberhttp://www.scribd.com/doc/22413314/Tutorial-Scribd-in-Italianohttp://www.scribd.com/doc/103150666/Sands-From-Mars-new-edition-issue-11http://www.scribd.com/doc/108481912/Sands-From-Mars-n-12http://var/www/apps/conversion/tmp/sands%2013/SANDS%20FROM%20MARS%20NUMERO%2013.dochttp://www.scribd.com/doc/119499016/Sands-From-Mars-14http://www.scribd.com/doc/131392616/SANDS-FROM-MARS-ISSUE-15-dochttp://www.scribd.com/doc/140686523/SANDS-FROM-MARS-ISSUE-16http://www.scribd.com/doc/148627627/SANDS-FROM-MARS-ISSUE-17-dochttp://www.scribd.com/doc/157756656http://www.scribd.com/doc/176035597/Sands-From-Mars-Issue-19http://www.scribd.com/doc/196478270/Sands-From-Mars-Issue-20http://www.scribd.com/doc/217320945/SANDS-FROM-MARS-21http://www.scribd.com/doc/236370330/SANDS-FROM-MARS-ISSUE-22http://it.scribd.com/doc/248371360/SANDS-FROM-MARS-ISSUE-23#scribdhttps://www.scribd.com/doc/256409776/Sands-From-Mars-issue-24http://www.scribd.com/doc/62662097/INTERVISTA-ESCLUSIVA-A-DREAM-ARIA-EDIZIONE-SPECIALE-IN-ITALIANOhttp://www.scribd.com/doc/62662097/INTERVISTA-ESCLUSIVA-A-DREAM-ARIA-EDIZIONE-SPECIALE-IN-ITALIANOhttp://www.scribd.com/doc/62661585/Esclusive-Interview-to-Dream-Aria-Special-Edition-english-versionhttp://www.scribd.com/doc/65835011/RECENSIONE-PER-DREAM-ARIAhttp://www.scribd.com/doc/65834663/REVIEW-TO-DREAM-ARIAhttp://www.scribd.com/doc/74790974/Maurizio-Ganzaroli-intervista-M-O-D-aggiornamento-n-5-di-sands-from-mars-new-editionhttp://www.scribd.com/doc/74790974/Maurizio-Ganzaroli-intervista-M-O-D-aggiornamento-n-5-di-sands-from-mars-new-editionhttp://www.scribd.com/doc/58842053/EXCLUSIVE-AND-SPECIAL-INTERVIEW-TO-DAVE-SIXX-AND-RECENSION-AOBUT-THE-TWO-NEW-ALBUMhttp://www.scribd.com/doc/58842053/EXCLUSIVE-AND-SPECIAL-INTERVIEW-TO-DAVE-SIXX-AND-RECENSION-AOBUT-THE-TWO-NEW-ALBUMhttp://www.scribd.com/doc/55307470/ROBERTO-GUERRA-INTERVISTA-EUGENIO-SQUARCIAhttp://www.scribd.com/doc/55307470/ROBERTO-GUERRA-INTERVISTA-EUGENIO-SQUARCIAhttp://www.scribd.com/doc/55222426/ROBY-GUERRA-INTERVISTA-GIANLUCA-EVANGELISTIhttp://www.scribd.com/doc/55222426/ROBY-GUERRA-INTERVISTA-GIANLUCA-EVANGELISTIhttp://www.scribd.com/doc/54815306/azione-futuristahttp://www.scribd.com/doc/54657309/Intervista-Esclusiva-a-Franco-Daga-Sfmhttp://www.scribd.com/doc/54657309/Intervista-Esclusiva-a-Franco-Daga-Sfmhttp://www.scribd.com/doc/54091758/RECENSIONE-ED-INTERVISTA-A-CARLO-BUCCIARELLI-ED-ANIA-DONDALSKA-WIREFRAMEShttp://www.scribd.com/doc/54091758/RECENSIONE-ED-INTERVISTA-A-CARLO-BUCCIARELLI-ED-ANIA-DONDALSKA-WIREFRAMEShttp://www.scribd.com/doc/92112081/ARTE-IN-CINA-INTERVISTA-A-ZHOU-CHENGGUANGhttp://www.scribd.com/doc/92112081/ARTE-IN-CINA-INTERVISTA-A-ZHOU-CHENGGUANGhttp://www.scribd.com/doc/92112081/ARTE-IN-CINA-INTERVISTA-A-ZHOU-CHENGGUANG


