CHIESA VIVA n. 381-marzo 2006

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A “NEW CHURCH” DEDICAA “NEW CHURCH” DEDICATEDTEDTTO St. PO St. PADRE PIOADRE PIO

— MASONIC TEMPLE? —— MASONIC TEMPLE? —

by Doctor Eng. Franco Adessa

F. Dr. Luigi VillaDirector of “Chiesa viva”

Dr. Eng. Franco AdessaCollaborator of F. Luigi Villa

The distribution of this Special Edition of “Chiesa viva” N°381,started on February 20, 2006.

A “NEW CHURCH” DEDICAA “NEW CHURCH” DEDICATEDTEDTTO St. PO St. PADRE PIOADRE PIO

— MASONIC TEMPLE? —— MASONIC TEMPLE? —



2 “Chiesa viva” *** March 2006

The “new church” dedicated to Saint Padre Pio, in San Giovanni Rotondo (Foggia) – Italy.

The essence of this detailed, meticulous and complete study

on the “new church” dedicated to Saint Padre Pio,in San Giovanni Rotondo (Foggia) Italy,

is the following:

THIS “NEW CHURCH” IS NOT A CATHIS “NEW CHURCH” IS NOT A CATHOLIC CHURCHTHOLIC CHURCH

BUT A “MASONIC TEMPLE”,BUT A “MASONIC TEMPLE”,

OR BETTER, A “SAOR BETTER, A “SATTANIC TEMPLE”ANIC TEMPLE”

WHICH GLORIFIES MASONRWHICH GLORIFIES MASONRY AND ITS “GOD”, LUCIFER.Y AND ITS “GOD”, LUCIFER.

and where the Masonic symbology

celebrates the following horrible empieties:

-- THE REPLACEMENT OF THE HOLIEST TRINITYTHE REPLACEMENT OF THE HOLIEST TRINITY

WITH THE BLASPHEMOUS, SAWITH THE BLASPHEMOUS, SATTANIC,ANIC,

MASONIC “TRIPLE TRINITY”;MASONIC “TRIPLE TRINITY”;



“Chiesa viva” *** March 2006 3

- THE REPLACEMENT OF JESUS CHRIST BY LUCIFER- THE REPLACEMENT OF JESUS CHRIST BY LUCIFER

AS “MAN’S REDEEMER”;AS “MAN’S REDEEMER”;

- THE REPLACEMENT OF JESUS CHRIST BY LUCIFER- THE REPLACEMENT OF JESUS CHRIST BY LUCIFER

AS “KING OF THE UNIVERSE”;AS “KING OF THE UNIVERSE”;

-- THE REPLACEMENT OF THE “CULTHE REPLACEMENT OF THE “CULT OF GOD”T OF GOD”

WITH THE “CULWITH THE “CULT OF LUCIFER”;T OF LUCIFER”;

… and where the Masonic symbologycelebrates

the deadly weapon to destroy the Catholic Church:

-- THE “MASONIC ECUMENISM” OF THE REUNIONTHE “MASONIC ECUMENISM” OF THE REUNION

OF ALL THE RELIGIONS.OF ALL THE RELIGIONS.

Despite the fact that the Vatican has not been able so farto refute the conclusions

of this meticulous, detailed and complete study,

THEY STILL CELEBRATHEY STILL CELEBRATE THE HOLTE THE HOLY MASSY MASS

IN THIS “SAIN THIS “SATTANIC TEMPLE”!ANIC TEMPLE”!

Therefore “Chiesa viva” asks to prohibit the religious useof this “Satanic Temple”

and tells the catholic Hierarchy:

-- THESE ARE SACRILEGIOUS MASSES!THESE ARE SACRILEGIOUS MASSES!

-- THIS IS A HORRIBLE INSULTHIS IS A HORRIBLE INSULT TT TO JESUS CHRIST!O JESUS CHRIST!

-- THIS IS A CHALLENGE TTHIS IS A CHALLENGE TO THE HOLIEST TRINITY!O THE HOLIEST TRINITY!

and asks them:

UNTIL WHEN YOU WILL ALLOW MASONRUNTIL WHEN YOU WILL ALLOW MASONRYY

TTO INSULO INSULTT

OUR LORD JESUS CHRISTOUR LORD JESUS CHRIST

AND THE HOLIEST TRINITY?AND THE HOLIEST TRINITY?




T he shedding of the Blood of OurLord, with His death on theCross, constitutes the praise-

worthy cause of our eternal salvation.It is from the Cross, that every spiritualbenefit, every grace and the efficacyof the Sacraments come to us. For thisreason, the Church has alwayswanted to exalt the Crucifix, offeringit continuously to the contemplationof her faithful. Hence, the entireCatholic spirituality is based uponthe Cross!But not only is Jesus Christ crucifiedthe praiseworthy cause of our Re-demption; He is also the exemplarycause of our life. He is, of necessity,a model for each and every soul wish-ing to save and sanctify itself.To take the Crucifix away from oureyes it is to lose the sense of sorrow; itis to lose the meaning of life.And that is why the Crucifix, symbolicform of our Religion, has lent its imprintto the “floor-plan” of the church, en-

closing in it a symbolic universe that hasconferred upon its edifice the character of“sacred place”.Reads the “Dictionary of Architecture”:«The ancient Basilica of St. Peter, inRome, started around 320 AD and conse-crated by Pope Sylvester I in 326, con-stituted one of the earliest examples ofChristian architecture. It had the typicalLatin-Cross basilical floor-plan, withthe aula divided into five longitudinalnaves and crossed perpendicularly by atransept»1.And further on: «Between the VIII and XIcentury it became prevalent, in Westernecclesiastical construction, the Cross-

shaped floor-plan (“Latin” cross, thatis, with axis of different length), whichtook up the symbolic form par-excel-lence of the Christian Religion. Theshort arm of the cross (transept) clearlydistinguishes the presbytery from thecentral nave»2.The Viollet-Le-Duc’s “Dictionary” goeson to read: «In most of the “floor-plans”of Medieval churches, from the XI to theXIV century, it is observed that the axisof the nave and that of the Chorus form aline broken at the transept. It is a poi-gnant symbolism; it is an act of sublimefaith to the eye of a Christian architect!

But what did the architects of thosetimes of Faith wish to attain? To raiseBasilicas, and Temples, in which to beable to aptly renew the “Sacrifice” ofthe Mass, living memorial of the Sa-crifice of Christ on the Calvary.Hence, they wished to recall the Victimof the Golgotha, attached to the Cross.And here is the Cross, lone, im-mense, the nave and the transeptrepresenting the body and the openarms.The central altar represents the augusthead of the sacrificed God, and thechapels, with a sunburst pattern aboutthe apse, form the glorious crownwreathing the forehead of the Savior ofthe world.Mindful, then, that the Evangelist wrotethat Jesus “inclinato capite, tradiditspiritum” (bowed His head, and ren-dered His Spirit), the builders of cathe-drals have voluntarily bowed the cho-rus onto the arms of the transept andthe head toward the shoulders»3.

Floor-plan of Vatican Basilica – Baroque Period.

Floor-plan of Duomo of Milan.

Doctor Eng. Franco Adessa

THAT SHAPES THE CHURCH

The

CROSS

THAT SHAPES THE CHURCH



THE CHURCH: A “SACRED” PLACE

Why is the church, as an edifice, also a“sacred” place?«Our modern culture has lost sight of theconcept of sacred for the reason that ithas lost sight of the reality of God andof the sense of human life, caught inthe whirlwind of erroneous theologicalpremises which defined the reality ofFaith so aseptically as to make it appear

that truth had no relation with man. Inthis sense, the sacred per se, utterlyremoved from the faithful, has no sensewhatsoever. It is sheer hallucination toaffirm, therefore, that a created reality isholy in and of itself when conceiveddevoid of its real relation with the world.Based on this premise, one would cometo two contradictory conclusions:everything is sacred; nothing is sacred.As objectivity, to be eloquent, must beperceived by the subject, and, therefore,must be subjectivized, so the sacred hasits own sense when it is placed in rela-tion with the person; when, that is, itinteracts with the believer.To conceive the sacred space of the

church as something aesthetic (a com-mon occurrence nowadays) it is to haveno understanding!The church is not important or “sacred”because it is beautiful, comfortable, andfunctional. What difference would therebe, then, between the religious buildingand a multifunctional arena? None what-soever! In fact, it is no coincidence thatmany churches, nowadays, resemblemultifunctional arenas. At the origin ofthese constructions there exists, there-fore, a hazy concept of Christianity and,perhaps, a Christianity that has lost thesense of its own Tradition.To Tradition, each and every reality ofthe Church is linked to the faithful and

it is in the service of his spiritual pro-gress. The edifice of the church has, there-fore, a “sacred” value because it con-tains inside of it a symbolic universe.The believer who steps into an ancientBasilica finds himself before a prospec-tive, before a path with a destination: theapse and the sanctuary.The initial part of the church (Narthex)symbolizes the existential stage of hewho approaches Christianity for the firstt ime. Those waiting to be baptizedpaused in the area adjacent to the en-trance door. All the internal area (Nave),instead, symbolizes the course of Faithin the believer. The Sanctuary, the placewhere the altar is located and where the

Eucharist is celebrated, represents theplace of the vision, the place in whichthe light of God reaches men to en-lighten them. Therefore, it is no wonderthat the majority of the ancient churchesbe oriented with the apse to the east,the place where the sun rises. (…).The cosmic elements combine with thesymbolic ones and both connect to thepersonal situation of the believer. Hence,in the ecclesiastical edifice the believerfinds himself again before God.The holiness of the church is, then, in-dication and reference of the holinessof the human person, for God reveals

Himself in the hearts of men, and it is herethat they must learn to discover Him»4.The holiness of the church, besides thereference of the holiness of the person,also refers to a way of conceivingGod. St. Simeon of Thessalonica (XVcentury) paused to describe the symbolicworld enclosed in the Christian temple. Inone of his writings, one observes whathas been outlined above: the “sacred”edifice is the mirror of the interiority ofman and of the mystery of God: «Thetemple, while made up of stones, woodand other materials, contains a superna-tural grace. Once it has been consecra-ted by a Bishop, through mystical prayers

and anointed with the holy chrism, it trulybecomes the abode of God. As such, it isnot totally accessible to everyone. Thetemple has a twin nature, as it features aplace for the altar and a place external toit. In this manner, it represents Christ,who is God-man, who has a visible na-

ture and another nature that is invisible.Also, the temple represents man com-posed of soul and body. In addition, itrepresents above all the excellent mys-tery of the Holiest Trinity, inaccessiblein her essence, but known in her provi-dence and in her powers, revealing, simi-larly, the world of the visible things and ofthe invisible ones»5.Here then stands the Cross, floor-plan ofthe holy place, lone, immense, with her

nave, her transept and her Sanctuary,conferring upon the holy edifice the entireCatholic spirituality based upon theCross: the essence of God, the es-sence of the Sacrifice of Christ on theCross, the essence of the course ofFaith in the believer for his own salva-tion.This “immense cross” of the sacredplace, therefore, is an act of faith and, atthe same time, manifesting the excellen-ce and sovereignty of God, as well as ourdependence on Him, is also a grandioseand external act of cult.

A “NEW CHURCH”

WANTED BY PADRE PIO?

In all the degeneration of the new spiri-tuality of our times, which would like tohide the “negative” parts of Christianityfocusing only upon that which stirs to joy,merrymaking, exhibition, and which af-firms to be including the “best part” ofthe world, there emerges the figure ofSt. Padre Pio, the only stigmatizedpriest in the history of the Church,who, through his example, reminds all ofmankind that he that wishes to be disci-ple of Our Lord must follow Him withthe Cross, whose mystery he (St. Pa-dre Pio) manifested for fifty years,bearing, inflicted into his body, the fi-

ve bleeding wounds of the Crucifix!How could one express a more heartfeltrecognition for all his extraordinary spiri-tual work if not erecting and dedicating toSt. Padre Pio a “new church” with a“Cross-shaped floor-plan,” symbol ofthe mystery of the Holiest Trinity, sym-bol of the Sacrifice of Christ Redeemer,symbol of the path of Faith of every belie-ver who looks forward to his own salva-tion, and symbol of those stigmata of Pa-dre Pio which were the true cause of hispower of intercession with God, in orderto dispense all kind of grace to those turn-ing to him?Why, then, to this Saint Minister of God,to this Living Crucifix has not been dedi-

cated a “Cross-shaped” church, butthey wanted, instead, to attribute tohim the will of longing for a spiral-sha-ped new church”?

1 Cfr. “Architettura”, Architecture , § 5.1 Pa-leochristian Architecture.2 Cfr. “Architettura”, Architecture , § 5.3 Ro-manic Architecture.3 Cfr. Viollet-Le-Duc’s “Dictionary”: text re-ported at the word “axe” (axis).4 Cfr. “The Sacred Architecture” dictionary,p. 3-4.5 Idem, p. 5.

TRANSEPT

SANCTUARY

N A V E

NARTHEX

St. Padre Pio





The “NEW CHURCH”The “NEW CHURCH”

dedicated to S t. Padre Piodedicated to S t. Padre Pio

Started on 19 January 1996, the

“new church” dedicated to St.Padre Pio has been designed by

the Genoese architect Renzo Piano, 62,foremost among the Italians and honored

with the Pritzker Prize (the Nobel of ar-

chitecture), in 1998.Mons. Crispino Valenziano, member of

the Pontificia Commissione per i BeniCulturali, Pontifical Commission for the

Cultural Estate , on the other hand, has

followed this impressive work from the li-turgical and theological perspective,

and speaks enthusiastically of this ex-perience that, in his view, offers the oc-casion «to share, as Church, in thecontext of modern art, and yet retain

that thematic rigor characteristic of other

epochs. Epochs in which the symbiosis

between art and religious world was prac-

tically total and all-encompassing, as inthe Middle Ages».

«Although at first - goes on Mons. Valen-ziano - Piano’s inspiration looked backat the classical form of the Greek amphi-

theater, the project has, in time, beengaining in expressiveness»1.«While a proud man - goes on to explain

Valenziano - Piano has been heedful,like few others, of the functional indica-

tions linked with the place of cult. And, inthat, he has shown a great humbleness».

In corroboration of this humbleness, to areporter who asked him if, having to de-

sign a church with all the liturgical and

theological bonds that come with it, hewould feel any less free in his creativity,

Renzo Piano replied: «Free? But for an

Mons. Crispino Valenziano, member of the Pontifical Commission for the Cultural Estate and direct supervisor of architect Ren- zo Piano, gave him the liturgical and theological bonds for the construction of the “new church”, in order to have “the project gaining in expressiveness”.Mons. Valenziano, in the Pontifical Commis- sion, was under the direction of card. Virgilio Noè and then of card. Francesco Marchisa- no, both having their names in the “Lista of Pecorelli”, a list of 121 Prelate of Roman Catholic Church belonging to Masonry. 1 Cfr. “Luoghi dell’infinito”, Places of the Infinite, illustrated insert of Avvenire, Sept. 1998, p. 23.

A front view of the "new church" dedicated to Saint Padre Pio, in San Giovanni Rotondo (Foggia) - Italy.



architect freedom is not such a greatboon. I thank God when I’m givenclear-cut indications: they are like the

squares on the great white sheet that isthe project»2.

In the same article, Mons. Valenzianoassures us that «with the sole exceptionof the seventeenth century Franciscanstyle Crucifix, which will be installed inthe Chapel of Penance, all the otherworks will reflect the sincere religio-sity of many contemporary artists whohave devoted themselves to the sa-cred»3.Furthermore, he informs us: «I believedit essential that no typology be im-posed upon churches. It is one thing to

have a taste for beauty or tradition (chur-

ches built according to certain generalcanons), quite another to believe that

churches be a static data, bound to aprecise standard for all times»4.

In another article, however, Mons. Cri-spino Valenziano is introduced to us as

the liturgical consultant «whose indica-

tions drove the architect Piano to revisithis initial project, in order to make it “a

model for all the churches that will bedesigned in the next five decades»5.Now we ask ourselves: if Mons. Valen-ziano believes that churches must not bea “static data”, why is he so eager toimpose this model of church for thenext fifty years?If we may speak our mind, we should

say: what a mix-up! But the subject is too


Architect Renzo Piano

2 Idem, pp. 24-25.3 Idem, p. 25.4 Cfr. Crispino Valenziano, “Architetti di

chiese”, Architects of Churches , the epos,quoted in the article of: “Il Giornale” (daily),25 June 1999, p. 19.

5 Cfr. “Famiglia Cristiana” magazine n° 10,2002, p. 33.

The great wall and corridor of the “new church” bell structure.



serious, and so we wanted to

gather information and we felt edi-fied in reading the words of the fa-

mous historian of religious archi-tecture, Erwin Panoftsky, whom,

in a famous work of his, wrote:

«There exists an intimate bondbetween the way of building achurch and the way of thinking

and living of men. To live outsideof Christianity, or in a corruptedor secularized form of Christia-nity, produces more or less the

same results. It must be statedthat when it (the church) is bornof non-Chris-tian artists and ar-chitects it (church) might eventurn out very interesting, but ITWILL NEVER BE AN EXPRES-SION OF CHRISTIANITY»6.We did, however, plunge back intodoubt when we read, on a recent

magazine, the verdict of another

famous historian of architecture,the Swiss Kurt W. Forster, who

taught in the United States for over25 years at Yale, Stanford, and at

the MIT. In an article titled “GreatArchitects Can Do Away WithFaith,” when asked: «Professor

Forster, a secular rationalist su-ch as Renzo Piano, is confron-ted with the Catholicism of themiracles; what will the outcomebe?», he replies: «The conflict is only ap-

parent. (…). An artist does not have toconnect. Great architects have succes-

sfully tackled these themes (…). ToPiano, it is just another challenge. A manof profound secular experience can gi-ve truth to phenomena for which we


have no rational understanding. TheBig Bang replaces the story of Gene-

sis: it is our world»7

.At this point, we asked ourselves: the

project of the Catholic church that, afterSt. Peter, is the largest in the world, is

entrusted not to a Christian archi-

tect, but to “secular rationalist”,to a “man of profound secularexperience” whom, “withoutfaith” and “without connecting”,is able to “give truth to phenome-na for which we have no rationalunderstanding”.But… that man was the same who

humbly followed the “precise indi-cations” that were given him, and

who was even happy to relinqui-sh his freedom of creative ex-pression when he was devoted toa project. But then, we ask our-

selves: whose creative expres-sion and “truths” are those thathave been imprinted into hiswork?To us it looks like utter confusion.

One important thing, however,seems quite clear to us: “the storyof Genesis has been replaced by

the Big Bang”; a doctrine, the lat-ter, which has the subtle claim ofeliminating God Creator fromthat which Forster calls “ourworld!”.To deny creation from nothin-gness there is only one other“world”: that which makes of thewar to the supernatural its oneand only “dogma”: the Jewish-Masonic world!

Thank you, doctor K.W. Forster!

6 Cfr. Diction. “L’Architettura sacra”, Sacred Architecture , p. 2.7 Cfr. “L’Espresso” magazine, 24 October2002, p. 171.

A rear view of the "new church" dedicated to Saint Padre Pio, in San Giovanni Rotondo (Foggia) - Italy.

On June 11, 2005 at 11 o’clock, this bronze Bell, dedicated to Saint Michael Archangel and to Padre Pio,broke free an fell braking in thousand pieces. The bell weighed 18 hundred kilos (18 = 6 + 6 + 6 = 666, which represents the Mark of the Beast and the number of the Antichrist ).




W hat meaning does the “spiral”have in Christian symbology?None whatsoever! Why, then,

it was blatantly chosen to give “form” tothe structural architecture of the “newchurch” dedicated to St. Padre Pio?They told us that this “spiral-shaped”church, “is a spider”, is an “Open Church”,is a “High Technology Jewel”, is a“Seashell for Padre Pio” and that theSaint shall be like the pearl inside of it.They also told us that this new churchhas been freshly baptized “Cathedral ofTwo-Thousand”, “New Assisi”, “DivineProject!”… But, they have not said to usthat the “Masonic Dictionary”, at thevoice “spiral”, reads: «Very ancient signsymbolizing the existence of man and hisreturn to the origin… (the spiral) sym-bolizes also the dynamic force of theuniverse, the Creative Principle, theG.A.O.T.U. (…)»1.The same Dictionary, at the voiceG.A.O.T.U., explains: «Masonic abbre-viation to indicate God, Great Archi-tect Of The Universe»2.And who is this “God”, called G.A.O.T.U.?

It is the God of Freemasonry. In fact, al-ready in the General Statutes of 1820, itwas said: «(Freemasonry) has for itsprinciple the existence of a God whomit adores and respects under the com-monly accepted title of Great Architectof the Universe»3.But the G.A.O.T.U. is proclaimed byFreemasonry also as “Creative Princi-ple” (in the meaning, however, of “prin-ciple of generation” and not of “crea-tion from nothingness”!). In the GreatAlliance Treaty, signed at Lausanne(Switzerland) in 1875, among the Supre-me Councils of the Ancient and AcceptedScottish Rite, it was in fact affirmed:«Freemasonry proclaims what it hasproclaimed ever since its inception:the existence of a Creative Principle,under the name of Great Architect ofthe Universe»4.To define the G.A.O.T.U. as “dynamicforce of the universe” is, instead, thefounder of the Theosophic Society, Hele-na P. Blavatsky, freemason of the 33 de-gree who, with all her authority, wrote:«Satan represents the active Energy

of the Universe (...). He is the Fire, theLight, the Life, the Fight, the Struggle,Thought, Conscience, Progress, Civi-lization, Freedom, Independence»;and again: «Satan is the God, the onlyGod of our Planet»5.The yet more authoritative seal as to whothe true God of Freemasonry is, comes tous from the Supreme Pontiff of UniversalFreemasonry, general Albert Pikewhom, as Freemasonry’s Supreme Chief,in a speech held in France in 1889 to thehigh degrees of Freemasonry, stated:«We worship a God, but it is the Godone worships without superstition (…).We initiated of the high degrees,should maintain the Masonic Religionin the pureness of the Luciferian doc-trine. (…). Yes, Lucifer is God (…) thetrue and pure philosophic religion isthe faith in Lucifer (…) but Lucifer Godof Light and God of Good is strugglingfor humanity against Adonai (the Oneand Trine God - author’s note) god ofdarkness and demon»6.Hence, the “spiral” symbolizes theG.A.O.T.U., namely Lucifer-Satan,whom, as we well know already, has en-gaged against the God One and Trinea fight to the death for the perdition ofman.The “spiral”, however, not only symbol-izes the way Freemasonry conceivesGod, but also symbolizes its way of con-ceiving the “path of faith” or, better, the“initiatic course” man is expected to fol-low in order to fulfill the “divine design”.In a highly documented book on Freema-sonry, we read, in fact: «The Spiral is asign of evolution-involution in the symbol-ic background of high-ranking initiates.The continuous Spiral that, in the formof a path, climbs along the flanks of themountain is the “Pilgrim Path”, that is,the initiatic path. The peak of the moun-tain fades into a vertical line toward thespiritual infinite: it is the axis of theworld, “universal Axis” of the soletruth professed by High Freemasonry,the passage between earth and heavenconfigured by Gnosis: the divinizationof Man»7.Giuseppe Mazzini, Head of Political Ac-tion of Universal Freemasonry and co-founder, with Albert Pike, in 1870, of

Why a “SPIRAL-SHAPED”

Church?