36/36

INTERVISTA ALLARTISTA LIU LEAHIN ITALIANO! INGLESE! E CINESE

MISTERIOSE VORAGINI SI APRONOIN TUTTO IL MONDO

RECENSIONE PER @ATIMIA

@LINGANNOIL CD DI DEBUTTO.SOAP AND SKIN

LA FURIA DELLA TIGRE DAUSTRIANIEL ARMSTRONG MUORE A 2 ANNI

ADDIO A SERGIO TOPPILUOMO CHE TRASFORMO IL FUMETTO IN ARTE

TONY SCOTTLUOMO PIU VELOCE DELLA LUCE

LE FOTO DELLE MISSIONI GEMINI MAI VISTEBIOGRAFIA DI GERALD GARDNER

RECENSIONE DEL NUOVO CD DI VISIONI GOTICHEIL CINEMA DI FANTASCIENA

LEIT MOTIV 1: RECENSIONEDEL PROGETTO MULTISONORORECENSIONE AL LIBRO DI CARMEN BARBARO

@I L CONVENTO DEI VELENIMOSTRA FOTOGRAFICA DI GIANFRANCO GANAROLIRECENSIONE PER LE DIOS MECHANISCHEDEI M.O.D

RECENSIONE PER REINCARNATION OF EVIL ED INTERVISTA AGLI HELL THEATERRECENSIONE PER IL LIBRO @ IL BUIO NELLA BOCCA DI ANDREA BISCARO

RECENSIONE PER MARIA FRANCESCA CONSIGLIORECENSIONE PER SIMONA BOCCIA PHOTOGRAPHY

IL RICORDO DI OTELLO CECCATOHANS RUEDI GIGER E LA STORIA DI ALIEN

E MORTO PETER PANOMAGGIO A ROBIN WILLIAMSINTERVISTA A MARIA FRANCESCA CONSIGLIO

RECENSIONE PER VUOTO PNEUMATICOESSERE URBE

SANDS IN PILLOLE

S(%3-)( $#3-+'%&( #(5(*&( ' $33(-#%$&(ANCORA SI PARLA DI ACK

BOLLE BIANCHE ENORMI COMPAIONO DAL TERRENO IN CINACOSE CHE CADONO

ESPERIMENTO PHILADELPHIA INSABBIAMENTO MAL RIUSCITOIL LAGO CHELABINK E CO8NTAMINATO DA BATTERI ALIENI

ALLISON DUBOISGERALD CROISET

GLI ALIENIA TTACCANO UNA BASE IN USAGLI UCCELLI DI HITCKOK

IL MISTERO DELLUOMO FALENA
http://www.scribd.com/doc/92105358/ARTE-IN-CINA-LIU-LEAH-IN-LINGUA-CINESE-ITALIAN-ED-INGLESEhttp://www.scribd.com/doc/92105358/ARTE-IN-CINA-LIU-LEAH-IN-LINGUA-CINESE-ITALIAN-ED-INGLESEhttp://www.scribd.com/doc/22413314/Tutorial-Scribd-in-Italianohttp://www.scribd.com/doc/22413314/Tutorial-Scribd-in-Italianohttp://www.scribd.com/doc/22413314/Tutorial-Scribd-in-Italianohttp://www.scribd.com/doc/22413314/Tutorial-Scribd-in-Italianohttp://www.scribd.com/doc/22413314/Tutorial-Scribd-in-Italianohttp://www.scribd.com/doc/103169418/Aggiornamento-n-12-a-sands-from-mars-Soap-and-Skinhttp://www.scribd.com/doc/103169418/Aggiornamento-n-12-a-sands-from-mars-Soap-and-Skinhttp://www.scribd.com/doc/104916599/Aggiornamento-Numero-13-Niel-Armstrong-Muore-a-82-Annihttp://www.scribd.com/doc/104916758/Aggiornamento-14-Addio-a-Sergio-Toppihttp://www.scribd.com/doc/104916758/Aggiornamento-14-Addio-a-Sergio-Toppihttp://www.scribd.com/doc/104916894/Aggiornamento-15-Addio-a-Tony-Scott-l-Uomo-Piu-Veloce-Della-Lucehttp://www.scribd.com/doc/104916894/Aggiornamento-15-Addio-a-Tony-Scott-l-Uomo-Piu-Veloce-Della-Lucehttp://www.scribd.com/doc/104916978/Aggiornamento-16-Le-Missioni-Gemini-Che-Hanno-Preceduto-e-Seguito-Le-Missioni-Apollohttp://www.scribd.com/doc/105154775/Aggiornamento-17-Biografia-Di-Gerald-Gardnerhttp://www.scribd.com/doc/110636839/aggiornamento-numero-19-recensione-del-nuovo-cd-di-VISIONI-GOTICHEhttp://www.scribd.com/doc/122338484/AGGIORNAMENTO-N-21-IL-CINEMA-DI-FANTASCIENZAhttp://www.scribd.com/doc/125784310/AGGIORNAMENTO-NUMERO-22-LEITMOTIV-13-RECENSIONE-dochttp://www.scribd.com/doc/165779192http://www.scribd.com/doc/165779192http://www.scribd.com/doc/181013827/AGGIORNAMENTO-N-26-doc-MOSTRA-FOTOGRAFICA-DI-GIANFRANCO-GANZAROLIhttp://www.scribd.com/doc/182740312/AGGIORNAMENTO-NUMERO-27-RECENSIONE-PER-LE-DIOS-MECHANISCHE-docrecensione-ed-in-tervista-a-M-O-Dhttp://www.scribd.com/doc/182740312/AGGIORNAMENTO-NUMERO-27-RECENSIONE-PER-LE-DIOS-MECHANISCHE-docrecensione-ed-in-tervista-a-M-O-Dhttp://www.scribd.com/doc/188417659/AGGIORNAMENTO-NUMERO-28-RECENSIONE-PER-REINCARNATION-OF-EVIL-E-INTERVISTA-AGLI-HELL-THEATERhttp://www.scribd.com/doc/203279418/AGGIORNAMENTO-NUMERO-29-RECENSIONE-PER-IL-LIBRO-IL-BUIO-NELLA-BOCCAhttp://www.scribd.com/doc/205785377/AGGIORNAMENTO-NUMERO-30-RECENSIONE-PER-MARIA-FRANCESCA-CONSIGLIOhttp://www.scribd.com/doc/207357183/AGGGIORNAMENTO-NUMERO-31-INTERVISTA-E-RECENSIONE-PER-SIMONA-BOCCIAhttp://www.scribd.com/doc/231822905/Il-Ricordo-Di-Otello-Ceccatohttp://www.scribd.com/doc/227243505/AGGIORNAMENTO-NUMERO-32-HANS-RUEDI-GIGER-E-LA-STORIA-DI-ALIENhttp://www.scribd.com/doc/236729817/aggiornamento-33-E-MORTO-PETER-PAN-OMAGGIO-A-ROBIN-WILLIAMShttps://www.scribd.com/doc/255120449/AGGIORNAMENTO-34-INTERVISTA-A-MARIA-FRANCESCA-CONSIGLIOhttps://www.scribd.com/doc/270728011/AGGIORNAMENTO-35-Recensione-Per-Vuoto-Pneumaticohttps://www.scribd.com/doc/271599139/ESSERE-URBEXhttp://www.scribd.com/doc/185557104/SANDS-IN-PILLOLE-1-ANCORA-SI-PARLA-DI-JACKhttp://www.scribd.com/doc/185557799/SANDS-IN-PILLOLE-2-BOLLE-BIANCHE-ENORMI-COMPAIONO-DAL-TERRENO-IN-CINAhttp://www.scribd.com/doc/185558418/SANDS-IN-PILLOLE-3-COSE-CHE-CADONOhttp://www.scribd.com/doc/185558841/SANDS-IN-PILLOLE-4-ESPERIMENTO-PHILADELPHIA-INSABBIAMENTO-MAL-RIUSCITOhttp://www.scribd.com/doc/185559692/SAND-IN-PILLOLE-5-IL-LAGO-CHELABINK-E-CONTAMINATO-DA-BATTERI-ALIENIhttp://www.scribd.com/doc/187004609/SANDS-IN-PILLOLE-6-ALLISON-DUBOIShttp://www.scribd.com/doc/187005279/SANDS-IN-PILLOLE-7-GERALD-CROISEThttp://www.scribd.com/doc/187007281/SANDS-IN-PILLOLE-9-GLI-ALIENI-ATTACANO-UNA-BASE-IN-U-S-Ahttp://www.scribd.com/doc/187007852/SANDS-IN-PILLOLE-10-GLI-UCCELLI-DI-HITCKOKhttp://www.scribd.com/doc/191432235/SANDS-IN-PILLOLE-11-IL-MISTERO-DELL-UOMO-FALENAhttp://www.scribd.com/doc/92105358/ARTE-IN-CINA-LIU-LEAH-IN-LINGUA-CINESE-ITALIAN-ED-INGLESEhttp://www.scribd.com/doc/92105358/ARTE-IN-CINA-LIU-LEAH-IN-LINGUA-CINESE-ITALIAN-ED-INGLESEhttp://www.scribd.com/doc/22413314/Tutorial-Scribd-in-Italianohttp://www.scribd.com/doc/22413314/Tutorial-Scribd-in-Italianohttp://www.scribd.com/doc/22413314/Tutorial-Scribd-in-Italianohttp://www.scribd.com/doc/22413314/Tutorial-Scribd-in-Italianohttp://www.scribd.com/doc/22413314/Tutorial-Scribd-in-Italianohttp://www.scribd.com/doc/103169418/Aggiornamento-n-12-a-sands-from-mars-Soap-and-Skinhttp://www.scribd.com/doc/103169418/Aggiornamento-n-12-a-sands-from-mars-Soap-and-Skinhttp://www.scribd.com/doc/104916599/Aggiornamento-Numero-13-Niel-Armstrong-Muore-a-82-Annihttp://www.scribd.com/doc/104916758/Aggiornamento-14-Addio-a-Sergio-Toppihttp://www.scribd.com/doc/104916758/Aggiornamento-14-Addio-a-Sergio-Toppihttp://www.scribd.com/doc/104916894/Aggiornamento-15-Addio-a-Tony-Scott-l-Uomo-Piu-Veloce-Della-Lucehttp://