1 Cfr. Luigi Troisi, “Dizionario massonico”,Masonic Dictionary - Bastogi Editrice Italiana,p. 377.2 Idem, p. 173.3 “Statuti Generali”, General Statutes , of1820, Ed. Civelli Rome 1908, V.4 Salvatore Farina, “Il Libro dei Rituali del

Rito Scozzese Antico e Accettato”, The Book of the Rituals of the Ancient and Accep- ted Scottish Rite , Rome, Piccinelli 1946, p.304.5 H. P. Blavatsky, “La Dottrina segreta”, The Secret Doctrine , Ed. Bocca, Milan 1953, p.400 and 383.

6 An excerpt of this speech was reported bythe British magazine “The Freemason” in itsissue of 19 January 1935.7 Cfr. Epiphanius, “Massoneria e sètte se-grete: la faccia occulta della storia”, Free- masonry and Secret Sects: The Occult Face of History , p. 193.



“The New and ReformedPalladian Rite”, supremevertex of Masonic Obedi-ences worldwide, besidesthe existence of God (theG.A.O.T.U. = Satan) it rec-ognized the principle of the“Law of Progress” «whosecontinuity appears evidentnot to the life of each peo-ple separately, but to that of

Humanity for which peoplesare individual and, onlythen, one will discoverthe immense indefinitespiral, designed by thefinger of God betweenthe Universe and theIdeal that must graduallybe reached»8.Setting aside the high-sounding language,used for the naïve and the unaware, letus see, now, what this “immense indefi-nite spiral, designed by the finger ofGod” consists in, and the “Ideal one isto reach”, better described in somepersonal letters Mazzini and Freema-sonry’s Supreme Chief, Albert Pike, ex-

changed in the years 1870-1871.In his letter of 22 January 1870, Mazziniexposed his plan of three World Warsfor the Twentieth century with the pur-pose of creating a Communist State inRussia (first War), and cause it to ex-pand to include half of Europe (secondWar), and render it politically and milita-rily powerful in anticipation of the thirdWar, which would burst out betweenpolitical Zionism (including the State ofIsrael) and Islam, toward their mutualdestruction, together with all the otherNations, dragged into the conflict in or-der to fight one another until their com-plete physical, moral, spiritual, and eco-nomical collapse.

Albert Pike, in complete agreement withthis infernal plan, better detailed theobjectives of the Third World War in a let-ter of 1871: «We will unleash the nihilistsand the atheists and will provoke a formi-dable social cataclysm which will clearlyshow all nations, in all its horror, the ef-fect of absolute atheism, origin of bar-barism and of bloody subversion.Then, everywhere, the citizens,compelled to defend themselvesagainst a worldwide minority of re-volutionaries (…) will receive thetrue light through the universal ma-nifestation of the pure doctrine ofLucifer, revealed at last to the pub-lic eye; manifestation that shall be

followed by the destruction of Chris-tianity and of atheism, conquered andcrushed at the same time!»9.To the echelon of Freemasonry, there-fore, the “Path of faith in Progress”,represented by the immense and in-definite “spiral”, is non other than thedestruction of the Catholic Churchand of the Christian Civilization, tobe enacted through the universalmanifestation of the pure doctrine ofLucifer, revealed at last to the publiceye! “The Ideal that must be gra-dually attained” is, therefore, the“Cult of Lucifer” in full daylight!

The spiral, however, ac-cording to the experts ofMasonic symbology, cantake on features muchmore familiar to us. In thework of Jules Boucher,“Masonic Symbology”,we read: «The number 9represents, in its graphi-sm, a descending ger-mination, hence material;

whereas the numeral 6represents, on the con-trary, an ascending ger-mination, hence spiritual.These two numbers arethe beginning of a spi-ral»10.

***

The manner of generating a spiral is verysimple if observed geometrically: taking acone, with a prefixed radius of the basecircle and an angle at the vertex, tracinga line, with a constant gradient, on its ex-ternal conical surface, observing its

projection onto the base of the cone oneobserves a geometrical form: the spiral.Varying the radius of the base circle andthe angle at the vertex, one also variesthe manner in which the spiral contractstoward the central axis as it spins.Choosing a radius of the base circle ofthe cone of 72 m (= OA, deduced fromthe ground floor-plan of the Church), anangle at the vertex of 33° and a gradientof 33°of the line traced on its surface, theradius of the spiral, after a rotation of180°, is reduced to 48.77 m (see figure 1)while the measures of all the other radi-uses of this spiral, at 20° from oneanother, are reported in figure 2.Choosing, now, the base radiuses of 36

m (= OB, distance from center of internalextremity of arc BA), and of 50 m (= OC,radius of longest of 15 internal arcs, andof span = 50 m), repeating the same pro-cedure, after a 180°rotation one obtains,respectively, the radiuses of 24.38 m and33.87 m, while the measures of all the

others are reported in figure 2.Now then, the 11 external arcs andthe 15 internal ones, thus obtained,coincide exactly with the 26 arcs ofthe “new church” dedicated to St.Padre Pio! Hence, the “generatingprinciple” of the three spirals, whichdetermine the measures of all the arcsof the “new church”, are the angle atthe vertex of 33° and the angle of 33°

of the line with constant gradient,traced upon the external surface of thecone to generate the spiral.

8 Cfr. Luigi Troisi, “Dizionario massoni-co”, Masonic Dictionary , cited work, p. 261.9 Jean Lombard informs us that this corre-spondence between Pike and Mazzini liesin the archives of Temple House, Washing-ton headquarters of the Freemasonry ofthe Scottish Rite, but unavailable!10 Cfr. Jules Boucher, “La simbologiamassonica”, Masonic Symbology , Atanor,Paris 1948, p. 285.

Ground floor plan of the “new church” composed of 15 internal arcs and 11 external ones.

Angleat vertex

Radius of the circular base of the cone and of the starting point of the spiral.

Radius of the spiral at the point of rotation of 180° from the starting point of the spiral.

A

B

C

O

Figure 1

Figure 2

Angle of linewith constantgradient


Ground floor plan



It is in fact from this abyss, turned towardthe “spaces of the Lord”, that the threespiral sections, generated by the restingpoints of the 26 arcs of the “new church”,enclosing them by a circle in the narrow-est point, appear as an immense 666,Mark of the Beast and symbol of theAntichrist. Is it, perhaps, a challengelaunched from hell toward heaven?

***

The number 33, which expresses the an-gle at the vertex and the constant gra-dient of the line on the surface of thecone that generates the 3 spirals of the

26 arcs of the “new church”, coincideswith the number 33 of the degrees of theFreemasonry of the Ancient and Ac-cepted Scottish Rite! Moreover, thenumber 666, formed of the threespirals, which represents the Antichristand the Mark of the Beast, is, graphical-ly, represented by the “five-pointedStar”, which is the symbol par-excel-lence of Freemasonry.The “spiral-shaped” form of the newchurch, besides expressing the idea ofgod Satan-Lucifer and the “PilgrimPath”, namely, the initiatic path and theobjective which the “Course of faithin Progress” of Freemasonry tends to,namely, the “Cult of Lucifer in full day-

light”, conceals, perhaps, also the breed-ing ground and the promoting center ofthese impieties, and that is, the “Ma-sonic Temple” constituted by the 33degrees of the Freemasonry of theAncient and Accepted Scottish Rite!


THE “MARK OF THE BEAST” 666The connection between spiral and thenumerals 6 and 9 is better illustrated tous by R. K. Spenser, whom, speaking ofthe mural fresco of the Meditation Roomat the UN, writes:«The spiral-shaped figure that windsaround the diagonal line of the fresco,symbolizes the Caduceo of Mercury,which, mythologically, is represented bytwo snakes coiled around Mercury’smagic wand. The intersection of thespiral with the diagonal forms 9 arcs; the9th Hebrew letter “Teth”, which has thevalue of 9, means “Snake”. The Numberof the Beast in (the Book of) Revelation

is 666, which kabalistically is repre-sented by the number 9, the number ofGeneration»11.The justice Carlo Alberto Agnoli, aFreemasonry scholar, wrote in one of hisworks: «The Masonic pyramid, whichsubordinates everything to the vertex,has the profoundest message when itsis turned downward, in compliance withthe teaching contained in the Masonicword VITRIOL, which is presented to theneophyte already in the “Chamber ofReflection” when he joins Freemasonry,and which consists of the initials of themotto: “Visita Interiorem Terrae, Recti-ficando Invenies Occultum Lapidem”,namely, “visit the depth of the earth;

rectifying, you shall find the hiddenstone”, namely, the “Philosopher’sStone” of the Great Sectarian Work.The Masonic hierarchy, like its own doc-trine, does not shine up high, in the clear-ness of sunshine, but it is plunged intothe obscurity of the abyss. That it is arealm of the abyss it is also expressed inthese famous verses by the famed Ma-son Olindo Guerrini:

But from the abyss a canticle Up to the Lord’s spaces soars Blessed be Satan Who handed Eve the apple of sin! »12.

Connecting the external points ofthe 15 internal arcs, highlighted inred, a spiral is obtained which, en-closed with an arc of circle in itsnarrowest point, is non other thana reversed 6 (see figure on theleft).If the spiral is turned upside down(as if observed from under the

ground) there appears clearly thenumeral 6 (see figure on the right).Now, if all the there series of extre-mities of the internal and externalarcs are connected, three spiralsare obtained (see figure below)which, enclosed with arcs of circlein their narrowest point, portraythree 6 as seen upside down.

Turning these three spirals upside down,always as if observed from under theground, there appears, in all clearness(see figure below), an enormous 666,the “Mark of the Beast” and the sym-bol of the Anti-Christ”!

11 R.K. Spenser, “The Cult of the All-SeeingEye”, Omni Publications, pp. 17-18.12 Carlo Alberto Agnoli, “La Rivoluzionefrancese nell’opera della Massoneria”,The French Revolution in the Work of Free- masonry, Ed. Civiltà - Brescia 1994, p. 134.




THE THE

MASONIC TEMPLEMASONIC TEMPLE

T he freemason JulesBoucher, in his book, “Maso-nic Symbology”, provides a

singular representation of the Maso-nic Temple, composed of the 33 de-grees of the Ancient and AcceptedScottish Rite: a “five-pointed star”inscribed into a “six-pointed star”,and the whole he calls: “the hexa-gram with the pentalpha” or “Pen-talphic-Hexagram”. Boucher ex-plains this symbology thus:

«Ragon poses this question: “Whatdoes become of the individual afterdeath?” And he replies: “From effectthat he was, he in turn becomescause (…) since (…) his soul, whichwas not a particle of the universalsoul, returns to this immense sourceof life, the ‘Middle Chamber’, theimage of the great laboratory inwhich these infinite transformationsare performed”. (…).“The Middle Chamber”, writes Ma-rius Lepage, is the loss of the illusions(…), it is the hermetically sealed athanorin which the glorious transmutation of the

centers of knowledge that pass fromthe brain to the heart, is fulfilled. Theknowledge of the heart is the di-rect communication without a moreor less opaque go-between, with thesource of any life. It is the intellec-tual enlightening, before which all isshrunk to its appropriate dimension,it is erased and disappears; it is a re-flection of the True Light, an echo ofthe lost word. (…).René Guenon points out: “They saya Mason Master always standsbetween the Square and the Com-pass, that is, in the very “place” inwhich the Blazing Star is inscribed(five-pointed Star), and which is ap-propriately the “Invariable Middle”.Hence (…) the Masters’ Lodge iscalled “Middle Chamber”.With that, the Master is assimi-lated to the “true man”, placedbetween Earth and Heaven andexercising the function of “me-diator”. (…) In all traditions, the

“Middle” is the ideal center. To enter the“Middle Chamber” is to come to thecenter of the “Wheel”, to the immobile

“The hexagram with the pentalpha”, in Ma- sonic symbology represents the “Masonic Temple” of the 33 degrees of the Ancient and Accepted Scottish Rite and its bond, through the number 11, with the Hebrew Kabbalah.The Masters’ Lodge, or “Middle Chamber”,wherein the Mason dies and then resuscitates as “Master” or “Disciple”, is represented by the hexagon, which we highlighted in yellow,and which inscribes the “five-pointed Star”.

“ Masters’ Lodge”: represented by the area comprised between the Square and the Com- pass , wherein the “five-pointed Star” is inscribed.

“Masters’ Lodge”: represented by the area of intersection of the two arms of the Latin- shaped Cross.

“Masters’ Lodge”: represented by the summit of the pyramid that dominates a cube, which form the “pointed cubic stone”.

(Square, Compass and Blazing Star)

(The pointed cubic Stone and the Four Elements)

The hexagram with the pentalpha.



zo Piano told us that thechurch could accommodate

up to 7,200 faithful. What doesthis number mean? The number

72 indicates, ever since antiquity,all of the 72 names of the Name ofthe Deity. The number 72, therefore,is the number of Masonic ecume-nism, which wishes to merge all reli-gions, including the Catholic Reli-gion, into the secular, philosophical,scientific, Universal Religion ofGnosticism, under the direction of theechelon of Freemasonry. It must be no-ted that 72 is the sum of 66 plus 6, hen-ce it derives from the “Mark of theBeast” 666.

Maurizio Oddo, in “La chiesa di Pa-dre Pio a S. Giovanni Rotondo”, St.Padre Pio’s Church at St. Giovanni Ro- tondo (p. 53), warns us: «Although ded-icated to the holy, the complex (the“new church”) is suitable to host inter-religious gatherings…».

– The Entrance to the Liturgical Hall di-vides the 11 outer arcs into two groups:the first is made up of 6 arcs.

T he “New Chur-ch” has been pre-sented with these

words: «There existsan inspirational line inthe design of thischurch that acts asbackdrop for theentire project of ar-chitect Renzo Pia-no: respect of the

land and mate-rials selection.The church willnot “scar” themountain withdaring spires andperforations in therock; the seashell-shaped structureseems to lie downon the ground, fol-lowing the grave rol-ling of the hills of theGargano region».«The floor-plan, in fact,opens out fan-like or,rather, like the profile of a

seashell segmented intothree portions that could con-tain up to 7,200 faithful».Says Renzo Piano, as the worksare nearing completion: «I’m happymore than I’m satisfied. I’m not sure I’ll betaking on other similar projects; this hasbeen such an emotionally intense ex-perience that I’m not sure I wish to re-peat it, as I fear the next would not be asnearly intense. And, besides, it’s notreally important for an architect, once achurch has been made, to make manymore… It is more fulfilling to discoverthese things». That is exactly what weintend to do, too!

***

Let us represent the floor-plan of the 26arcs of the church structure, orienting itEastward, as demand our churches thatsee in the rising sun, the Light, the sym-bol of Our Lord Jesus Christ, but alsoas require the Masonic temples: «Thethree windows are thus positioned: thefirst, facing Eastward; the second,

Southward; the third, Westward. (…). TheMason builders have always orientedtheir temples with the entrance to theWest»1.

– The arcs that form the outermost spiralnumber 11.

–The arcs, both external and internal,have an angular distance of 20°, andthat is, a round angle divided into 18parts. The number 18 represents all thesegments of the “6-pointed Star” and,what is more, being the sum of three 6,it represents the “Mark of the Beast”666 of the Apocalypse.

– The radius of the circle, which circum-scribes the church’s structure, and whichcoincides with the outermost point ofthe first arc measures 72 meters. Ren-


Is this “NEW CHURCH” a

MASONIC TEMPLE?MASONIC TEMPLE?

112

3

4

5

6

7

8

910

11

12

13

14

15

7

8

9

10

11

2

3

4

56

R a d i u s

= 7 2 m

Entrance ofLiturgical Aula

A

1 Cfr. Jules Boucher, “La simbologia mas-sonica”, Masonic Symbology , Atanor, Paris1948, pp. 157-158.

2 R.K. Spenser, “The Cult of the All-SeeingEye”, Omni Publications, pp. 32-34.



– The second group numbers 5 arcs. Thenumbers 6 and 5, indicating the twoStars with 6 and 5 points, are present inmany places and details of the “newchurch”: the arcs with sectors of 6 and5 blocks from the outside to the inside,in the details of the tiles, in other works,etc.

– The group of inner arcs is 15, as the to-tal number of segments of the “5-point-ed Star” and as the number of steps

to climb to the “Middle Chamber” or“Masters’ Lodge”.

–We obtained the number 33 from thetwo 3° angles of the cone that gene-rates all the arcs of the structure of the“new church”. In addition 33 is the sumof the numbers 15 and 18 already iden-tified.

– At this point, let us trace a circle with aradius of 72 meters; let us subdivide itinto 18 equal parts and, starting frompoint A, let us trace the lines of the “6-pointed Star”. The “5-pointed Star”,with the point facing upward, must betraced only after giving a thickness tothe “6-pointed Star” in order to keepwith the symbology illustrated by Bou-

cher. Such a thickness is given, geo-metrically, by the inner extremities ofthe 2nd, 3rd and 4th arc of the outer se-ries and, after measuring it, it turns outto be of 42 decimetres. It must be noted


hickness = 42 dm

Center of “6-pointed Star”

Center of “5-pointed Star”

that 42 is: 6 x 6 + 6, hence it derivesfrom the “Mark of the Beast” 666. Inaddition, “one of the 72 Divine Nameshas 42 letters”.The number 42, besides, has to do withthe number 9 and with Hell, as “TheEgyptian Pantheon had 9 Sun Deities,whose head was Osiris. He was thegreat Deity of Hell, and it was univer-sally believed that, right after death, thesoul were judged by Osiris, in the

presence of 42 Demons, the “Lordsof Truth” and the “Judges of thedead»2.

Let us now trace the second “6-pointedStar” inner to the previous one with a dis-tance of 42 decimeters and, with muchaccuracy, let us inscribe into the innerhexagon, the Masonic “Middle Cham-ber” or “Masters’ Lodge”, the “5-point-ed Star” with the point facing upward.Because the two lower vertexes do notcoincide with the two lower vertexes ofthe hexagon, there results that the cen-ter of the “5-pointed Star” does notcoincide with that of the “6-pointed

Star”.The distance between the two centersgenerates the radius of the cylinder-shaped central pillar supporting thecentral extremities of the 15 inner arcs.

Entrance of Liturgical Aula

– At this point, let us trace the circle of thecentral pillar and, in so doing, thereappears the number 7, as sum of the6 sides of the “6-pointed Star” plusthe unity represented by the center:and here you have the number of the“Master”, of the “perfect Stone”, ofthe “perfect man” indispensable to theexistence of the “Masonic Lodge”.

– The numbers 3 and 5, corresponding tothe (Entered) “Apprentice” (triangle)

and to the “Fellow” (Craft) (5-point-ed Star), are already contained in theconstructed geometry.

What is still missing, and it is the most im-portant thing, is the special “Mark” ofFreemasonry: 3 times 666, as expres-sion of its sole “dogma”: declaration ofwar on God!

– The first “Mark of the Beast” 666, wehave seen already with the three enor-mous spirals, traced on the extremepoints of all the arcs of the structure,and observed from the “depth of theabyss”.

– The second “Mark of the Beast” 666,

we obtain from the “6-pointed Star”which, having a total number of 18 seg-ments, represents the number 18 that,being the sum of three 6, forms thenumber 666.

– The third “Mark of the Beast” 666,we obtain from the “5-pointed Star”which, in its meaning of triple inter-twined triangle (see p. 59), to each ofwhich corresponds the triple series of11 (man God, Pontiff and King ofhimself), gives as total sum: (11 + 11 +11 = 33 = 6) which, repeated threetimes, provides the third “Mark ofthe Beast” 666.

Universal axis:in this geometry, the axis is that

of the “6-pointed Star”:The truth communicated to man by

Lucifer is the “divinization of crea-tion”.

The destruction of Catholic Virtue.It is the “Cult of the Phallus”.It is the temptation of Christ in thedesert: “the pleasure”.It is “the Godless man”.

It is the scope of the 1st

series ofthe 11 degrees of the Ancient andAccepted Scottish Rite.



I n the description of the ritual of the31st degree of the Ancient and Ac-cepted Scottish Rite, Mons. Leone

Meurin comes across the oath of the Ma-son aspiring to that degree, whom vowsobedience to the “Holiest and Indivisi-ble Trinity” about which the Mason,however, receives no explanation.

A celebrated expert and scholar of thedoctrine of Freemasonry, doctor Eckert,in his work “The Temple of Solomon”(p. 64), speaks at length of such TripleTrinity: «The matter of the world has exist-ed throughout eternity, and shall exist forall eternity in HOLY TRINITY, that is, inthe unity of three elementary matters: themasculine element of Fire, the feminineelement of Water, and the neutral ele-ment of Earth. Prior to the formation ofthe universe, these elements mixed to-gether formed the Chaos.The three primary elements, with the divi-sion of the sexes into two, give thenumber five, origin of every formation of

the Body of the world, whose symbol is

the Sphinx, with the head and the breastof a woman, the body of a lion and thewings of an eagle. Developed by theforce of the Fire, the elements produce,through the air, the Soul of the world,and through the Light, the Holy Spirit,whose symbol is the Phoenix, the FlyingDragon that rises from the fire, Body,Soul, and Spirit of the world form another

HOLY TRINITY which embodies itselfinto the Man-God.He, the Architect of the Universe withthe Patriarch of the World, or Director ofthe spiritual Power, and with the Emper-or of the World, or Director of the tem-poral Power, here you have the HOLYTRINITY inscribed on the supreme Cubeof the Temple of Solomon.The UPTURNED TRIANGLE, Lucifer,with the two crowned heads of the eagle,namely, the Great Patriarch and theGreat Emperor or Sovereign, make upthe “HOLIEST AND INDIVISIBLE TRIN-ITY” which the Mason candidate to the31st degree takes his oath of blind obe-

dience to».