www.scribd.com/doc/104916894/Aggiornamento-15-Addio-a-Tony-Scott-l-Uomo-Piu-Veloce-Della-Lucehttp://www.scribd.com/doc/104916978/Aggiornamento-16-Le-Missioni-Gemini-Che-Hanno-Preceduto-e-Seguito-Le-Missioni-Apollohttp://www.scribd.com/doc/105154775/Aggiornamento-17-Biografia-Di-Gerald-Gardnerhttp://www.scribd.com/doc/110636839/aggiornamento-numero-19-recensione-del-nuovo-cd-di-VISIONI-GOTICHEhttp://www.scribd.com/doc/122338484/AGGIORNAMENTO-N-21-IL-CINEMA-DI-FANTASCIENZAhttp://www.scribd.com/doc/125784310/AGGIORNAMENTO-NUMERO-22-LEITMOTIV-13-RECENSIONE-dochttp://www.scribd.com/doc/165779192http://www.scribd.com/doc/165779192http://www.scribd.com/doc/181013827/AGGIORNAMENTO-N-26-doc-MOSTRA-FOTOGRAFICA-DI-GIANFRANCO-GANZAROLIhttp://www.scribd.com/doc/182740312/AGGIORNAMENTO-NUMERO-27-RECENSIONE-PER-LE-DIOS-MECHANISCHE-docrecensione-ed-in-tervista-a-M-O-Dhttp://www.scribd.com/doc/188417659/AGGIORNAMENTO-NUMERO-28-RECENSIONE-PER-REINCARNATION-OF-EVIL-E-INTERVISTA-AGLI-HELL-THEATERhttp://www.scribd.com/doc/203279418/AGGIORNAMENTO-NUMERO-29-RECENSIONE-PER-IL-LIBRO-IL-BUIO-NELLA-BOCCAhttp://www.scribd.com/doc/205785377/AGGIORNAMENTO-NUMERO-30-RECENSIONE-PER-MARIA-FRANCESCA-CONSIGLIOhttp://www.scribd.com/doc/207357183/AGGGIORNAMENTO-NUMERO-31-INTERVISTA-E-RECENSIONE-PER-SIMONA-BOCCIAhttp://www.scribd.com/doc/231822905/Il-Ricordo-Di-Otello-Ceccatohttp://www.scribd.com/doc/227243505/AGGIORNAMENTO-NUMERO-32-HANS-RUEDI-GIGER-E-LA-STORIA-DI-ALIENhttp://www.scribd.com/doc/236729817/aggiornamento-33-E-MORTO-PETER-PAN-OMAGGIO-A-ROBIN-WILLIAMShttps://www.scribd.com/doc/255120449/AGGIORNAMENTO-34-INTERVISTA-A-MARIA-FRANCESCA-CONSIGLIOhttps://www.scribd.com/doc/270728011/AGGIORNAMENTO-35-Recensione-Per-Vuoto-Pneumaticohttps://www.scribd.com/doc/271599139/ESSERE-URBEXhttp://www.scribd.com/doc/185557104/SANDS-IN-PILLOLE-1-ANCORA-SI-PARLA-DI-JACKhttp://www.scribd.com/doc/185557799/SANDS-IN-PILLOLE-2-BOLLE-BIANCHE-ENORMI-COMPAIONO-DAL-TERRENO-IN-CINAhttp://www.scribd.com/doc/185558418/SANDS-IN-PILLOLE-3-COSE-CHE-CADONOhttp://www.scribd.com/doc/185558841/SANDS-IN-PILLOLE-4-ESPERIMENTO-PHILADELPHIA-INSABBIAMENTO-MAL-RIUSCITOhttp://www.scribd.com/doc/185559692/SAND-IN-PILLOLE-5-IL-LAGO-CHELABINK-E-CONTAMINATO-DA-BATTERI-ALIENIhttp://www.scribd.com/doc/187004609/SANDS-IN-PILLOLE-6-ALLISON-DUBOIShttp://www.scribd.com/doc/187005279/SANDS-IN-PILLOLE-7-GERALD-CROISEThttp://www.scribd.com/doc/187007281/SANDS-IN-PILLOLE-9-GLI-ALIENI-ATTACANO-UNA-BASE-IN-U-S-Ahttp://www.scribd.com/doc/187007852/SANDS-IN-PILLOLE-10-GLI-UCCELLI-DI-HITCKOKhttp://www.scribd.com/doc/191432235/SANDS-IN-PILLOLE-11-IL-MISTERO-DELL-UOMO-FALENA

Sands From Mars Issue 26

Documents

Transcript of Sands From Mars Issue 26