«The center of the circle coincideswith God itself. This point embeddedinto the Pentalpha, emblem of the ini-tiated man, establishes the identitybetween man as he is being gnosti-cally divinized and the god poten-tially dwelling inside of him. Thetriangle includes, in turn, man as heis being regenerated, to signify theMasonic domain in which it (the divi-nization) takes place».

(Epiphanius, cited work, p. 475).

«The eye represented the mysticalsymbol of the so called Egyptian Tri-nity…».

(R.K. Spenser “The cult..”, p. 32).

Image of the God-Serpent of theGnostics: «We worship the serpentfor God has placed him at the originof Gnosis for humanity; he himself(the serpent) taught man and womanthe complete knowledge of the loftymysteries».


«The sunburst patterned Triangle,or Triangle of Solomon, is the sym-bol of the “Great Architect of theUniverse”… soaring above theloathed and ignorant “profane way».

(C.A. Agnoli, “La rivoluzione france- senell’opera della Massoneria”, The Fren- ch Revolution in the Masonic Work , Ed. Ci-viltà, Brescia, p. 81).

“Triple Masonic Trinity” – secret of this “New Church”? –




“HOLIEST ANDINDIVISIBLE TRINITY”

3rd “Blasphemous Trinity”of Freemasonry

“HOLY TRINITY”

2nd “Blasphemous Trinity”of Freemasonry

“HOLY TRINITY”

1st “Blasphemous Trinity”

of Freemasonry

«This “HOLIEST AND INDIVI-SIBLE TRINITY” is representedby the UPTURNED TRIANGLEwith the central point: Lucifer,with the Patriarch of theWorld, or Director of the spiri-

tual Power, and with the Em-peror of the World, or Directorof the temporal Power».

The 18 beams, which corre-spond to the arcs of the church,completed upon the entire cir-cumference, represent, withtheir number 18, the “celestialPerfection”.

«This “HOLY TRINITY” is rep-resented by a triangle facing

upward: it is the Matter of theworld that exists and will existfor all eternity, in the unity ofthree elementary matters: themasculine element of Fire, thefeminine element of Water, andthe neutral element of Earth.Prior to the formation of the uni-verse, these elements mixed to-gether formed the Chaos».

«Here is how the 2nd “HOLYTRINITY” is formed: the threeprimary elements, with the divi-sion of the sexes into two, givethe number five, origin of everyformation of the Body of theworld. Developed by the forceof the Fire, the elements produ-ce, through the air, the Soul ofthe world and, through theLight, the Holy Spirit, whose

symbol i s the Phoenix, theFlying Dragon that rises fromthe fire. Body, Soul, and Spiritof the world form another“Holy Trinity” that embodies it-self into the Man-God».

From the structure formedby the 26 arcs of the “new

church”, extracting the up-turned Triangle of the “5-pointed Star” with the cen-tral Point, and completingthe 15 arcs, which departfrom the center, on the en-tire circumference, one ob-tains the figure to the side:the representation of theMasonic “Holiest and Indi-visible Trinity”.

From the structure formedby the 26 arcs of the “newchurch”, extracting the “5-pointed Star”, the “6-poin-ted Star” and the central

Point, one obtains the figureto the side: the representa-tion of the 2nd Masonic“Holy Trinity”.

The Triangle, symbol of this“Trinity”, is formed by thetwo lower tips of the “5-point-ed Star” with its center. It isth e “Primal Matter”, th e“rough stone”: it is the pro-fane faithful that must be en-lightened and molded into theMasonic “perfect stone”.

Fire

Earth Water

Body of the World Soul of the World

Holy Spirit

Primal Matter

The All-Seeing Eye of Lucifer

Fire

WaterEarth

Patriarch of the World Emperor of the World

Lucifer




T he Liturgical Entrance and theBaptistery feature two bronzedoors, work of the artist Mim-

mo Paladino: the right “large door” ofthe Liturgical entrance, and the left“small door” of the Baptistery. Thesetwo doors are the entrance to the Tem-ple.The official presentation of the sym-

bology, carved on the two doors, is vague,fragmentary, and superficial.The entrance to the “Temple of Solo-mon”, namely, to the Temple of Free-masonry, takes place at the 1st of the 33degrees of the Ancient and AcceptedScottish Rite, and its ritual corresponds tothe “Masonic Baptism”.Reads the ritual:«The Kingdom which the chosen Man,the future Mason wishes to exit and a-bove which he must elevate himself, isthe profane world, the non-initiated hu-manity, sitting in the darkness of igno-rance and subject to the tyranny of theKings and of the Priests.With the “Masonic Baptism” there is

born a “Son of Lucifer”; as in the “Ca-tholic Baptism” is born a “Son of God”.The Temple has 3 steps and 2 columns:on the left, Boaz, the passive principle,material, feminine, evil; on the right,Jachin, the active principle, spiritual,masculine, and good.The Sacred Motto, namely, the word thatsums up the essence of the degree, is“Boaz”, which means stability, immo-bility.The Candidate, nearly always a Christian(symbolized by a sheep of Christ) entersas “Apprentice” the 1st degree, which isdominated by the n. 3 and by the n. 2 ofthe 2 sexes expressing fertility and the“Cult of the Phallus”:

– 3 as the points of the luminous Trian-gle, 2 as the Sun and the Moon;

– 3 as the 3 stars of the Lodge and as the2 stars of Lucifer and of the Candidate;

– 3 as the 3 windows of the Lodge; – 3 as the 3 salutations of the Master; – 3 as the 3 journeys of purification of the

Air, Water and Fire and of the shed-ding of the blood;

– 3 as the 3 steps, the 3 knocks, the 3kisses: the triple kiss, the apron withthe raised lapel and the gloves “des-tined to the woman whom he will lovethe most”.

– the string with 12 knots, or strings oflove, on the column, called “bubboladentellata”, (toothed rattle) whichends above the two columns of theLodge, and which symbolizes the bondof the 12 tribes of Israel; the 2 thickribbons symbolize the vitality of the 2tribes that are still intact.

– the Candidate is asked the alms for the“Widow and her children” (Freema-sonry and its Masons);

– the Candidate takes the oath of obe-dience to the chiefs, in all they willcommand him (the swords of thebrothers are pointed to his breast,which thus resembles the sun, a com-plete imitation of the self-styled “Infi-nite Sun” of Lucifer. The tacit renewalof the oath is done by raising the rightarm on the shoulder, with the handhanging down.

The Candidate is now enlisted into the

great armada of the “Apprentice Broth-ers” that constitutes the Primal Matter,the “rough Stone”: the “Body of theWorld”, formed of the 3 elements of the1st Masonic Trinity, with the 2 sexes,is symbolized by the “5-pointed Star”,which the “Spirit” must work upon.Th e “rough Stone” from which the

“pointed cubic Stone” that is necessaryfor the construction of the Masonic Tem-ple is formed, constitutes the material ori-gin, the corporal element of man towhich must be associated a Soul (4 th

degree) and the “Spirit” (15 th degree)the Mason will acquire by transforminghimself into “Master”, or “perfectStone”, or “divinized Man”.

The façade of the Liturgical Entrance and of the Baptistery, with the two bronze Doors.

BRONZE DOORSBRONZE DOORS – ENTRANCE – ENTRANCE and BAPT ISTERYand BAPT ISTERY

... for which Temple? – ... for which Temple? –

1 Leone Meurin s.j., Archbishop of Port Louis,“Frammassoneria, sinagoga di Satana”,Freemasonry, Synagogue of Satan , Siena1895, pp. 269-278.




The bronze doorof the Liturgical Entrance

Heraldic emblem of the 1st degree of the Freemasonry of the

Ancient and Accepted Scottish Rite.

The Sun and the Moon with the 7 starsof the constellation of the Ursa.

The 2 columns J and B (Juda andBenjamin) of the Masonic Lodge.

The Temple of Solomon, or MasonicTemple with the 3 steps symbolizingthe n. 3 of the Apprentice whodominates in the ritual of this degree.

The square and the compass.

The hammer, the chiseland the tracing table.

The love knots that depart from acolumn cross the square and the

compass and reach the other column.

The 3 stars that formthe luminous Triangle

of the Lodge.The Candidate,

generally a Christian, at the 1st

degree of “Apprentice”.

The 12 love knots(highlighted): symbolize the

bond of the 12 Tribes of Israel.

The “Bubbola dentellata”formed by 12 teeth “ending

above the 2 columns ofthe Lodge”.

The numbers 1, 2, 3 the 3 partsin which the 2 columns have been

divided, indicate the 3 steps

of the Temple of the Apprentice.

The n. 1, 2, 3, 4 symbolize:the 3 steps, the 3 knocks, the

age of 30, and the Triple kiss.

The Sacred Motto “Boaz”written in the Masonic alphabet.

The star of the Candidate,pale reflection of that of Lucifer.

The luminous 8-pointed Star:the Sun of Lucifer.

The cup of the “proof of theshedding of the blood”.

The shoe symbolizesthe 3 journeys of the purifica-

tion trials of the Candidate.

The “Master” of the Lodgedirecting the ritual of the1st degree.

Th e 1st of the 12 tribes ofIsrael; the tribe of Ruben.

The tribes of Simon and Levi.

The 3 fingers indicate, in thisnumber, the essence of the1st degree.

The 2 tribes remained intact:

Juda and Benjamin: providethe initials of the two columns ofthe Masonic Temple, J and B.

The 2 columns of the Tem-ple, J and B.

The compass, the square,the hammer and the chisel.

The tracing table.

The sheep represents the Can-didate, generally a Christian.

The 3 purifications of the Candi

date with the trials of the air, othe water and of the fire, withcaptions in the Masonic alphabet.

12 “5-pointedStars”, formedof 12 pentago-nal base pyra-mids: the flower(glove) to be“offered to themost beloved woman”, sym-bolizing the Trinity that, withits 2 sexes, forms the “Bodyof the World”.

Bow with 12 leaves, on eachside, indicating the “thick rib-bons symbolizing the vitalityof the 2 tribes that have re-mained intact”.

The tribe of Ephraimand Manasseh.

The constellation of the Ursawith the 7 stars.

Symbol of the raised Lapelof the Candidate.

The n. 11 of the 1st seriesof the 33 degrees.

The Sun of Lucifer is the Sunof the Lodge (the Moon

appears in the Baptistery).




The 8-pointed Star

«At the top of the ladder, the “8-pointed Star” which - as OswaldWirth, 33d degree of the ScottishRite and recognized master ofexoterism, teaches - represents“Lucifer Carrier of Light”, alsocalled Venus in its appearance ofmorning star… that, in the morn-ing, wakes the sleepers, stirsthe spirits from their torpor andincites to the Luciferian revoltagainst the existing dogmas».


Noach’s Arc

«The sacred knowledge, con-fined in the Temple, could notget out. It is contained in the arcin order that is retain an eso-teric sense and must not becommunicated to all indis-tinctively».

«The arc measures… Hence itsshape of pyramid, of fire, of flame.It contains the phallic energy».

(Dictionary of Symbols, pp. 88-90).

The Masonic Arc of Alliance

The Masonic Baptism of the 1st degree presupposes a pactof Alliance the Candidate must underwrite with his oath ofobedience. The Masonic symbology of the figure reportedabove, clarifies the contents of this Alliance: the 15 steps ofthe ladder that rises skyward, lead to the “Master”, followedby 18 more (sum of the 15 plus the three that are made out)which gives 33, to complete the course of the spiral and ar-rive to the “8-pointed Star” (Lucifer). The Arc unveils thenumbers 3, 5, 7, of the “Master” (3 windows, 5 columns, 7beams), and the n. 8 of the reinforcements of the planking ofthe Arc. The “Tower of Babel”, on the background, indicates

The Baptismal Fount

The Baptismal pool, of the shape of anoctagonal shell, is one of the symbolsof the Moon.The octagonal shape of the Baptismalpool, with its 3 steps and the raisedarea, formed by 2 squares of 342 cm

side, underscores, with its dimensions,the theme of the “magical Square”,or “Tetragrammaton”, which, attrib-uting 72 Names to the Name of theKabbalistic God (Lucifer), symbol-izes Masonic ecumenism, namely,the Masonic strategy of reuniting all re-ligions under the direction of the HighInitiates, in order to suppress Reli-gion and the Catholic Church, thesole religion founded by God.

The Seashell

«With the Aztec, the seashell isthe symbol of the Moon god, andit represents the feminine root andmeans birth and generation…».«The seashell… shares in thesymbolism of fecundity…».


The Fish

«The fish lives in water and al-ludes symbolically to Baptism».«The fish is symbol of fecun-dity as well as phallic symbol».«In astrology, the Fishes, twelfthsign of the Zodiac, represent psy-che, the inner world, gloomy,through which one communica-tes with the devil».


the “Temple of Solomon” (the Masonic Temple) that must beedified with the “perfect stones” of the “Master”. The impietyof the “Tower of Babel” is indicated by the 6 visible ways ofthe spiral that winds around its own axis, which is the “Truth”transmitted to man by Lucifer, symbolized with the Star, withthe Spiral, with the numbers: 6 (ways of the Tower), 6 (15+18= 33 = 3+3), 8 (8-pointed Star), 15 (8+7), 18 (666). The King-dom in which the candidates to be initiated to Freemasonrymust be “fished”, and above which the “Master” must raise,is represented by the fish of the sea. The fish represent theChristian faithful.




“Master” fish,“perfect cubic Stone”

symbolized by thenumbers 3, 5, 7 and 666.

Noah symbolizes the “Master” of the Lodgepresiding over the rituals of the 1st degree.

Symbol of the Noah’s Arc: the “Pact of Alliance” with Lucifer. Hebraism and Freemasonry consider the Talmudictheory of the 7 Laws of Noah as a link between Judaism and Christianity: the objective is to give the Christianthe same “God” worshipped by the Jews, who refused the Messiah. The duplicity of these 7 Laws of Noah(which should become the base of a Code of Law for World Government), is that every Christian on earth couldbe executed as guilty of violating the 1st Law (against idolatry) and the 2nd Law (against blasphemy to God), for hebelieves in Jesus-God-Incarnated: which is idolatry and blasphemy to the Jews! The 7 Laws of Noah, “angularstone of a truly civil international legal order” would constitute the Religion of Humanity of the “faithful”, where-as the Jews would be the “priests”, subject only, however, to the Law of Moses (Mosaism of Israel)!

Bowl for the Candidate’s alms.

Dangling hand: confirmationof the oath of the 1st degree.

The n. 3 indicates the es-sence of the 1st degree.

17

16 teeth (notches) (righthand leaf to the observer);4 fish (right hand leaf);8 fish (left hand leaf);17 teeth (notches) onleft hand leaf;All these numbers indi-

cate the “Magic Square”or “Tetragrammaton”,that is, they symbolizeMasonic ecumenism.

The fish carries the SacredMotto “Boaz” in the

Masonic alphabet, whichindicates the 1st degree.

Symbol of the “death tothe profane world” of the

Candidate, in order to enterthe Masonic world.

Fish with the face of the “Master” of the Lod-ge, with the numbers 6 and 5 = “5 and 6-point-ed Stars” = Freemasonry, with the numbers 3,4, 8, 9 of the “Magic Square”, which is thesymbol of Masonic Ecumenism.

Fish with the numbers3, 5, 7 of the “Master”,13 of Lucifer,6 (“x” top) x 3 (“x”bottom) = 18 = 6669 (“x” top and bottom)x 2 (orange kines) = 18

= 666.

Fish with the numbers 3, 5, 7 (6 + eyeof the fish) of the “Master”,(6 + 6 + 6) = 666 of the Mark of theBeast and of the Antichrist.

The n. 17 = 9 + 8, whichgives, by the product of 9

and 8, the number 72.

The fish with the arrowpoints to the one atthe bottom with the

Sacred Motto “Boaz”.

The bronzedoor of theBaptistery

Fish with numbers (central sections)3, 5 (4 + eye), 7 (3 + 4) of the “Master”,6 x 3 (red and pink) = 18 = 6669 (left sections) x 2 (2 lines at the end ofthe 9 sections) = 18 = 666.

Fish with the central cross that recallsthe “glorious cross” with its 3 “cults”(3 crossed sections at top);the numbers 3 (blue), 5 (red), 7 (green)indicate the “Master”.

Fish with the numbers 5 (horizontal sectionson the right hand side),6 (horizontal sections on the left hand side),Point (red on left side) which represent the“5-pointed Star” inscribed into the “6-point-ed Star” with the central Point: the 2nd Ma-sonic Holy Trinity (cross), which embeds it-self into the “Master”.

Fish with the cross, but withthe numbers 6 and 9 of theSpiral = G.A.O.T.U. and 6 +9 = 15 = Degrees of the“Master” = 5-pointed Star =

Freemasonry.

Dimensionsof the Arc:69 x 90.

Thicknessof poles

[shafts/rods…]:

5 Inter-axis ofpoles: 60.

The n. 13 of theholes of the 2poles symbol-izes Lucifer.



«T he altar is wedged, for acertain length, into the be-ma; the bema is r ipped

open, as at the moment of the resur-rection, in its whole of bronze at the baseand from this breach it (altar) soars».

«It is the altar that rips open the bronzeand causes to emerge, as stone, theEaster mystery».«That which, in the original idea, was theglorious cross on the altar, was becom-ing, as the work progressed, a sort ofciborium looming over the altar itself, and:the altar could but be one sole workwith “that” cross…».These are the words with which the Ca-puchin Friars introduce to us the altarand the “glorious cross” above it, in thework “Pietre di bellezza e di santità”,Stones of Beauty and of Sanctity .The two stairways, which climb toward

the altar, feature 3 and 6 steps respec-tively. The number 3 times 6 gives 666,which is the “Mark of the Beast” and theAntichrist.Raising our gaze, above the center of thevault of the 9 arcs of the structure of the

Liturgical Hall, an enormous blue spiralis observed. The spiral is the symbol ofthe G.A.O.T.U., the Great Architect OfThe Universe, th e God of Freema-sonry, better known with the name of Sa-tan or Lucifer.Turning our gaze around, one observesthat all the arcs are formed by sectors of6 and 5 blocks that, indicating the two “5and 6-pointed Stars”, in their whole (15+ 18), represent the 33 degrees of theFreemasonry of the Ancient and Accept-ed Scottish Rite.The altar, with its rectangular base re-versed pyramidal shape, is divided by

two bronze bands placed upon the axisof the base, and it is stuck into the “be-ma”, represented by a bronze rectangleplaced on the floor and measuring 248 x196 (cm).In the whole of the numbers of all the di-

mensions characterizing it, the altar sym-bolizes the “Magic Square” or “Tetra-grammaton”, which attributes 72 Namesto the Kabbalistic Name of the God-Lucifer!As illustrated in the next page, the “MagicSquare” is composed of 9 digits (from1 thru 9), located on the 9 characteristicpoints of the square, which invariablygive the sum of 15, in 3 digits, in the 8directions.The altar, divided by the two bronzebands, forms, with edges and intersec-tions, the 9 characteristic positions of the“Magic Square” whereas the longer side


View of the altar, located atop two stairways each of 3 and 6 steps,under an enormous spiral unwinding over the 9 arcs of the structure of the Liturgical Hall.

THE ALTAR THE ALTAR



Mural fresco that covers the frontal

wall of the Meditation Room of theUN; room where everyone goes toworship his own God.In a study on the occult meanings onthis place of prayer, with regard tothe fresco, we read: «In its whole thefresco contains an asymmetric dispo-sition that, in its occult meaning,leads to the “Magic Square” alsocalled “Tetragrammaton”, com-posed of 9 cells, on 3 lines and 3 col-umns, containing the nine digits from1 to 9, where the sum of the threedgits in the three horizontal lines, inthe three vertical and in the two dia-gonal ones, always gives 15… these9 figures are considered sacred as

the number 15 represents the nu-meric value of the Hebrew word ofGod, JAH, which is one of theforms of the Tetragrammaton…

The rectangle - which we highlightedin red - represents the altar»1.The “Magic Square” symbol of Ma-sonic ecumenism, which wishes to

merge all deities and religions, is char-acterized by 8 numbers 15 obtained asthe sum of 3 numbers.The altar, divided by two bronze bands,forms, with edges and intersections,the 9 characteristic positions of the“Magic Square” and the n. 248, withthe numerals 2, 4, 8, “suggests” thatthere are 2 ways to obtain it. In fact,the heights of the drawing of the altar,give the digits from 1 to 9 of the “Ma-gic Square”.In addition, the side of the altar 240contains 16 times 15; the 4 heights, of

120 cm, in which its axis is divided,contain 8 times 15; the sum of all thenumbers of the 2 heights 117.6 give assum 15; finally, the sum of the two

numbers 4.8, thickness of the twobands crossing at the central point ofthe altar, give: 4.8 + 4.8 = 9.6 = 9 + 6 =15. The sum of the 15 obtained, is 8.What is the meaning of a similar altar?It is an altar dedicated not to the GodOne and Trine, and to His Son JesusChrist, Our Redeemer, but it is dedi-cated to a “God” who has 72 namesand who is hiding under the symbols ofall of these Names because his realname is Lucifer!

1 Cfr. R. Keith Spenser, cited work, p. 15.


The “Magic Square” or “Tetragram-maton” is the sacred number 15 rep-resenting the Hebrew name of theGod “JAH”, one of the 72 Namesof the Kabalistic God.

15 15 15 15

15

15

15

15

53

8 1

9 2

7

6

4

Drawing of the altar of the “new church”.




The pyramid of the 14 cubes placed on 3 levels: 9, 4, 1. The cube at the vertex is the manifested Unity ( 1 ), whereas the dark central one is the non-manifested Zero ( 0 )(occult but more important) that is precisely opposite to the manifested one.

of the “bema”, measuring 248 cm, whichrepresents the maximum height of all thedimensions of the altar, with the numerals2, 4, 8, “suggests” that there are 2 waysto obtain the square (4) with its 8 direc-tions. In fact, representing all the heightsof the altar, one observes that are pres-ent all the digits from 1 to 9 of the “MagicSquare”.In addition, the major side of the altar,measuring 240 cm, contains 16 times 15;the 4 heights, of 120 cm, in which it isdivided by its own axis on the two longsides, contain 8 times 15; the sum of thenumbers of the 2 heights of 117.6, is 15;finally, the sum of the two numbers of 4.8,

thickness of the two bands that cross inthe central point of the altar gives: 4.8 +4.8 = 9.6 = 9 + 6 = 15. The sum of thenumbers 15 obtained, is 8.What is the meaning of this altar? It is analtar dedicated not to the God One andTrine, and to Our Lord Jesus Christ,but one that looks up to a “God” that has72 names and that hides himself underthe symbols of all these Names for hecannot yet show himself with his realName, and must remain hidden in thedarkness of the “Mysteries” of thehigh degrees of Freemasonry, waitingfor his cult to be manifested to the public.

The direction that leads us to this “God”is that of the axis of the altar. Setting outfrom its vertex “stuck” into the “bema”,one discovers the number 5 (140 = 14 =1 + 4 = 5); the point in which the altaremerges from the “bema” lies at a 92cm distance from the base of the pyra-mid: 9 + 2 = 11; the central point of thealtar, where the axis of the pyramid inter-sects the plane of the “Table” of thealtar, where the two bands cross, hasthe numbers 4.8 + 4.8 = 9.6 = 15.Now, the n. 5 symbolizes the “5-pointedStar”, symbol par-excellence of Freema-sonry; the n. 11 is the mystic number ofthe Hebrew Kabbalah, (Jewish Freema-

sonry), source of all the symbols and ofthe mysteries of Freemasonry; the num-bers 9, 6, 15, as already seen, symbolizeLucifer.

One needs to ask oneself: what does allthis have to do with the Priest celebratingthe Mass on this altar?To answer, one must not limit oneself tothe contents of the “manifested” sym-bology, that is, to that visible to the eyesof the non-initiated, but especially to that“non-manifested”, which “unveils” theentities of the “real power” and their“Mysteries”.

The pyramid of the 14 cubes.

The Zero ( 0 ) non-manifested.

The manifested Unity ( 1 )

vertical axis

horizontal axis



The freemason and expert of Masonicsymbology Joules Boucher, writes:«The altar of the Egyptian temples wasformed by a pyramid with “three cubesplaced on top of one another…».The altar, the pyramid and the cube, inMasonic symbology, lead to the symbol-ogy of the “pyramid of the 14 cubes”,formed by 3 levels of 9, 4 and 1, cube atthe vertex, where the only cube that isnot visible (the “non-manifested”) is

that central to the 9 of the first level, andopposite to the cube located at the vertexof the pyramid.In other words, the cube at the “vertex”of the pyramid, the “visible” or “mani-fested” one, is much less important ofthe hidden one, namely, the “non-mani-fested” one.Hence the pyramid of the altar tells theinitiate he must make use of the “inver-sion game” of the pyramid, of the 14cubes.

Now, let us start from the manifested“vertex”, that is visible to our eyes, whenlooking at the altar: the Priest celebrat-ing the Mass. He stands at the vertex of

a pyramid, identical to that of the altar,but with the base resting on the floor. Theupper part of the pyramid is a triangle thatencloses the thoracic part of the Priest.This represents the so called “MoralTriad” of the divinized Man of the Kab-balah, namely, the “Masonic priestly”activity of promoting and inculcating the“Cult of Man” into the profane world (uspoor Christian).Inverting this pyramid, that is, passing tothat of the altar, the vertex hidden andstuck into the “bema” is the “non-mani-fested” entity: this “Triangle” representsthe High Degree of Freemasonry.Observing the altar and the “gloriouscross” above it, from a certain distance

in front of the altar, one discovers that thesharp point of the highest “nail” of thecross forms a pyramid with the farthestpoints of the first step of the altar: aperfect equilateral Triangle.Inverting this triangle, reversing it with thebase on the line that almost touches thehorizontal arms of the “glorious cross”,one obtains another equilateral triangle,with the tip turned downward, which(tip) contains the triangle “stuck into thebema”, which represents the High degreeof Freemasonry.The “non-manifested” entity obtainedreversing this vertex, is contained withinthe vertex triangle that identifies the lat-eral arms, the central zone and the upper

arm of the “glorious cross”.The pyramid, with vertex at bottom, repre-sents another “Altar” on which the HighInitiated pay religious respect to their“God”. The upper arm of the cross, aswe will analyze in the following pages,symbolizes the God of Freemasonry:Lucifer.The two crossed equilateral triangles,however, form a “6-pointed Star”. Join-ing, now, the characteristic points A, Band C, created by the intersections of theaxis of the altar and of the two inclinedsides of the pyramid with base on thefloor, with the hexagon internal to the “6-


A B

C

D E

F

Theuniversal axis:

in this geometry, the axis is thatof the “5-pointed Star” with the centerin the head of the priest celebrating theMass:the truth communicated to man by Luciferis the “divinization of man”.The destruction of Catholic Morals.It is the “Cult of man”.It is the 2nd temptation of Christin the desert: “pride”.It is “man who makes himself God”.It is the aim of the 2nd series of the 11 de-grees of the A.A.S.R.

pointed Star”, one obtains the charac-teristic Triangle ABC with base and ver-tex angles of 72° and 36° respectively,which define, in an univocal manner, a“5-pointed Star”, whose center is repre-sented by the head of the Priest, which isalso the central point of the TriangleDEF, but NOT of the “6-pointed Star”.The Axis of the World, or Axis of theSpiral, or Universal Axis, of this geome-try, represents the “Truth” which Lucifercommunicates to his disciples: The DIVI-NIZATION OF MAN, namely, man whom,having completed his “course of faith”

of the spiral, from one degree to thenext, up to the 15°of the 2nd series of 11degrees of the Ancient and AcceptedScottish Rite, becomes “Master”, “per-fect Stone”, “Mason Priest”, “divinizedman”. That is to say, having relinquishedall bonds with the supernatural, and hav-ing assimilated the “Cult of Man”, hespreads this very cult among the ignorantChristian profane.

1 Cfr. Jules Boucher, “Masonic Symbology”,Atanor, Paris 1948, pp. 164-165.



wherein it is paid the reli-gious respect to God: theact of cult.The absence of the Crucifixon this cross and its formwith nearly equal arms in-duces to think not as muchto the Mystery of the Incar-nation and of the Passionof Jesus Christ, as to an-other kind of “Mystery”.After an accurate study onthe symbols that appear

on the 5 parts in whichthe cross is divided - the 4arms and the area of theirintersection, which wehave seen already to repre-sent the “Masters’ Lodge”- the “Mystery” becomesclear and the “Cult” paid tothe Deity appears in all its

lucid formulation in the three differentcults:

– The“Cult of the Phallus”; – The“Cult of Man”; – The“Cult of Lucifer”.

The “Cult of the Phallus”, animating the

1st series of 11 degrees of the A.A.S.R.and leading to the “Godless Man” and tothe elimination of Catholic Virtue.The “Cult of Man”, animating the 2nd se-ries of 11 degrees of the A.A.S.R. andleading to the “Man who makes himselfGod” and to the elimination of CatholicMorals.The “Cult of Lucifer”, animating the 3rd

series of 11 degrees of the A.A.S.R. andleading to the “Man who fights God”and to the elimination of Catholic Author-ity.Hereafter, are detailed the symbolic con-tents of this drawing of the cross.

« A rnaldo Pomo-doro, one ofthe greatest

contemporary artists, hadbeen asked a bronzecross, attached to the altar,which would represent thefive wounds, but the artistwas in quest of an ideathat would be in harmonywith his modus operandi…».The Capuchin Friars, in

their work “Stones ofBeauty and Sanctity”inform us that the «Workwas contracted to ArnaldoPomodoro, whom, beforecommencing his work, hadto study the general pro-ject of the church.In concurrence with the ar-chitect Renzo Piano, with the CapuchinFriars and with Monsignor Valenziano,the master set out to work supplying var-ious drawings».One of these drawings of the cross waspublished by “Luoghi dell’infinito”, Plac- es of the Infinite , magazine of September1998, at page 22, in which Arnaldo Po-

modoro’s style is so defined: «a stylethat is primordial, mythical, essential,ancestral. A style that refers to the senseof the holy as “tremendum”, myste-rious attraction of the hidden ener-gies of the earth». The article goes on toquote Pomodoro’s own words: «Thecross is a beautiful symbol… it’s thequintessence of abstraction and, there-fore, of spirituality».Then, again, it reports the reflection ofthis lay man: «Some, when in difficulty,turn to praying; as for me, if I’m assailedby anguish, I rush to my study andplunge myself into work».


THE

“GLORIOUS CROSS”

The “Glorious Cross” above the altar.

***

As it was impossible to analyze this “glo-rious cross” in its actual construction, Ilimited my analysis to the drawing exe-

cuted by Arnaldo Pomodoro and pub-lished on the cited magazine, “Luoghidell’infinito”, Places of the Infinite.As the drawing is only bi-dimensional, ithas the advantage of highlighting all thesymbols the artist had etched on thiscross. Such symbols, however, are not tobe taken as separate entities with respectto one another, but, as in a mosaic, whatis essential is the unitary idea thesesymbols are able to convey in the whole-ness of the work of art.It is precisely this unitary idea to appear,in all its evidence, in this cross.The cross dominates the altar, the place

THE

“GLORIOUS CROSS”




The symbologyof Freemasonry

In order to conceal its “truths”, Freema-sonry makes use of different types ofsymbology: operative, geometrical, nu-merical, chromatic, astronomical, min-eral, vegetable, animal, alphabetic, bibli-

cal, heraldic, alchemic, cultural, mytholo-gical.To represent the “message” of the three“Cults”, conveyed by the drawing ofthe cross, were used:

1. the “Apron” of the “Master”;2. the heraldic Emblem of the 11th degree;3. the heraldic Emblem of the 22nd degree;4. the heraldic Emblem of the 33rd degree;5. the representations of Lucifer.

Are these the “5 wounds” stricken uponJesus Crucified on the Cross, whichPomodoro was supposed to represent?

The “Cult of Lucifer”

This is the “Cult” of the “Divinization of Lucifer”, theGod of Freemasonry. This leads to the replacement ofthe Holiest Trinity with the blasphemous Masonic “Tri-ple Trinity” and to the replacement of Christ on theCross, in Whose place it is placed Lucifer, who offershis own “Redemption” to the entire “Divinized Hu-

manity”.The “Cult of Lucifer” has been imprinted into thedrawing of the cross, making use of numeric, geometric,alphabetic etc. symbology, to represent Lucifer.The “Cult of Lucifer”, the “inspiring principle” of the3rd series of 11 degrees of the A.A.S.R., leads the Ma-son to fight the Catholic Authority, in order to replaceit with the Masonic Authority, until it makes of him a“Man who fights God”.In the upper arm of this cross, are represented varioussymbols representing All the Names of the KabalisticName of God: Lucifer.

The “Cult of the Phallus”

This is the “Cult” of the “Divinized Crea-tion” of Freemasonry. This leads to the sa-cralization of the sexual act (in general of“pleasure”), which is regarded as a mani-festation of the divine activity of “creation”(intended as “generation”).The “Cult of the Phallus” has been symbol-ized by the Apron of the “Master” (carryingthe letter M and B) for the vile sexual signifi-cance such apron represents to the “Appren-tices”, to the “Fellows”, and to the “Masters”.The “Cult of the Phallus”, “inspiring prin-ciple” of the 1st series of 11 degrees of theA.A.S.R., leads the Mason to fight CatholicVirtue, in order to replace it with the MasonicVirtue, until it makes of him a “Man withoutGod”.In the drawing of this cross, have been repre-sented the operative symbols that appear onthe apron of the “Master”.

The “Cult of Man”

It is the “Cult” of the “Divinized Man” ofFreemasonry. This leads to the sacraliza-tion of Man (and of his “pride”), regardedas the most independent being of the uni-verse, and as carrying the “divine spark”,hence, as being divine himself.The “Cult of Man” has been symbolizedby the 3 degrees: 11th, 22nd, and 33rd forthe meaning these 3 degrees have: manis “God” (11 th), “Pontiff” (22nd) and“King” (33rd) to himself.The “Cult of Man”, the “inspiring princi-ple” of the 2nd series of 11 degrees of theA.A.S.R., leads the Freemason to fightthe Catholic Morals in order to replace itwith the Masonic Morals, until it makes ofhim a “Man who makes himself God”.In the three arms of the drawing of thecross: lower, right and left (looking at thecross) have been represented the symbolsrepresented in the heraldic emblems ofthe three degrees: 11th, 22nd, 33rd.

33rd degree

The Baphomet

22nd degree

11th degree




The word G.A.O.T.U. (Great Architects Of The Universe) (in italian G.A.D.U.),written in the Masonic alphabet, representing all 4 letters.

The All-seeing Eye of Lucifer,inside the triangle.

The 33rd degree is symbol-ized with the numbers:

– 33 wedges (red), above; – 6 and 5 wedges, indicating

the two “5 and 6-pointedStars” (15 + 18 = 33);

– 3 + 3 wedges = 33, joined

by the yellow sword.

In the heraldic Emblem of the 33rd degree, appear:

– a 2-headed eagle with a sword in the talons: at thecenter (magenta) one observes a shape that seems tohave two wings, one head with a beak and two con-nected wedges indicating 2 heads. The sword (red)crosses it;

– a sword crossed with a rod of justice: the longsword (red) with the tip of the rod (green) flanked bythe 4 +1 wedges symbolizing the 5 fingers;

– a 9-pointed Star of 3 intertwined triangles: towardthe left, there appears a triangle (yellow) almost divid-ed into three (point, lower left side area, and the rest)with 3 series of 3 interconnected wedges (yellow).

The 11th degree is symbolized with the number 11

of the hammers of the lower arm of the cross.In the Heraldic emblem of the 11th degree, thereappear:

– a magic Delta: the bottom right triangle (yellow)linked to the n. 3 (blue wedges) through a chisel(used to carve out the Delta);

– a straight sword with 9 drops of blood (4 oneach side and one at the center): the sword(purple) in axis with the lower arm, with 4 wedgesabove, one at the center and 4 further down.

– an inclined sword with 8 blazing hearts (3 ofwhich on one side and 5 on the other): thesword (green) at bottom, with 5 wedges (green)on one wall and the other 3 on the other.

Left: the letters D.M.I. ofthe Motto of the 33rd de-gree: “Deus meumqueJus”.

– The letter D (red); – the letter M (blue); – the letter I (yellow).

33rd degree

11th degree

The Baphomet




e triple set of three ofwedges gives 666: the

ark of the Beast”d of the Antichrist.

Sickle and Hammer, arethe symbol of Lucifer

whose signature is thetriangle (yellow).

The letters “M” and “B”in the Masonic alphabet.

The letter “G” of“Generation” in theMasonic alphabet.

The Eye of Luciferin the Triangle.

The letters “M” and “B”(written in the Masonicalphabet) of the Apron ofth e “Master” and thethree numbers 3, 5, 7, rep-resenting the “Master”.

In the heraldic Emblem of the 22nd degree appear:

– a table: under all of the objects and highlighted in green; – a compass: on the left, highlighted in red; – a square: on the right, highlighted in red; – a parchment: under the square, highlighted in yellow;

– a goniometer: triangle on the parchment (light green); – a ruler: above the square, and highlighted in blue; – a human eye, on top of all: this appears in the upper arm

of the cross inscribed into an equilateral triangle.

The symbols of the MasonicSquare and Compass.

The n. 5 indicating the “5-pointed Star”.

22nd degree

The Apron...of the “Master”.

The Greek symbol of Christ,but with the equilateral triangle

(yellow) indicating Lucifer.

The 22nd degree is symbolized by thenumber of the 22 cuneiform objectsof the right hand arm of the cross.

The masonic alphabet. The masonic alphabethas been published so many times that we canreproduce it here.Fig. 33 shows the key of the alphabet.

Fig. 34 shows the correspondence with everysingle letter. The missing letters: k, j, w, are re-placed by the letters: c, i, u.



T he Chapel of Wor-ship is located to oneside of the Sacristy

and of the Liturgical Hall,whence one normally enters it.

The floor-plan shape of theChapel is an isosceles tra-pezium that, completed in theintersections of the diagonalsides, forms an isosceles Trian-gle of the height of 33 meters,subdivided into the two distanc-es of 18 and 15 m, identifying:the first, the distance of thecenter of the Tabernacle fromthe base; the second, from thecenter of the Tabernacle tothe vertex of the triangle. Thecenter of the Tabernacle,therefore, is associated to then. 18, which symbolizes the“Mark of the Beast” 666.

The straight lines connectingthe points A an d B with O(center of the Tabernacle),form an isosceles triangle withbase angles of 72°: this is thetriangle that identifies in an uni-

vocal manner a “5-pointedStar”, which is thus perfectlyidentified. Drawing the centerof the Star, one observes thatthis is located between the 7th

and 8th

row of pews, with 7 + 8= 15, which is the numericalvalue of one of the KabalisticNames of God-Lucifer.The Chapel of Worship, there-fore, in the dimensions of itsaula and in the position of theTabernacle has imprinted thesymbols of the Freemasonryof the Ancient and AcceptedScottish Rite in the number33, as the sum of the numbers18 + 15, and with the presenceof the “5-pointed Star”, whichis the symbol par excellence ofFreemasonry. There also ap-pear the numbers 72 and 15,

symbolizing Masonic ecume-nisms.Moreover: why in the Chapelof Worship is there a stele of“black Stone” that has the fla-vor of paganism?


The Chapel The Chapel

of Worshipof Worship

A B

O

Speaking of the mural fresco in the Meditation Room at the

UN, R. K. Spenser writes: «in the fresco, there are 72 geomet-rical figures and shadows… The number 72 indicates, eversince antiquity, all of the 72 Names of the Name of theDeity. This number derives from the permutation of the valuesassigned to the four letters of the Tetragrammaton (JHVH:Jehovah - the Kabalistic Name of God-Lucifer - author’snote). This multitude of names is obtained from verses 19, 20,and 21 of Exodus, each consisting of 72 Hebrew letters. Now,if these three verses are written in full, one over the other: thefirst, from left to right; the second, from right to left; the thirdfrom left to right, they give 72 columns of three letters each.Each column, therefore, gives one of the 72 names (each ofthree letters) that, together, provide the 72 names of theDeity alluded to in the text»1.

The number 72, therefore, is the number of Masonic ecu-

menism that wishes to reunite all the religions of the globe, in-cluding the Catholic Religion, into the secular, philosophi-cal, scientific Universal Religion of Gnosticism.

In this regard, let us recall the words of the “Patriarch of Uni-versal Freemasonry”, Albert Pike: «All true dogmatic reli-gions have come out of the Kabala and return to it: all thatis great and scientific in religious ideals… comes from theKabala; all the Masonic associations owe their secrets andtheir symbols to the Kabala»2.

1 R. K. Spenser, cited work, pp. 17-18.2 A. Pike, “Morals and Dogma”, Ed. L.H. Jenkins, p. 153.

The Number 72



I n the description of the ritual of the31st degree of the Ancient and Ac-cepted Scottish Rite, Mons. Leone

Meurin comes across the oath of the Ma-son aspiring to that degree, whom vowsobedience to the “Holiest and Indivisi-ble Trinity” about which the Mason,however, receives no explanation.

A celebrated expert and scholar of thedoctrine of Freemasonry, doctor Eckert,in his work “The Temple of Solomon”(p. 64), speaks at length of such TripleTrinity: «The matter of the world has exist-ed throughout eternity, and shall exist forall eternity in HOLY TRINITY, that is, inthe unity of three elementary matters: themasculine element of Fire, the feminineelement of Water, and the neutral ele-ment of Earth. Prior to the formation ofthe universe, these elements mixed to-gether formed the Chaos.The three primary elements, with the divi-sion of the sexes into two, give thenumber five, origin of every formation of

the Body of the world, whose symbol is

the Sphinx, with the head and the breastof a woman, the body of a lion and thewings of an eagle. Developed by theforce of the Fire, the elements produce,through the air, the Soul of the world,and through the Light, the Holy Spirit,whose symbol is the Phoenix, the FlyingDragon that rises from the fire, Body,Soul, and Spirit of the world form another

HOLY TRINITY which embodies itselfinto the Man-God.He, the Architect of the Universe withthe Patriarch of the World, or Director ofthe spiritual Power, and with the Emper-or of the World, or Director of the tem-poral Power, here you have the HOLYTRINITY inscribed on the supreme Cubeof the Temple of Solomon.The UPTURNED TRIANGLE, Lucifer,with the two crowned heads of the eagle,namely, the Great Patriarch and theGreat Emperor or Sovereign, make upthe “HOLIEST AND INDIVISIBLE TRIN-ITY” which the Mason candidate to the31st degree takes his oath of blind obe-

dience to».


«The center of the circle coincideswith God itself. This point embeddedinto the Pentalpha, emblem of the ini-tiated man, establishes the identitybetween man as he is being gnosti-cally divinized and the god poten-tially dwelling inside of him. Thetriangle includes, in turn, man as heis being regenerated, to signify theMasonic domain in which it (the divi-nization) takes place».


«The eye represented the mysticalsymbol of the so called Egyptian Tri-nity…».

(R.K. Spenser “The cult..”, p. 32).

Image of the God-Serpent of theGnostics: «We worship the serpentfor God has placed him at the originof Gnosis for humanity; he himself(the serpent) taught man and womanthe complete knowledge of the loftymysteries».


«The sunburst patterned Triangle,or Triangle of Solomon, is the sym-bol of the “Great Architect of theUniverse”… soaring above theloathed and ignorant “profane way».

(C.A. Agnoli, “La rivoluzione france- senell’opera della Massoneria”, The Fren- ch Revolution in the Masonic Work , Ed. Ci-viltà, Brescia, p. 81).

“Triple Masonic Trinity” – secret of this “New Church”? –



since antiquity, a pagan expres-

sion of the deity; paganism ofwhich Freemasonry is permeatedand of which the echelon of theUN seem to be the confident as-sertors and eager propagators,even if, nowadays, merely makinguse of a symbology that hides thereal contents of their doctrine fromthe profane world.From the “Schethya”, the “point-ed cubic stone” “at the origin ofthe World” (Lucifer), the Altarand the Tabernacle of idolatryhave been called: “cubic stone”,“angle stone”, “black stone”,

“column Stone”, down to the“talisman” of the “Lucifer Trust”.But the UN informs us that this“black Stone” is a symbol thatsays how the Light of the Spiritgives life to the matter»!

T he Tabernacle is the

abode of God. Th esymbols that adorn this

holy home should not only be per-meated with a spirit of sacred re-spect, of veneration and adora-tion, but, above all, they shouldexpress the true essence of theconcept of the God who inhabitsthe Tabernacle.We have already seen that thecenter of the Tabernacle, at 18m. from the base, associated it tothe “Mark of the Beast” 666.The area surrounding the Taber-nacle, besides, symbolizes the

Tetragrammaton with its n. 15and its claim to represent All ofthe 72 Names of the KabalisticName of God-Lucifer!The “black Stone” stele of theTabernacle, moreover, is, ever


the TABERNACLEof what God?

the TABERNACLEof what God?

View of the square base black stone pyramidal stele

of the Tabernacle.

– 33 scales = Freemasonry; – 5 vertexes of the fins = “5-point-

ed Star” = 15 = Freemasonry; – 5 + 1 vertexes of the fins = “6-

pointed Star” and of the n. 18;

– the eye forms a 9 and a 6 = 15; – the numbers 3, 5, 7 (on the gillsand on the tail) of the “Master”.

When the Tabernacle is opened,the 13 th tile disappears, makingappear this 2-door silver closure,adorned with two fish facing oneanother.The fish are notoriously “mute”,

and such they remain to the pro-fane, whereas to the init iates,their eloquence takes the form ofsymbols:




The Tabernacle is a pyramidal stele of lavic black stone of Mount Etna, 3.5 metershigh, with a square base of 9 decimeters in side ending at the top with a regular oc-tagon, and resting upon an octagonal base marble base.

The “Dictionary of Symbols”, at the call “seven”, among others, reads: «So, theinfernal Beast of the Apocalypse has 7 heads. But the seer of Patmos (St. JohnEvangelist) often reserves to the evil powers the half of 7, which is 3.5, thus high-lighting the failure of the enterprises of Evil»1.If the two lines connecting the two vertexes of the 9 dm base with those of the frontalside of the octagon are continued, at the top of the stele, one comes to the height ofan isosceles triangle of 6 m. The number 6, in the Bible, is the number of the im-pious. This number, however, re-proposes the theme of the numbers 6 and 9 as be-ginning of the spiral, symbol of the G.A.O.T.U., namely, of Satan, Lucifer. In addi-tion, the sum 6 + 9 gives 15, numerical value of the word of the Jewish God JAH,one of the forms of the Tetragrammaton.Finally, 6 and 9 identify the Triangle of the 1st “Holy Trinity” of Freemasonry!

1 J. Chevalier, A. Gheerbrandt, “Dictionary of Symbols”, Bur Ed. Rizzoli, 1997, vol. II, p. 377.

“BLACK STONE”ALTARS AND TABERNACLES

Speaking of the occult meanings of theMeditation Room of the UN, Spenserwrites: «The altar is a block of crystalmineral of a dark gray color weighing6.5 tons».And he continues: «At a higher esotericlevel, the altar of mineral stone recallsthe ancient Foundation Stone onceplaced in the foundation of the Templeof Solomon and, later on, during theconstruction of the second Temple,transported into the “Saint of Saints”. Itwas of a perfectly cubic shape andhad, inscribed on its upper face inside aTriangle or Delta, the holy Tetragram-maton, or Ineffable name of God».Spenser reports the following citation ofthe work of A.E. Waite, “The SecretDoctrine of Israel”: «A mysterious stone,called Schethya, that was thrown byJehovah into the abyss, so as to formthe base of the world in order to give itlife. One could think that it were like analtar of cubic stone, for its extremitywas hidden in the deep, whereas its sur-face emerged above the chaos. It wasthe central point of the immensity ofthe world: the angle stone».It this about Christ-angle stone? - Spen-ser asks himself. No! Says he - «be-cause this has been discarded by thebuilders»!And he continues: «It is sufficient to walkinto the Meditation Room at the UN toperceive the absence of God in theUN. The mineral “stone” of the altar,in its dismal and crude construction is,in itself, a symbol of idolatry.The worship of stones is an ancientpractice; Eusebius quotes Porphyry whosaid that the ancient represented theDeity with a black stone, on account ofits obscure and inscrutable nature. Thereader, at this juncture, may recall theblack stone, Hajar el Aswad, located inthe Southwest corner of the Kaaba, atMecca, which the Arabs worshipped inantiquity…The Druids, it is known, had no otherimage of their Gods than stones in theshape of a cube or column… whichgave the idea of stability and strength - asymbol or idol of the same Deity… thegod Hermes (Mercury) was representedwithout hands and feet, being a cubicstone, since the figure of the cube de-noted stability and solidity».«The description of the altar as “naturaltalisman” of the World Goodwill (theGroup of the “Lucifer Trust”, then re-named “Lucis Trust”, the most power-ful satanic sect of the world that rulesthe UN - author’s note), tells us that “tal-isman” is a term that means “stone”…The altars, amongst the ancient, weremade of stone… generally of a cubicshape. The altars were erected ahead ofthe Temples»1.

1 R. K. Spenser, cited work, pp. 8-15.




Facing the open Tabernacle, with the 3tiles on the right and 3 on the left, onehas, immediately, the vision of a geome-try made up of 4 horizontal parallel linesand 4 vertical ones, defined by the edgesof the stele and by the outer and separa-tion lines of the 6 tiles.Traced the vertical axis of the stele, withthe experiences already made, it allcomes automatically: one traces the “5-

pointed Star”, from the 2 lower centralpoints, then the “6-pointed Star” whosehorizontal axis intersects with the verticalone of the stele, identifying the “centralpoint”, which is the center of the “up-turned Triangle” of the “5-pointed Star”.As we have previously seen, in the struc-ture of the “new church”, the whole of the“5-pointed Star”, of the “6-pointedStar” and of the “central Point”, formthe 2nd Masonic “Holy Trinity”, the “di-vinized Man”, whereas the “upturnedTriangle” with the “central Point” formthe Masonic “Holiest and IndivisibleTrinity”, the 3rd “Holy Trinity”, namely,Lucifer together with the Patriarch of

the World and the Emperor of theWorld.And where, instead, is the 1st Masonic“Holy Trinity” hiding? This is represent-ed by the Triangle, traced in a white linein the photograph in the next page, and,physically, is constituted by the “blackStone Stele” representing the Matter(Fire, Earth, Water) “at the primordialstate of chaos”.Now, “this Matter with the two sexesforms the Body that, with the Soul, gener-ated by the Fire with the Air” forms thatwhich the UN secretary calls “The earthon which we live”, which needs the“Holy Spirit”, “generated by the Fire

with the Light”, in order to give “life”.In other words: since the “perfection” ofthe “Master”, or of the “perfect stone”,is always intended not in “material”, butin “spiritual” terms, the speech of theformer UN Secretary, Dag Hammar-skjold, means: the profane world (wepoor Christians), who form the “Body ofthe World”, first need a Soul, and thenthe “Light” of Freemasonry, which, withthe “Fire” of the rebellion against God,produces the “Holy Spirit” of Lucifer,who gives us “Life”, that is, causes us tobecome “Masters”, “Men-god”, “per-fect stones”! These are the “stones”Freemasonry uses to edify its Temple!

What does all this means to a poorCatholic faithful who enters this “newchurch”? According to the High Initiates,it means that he must climb the 15Masonic steps, in order to acquire the“Holy Spirit”, to “divinize himself” andbecome a “Master”, or, better, a “per-fectly Satanized man”!And what does this mean, instead, to theCatholic Clergy administering the sacra-ments?For them, the High Initiates have anotherprogram, which is the real content of the13 tiles of the Tabernacle!

The dimensions 30 x 32 x 70 of theniche inside the Tabernacle re-present the numbers 3, 5, 7 of the“Master” Mason become “perfectstone” or, better, “divinized man”.Would that be the substitution of the“Master” Jesus with the “divinizedMan” or, better, with the “SatanizedMan” of Freemasonry?

32 cm

1 3 d m

6 d m

9 dm

3 , 5 m

6 m

The straight lines AC and BD connect in O, vertex of the isosceles triangle,at the height of 6 meters.

Creating a triangle with the base of thestele = 9 dm with a point at a height of6 dm (taking the meaningful number 6of the height of the vertex of the pyra-mid of the stele), one obtains the Trian-gle ABL, which is the Triangle of the1st Masonic “Holy Trinity”.The “black stone” stele, therefore,with its dimensions 9 and 6, representsthe “Matter” in the condition of “pri-mordial chaos”.

O

C D

A B

The insults to God One and Trine, on the Tabernacle

– Theblasphemous Masonic Triple Trinity in place of the Holiest Trinity; – the“5-pointed Star” on the Chapel of Worship = 666; – the distance of the central axis of the stele from the base = 18 = 666; – the Width of the stele = 9 = 666; – the Depth of the stele = 9 = 666; – the“5-pointed Star” on the Tabernacle = 666; – the“6-pointed Star” on the Tabernacle = 18 = 666; – on the 2 fish of the Tabernacle =33, 5, 6, 18, 9, 6, 11; – 6 tiles on the left + 6 degrees of the 13th tile + 6 tiles on the right = 666; – the dimensions of the niche: 30 x 32 x 70 = 3, 5, 7 = “Master” Mason; – the numbers imprinted on the 2 fish of the Tabernacle = 33, 5, 6, 18, 9, 6, 11; – the Height of the pyramid of the stele = 6 (n. of the impious); – the13th tile of the Pelican = 13 (diabolical number); – the Height of the niche of the Tabernacle: 13 (diabolical number); – the Height of the stele = 3.5 (number of the evil powers).

7 0 c m

Depth of the niche: 30 cm

1 9 2 c m

1 2 8 c m

4 8 c m

3 9 c m

4 2 c m

30 cm 30 cm

L



On the Tabernaclethe satanic

Triple Trinity!


The geometrical shapes, composed of the width and height of theblack stone stele of the Tabernacle, with those of 6 tiles at itssides, provide the lines and the points to trace a “5-pointedStar” inscribed into a “6-pointed Star” with a central Point. TheTriangle, highlighted in white, represents the 1st Masonic “Holy

On the Tabernaclethe satanic

Triple Trinity!

Lucifer replaces Christas man’s Redeemer

Lucifer replaces Christas man’s Redeemer

The universal axis:in this geometry, the axi

is that of the “5-pointedStar”, of the “6-pointe

Star”, of the “central Point= Lucifer of the Masoni

“Holiest and Indivisible Trinity”, which coincides with th

“Point” of the “Fire” of the 1s

Masonic “Holy Trinity” and witthe “point” of the “Holy Spirit

of the 2nd Masonic “Holy Trinity”:

The truth that Lucifer communicates to man is th

Unity of the Triple Trinity, and the Diviniza

tion of the Matter, oMan and of Lucifer.

Trinity”; the two 5 and 6-pointed Stars, with the central Pointrepresent the 2nd Masonic “Holy Trinity”; the central upturnedTriangle with the central Point, represents the Masonic “Holi-est and Indivisible Trinity”, or, better, the 3rd Masonic “HolyTrinity”.




Melchisedech offers God bread and wine: the Mason Candidate recruitsa soldier for the armada of the Temple, namely, the armada of Lucifer!

Introduction of Jesus to the Temple: the Mason Candidate is introduced to the Temple of the third series of 1degrees. The Candidates burns incense to Lucifer and vows to recruit soldiers for the armada of the Masonic Temple

Resurrection: the Mason Candidate performs the “act of faith”.

Abraham offers his own son to God: the MasonCandidate performs the “act of submission”.

Abel offers the Lamb: the Mason

T he 13 tiles of chiseled silver,work of the sculptor FlorianoBodini, with respect to the niche

of the Tabernacle, are located: 6 on theleft hand side (3 of the Old Testamentand 3 of the New Testament); 6 on the ri-ght hand side (3 of the O.T. and 3 of theN.T.); the 13th covers the niche of theclosed Tabernacle.The meaning of the symbolic contents ofthe 13 tiles is the program which the HighInitiates wish to actuate with the Catho-lic Clergy: i ts transformation, from

“Priests of Christ”, into “politicalClass” at the service of the World Go-vernment of the Antichrist”.Th e Supernatural must disappear,“Western Churches must be secular-ized” and the “Universal Religion”,which must embrace all the religions ofthe globe, must constitute the “very es-sence, the double, triple, fourth, fifthessence, at it were, of the policy” ofthe World Government.The themes developed by the 13 tiles aredrawn from the rituals of the first 5 de-grees of the 3rd series of 11 degrees ofthe A.A.S.R.: 23rd, 24th, 25th, 26th, 27th,developed in 6 + 6 tiles of the O.T. andN.T., with the 13th tile of the “Pelican”

covering the last 6 degrees.Th e 3rd series of 11 degrees of theA.A.S.R. has, in fact, the scope of trans-forming the Masonic “Priest” of the 22nd

The 13 Silver Tiles:– Transformation of the “Catholic Clergy”

into “Political Class”? –

degree (who has already fought CatholicVirtue and Morals, with the “Cult of thePhallus” and with the “Cult of Man”) in-to a “Political Man” at the service of Lu-cifer, in order to fight Catholic Autho-rity, with the “Cult of Lucifer”.The deepest “Mystery” of these degreesis the declaration of war on the “Reli-gion of Christ”, as affirm the HiddenChiefs, in one of their secret instructions:«it is Religion that must be the con-stant thought of your assaults, for apeople has never survived his Reli-gion, and because, by killing Religion,we shall have in our hands Law andProperty; because by establishing,over the cadavers of these assassins(the Priests faithful to Christ - author’snote), the Masonic Religion, the Ma-sonic Law, the Masonic Property, weshall have regenerated Society».This, however, must be done with cun-ning, as “Religion must be eradicatedwith shrewdness”!

1

2

1312

11

10

9

4

5

67

Old Testament

New Testament

3

2

1

8

3

4

5

6

7

Disposition of the 13 Silver Tiles on the Tabernacle.




23rd degree

24th degree

25th degree

26th degree

27th degree

33rddegree 32nd degree 31st degree 30th degree 29th degree 28th degree

The Mason performs the “act of faith”, the “act ofsubmission” and the “act of worship” to Lucifer.

The Mason is received in the Temple, burnsscented incense to Lucifer and vows to recruitsoldiers for the Armada of the Temple.

The Mason performs the act of cult to theSerpent-Satan who replaces Christ on the Cross.

The Mason, after flying out in thethere “heavens” of Intelligence,Conscience and Reason, knowsthe 3 “Trinitary Mysteries”.

Candidate performs the “act of worship” to Lucifer.

Crucifixion: the Candidate is initiated to the “cult of theerpent”, namely, Satan replacing Jesus Christ on the Cross.

Last supper: the Mason becomes a Spirit and, with two wings, fliesut in the three heavens of Intelligence, Conscience and Reason.

The rain of the manna in the desert: to the Mason is re-vealed the 1st Scottish Trinitary Mystery: the “heaven ofIntelligence”: the political Needs of humanity.

Elias is fed with bread in the desert: to the Mason Candidate is revealed the 2nd Scot-tish Trinitary Mystery: the “heaven of Conscience”: the social Needs of humanity.

Multiplication of the loaves: to the Mason is revealed the 3rd Scottish Trin-itary Mystery: the “heaven of Reason”: the material Needs of humanity.

Emmaus: the Mason learns the password: “Gomel”(peoples of Lucifer), the only two peoples with whichhe can communicate, outside the Lodge.

The Jewish Easter: the Mason joins the “Court of Lucifer”.

Pelican: the Mason sees the degrees that are still missing for hiscomplete incorporation into the “mystic body” of Satan.

8

9

10

11

12

13



References to the ritual

– The Candidate, in the place of Jesus, plays the part of the Son of Hiram (Lucifer); – the floor, made of white and black tiles (indicating the Masonic Lodge), totals 23

tiles (11.5 x 2) = 23rd degree. – the panels of the vault of the Temple are 3 times 6 = 666; – in the middle of the Temple, stands the 7-arm chandelier; – on the right hand side of the dove, the n. 49 of the lights of the Lodge is observed; – the President (1), the 3 Priests (2, 3) and the 3 Assistants (4, 5, 6) welcome him; – the Sacred Motto is Uriel (God-Fire), it is written on the left hand and on the stole of

the President, in the Masonic alphabet; – the Candidate enters the 3rd sphere of the 11 degrees: the sphere next to Jesus

shows 3 zigzag segments and the n. 11, with other 2 n. 11 close by (green and blue); – to the left of Jesus, it is symbolized the “jewel”: the incensory that makes the in-

cense soar toward the Dove-Lucifer; – the Good Beginning, Angel of Light, Great Architect of the Universe” is symbol-ized by the Dove showing the numbers 18 = 666 (red lines); 3 times 6 = 666 (light

blue lines); and the n. 13 (green lines).


Introductionof Jesus to the Temple(The Mason is received in the Templeand burns scented incense to Lucifer)

The Ritual23rd degree of Ancient and Accepted Scottish Rite

The Chief of the Tabernacle

«The President of this degree is the “Sovereign GrandSacrificer” of “Solomon” who, accompanied by 2 Priestsand 3 Assistants, receives the Mason candidate to give himhis political education.

The Candidate still belongs to the “nave” of the MasonicTemple (namely, the “5-pointed Star”), and only in the fol-lowing degree will he enter the “Sanctuary” (the “6-pointedStar”), which is called “Hierarchy”.As a fresh “political man”, the Candidate plays the part ofthe son of Hiram (the “Master” of the Temple of Solomonsymbolizing Lucifer, slain by the Three Persons of the Ho-liest Trinity), and learns that the three assassins, thepriests, the kings and the landlords, designated with theepithets of hypocrites, traitors and depraved, are maneu-vered and directed by Adonai, the God of the Christians.The passage from the “priestly” to the “political” conditionis illustrated with these words: “Superstition (that is, Reli-gion) must be eradicated with shrewdness and, conse-quently, it is incumbent upon the leading classes to de-clare war on Superstition (that is, to Religion)”.The Password is “Uriel” (= God-Fire) who admits the Candi-

date into the sphere of the 3d series of 11 degrees of theMasonic degrees, into the Tabernacle of the revealedtruths, not however (revealed) by Adonai, the God of the An-cient Jews and of the Christians, but by Lucifer, whom hereis called “Good Beginning, Angel of Light, Great Architectof the Universe” to whom the Priests offer incense and, inhis honor, carry, as Jewel, an “Incensory”.The Lodge has 2 apartments: the first is called the Vestibule;the second is the Lodge, which must be perfectly round. Itsdécor is changed 3 times on the occasion of the reception. Inthe middle, stands a burning 7-arm chandelier. In all, thereare 49 lights. The Lodge is called “Hierarchy”».

(Meurin, cited work, pp. 344-345).




Abraham offershis own son to God(The Mason performes the “act of submission”)

The Ritual24th degree of A. A. Scottish Rite

The Prince of the Tabernacle

«In this degree the Candidate entersthe Temple called “Hierarchy” of theSpirits and has before him the 3triangles representing the Physical,

Moral and Intellectual Triad of this3d series of 11 degrees of the Free-masonry of the A.A.S.R.Here is the essence of this degree:“Solomon, for changing his cult, haslost communication with Adonai.He, however, has acquired an extraor-dinary knowledge of the Kabbalah andhas been able to come in touch withthe Spirits of the Fire!”Here is the “recovered Word”: theword of Lucifer to man!3 acts are required of the Candidate:

– “Act of faith” (already seen); – “Act of submission”;

– “Act of worship” (theme addressedin the next tile).

Act of submission: “the two openhands are brought on the head, joiningthe two index fingers so as to form atriangle”. The Candidate, in this man-ner, expresses the submission of hisintelligence (the triangle of the Kaba-listic intellectual Triad) to the God-Fire (Lucifer or Angel of Light)».



– Abraham symbolizes the Candidate who must perform the “Act of submis-sion” to Lucifer;

– the Angel, who lay his hand (a man that seems to represent two) is Lucifer,Angel of Light, on account of the numbers 5, 9, 13 marking him;

– the double 24 circles at the base indicate that we are at the 24th degree; – the 6 remaining circles, divided into 3 + 3, indicate 3 times 6 years, of the

work the Candidate has already carried out at the Temple of Solomon; – the 3 triangles placed on the altar, indicate the 3 Kabalistic Triads the Can-

didate must still cover in this 3d series of 11 degrees; – the 3 triangles placed on the body of Abraham (the Candidate) indicate the

submission to Lucifer of the 3d Triad, the Kabalistic intellectual Triad.




Abel offers the Lamb(The Mason performes the “act of Worship”to Lucifer)

The Ritual24th degree of A.A.S.R.

The Prince of the Tabernacle

«In this degree, the Candidate entersthe Temple called “Hierarchy” of theSpirits.Here is the essence of this degree:“Solomon, for changing his cult, haslost communication with Adonai. He,however, has acquired an extraordinaryknowledge of the Kabbalah and hasbeen able to come in touch with theSpirits of the Fire!”Here is the “recovered Word”: theword of Lucifer to man!3 acts are required of the Candidate:

– “Act of faith” (already seen); – “Act of submission” (already seen); – “Act of worship”.

– Act of worship: “The head is bowedforward and, with the left hand, theeyes are covered. Cordial Act of Wor-ship of the dazzling God-Fire”.In this degree, the system of the twoorigins of the deity, represented by the“Seal of Solomon”, is explained: thedouble triangle intertwined with the twoElders, representing the white Jeho-vah and the black Jehovah. The rep-resentation of the two elders, how-ever, is not exact: the Kabbalah calls“Elder” the Great face, but there arenot two Elders, but only one: the En-soph: The “Elder of Elders”».



– Abel represents the Candidate of the 24th degree whom is required the Actof Worship to the God-Fire, Lucifer.

– the 24 small circles, at the foot of Abel to the right, indicate the 24th degree; – the days worked at the Temple are: 3 times 6 (yellow), and 2 times 9 (green); – the Candidate “bows his head forward”, while the person at bottom

“covers his eyes with his left hand”; – the “Seal of Solomon” (two intertwined triangles of the “great World”

and of the “small World”, one with the tip facing downward; the other facingupward, is represented by the divine Man Adam Kadmon (the whole of the10 Sephirot of the Kabbalah: 1 + 3 + 3 + 3 + 1 = the World and the 3 trian-gles) united by the Ensoph: the Elder of Elders (in the triangle) of the Kab-balah; and by the Candidate, the super-human being who, by ascending in

degree: 1 + 3 + 3 + 3, completes the 10 Sephirot, united by the letter “G”expressing Creation, intended as “Generation”.




Crucifixion(The Mason performs the “act of cult to theSerpent-Satan” who replaces Christ on theCross.

The Ritual25th degree of Ancient and Accepted Scottish Rite

The Knight of the Brazen Serpent

«In the 25th degree are found the Ophites: the worshipper of theSerpent. The essence of this degree is the “Cult of the God-Ser-pent”, classic symbol of Satan.Above the altar of the room stands a transparent representing the JA,JE, JI, the Masonic Jehovah, in the middle or a burning briar.The Lord appeared to Moses in a burning briar that would not be con-sumed… hence, Lucifer would not be consumed in the eternal Fireof which he is the immortal inhabitant, either.A truncated-cone shaped small heap, in the middle of the room,carries a bronze serpent crouched down on a trestle.The Lord said unto Moses: “Make thee a bronze serpent and set it(upon a pole) as a sign; everyone that is bitten, when he looketh uponit, shall live”.Our Lord, for that reason, said: “Just as Moses lifted the Serpent inthe desert, so must the Son of Man be lifted up (on the Cross) sothat he that believes in him shall have eternal life”.The focal point of this degree is the comparison between the Christand Satan, both represented by the bronze Serpent.The Christ on the Cross becomes the Death of Death “in orderto destroy with death he that had the empire of death, namely, theDevil”.Satan, on his part, making that image his own, says to the Candidatethat it is he who healed the Jews in the desert; he, the Angel of Lightof whom the Serpent is one of the emblems. Hence in this manner,placed on the Cross, the Serpent represents Satan, who presentshimself, by replacing Christ, as the true Savior of humanity, thetrue “Master”.The mystery of this degree is a profound one.As the Christian Baptism, and the other Sacraments, are a mysticaltransformation of the natural man into Son of God, dying to the pre-vious life of sin in order to be incorporated into God, so the Devilactuates, with the progressive work of Freemasonry, the incorpora-tion of man into his diabolical personality. Man must die, likeHiram, in order to resurrect as a new Lucifer!The sacred Motto of this degree is “Moses”».


Satan presents himself to the Mason Candidate,replacing Jesus Christ on the Cross and pre-senting himself as he that gives the eternal life.The “5-pointed Star” on the forehead of Christcrucified, means that it is not Jesus Christ onthe Cross, but Satan-Lucifer.

The egyptian “Ankh”

«The shape of the Ankh is that of a cross, and wedo know that the latter was the ancient symbol ofeternity. It is the symbol of eternal life.But the gulf in the upper part seems to be the signof a string knot that means: to tie, to untie…Hand-held by the deities (or pictured besidethem), it is the symbol of sacred occultism.Hence, the knot represented, above all, the oc-cultism protector of the mysteries of Religion».

The Ankh inscribed into the Pentagram.




Left : Satan presents himselfas the true “Master” who gives“divine life to man”.The depiction of the “Master”is the whole of the “5-pointedStar” inscribed into the “6-pointed Star” and with thecentral Point.

Right : the 9 zigzag steps toimitate the movement of theserpent (4 red zigzag lines and5 other to the side); and the 9knocks of the battery, dividedinto 5, 3, 1 (5 red lines, 3 yel-low, 1 green on the chest andthe white, red, and blue raysaround the head).The Sacred Motto “Moses” iswritten in the Masonic alphabet(2 yellow lines, 1 red and 1green on the belly). The twopeople (male and female) rep-resent the 2 sexes of the“Deity” represented on the

cross.

Left : Jesus Crucified replaced by Satan-Baphomet on the Cross:

– on the head is inscribed a “5-pointed Star”; – on the hands stand out the letters “S” and “C” of Solve and Coa-

gula, which appear written on the arms of the Baphomet; – on the arms, highlighted in green, appears the caption “Baphomet”

in the Masonic alphabet (the cross on the left arm, at the height ofthe elbow, indicates the 4 letters B, a, p, t, gathered together)whereas the others: h, o, m, e, are indicated singularly;

– theMoon is represented by the partial circle around the head; – the flare on the head of the Baphomet is symbolized by the Sun

with the rays coming out of the larger circle with center in the no-se;

– the Caduceus is represented by the two people (male and female)at the foot of the Cross, whom receive the rays of the Deity, indicat-ing its 2 sexes;

– the caption “INRI”, to the High Initiates, means: “Igne Natura Re-novatur Integra” (la Natura Intera è Rinnovata col Fuoco - the Who- le Nature is Renewed with Fire ): the Fire of the God-Fire, Satan.

Side : depiction of the Bapho-met, the god worshipped bythe Templars and by the Highdegrees of Freemasonry.

– on the forehead stands outthe “5-pointed Star”;

– on the arms, the captionsSolve, Coagula;

– on the belly, the Cadu-ceus, symbol of the 2

sexes of the Deity; – above and below, the whiteand black Moon;

– on the head, the Flare ofthe God-Fire;

– etc…



Last supper(The Mason, a new spirit, flies into the three“heavens” of Intelligence, Conscienceand Reason)



The Prince of Mercy

«The incorporation into the army ofthe demoniac Spirits produces, as itwere, a New Spirit that, by its own na-ture, must be able to enter the regions in

which its brothers dwell.First the Candidate takes 9 stepssnaking, Sign of the previous degree,and symbolizing the march of the God-Serpent that never walks straight.They attach two wings to his shoulders,symbol of the spirits. Everywhere, evenin the Church, winged Angels are alwaysrepresented, to indicate their spirituality.The Candidate, therefore, represents aSpirit.Incorporated into the chorus of the De-mon, in the previous degree, he mustclimb 9 steps, perhaps in honor of the 9Sephirot submitted to the Great Archi-tect of the Universe.From the platform on which he is stand-ing, blindfolded, he must fly out from thefirst heaven, to the second heaven, andthen on to the third heaven, in the pres-ence of the Prince of darkness, of theGod-Fire whom he must see “as is”.The Sign of recognition consists in atriangle made with the first two fingersof the two hands and placed on thebelly: the Kabalistic physical triangle iscompleted».


References to the ritual – The floor of white and black tiles indicates the Masonic Lodge; – the Candidate is welcomed by the Court of Lucifer composed of 9 Courte-

sans; – the9 zigzag steps of the Serpent are the tiles of the same color (black); – the9 steps the Candidate must climb, are the tiles of the other color; – two wings are attached to the Candidate which allow him to fly out in the 3

heavens (1st, 2nd, and 3rd); – the particle, which Lucifer gives the Candidate, symbolizes his incorpo-

ration into the army of the demoniac Spirits; – thediabolic Spirit of the Candidate is symbolized by the n. 6 marking him; – the Sign of recognition is the Triangle the Candidate forms “with the first

fingers of the two hands and placed on the belly”, “suggested” by the(green) arrow;

– in the 3rd heaven, the Spirit of the Candidate finds itself in the presence ofthe Prince of darkness, of the God-Fire whom he must see as is: Lucifer,the “Sun with the 7 rays”; Lucifer, center of the blasphemous Masonic“Triple Trinity”!




The rain of the mannain the desert(The Mason knows the1st Scottish Trinitary Mystery)


The Prince of Mercy

«The Candidate, to whom they at-tached two wings to the shoulders,symbol of the spirits, represents aNew Demonic Spirit.

From the platform on which he is stand-ing, blindfolded, he must fly on to thethird heaven, passing first through thefirst and through the second.He hurls himself and falls onto a coverheld by some vigorous Friends. He isin the first heaven, that of the wan-dering stars – the stars representingthe Spirits; he is in the “air where arescattered the Spirits of malice”.The novel Spirit of the Candidate isintroduced to the

1st Scottish Trinitary Mystery.

He has soared in the region of the In-tellect that corresponds to the politi-cal needs of Humanity.In this degree, one promises to workon the 12 Commandments of the Ta-ble of the Law. Certainly, that Tableis not Moses’, but the Round Tableof the Templars in the 27th degree».



– Moses represents the Candidate who, marked by the n. 13 and 7, by the 3 trian-gles yet to be covered in Freemasonry, by the word “Moses” written with the fin-gers of his left hand, in the Masonic alphabet, now knows the 1st TrinitaryMystery: the political Needs of Humanity = destruction of the 3 Enemies;

– this task is entrusted to the 7 people to the left and to the 8 to the right, who addup to 15 = 5-pointed Star = Freemasonry;

– the person with the 15 small green circles on his head, carries written on his back:2 times 9; 3 times 6, which are the knocks of the Battery of this degree;

– the 12 small circles and the 9 (2 incomplete + 7) indicate the Table of the 12Commandments, not Moses’s, but of the Round Table of the Templars of the27th degree;

– the Great Hand indicating 3 (the 3 enemies to fight of which Religion, repre-sented by the 3 tiaras, is the main one) is marked by the n. 3 (yellow), 13 (blue),15 (red), 18 (green), 3 times 6 (green), 2 times 18 (red, yellow), 6 x 6 (the squares

on the background), is the hand of Lucifer, whereas the numbers 15 + 18 = 33,indicate Freemasonry. To the left, in the foreground, appears the n. 6, the impious.




Multipication of the loaves(The Mason knows the3rd Scottish Trinitary Mystery)

The Ritual26th degree of A.A. Scottish Rite

The Prince of Mercy

«The Candidate, to whom they at-tached two wings to the shoulders,symbol of the spirits, represents aNew demonic Spirit.

From the second heaven the Candidate, having been fluttered in the air,enters the third heaven, in the pre-sence of the Prince of Darkness, ofthe God-Fire, whom he must see “asis”, “face-to-face”, as the Christianwill see good God.He is shown the Truth that springsfrom the well. That Truth is repre-sented by a “Mason Sister in a tradi-tional costume”, as is!She is the Goddess of Reason.At this point, the Candidate is left alone

with the “Truth” after giving him anArrow, vile symbol of the god Cupid.The novel spirit of the Candidate isintroduced to

3rd Scottish Trinitary Mystery.

He has soared in the region of theReason that corresponds to the mate-rial needs of Humanity».



– TheCandidate indicates, with the 3 raised fingers, the 3rd Trinitary Mys-tery: the material Needs of Humanity: the Imposition upon the indivi-dual, upon the family and upon the State of all that is Masonic, taking ad-vantage of the material needs;

– The Dove carries the numbers 13 of Lucifer and 15 of Freemasonry,which seem to have eclipsed the Cross; also the n. 10 of the curved lineson the background seems to fade out into the horizon;

– the Candidate, who bears the signs of the n. 3 of the 3 triangles, and whoindicates with the fingers 3 times 5 = 15 of the “5-pointed Star” of Free-masonry, is before this Mystery that contemplates the materialized hu-manity (5 sheep, 11 people with children (= families), 7 dignitaries inclu-ding the Priest wearing the tiara) that, with no more true Religion nor ref-

erences (do observe their expressionless and lifeless faces) find them-selves under the direction of Freemasonry and of its God: Lucifer.




Emmaus(The Mason knows the “two people” of Lucifer)


The Prince of Mercy

«The new Spirit of this degree, having knownthe 3 Scottish Trinitary Mysteries, is informedof the “two peoples of God”.The Password, entering the Lodge, is “Gomel”,

namely, “Peoples of God”, that is, “Peoples ofLucifer”. To communicate outside the Lodge,there are only two peoples: the Ghiblim and theGibeon; the two are the Gomel, the “peoplesof the God-Fire”.The Ghiblim were a Phoenician people withcapital Byblos, famous for its cult of Adonis,who was believed wounded by a wild boar inLebanon, whence the Adonis river that flowsthrough Byblos, has its source. The Egyptians,every year, on the feast of Adonis, tossed ahead-shaped box they claimed to be the head ofOsiris in which was a letter for those of Byblos,into the sea. That box, they said, would reachByblos unaided in 7 days.Gibeon stood upon a height, as its name,

“Height of Iniquity”, suggests. Solomon tra-veled there, at the onset of his reign, to sacrifice.The Scripture reproached him for this: “Solomonloved the Lord, walking in the statutes of hisfather David, except that he sacrificed andburned incense at the high places. He went toGibeon to sacrifice there”.Gibeon was the capital of the Gibeonites, withwhom the Israelites concluded an alliance, andthen enslaved on account of their violence.They remained always faithful to Israel».



– Jesus Christ with the two disciples of Emmaus, symbolizes the “secretMaster” of this 24th degree who explains who the Gomel are: the 2peoples of God-Lucifer with which the Candidate may speak outsidethe Masonic Lodge;

– on the chest of the “secret Master” is written “Gomel”, in the Masonicalphabet, and on his left shoulder appears the n. 7 of the Secret Master;

– the 26 small circles to the right in the background, indicate the 26th

degree; – the numbers 6 and 36 (6 x 6) indicate the 666; and the numbers 3, 5, 7,

9, 18 (bottom) indicate the Masonic people; – the number 22 on the head of the person to the left; the number 12

bottom right, and, particularly, the 12 rays departing from the halo ofthe “secret Master” indicate the 12 Tribes of Israel. This people, is

the people of the Jews.




The jewish Easter(The Mason joines the “Court of Lucifer”)

«The Candidate is welcomed amongstthe members of the Court of his infer-nal majesty: he becomes his Courte-san. The President is addressed asOmnipotent and is wearing, as JesusChrist, a blue gown and a red cape; at

the tip of his string, there is a triangle.He wears a crown of thorns on hishead.The Candidate is brought into the roomblindfolded, to make him understandthat he is still under the yoke of pas-sions! As an indication of that slavery,image of political slavery, he is tied up,placed upon a table, covered with amortuary drape, and carried in pro-cession chanting a funeral prose.Next, he is untied, to show him the dif-ference between a slave and a freeman, and he is solemnly crowned.Then, the Candidate vows to “alwaysobey the orders that will be transmit-

ted to him in a hierarchical way”.The substitution of the existing govern-ments with the power of the Order isthe aim of this 3rd series of 11 degrees.Freemasonry considers itself as thesecret executioner of the governmentsand of the peoples. Jesus Christ,I.N.R.I. who had assumed the title ofKing of the Jews has been justlycondemned; the true King of theJews takes, here, his place, whichJesus had usurped!

The Ritual27th degree of Ancient and Accepted Scottish Rite

The Commander of the Temple

The Sign is this: to make a little signof the cross with the thumb of theright hand.In this degree that, with the next two,represents the soul of the devil-pos-sessed Man, the mother idea of the

Kabbalah is revealed through theembroidery the partakers wear on thecollar of their apron.The meaning of the collar is known: theTeutonic Cross, sign of the quadruplegeneration that produced the 4 worlds

– the perfection of the triple Phallus ofthe Phoenicians - appears surroundedby a golden laurel Crown. It is thePhallus, the generating force thatopens all the treasures of nature.Hence, one observes the Key embroi-dered under the collar, naturally on theapron, other form of the letter “G” (gen-eration).The Battery beats 3 times 9, that is,

27 knocks. They are divided into 2times 12 and 1 time 3 knocks.

The “Great Supreme Trinity”, alwaysremaining at the apex, shines in a tri-ple ideal light, whose supreme gen-erating force, represented by themystic number 5 and of the “5-point-ed Star”, spreads throughout theuniverse».


The cat

In this tile, appears a “sly cat” crouched down on the 4th step. What doesthis animal symbolize?«The cat evokes the notion of primordial chaos, of primal matter non-fe-cundated by the superior waters». «In the Kabbalah, the cat, associated tothe serpent, indicates the “sin and abuse of the goods of this world”.With this meaning, sometimes, it is portrayed at Christ’s feet».«The cat represents the strength and nimbleness of the feline, which aguardian deity puts at the service of man in order to help him to triumphover his hidden enemies». «The cat is sometimes believed to be a servantof Hell… hence, he is believed to be a sacred animal, which cannot be killedif not toward religious ends and according to certain rites».

(“Dictionary of Symbols”, vol. I, pp. 485-486).

The bull

In this tile also appears the figureof a “bull”. With what meaning?«The bull evokes the idea of mightand irresistible zest».«The bull represents the celestialgods on account of unflagging anduncontainable fecundity… th ebull represents sexual energy».«In the Temple of Solomon, 12bulls support the bronze sea, des-tined to contain the lustral water: 3

look to the North; 3 look to the West;3 look to the South; 3 to the East».«The bull is always connected to theCult of the Great Mother: theMoon… In Egypt, the deity of theMoon was the “bull of the Stars”.«In Hebrew, the first letter of thealphabet, alef, which means bull, isthe symbol of the Moon».«Attributed to the solar deity Mithra,the bull symbolizes the dead andresuscitated god… ».«In the Mithriac cult of Cybel, thebull was used for an initiation withbaptism of blood. The bull slaugh-tered, its blood dripped onto the de-vout who wished to benefit from it,

whom, through this bloody asper-sion, was reborn for eternity, bornto a new life for eternity».«Death is inseparable from life, andthe bull presents also a funerealaspect. With the Egyptians, thebull, holding a solar disc betweenhis horns, is at one time symbol offecundity and a funerary deity,tied to Osiris (Lucifer) and to hisrebirths».

(“Dictionary of Symbols”, vol. II, pp.477-483).




The “Great Supreme Trinity”and the “5-pointed Star”

In the tile, there exist characteristic lines and points: thevertical line from the tip of the left thumb of the “Presi-dent”, and which falls precisely onto the eye of the cat(it is the Eye of Lucifer: sin, abuse of the goods of thisworld, the serpent). The horizontal line that passesthrough the eye, crosses the knee of the President andof the Candidate. The horizontal line, which starts fromthe navel of the President, meets the point of intersectionof the two lines, horizontal and vertical, on the shouldersof the Candidate.Connecting these 5 points one obtains a “5-pointedStar”, perfect and supported by the left hand of the Pres-ident, and resting on his left knee and on the left knee of

the Candidate; its vertical axis and the lower horizontalline run through the eye of the cat.The “upturned Triangle” of the blasphemous Masonic“Holiest and Indivisible Trinity” stands out at the cen-ter of the “5-pointed Star”, but the eye of the cat “sug-gests” to speculate upon the meaning of the circle, at thecenter of the Triangle: Lucifer: it is Lucifer that drawshis own Light from the Death of the Sacrifice of theLamb; Light which derives from the suppression of theSacrifice of Christ of the Cross, returning to Satan theancient power he had over men.The 4 steps symbolize the 4 Worlds, namely, the Uni-verse; hence the “5-pointed Star”, with its mystic n. 5,propagates itself throughout the Universe”.


– TheCourt of Lucifer is symbolized by the n. 6; – the President carries the halo of Christ, the crown of

thorns, the triangle at the tip of the string of his belt,makes a sign of the cross (Tau) with the thumb of hisright hand;

– having condemned Christ, the President takes his

place sword in hand (Freemasonry executioner); – Christ condemned is the upturned lamb with the cap-tion INRI on its body (to be deciphered kabalistically),carried onto the hands of the Candidate;

– “the mother idea of the Kabbalah”, the “Cult of thePhallus”, is represented with the Teutonic Cross andthe Triple Phallus of the Phoenicians, on the back andon the left shoulder of the Candidate;

– thebull represents the irresistible sexual energy; – thecat, servant of Hell, indicates the passions to which

the Candidate has been subjected, but also the nim-bleness and the strength to triumph over his enemies;

– the bull indicates the funeral to which the candidate issubjected, and his resurrection to a new eternal life;

– the Candidate is “crowned” (plait with two cups); – the Battery knocks: 3 times 9 are indicated by the 3

fingers of the courtesan n. 3 looking at the 9 studs of

the neighbor; – the Battery knocks: 2 times 12 + 3, are represented bythe courtesan n. 4 indicating 2 + 3 with his fingers: thecourtesan n. 2 indicates 2 toward the bull that repre-sents the 12 bulls of the Temple of Solomon: 3 for the4 cardinal points.




Pelican(The Mason before the 6 degrees and before theMysteries of the highest degrees that allow him histotal incorporation to the “Mistic Body” of Lucifer)

32nddegree 33rddegree31st degree

30th degree

29th degree

28th degree




The Blasphemous

“Triple Trinity”

The deepest “Mystery”, revealed by the tile, isthe war on God, the erasing of the Sacrificeof Jesus Christ on the Cross with the repla-cement of Christ with Lucifer, and the repla-

cement of the Holiest Trinity with the blasphe-mous Masonic “Triple Trinity”.This “Mystery” appears, macroscopically, inthe large Cross at the center and in the threecircles: one at the center and the other two atthe top.The smallest circle, top right, incomplete, andwithin a triangle, indicates the 1st Masonic“Holy Trinity”.The central circle at the bottom, with the linesintersecting it to suggest the presence of a “6-pointed Star”, with the presence of the 5 smallones, in the two groups of 3 and 2, and that is,the 1st “Holy Trinity” that, divided into the 2sexes, forms the “5-pointed Star”, and with thecentral point, intersection of the axis, indicatesthe 2nd Masonic “Holy Trinity”.

The top left circle, with the odd head of the Pe-lican, with the eye and the nasal hole nearlymirror, suggesting the “upturned” triangle, withthe central point already seen, indicate the 3rd

Masonic “Holy Trinity”.In the lower part of the tile, there appears the n.7: the “pointed cubic Stone” (red rectangle)with the characteristic numbers 3, 5, and 7.The 6 luminous green bodies, the 6 lines of thecaption, the 6 dark green identical bodies, at thebottom, form 3 times 666, symbol of the war onGod.It is the central “Mystery” of Freemasonry: theerasing of the Sacrifice of Christ on theCross and His replacement with Lucifer, whooffers man his own “Redemption”!

The Tetragrammaton

The weapon to obtain the Erasing of the Sacri-fice of Christ on the Cross is Masonic Ecu-menism: symbolized by the Tetragrammaton,namely, all the names of the Kaba-listic God-Lucifer. The Tetragrammaton (or “MagicSquare”) has 9 points (vertexes and intersec-tions) in which must be placed the 9 digits, from1 to 9, in order to compose, in 8 directions, thenumber 15 of the Kabalistic god.The “square” and the 9 intersections are rep-resented by the 4 rectangles that appear at the

base of the tile. The 9 digits are repre-sented intwo different manners: by 9 series of lines, abo-ve the caption “Pie Pellicane…”, highlighted indifferent colors, each identifying one of the 9 di-gits.The second manner of representing the 9 di-gits is that of counting the “singularities” of thecaption “Pie Pellicàne, Iesu Dòmine”:1: the comma; 2: the accents; 3: Pie; 4: Iesu; 5:the 5th letter “e” which appears 5 times; 6: Do-mine; 7: the 7 points; 8: the 8 red lines; 9: Pelli-cane.




«T he sculptor Mario Rossellowas asked to carve, in thechurch-yard, “the flight of ei-

ght eaglets toward the Church”».«The sculpted eagles are eight becauseeight is the number indicative of Easter».In the “Dictionary of Symbols”, weread: «The symbolism of the eagle in-volves also a evil aspect; the eagle isthe cruel bird of prey, the captor. Some-times, being associated to the variousaspects of imperial power is also symbolof pride and oppression. It is the per-version of its own power».Reads Troisi’s “Masonic Dictionary”,

at the call “eagle”: «in Dante’s poem thereferences to the eagle are frequent,such as, for example, as representativeof the Roman emperors who perse-cuted the Church». And again: «In Free-masonry, the symbol of the eagle ap-pears in the High Degrees startingfrom the 30th…».In fact, the symbol of a two-headedeagle appears in the 30th degree; in the32 nd, there appear two two-headedeagles, and in the 33rd degree there isone two-headed eagle only: totalheads = total eagles : eight.Pure coincidence? It seems not!

Observing the disposition of these 8 ea-gles, one observes that they are placedupon two different levels and in threepositions, one next to the other.Numbering the eagles, of the bottom leftspace, attributing the values from 1 to 3,forming a triangle; then re-numbering,with 1 and 2, the two eagles in the twobottom spaces adjacent to the previousone; and from 1 to 3 the eagles at thetop, beginning from the left, one obtainsthe key to discover that these eaglesbelong in fact to the three mentionedMasonic degrees.In fact, the first group of 3, bottom left, in-

dicates 30 = 30th degree; remaining atthe same level, and adding the 2 othereagles, one obtains 32 = 32nd degree;adding to 30, the 3 eagles of the higherlevel, one obtains 30 + 3 = 33 = 33rd de-gree. Moreover, from the heraldic em-blems of these degrees, illustrated in thefollowing page, one observes that the ea-gle with the raised wings is that of the33rd degree.In fact, the two eagles with the raisedwings correspond to the “third”, amidst agroup of three, and to the “third” fromthe left, of the higher level: 3 + 3 = 33rd

degree.

The 8 Eagles The 8 Eagles

1

1 2 3

2

3

12




33 rd degree: “The Man King”

32nd degree: “Sublime Prince of the Royal Secret”

30 th degree: “Knight Kadosch”

«The degree teaches that one must destroy every Religion andevery Authority. The passwords are: “Ordo ab Chao”, motto of Lu-cifer, and “Deus Meumque Jus” (D.M.I.), motto of the High Initiates.Lucifer created moral Chaos with his rebellion against God, and theOrder he has brought about is the organization of Evil and the

recruitment of all those whom he has perverted in order to propagatehis revolt and his hatred against God.The D.M.I motto of the High Initiates means, instead: – Destruction of the Catholic Church, of Antimasonism and of all

that which Materialization does not reach; – Materialization of the Consciences, of the State, of Teaching,

through disorder, corruption, ambition; – Imposition of the Masonic doctrine on the Family, on the Nation,

on Humanity, through boldness, cunning, violence.In this manner the hope of the fallen Synagogue will be effected;only thus, will Lucifer see his own ambition satisfied!».


«This is the Jewish degree par excellence: that of the Exile: sorrow,hatred, rage! But the exile of Israel is but an image of the exile of Lu-cifer. The general idea of this degree is the march toward the HolyLand to reconquer it and rebuild the Temple. It is the political unifi-cation of the World, through religious unification».The hatred is directed toward the Church of Christ that must be an-nihilated, and the weapon used is the Great Pantheistic Lie of theeternal transformation of the universe, from which derives the self-deification of man and the edification of a New Tower of Babel.«To destroy Christianity… we feign we are the only ones to have

the true Religion… This means to deliver mankind from every re-ligion is but a pious fraud».


«The Mason, in this degree plunges himself into an all out waragainst God! He is, however, warned that no one rises to this degreewithout performing a sacrifice to the object of his “Cult”.After kneeling and lowering his banner before the image of Lucifer,the “Baphomet”, he offers him the sacrifice of the scented incense,and then addresses this prayer to him: “O omnipotent Sapience,object of our adoration; it is you in this moment we invoke. Supremecause of the Universe; eternal Reason, Light of the spirit, Law of theheart, how august and holy your sublime cult!…”.The climax of the Satanic hatred against God is well expressed bythe symbolic gesture of the Knights Kadosh: they wield the daggeragainst heaven, chanting their canticle, and terminate by repeatingtheir entreaty to Lucifer: “Holy God, Vindicator!” and their chal-lenge to God: “Revenge, Adonai!”».





“T

he stone cross, scaleof the destinies of theworld”, thus introduced

in book “Pietre di bellezza e di santità”,Stones of Beauty and of Sanctity , of theCapuchin Friars, is a cross located atthe end of the main pedestrian lane.«The great glorious cross without cru-cifix, yet scale of the destinies of theworld, designed by the same architectRenzo Piano… is over 40 meters high,with a variable cross-section of 2.50 x2.50 m. at the base up to 0.40 x 0.40 m.at the top. In the upper part are insertedtwo horizontal arms, narrowing outward,4.50 m in length. It is composed of 65large cubic stone blocks all differentfrom each other».

The Capuchin Friars assure us that «…The great cross required careful preli-minary design studies and the draf-ting of a manual in order to ensure the

quality of execution».The work: “La chiesa di Padre Pio aSan Giovanni Rotondo”, The church of St. Padre Pio at San Giovanni Rotondo ,by Maurizio Oddo, points out to us that«Not satisfied with so much toil, RenzoPiano and Mons. Valenziano, liturgicalconsultant, thought of erecting the greatcross, 40 meters high with 10 m widearms, built entirely in stone with over-laying and pre-compressed elements,completing this unprecedented work».Oddo, without wasting time in descrip-tions about the great cross, gives us aprecious present: at page 86 and 87, he

provides the drawings of the project,complete with front and side view of thegreat stone cross.Something precise, at last!

The drawings are so reduced in scale,that the elevations are hardly readable,and some are unreadable altogether.With the magnifying glass, with computergraphics magnification and plenty of pa-tience, one can finally obtain some da-ta… about the “careful preliminary de-sign studies”:

– base square: side 250 cm; – height of the 54 vertical “stones”: 72 cm; – height of stone at arms crossing: 80 cm; – total height of cross = 3,968 cm; – upper side 54th stone at vertex = 42 cm; – n. of vertical “stones” = 55; – n. of “stone” in each arm = 5; – n. of stones of upper arm = 7;

– arms width at upper point = 4.5 m; – arms width between upper point-axis

= 4.86 m; – arms width between lower point-axis

= 4.97 m; – arms total width = 9.94 m.

Leaving aside the discordances with thedata already viewed, we felt we were in adream nonetheless… but the dream wasshort-lived: observing the crystal-clearphotograph of the upper part of the cross,we discovered that the number of the“stones” of the side arms and of theupper one were different from those ofthe project: 7 instead of 5, for the side

ones; 8 instead of 7, for the upper arm!So long! cross height; so long! armsheight… We realized it was no longer a mat-ter of approximation or inability… therehad to be a mystery! And the presenceof mysteries in technical matters, relativeto the construction of a cross, after “care-ful preliminary design studies and thedrafting of a manual in order to ensurethe quality of execution”, has arousedour curiosity to the point that we decidedto proceed in another manner: first, todiscover the mystery; then, to identify theactual dimensions of this mysteriouscross!

the mysterious

... stone CROSS

the mysterious

... stone CROSS




Observing the photo of the upper part ofthe cross, one observes that the lines ofthe stones of the two side arms are notparallel, but converging. Where do theyconverge? To a 50 meter elevation!The “Dictionary of Symbols” (p. 89)says: «50 is the number of Redemp-tion»! With what already dug up, wewere certain it was not about the Re-demption of Christ, but that of Lucifer!We thought at once that 50, and that is,5, would also indicate a “5-pointedStar”.The first verification was that of the 2 an-gles at the vertex of the square basepyramid of the vertical column; the result:

3°. The sum of the two angles: 3°+ 3°=33, the degrees of the Freemasonry ofthe A.A.S.R.Knowing that the vertical stones were nolonger 55, but 56 (with the upper arm of 8stones), with all the stones of height 72,less the cross stone of the two armswith a height of 80 cm, we calculated theheight of the cross: 40.40 meters.The “Dictionary of Symbols” says: «40 isthe number of the wait, of repentance,of the trial of the punishment…», preci-sely that which is required for a “Re-demption”.Hence the height of each stone was con-

The upper part of the 40 m cross, viewed from the South. As the photograph clearly shows, the “stones” used in the two side arms are 7 and not 5, as per design; whereas those used in the upper arm are 8 and not 7, as indicated in the project blueprints.

firmed to be 72 and 80 cm, whereas theside of the square of the 56th stone, thelast one at the top, was marked on theproject: 42 cm.The numbers 72 and 42 are not new tous: they both indicate 666: 72 = 66 + 6 =666; whereas 42 = 6 x 6 + 6 = 666; besi-des, 72, we had seen, is the number ex-pressing Masonic ecumenism, while 42were the 42 Demons, the “Lords of theTruth” and the “Judges of the dead” ofOsiris, the “Great Deity of hell”, whose“Eye in the triangle” indicates Lucifer.Now, all the stones of the vertical columnare truncated square-base pyramids con-verging to elevation 50 m, hence they are

“pointed cubic stones”, and representthe number 7, symbol of the “Master”,the “perfect stone”, the “true man”, the“divinized man” of Freemasonry.One could object that, among all thestones of the cross, there is not a singlecube; in addition, they are all differentfrom one another. The “perfection”, thatis, the “cubic” shape of all these stones,however, is not represented by their ac-tual dimensions, but by the number 666,the “spiritual” “perfect cube” of theAntichrist: they are the “stones of theAntichrist”!The 48th stone, crossing point of the two

arms, from graphical verifications hasresulted to have the side of its uppersquare of 72 cm. The difficulties, howe-ver, have aroused in defining the dimen-sions of the 14 stones of the two sidearms, in order to verify their attribute of“perfect” cubic stones.The three project elevations of the widthof the two arms lost their reliability for thereason that the stones are no longer 5,but 7. Always through graphical verifica-tions on photographs, we found the solu-tion: all 14 stones have a width of 66 cm,with angles of vertical conicity of 9° andhorizontal angulation of 6°, whereas theoutward narrowing angle of the two arms

is of 4° on either side; all these anglescorrespond to those reported in the de-tailed drawings of the project.As detailed in the boxes of the photo-graph above, we observe that not all thestones have the same “valence” of im-piety”: they are all worth 1 time 666, withthe exception of the 48th which is worth 2times 666; the 56th and the 14 of the sidearms, instead, are worth 3 times 666.The “stones” used, overall, are 70, whilethe total of the 666 is 101.What do the numbers 7 and 70 character-izing the symbology of the “stones”,mean?

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4870

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57 58 59 60 61 62 63646566676869

Upperarm:

8 “stones”

Side arm: 7 “stones”Side arm: 7 “stones”

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42

72 cm

42 cm42 cm

80 cm

72 cm72 cm

66 cm

4°

9° 9°

4°

6°

72 = 66 + 6 = 666Base side

= 25 dm

72 = 66 + 6 = 666

72 = 66 + 6 = 666

72 = 66 + 6 = 666

42 = 6 x 6 + 6 = 666

42 = 6 x 6 + 6 = 666 66 = 6 6 + 6 °= 666

9°= 9 = 666

9°= 9 = 666

9°intersec. 6°= 159°intersec. 6°= 15

9°intersec. 6°= 15

9°intersec. 6°= 15

72 cm72 cm

26,7 dm25 dm

1 1-47

49-55

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Reads the “Dictionary of Symbols”:«7 is the number of the perfect man, that

is, of the perfectly accomplished man…The number 7 indicates the totality…principally on the spiritual level.According to the Talmud, the Jews sawin the number 7 also the symbol of hu-man entirety…Chapter 10 of Genesis enumerates 70peoples of the earth that were scatte-red after the construction of the Tower ofBabel… the number 70, as a multiple of7, indicates the idea of entirety…»1.Are these 70 “stones”, each of which, inthe number 7, represent the “divinizedman” of the Lodges, and representingthe entire humanity, perhaps the 70peoples (the entire humanity) scatteredby God which are reunited by Freema-

sonry to rebuild, in hatred to God, a “NewTower of Babel”?Does the evocative number 5, of eleva-tion 50, symbolizes a “5-pointed Star”?Yes! The three points A, B, O, of whichwe know elevations and distances, con-sti- tutes the triangle that defines in anunivocal manner a “5-pointed Star” withside measuring AO. Tracing the sides ADand BC with equal length and angles of36° and 144°, one obtains the Star withcenter in point L.Now, tracing a circle with center in Land radius such as to graze elevation40.40 m of the summit of the stone cross,

one finds that such a radius is of 108 cm,which, kabalistically, means 1 + 8 = 18 =

666 and 108 = 6 x 666, in total: 7 timesthe “Mark of the Beast”, divided into1+ 6.Reads the “Dictionary of Symbols” (p.375): «An Hindu tradition attributes to theSun 7 rays: 6 corresponding to the direc-tions of space, the 7th corresponding tothe center…».On the stone cross, we had 70 “perfectstones” totalizing 10 1 t imes 66 6 towhich, now, is added another “stone”worth 7 times 666, with a total of 108times 666, the same number of the ra-dius of the central circle to the “uptur-ned Triangle”, symbol of the Masonic“Holiest and Indivisible Trinity”.What does that circle, then, represent?

It is the All-seeing Eye of Lucifer in-side the Triangle!One curiosity: speaking of the occultmeanings of the Meditation Room at theUN, Spenser writes: «on February 16,1953, the “Group of Friends of theMeditation Room at the UN” (1,500members), presented the “Guest Books”of the Room, where everyone could enterhis name, address, and practiced religion.Between October and June of 1963, circa4 million people visited the MeditationRoom, and over 750,000 of these signed108 of these books, each containing7,000 names»2.

1 J. Chevalier, A. Gheerbrant, “Dictionary ofSymbols”, pp. 373-380.2 R.K. Spenser, cited work, p. 11.

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BA

O

D

Elevation 4,040 cm

Elevation 3,464 cm

Elevation 4,148 cm

Elevation 5,000 cm

108 cm

996 cm

462 cm 462 cm72cm

C

Let us continue the construction of thestone cross: let us trace a straight hori-zontal line at elevation 5,000 cm (point O)and two more at 60° and 120° passingthrough C and D; with center always in L,let us construct the “6-pointed Star”, re-produced in full at page 57. The construc-tion is now complete: they are the 1st, 2nd

and 3rd Masonic “Holy Trinity”, the veryconstruction already seen on the Taber-nacle. Is it, indeed, the same one?

The meaning appears to be different: the“Triple Trinity” on the Tabernacle regard-ed the “Man Redemption” of the singleindividual; now, instead, this “Redemp-tion” of Lucifer is extended to all the 70peoples representing the entire divini-zed humanity that, organized by Lucifer,throws itself against God, with the re-newed impiety of willing to rebuild theTemple of the “New Tower of Babel”.The “stone cross” represents anotherparticularity as well: it exposes Freema-sonry’s worldwide hierarchical structure:the side of 25 dm of the 1st stone, indi-cates the Scottish Rite of Perfection,whence the Freemasonry of theA.A.S.R. was born in 1801 (f irst 33

stones); the 34th “stone”, indicates the“New Reformed Palladian Rite”, foun-ded by Giuseppe Mazzini and AlbertPike in 1870; the 22 stones, from the35th to the 56th, indicate the High JewishFreemasonry of the B’nai B’rith, whosesymbol is a “Menorah”.The 7 “stones” of the side arms havethe particularity of representing, togetherwith the 48th at the center, 7 Tetragram-maton:

– 48th: h = 80, upper sides = 72 x 72; – each of the 7 stones of each arm hasthe following angles: 2 of 9° intersectingwith one of 6°, forming 4 points of inter-section of value 15. Taking two symme-trical stones with respect to the central

one, one obtains the 8 numbers 15 of theTetragrammaton. Each side block, be-sides, contains the numbers 4 and 8; infact, the outward narrowing angles of thearms are of 4°on either side.What do these “stones” whose valenceof impiety is 3 times 666, symbolize?Using the lines of convergence on thepoint of elevation 50 m, intersecting themwith an horizontal straight line at eleva-tion 40.40 m, one obtains 7 sectors, oneither side, plus the central one of thestone cross.Taking the central sector and the 3 sideones of odd numbers 7, 5, 3, and joiningthem with the transversal arm of thecross, one obtains an immense “Meno-

rah”, nearly identical, in the shape, tothat which symbolizes the High JewishFreemasonry of the B’nai B’rith (seephotograph at p. 56).The representation of this “Tower of Ba-bel” is completed by the “Sun of Luci-fer” with “7 times 18 rays”, numbersthat symbolize the “infinite totality ofheavenly perfection”… Satanic, that is!

5 7 6 c m

6 8 4 c m

1 5 3 6 c m L

Construction of the “5-pointed Star” and of the center of the “Upturned Triangle”.




The Templeof the “EcumenicalCounter-Church”of the Antichrist

Reads the “Dictionary of Symbols”:«40 marks the fulfillment of a cycle,which must not lead, however, to a mererepetition, but to a radical change, to apassage to an order of action and life».And again: «40 is the number of thewaiting, of the trial, of the preparation,of repentance, of punishment»1.There come to mind the words of the fa-mous Jewish professor Jean Izoulet(theorist creator of the UN), who in hiswork “Paris capitale des religions, oula mission d’Isralel”, wrote: «Christian-ity is a mosaic unconsciously camou-flaged for use in the pagan world andwhich, in that manner, has conquered to

Israel 650 millions souls. Today, thedisguise disappears, and Moses ap-pears as the one and only chief of thefundamental religion; as the one andonly chief of the civic and scientificreligion; as the one and only chief, atlast, of the secular religion»2.The Jewish Grand Master B. Crémieux,speaking of the fusion of the variousworld religions under the high Jewishinspiration, said: «the times are comewhen… the most wonderful of Temples, aTemple whose stones are alive andendowed with thought, raises to wel-come… under the flag more and more

sacred of reason and of philosophy, allthat mankind holds in its noble breast, ofhostile to mystery and ignorance, ofworthy of the true sons of light and free-dom. This Temple will host the Hebrewreligion, which survived everything…a religion that is vast and worthy ofthe entire humanity»3.Jean Izoulet, in the same quoted work,went on to write: «The idea of progres-sive unification of the globe is an ideaon the go. It is bound to the idea of re-ligious unification since Religion is thevery essence, as it were, the double,triple, fourth, fifth essence of politics.One must come to the sound and holysecularization of our Western churches,that is, to the world Religion that willfound the Mystic Unity and, conse-quently, also the political Unity of

The “stone cross” is a representation of the “Temple of Solomon”, or “Mason-ic Temple”, the Temple the Jewish Grand Master B. Cremieux so described:«The times are come when this Temple… the most wonderful of Temples, a Tem-ple whose stones are alive and endowed with thought, raises to welcome…under the flag more and more sacred of reason and of philosophy, all thatmankind holds in its noble breast, of hostile to mystery and ignorance, ofworthy of the true sons of light and freedom. This Temple will host the Hebrewreligion, which survived everything… a religion that is vast and worthy ofthe entire humanity».Do the 8 bells with the 9 columns housing them indicate, perhaps, that the soundof the bells of Masonic ecumenism must resonate in the 8 directions of the “Ma-gic Square”? And does the product 8 x 9 = 72 indicate, perhaps, that this soundexpresses all of the 72 names of the Kabalistic God-Lucifer?

1 Cfr. “Dizionario dei simboli”, Dictionary of Symbols , Ed. Dizionari Rizzoli, vol. II, underthe call “4”, p. 266.2 Cfr. Jean Izoulet, “Paris capitale des reli-gions, ou la mission d’Isralel”, Ed. Albin Mi-chel, Paris 1926, p. 184.3 Cfr. “Libertaire” of New York, 1902, Di 402.




mankind. And the spiritual and tempo-ral hegemony of Humanity will lawfully

belong to that race… and to its Reli-gion, the most authentically and sub-stantially divine…»4.Here you have the “UPTURNED TRIAN-GLE” of the Masonic and Satanic ‘HO-LIEST AND INDIVISIBLE TRINITY”towering on top of the stone Cross 40.40meters high: Lucifer, the self-styled “infi-nite Sun” flanked by the two crownedheads of the eagle: the Great Patriarchof the World, or Director of Spiritualpower, and the Great Emperor of theWorld, or Director of temporal Power.Here you have Lucifer who, after the

declaration of war on God, launched byJewish Freemasonry, symbolized by the

3 times 666 of the 56th stone of the Tem-ple, launches on God the challenge of hisblasphemous “Triple Trinity”, symbol-ized by the 9 times 666 emanating fromthe solar Center, from Hebraism (“6-pointed Star”) and from Freemasonry(“5-pointed Star”), completely incorpo-rated into the “mystic Body of Lucifer”and elevated to the vertex of the Templeof the Ecumenical Counter-church ofthe Antichrist!The Masonic “dogma” of fighting thesupernatural, namely, God, in the ThreePersons of the Father, of the Son, and

of the Holy Spirit, and the replacementof Jesus Christ with Lucifer on the

Cross of Redemption, calls for the an-nihilation of the “Church of Christ”,and the weapon used is Masonic Ecu-menism.Only thus will Satan be able to offer hisRedemption: when «men will receivethe true light, through the universalmanifestation of the pure doctrine ofLucifer, finally revealed to the publiceye»!

Above: a “Menorah” in a Synagogue.Below: the “Menorah” of the symbol of the High Jewish Free- masonry of the B’nai B’rith.

The gigantic “Menorah” which is obtained by the symbolic elaboration of the 40 m high cross, as by extracting from the overall symbology only the portion above the 34 th block, which represent the Jewish Freemasonry.

4 Cfr. Jean Izoulet, cited work, pp. 50-52.




The universal axis: in thisgeometry, the axis is that of the

“5 and 6-pointed Star”: the truthcommunicated to man by Lucifer

s the “divinization of Humanity,

of Creation and of the Matter”,with Lucifer at the Center.The destruction of Catholic Authority.

It is the “Cult of Lucifer”.It is the 3rd temptation of Christ

in the desert: “power”.It is “man fighting God”.It is the aim of the 3rd series

of the 11 degrees ofthe A.A.S.R..

Lucifer wants the “Cult of Lucifer” in the public view, and Univer-sal Freemasonry’s Pontiff Pike, who belonged to its “Holiest andIndivisible Trinity”, proclaimed this; but that will not be possi-

ble until when the Sacrifice of Christ on the Cross will havebeen completely erased: that is the task entrusted to the18th degree of the Rose Croix. Moreover, 18 is the “Mark

of the Beast” 666 and of the Antichrist, but it also sym-bolizes (Satanic) “heavenly Perfection”, whereas 7 isthe number of totality. Here is the reason of the 7 times18 rays around the “Infinite Sun” of Lucifer!

Lucifer is «the “pointed cubic stone” tossed by Jehovah into theabyss to create the world».Lucifer wants to replace Christ on the Cross, and offer manhis “Redemption”: freedom from sin, and has founded hisChurch (Freemasonry) to incite man to rebellion againstGod, to get rid of God, replace God, fight God.Freemasonry obtains this by fighting Virtue, Morals, andCatholic Authority in the world and by replacing theKingdom of God of the Catholic Church with the King-dom of Satan of Freemasonry.

50 is the symbol of Redemption

1

THE TEMPLEOF THE “ECUMENICAL COUNTER-CHURCH”

OF THE ANTICHRIST

THE TEMPLEOF THE “ECUMENICAL COUNTER-CHURCH”

OF THE ANTICHRIST

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57 6362616058 5964656667686970

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High Jewish Freemasonry of the B’nai B’rith.

33 degrees: “Ancient and Accepted Scottish Rite” (A.A.S.R.)

34th stone: “New Reformed Palladian Rite”.

40.40 m: it is the symbol of waiting,trial, and punishment. The number 666 of the cross:

54 stones: 1 x 666 = 54 x 66648th stone: 2 x666 = 2 x 66656th stone: 3 x666 = 3 x 66614 side st.: 3 x 666 = 42 x 666Radius circle =108 = 6 x 666Center circle = 108 = 1 x 666

Total = 108 times 666

50meters

The 14 stones of the two side arms are always “pointed cubicstones”, as they converge to the vertex of 50 m, and have:Length = 66 + 6°(arm’s lower angle) = 6662 side angles of 9°= 2 x (9 = 1 + 8 = 18 = 666) = 2 x 666

The 48th central stone with the two side arms of 7 stones each,form 7 Tetragrammaton, or 7 “Magic Squares”:The square is that of side 72 x 72 of the 48th stoneThe 8 directions are expressed by the height 80 of the 48th stone;The 8 n. 15 for each “Square”, are obtained as sum of the 2 sideangles of 9° with the lower angle of 6° of each side stone, whichform 4 intersections of 9 + 6 = 15.

48th stone: Upper sides 72 x 72 = 2 (66 + 6) = 2 x 666The sides 72 x 72 and the height = 80 indicate the Tetragrammaton.72 = 7 + 2 = 9 9 x 8 = 72 2 x 72 = 2 x (66 + 6) = 2 x 666.

56th stone: 5 + 6 = 11 = Jewish Freemasonry3°+ 3°= 33 = Freemasonry of the A.A. Scottish RiteHeight: 72 = 66 + 6 = 666Upper sides: 42 x 42 = 2 (6 x 6 + 6) = 2 x 666Total: 3 x 666 (The Masonic Hebraism declares war on God).

The central circle of radius 108and the two Stars represent9 times 666 (the Triple Trinity)

108 = 1 + 8 = 18 = 1 x 666108 = 6 x 18 = 6 x 6666-pointed Star = 1 x 6665-pointed Star = 1 x 666

Total = 9 times 666

The height 72 of the stones expresses the number of the

Antichrist 666.The two angles at the vertex (50 m) of 3°of each stone indicate33, namely, the Freemasonry of the A.A.S.R.

The stones used to build this Temple are the 70 “pointed cubicstones”, each represented by the n. 7, which is the number of the“Master”, the “perfect man”, the “perfect Stone”.The “perfection”, the “cubic” shape of all these stones, notwith-standing their diversity, is represented by the number 666.The stones, therefore, are not “the angle stone discarded by theconstructors”, that is, Jesus Christ, but precisely the opposite:the Antichrist!

The height of the 54 “perfect stones” of the column of thecross, of 72 cm, expresses the 72 Names of the Kabalisticname of God (namely, of Lucifer) in the ecumenical reunionof all the religions of the earth.

The “New Tower of Babel”«Chapter 10 of Genesis enumerates 70 peoples of the earth thatwere scattered after the construction of the Tower of Babel».Masonic Hebraism intends to reunite these 70 peoples (thereare 70 stones in the cross) in order to build the “Temple of theEcumenical Counter-church of the Antichrist”, which is the“New Tower of Babel”.

Menorah: symbol of the B’nai B’rith.

3rd “Trinity”: “Holiest and Invisi-ble Trinity”: “upturned Triangle”with the “Central Point”.

“Infinite Sun” of Lucifer.

2nd “Trinity”: “6-pointed Star”,“5-pointed Star” and the “Cen-tral Point”.

1st “Trinity”: base “Triangle”(green) of the “5-pointed Star”.

The “5-pointed Star”is the perfect image of theDIVINIZED HUMANITY.

The “6-pointed Star”is the perfect image ofDIVINIZED CREATION.

The “base Triangle”(green) is the image ofthe DIVINIZED MATTER.

25 degrees of the “Scottish Rite of Perfection” whence theA.A.S.R. was born with the addition of the 8 degrees of theOrder of the Illuminati of Bavaria.

The 1st stone has the side of the base square of 25 dm.

Lucifer replaces Christ as King of the Universe!

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H ere is an excerpt of the docu-ment:

«(…) in our Order, no degree revealscompletely the Truth; it merely makesless thick the veil that hides it from theprying gaze. To us, invested with thesupreme power, and to us only, does itunveil it entirely, and, by flooding our in-tel- ligence, our spirit and our heart, itmakes us know, see and hear that:Man is, at one time, God, Pontiff andKing of himself. (…).Hence Freemasonry, perfect synthe-sis of all that is human, is God, Pon-tiff and King of Humanity; (…)As for us, grand chiefs, we form theHoly Battalion of the Sublime Patri-arch, whom, in turn, is God, Pontiffand King of Freemasonry.Here, Brother, is the third triangle,the third triple truth that will giveyour intelligence, your mind andyour heart the ineffable happiness ofthe absolute possession of the Truthwithout veils! The entire Organiza-tion, functioning and teaching of theOrder, appears now to your eyes,Brother, beaming with clar-ity, and yousee, you comprehend that all our teaching finds its fulfillment inthis: to restore the triumph of our Virtue, of our Morality andof our Authority throughout the whole of Mankind.For that, our degrees have a triple classification, depending onwhether they are called to fight that which our implacable ad-versaries, our mortal enemies, our infamous persecutors, theclerical, dare call: their Virtue, their Morals and their Authority.

In order to fight their abject Virtue, we have the degrees: 1st,Apprentice; 2nd, Fellow; 3rd, Master; 4th, Secret Master; 5th,

Perfect Master; 6th, Intimate Secre-tary; 7th, Provost and Judge; 8th, In-tendant of the Building; 9th, Elect ofthe Nine; 10 th, Elect of the Fifteen;11th, Elect of the Twelve; which allowsus to lead a profane from the unaware-ness of the “Apprentice” up to the mis-sion of “Elect of the Twelve”, for thedefense of Masonic virtue, for the cru-sade of Man, God of himself (…).

In order to fight their foul Morals, wehave the degrees: 12th, Grand MasterArchitect; 13 th, Royal Arch of Solo-mon; 14 th, Grand Elect Perfect andSub-lime Mason; 15th, Knight of theEast; 16th, Prince of Jerusalem; 17th,Knight of the East and West; 18th, Kni-ght Rose Croix; 19th, Grand Pontiff;20th, Master ad Vitam; 21st, PatriarchNoachite; 22nd, Prince of Libanus (…).

In order to fight their guilty Authority,we have the degrees: 23rd, Chief of theTabernacle; 24th, Prince of the Taber-nacle; 25th, Knight of the Brazen Ser-pent; 26th, Prince of Mercy; 27th, Com-mander of the Temple; 28th, Knight of

the Sun; 29th, Knight of St. Andrew; 30th, Knight Kadosh;31st, Inspector Inquisitor Commander; 32nd, Sublime Princeof the Royal Secret; 33rd, Grand inspector General (…).

The clerical, infamous assassins of humanity, oppose, yousee it, Brother, to our Virtue, to our Morals, to our Author-ity,their Property, their Religion and their Law; and these are th-ree mortal enemies of Freemasonry which you will fightfrom this time forth, as army commander (…).Neither the Law, nor Property, nor Religion can thus impose

«The true division of the 33 degrees into 3 series of 11, is only found in the most secretinstructions, outside the 33 degrees, and in the symbols, under which the true Masonicsecrets are “impenetrably hidden”»1. One of these documents is the “Secret Instructiongiven to general Giuseppe Garibaldi” on the occasion of his promotion to Chief of Free-masonry. This document, one of the vividest lights ever to emerge from the darkness of Freemasonry, with all the Authority of the Hidden Chiefs of Freemasonry, exposes, in aclear and unequivocal manner, the real meaning of the subdivisions of the 33 degrees of the Ancient and Accepted Scottish Rite, into the three series of eleven.2

1 Leone Meurin, cited work, p. 261. («All of our Masonic secrets areimpenetrably hidden under the symbols», ref. Paolo Rosen, “Il Nemi-co sociale”, The Social Enemy , p. 297).2 The “Secret Instruction” was published by Paolo Rosen in his

book, “Il Nemico sociale”, The Social Enemy , and by Mons. LeoneMeurin in his work, “La Framassoneria: sinagoga di Satana”, Free- masonry: Synagogue of Satan , Siena, 1895, pp. 261-266.

The 33 DEGREESof the Ancient and Accepted Scottish Rite

Giuseppe Garibaldi with the 33 d degree of A.A.S.R.




EQUALITY, the omnipotent levelthrough which we transformedthe world, means:

– Equality of properties, for man’rights of on the common earth, as acitizen of one and the same world,as the son of one and the same mo-ther, are more ancient and moresacred of all the contracts and allthe customs, and, as a consequence,these rights must be shattered,

these customs must be abrogated; – Equality of fortunes, with the pro-

portioned equilibrium of salaries,with the complete and radical aboli-tion of inheritance rights, with theexpropriation of all financial Compa-nies, with the appropriation to thenational solidarity of each people, ofbanks, channels, transports, insur-ances and mines;

– Equality of individuals, throughsolidarity, through the equal enjoy-ment for each to one’s own solidari-tarian production.It is through Equality, as a lever,and human appetites, as a pivotpoint that we will wipe out forever

the Silver Aristocracy, implacableexecutioner of mankind.

BROTHERHOOD, the omnipotentpromise with which we esta-blished our power, means:

– Brotherhood in Freemasonry, tobuild a State within the State, withmeans and functioning independentof the State, unbeknownst to theState;

– Brotherhood in Freemasonry, tobuild a State superior to the State,with a Unity, a cosmo- politism, auniversality that make it (Freema-sonry) superior, leader of the State;

– Brotherhood in Freemasonry, to

build a State against the State (…);It is through Brotherhood, as a le-

ver, and human hatreds, as a pivot point that we will wipeout forever Parasitism and armed Repression, these pla-gues as yet unchecked, these fierce bugbears of mankind.

Brother, here is the term of your instruction as Chief of Free-masonry. And now, take with us the Supreme Oath:

– I vow to have no homeland other than the UniversalHomeland.

– I vow to fight relentlessly, always and everywhere,the boundaries of the nations, the boundaries ofthe fields, of the houses and of the factories, andthe boundaries of the family.

– I vow to shatter, sacrificing my live, the boundarieswhere humanicides have traced, with blood andwith mud, the name of God.

– I vow to sacrifice my existence to the indefinitetriumph of progress and of universal unity, and Ideclare to profess the repudiation of God and ofthe soul!

And now, Brother, that the Nation, Religion and the Familyhave disappeared forever, for you, in the immensity of the workof Freemasonry, come into my arms, Most Powerful, MostIllustrious, and Dearest Brother, to share with us the unlimitedAuthority and the boundless enjoyment that we exert overHumanity»!

themselves to man; and becausethey annihilate him, depriving him ofhis most precious rights, they are as-sassins of which we vowed to drawterrible revenge; they are enemieson which we have sworn a relent-less war, a war to the death!Of these three infamous enemies, it isReligion that must be the constantthought of your assaults; for a peo-ple has never survived his Religion,

and because, by killing Religion, weshall have in our hands Law andProperty; because by establishing,over the cadavers of these assas-sins, the Masonic Religion, the Ma-sonic Law, the Masonic Property,we shall have regenerated Society(…).As our God is neither substance,nor body, nor soul, nor creator, norfather, nor word, nor love, nor para-cletus, nor redeemer, and nothing,we have submitted the Church tothe secular power and upturned thetemporal power of the Pope, waitingfor the disruption of his spiritualpower.

Because we are the builders of thenew Temple of the happiness ofMankind, and because in order tobuild it, it is necessary to commencefrom demolition, from the destructionof the current social State, we havesuppressed religious teaching; wehave suppressed the right of thepeoples.After having overthrown the tempo-ral power of Pope, of our infamousand mortal enemy (…) our SupremeChief will reign alone over theworld, and, sitting on the steps ofits throne, Freemasonry will sharewith him Omnipotence!…Grand and dazzling it is this supreme

aim that we have shown to you, butgreat and patient are the works andtoils that are nec-essary to obtain it.Today, as you seat among the Grand Masters, your works mustincrease in intensity, and to better point out to you their tenden-cies, assuring at one time their success and their triumph, we willclearly outline to you the Great Light of the supreme initiation:You are to yourself God, Pontiff and King. Your reason isthe sole rule of Truth, the sole key to science and politics.Your appetites and your instincts are the sole rule of Good,the sole key of progress and happiness.

You must comprehend and interpret, as follows, our holy enter-prise: «FREEDOM, EQUALITY, BROTHERHOOD».

FREEDOM, the omnipotent weapon with which we havedisrupted the world, means:

– Independence, without limits and without restrictions,subtracted to any kind of authority;

– Independence of spirit, which could not be generated by anyrevelation, nor limited by any dogma;

– Independence of will, which will not submit to any power,which will recognize no King, or Pope, or God;

– Independence of personality, which has severed all thechains that enslaved it; physical and moral alike, chains of theearth and chains of heaven, in order to achieve the indepen-dence of humanity, toward its absolute and complete emanci-pation.It is through Freedom, as a lever, and human passions, asa pivot point, that we will crush forever the Kings and thePriests, these implacable enemies of mankind, more fate-ful to humanity than the tiger to the other animals.

The “5-pointed Star”, formed by the three triangles symbolizing the self-divinization of Humanity, of Freemasonry and the Masonic Leadership, in its numerical composition expresses, as sum of the three series of 11 degrees of each triangle, the number of the “Mark of the Beast” 666.




SUMMARSUMMARYY

OF THE 33 DEGREES OF A.A.S.R.OF THE 33 DEGREES OF A.A.S.R.

-- the denial of the eternity of the Holiest Tthe denial of the eternity of the Holiest Trinity;rinity;- the denial of the creation from nothing;- the denial of the creation from nothing;

- the denial of the difference between God and the universe;- the denial of the difference between God and the universe;- the lowering of God to the level of His creature;- the lowering of God to the level of His creature;- the elevation of Man to the level of God;- the elevation of Man to the level of God;

- the separation of Man from God, to the perdition of his soul.- the separation of Man from God, to the perdition of his soul.

In one word: a satanic Kabala!In one word: a satanic Kabala!

The “Patriarch of Universal Freemasonry”, Al-

bert Pike, concerning the secrets and symbols ofFreemasonry, said: «All true dogmatic religionshave come out of the Kabala and return to it: all thatis great and scientific in religious ideals… comesfrom the Kabala; all the Masonic associationsowe their secrets and their symbols to the Ka-bala».

In fact, the 33 degrees of the Ancient and Accepted

Scottish Rite, are divided in three series of 11 de-grees, where the number 11 is the mystical numberof the Kabala, representing the “deification ofMan” with the 10 divine attributes emanated fromthe Ensoph: Kingdom, Foundation, Glory, Tri-umph, Beauty, Justice, Mercy, Intelligence, Sapi-ence, Crown. This is the pantheistic lie that is:

Middle Column(Triangle-Fire)

Femminine Column(Moon-Water)

Crown

Brotherhood

Masculine Column(Sun-Earth)

Equality

Freedom

Sapience Intellingence

JusticeMercy

Triumph GloryFoundation

Beauty

Kingdom



***

In the three Series of 11 degrees,

the Ancient and Accepted Scottish Rite

“perfects” these ten “divine attributes” of each mason

respectively promoting:

the corruption of the Body, by means of the “Cult of Phallus”,

the corruption of the Soul, by means of the “Cult of Man”,

and the corruption of the Spirit, by means of the “Cult of Lucifer”!

The Profane, animated by the “Fire” of rebellion against God,

with his “divine attributes”, that is his three Columns: Earth, Water, Fire,

enters the Temple of Masonry

as the “rough stone” also called the blasphemous, satanic and masonic

1st

“Holy Trinity”.

This 1st “Holy Trinity” will be later smoothed into a cubic stone (11th degree)

and then into a pointed cubic stone or Master (15th degree),

the Man-God, the Man with the spirit freed by any divine Authority,

also called the blasphemous, satanic and masonic

2nd

“Holy Trinity”.

Only who, among the vertex of Freemasonry, succeeds to become

Patriarch of the World and Emperor of the World,he will form, together with Lucifer in person,

the blasphemous, satanic and masonic

3d

“Holiest and Indivisible Trinity”.




FIRST SERIES OF 11 DEGREES(the corruption of the Body, by means of the “Cult of Phallus”)

The 1st Series of 11 degrees of the 33 degrees

of the Freemasonry of the Ancient and Accepted Scottish Riteserves to fight the

“abject Catholic Virtue” with the “Man-God”.

1st Kingdom - ApprApprentice:entice: Recruitment: from the Kingdom of profanes, the Candidate, animated by the fire of re-bellion against God, the Rough Stone, has to be perfected into a Cubic Stone for the masonic Perfect People. ThisRecruitment is the masonic Baptism to enter the kingdom of Satan. The Candidate, at the first degree, representsthe 1st HOLY TRINITY._____________________________________________________________________________________________

2nd Foundation - Fellow:Fellow: Origin of a Man with the Cult of Phallus. The two sexes of the Deity, added to the RoughStone lead to the formation of the Body of a Perfect Man.

3rd Glory - Master:Master: Conception of a son of Lucifer, for the glory of Lucifer who is called Master. “What is the fateof man? Amidst dust, corruption and worms!”

4th Triumph - SecrSecret Master:et Master: Birth of a new conscience. Nine months from the day of Conception having passed,the Soul enters the Body of Man: human Conscience is to obey instincts.

____________________________________________________________________________________________________________________________________________

5th Beauty - PerfectPerfect Master:Master: Cult of deification of the human soul, as divine spark of the Primal Cause. The Mat-ter is eternal; these exists an evil God: that one of the christians.

6th Justice - Intimate SecrIntimate Secretaretary:y: Extension of the human soul to the entire humanity. The human soul is a particu-lar revelation of the universal soul revealing itself with immensity.

7th Mercy - PrProvost and Judge:ovost and Judge: Completion: the royal art is the government of the souls, mysterious key to movewar on Faith and Religion to win the enemies.____________________________________________________________________________________________________________________________________________

8th Intelligence - Intendant of the Building:Intendant of the Building: War on Holy Faith which is harmful to intelligence. Corruption of intelligence. The mason is admitted to the building of the Temple.

9th Sapience - Elect of the Nine:Elect of the Nine: Conquest of Religion. Corruption of Sapience revealed for its prudence in seekingrevenge of Religion. The candidate stubs the dummy of Religion.

10th Crown - Elect of the Fifteen:Elect of the Fifteen: Domination: complete Victory over the enemies. The Candidate receives thecrown when, beside the dummy of Religion, he stubs those of the Law and Property.____________________________________________________________________________________________________________________________________________

11th Ensoph - Elect of the TElect of the Twelve:welve: MAN WITHOUT GOD, apogee of the Masonic Perfect People. Adoption of anew Jewish brother for Lucifer. Human reason, revelation of divinity, is itself divine, hence independent from anyauthority: the Rough Stone has become Cubic Stone”, that is, Perfect Mason. It is sovereign: Man is God to him-self! Hence he fulfils his duties toward himself!


Heraldic emblem of the11th degree.




«Jesus, regrettably, has reason to complainfor the ingratitude of his own ministers!

How many unfortunate brothers of ourscorrespond to the love of Jesusby throwing themselves with open armsinto the infamous sect of Freemasonry!».

(Saint Padre Pio to F. Agostino, Pietrelcina, April 7, 1913).



Pope Leo XIII.

CHIESA VIVA n. 381-marzo 2006

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