GIORGIO PIOTTO

Nome Collezione

AL DI FUORI DI QUESTE MURA, I SUONI DELLA NATURA SIMULANO UN’ATTESA PIENA DI ASPETTATIVE. IL VENTO MUOVE LE FOGLIE IN UN FRUSCIO SOMMESSO, ACCOMPAGNATO DAL PROFUMO DEL ROSETO. IL CANTO GORGOGLIANTE DEGLI UCCELLI INDAFFARATI È COME UN VOCIARE CONCITATO DI DOMESTICI CHE ANNUNCIA I PREPARATIVI PER DEGLI OSPITI ATTESI DA LUNGO TEMPO. TINTINNIO DI CRISTALLI, FINESTRE SPALANCATE PER FAR ENTRARE NUOVA LUCE, TUTTO È PERFETTO E PRONTO A RISPLENDERE DI UN BIANCO TALMENTE CANDIDO DA FAR INVIDIA.

GIORGIO PIOTTO

GIORGIO PIOTTO

LA BELLA ATTENDE, VANITOSA. PREPARA LE SUE POSE MIGLIORI PER AFFASCINARE I SUOI OSPITI E SI IMMAGINA GIÀ AL CENTRO DELL’ATTENZIONE DI TUTTI GLI SGUARDI. NON HA DUBBI, NON TEME RIVALI, È LEI LA PROTAGONISTA DELLA SUA CASA. ECCO, GIÀ VEDE I SUOI INVITATI AMMIRARE LE SUE SCELTE DI GUSTO, ACCAREZZARE LE LINEE MORBIDE DEL TAVO-LO, LA DELICATA MORBIDEZZA DELLE SEDIE, CON QUELL’AMMIRAZIONE TREPIDANTE MISTA A UNA PUNTA D’INVIDIA, PER CUI LEI PROVA SEMPRE UNA SOTTILE SODDISFAZIONE.

GIORGIO PIOTTO

IL SUCCESSO È IMPEGNATIVO, RICHIEDE MOLTE ENERGIE. E UNA DONNA DI TALE SUCCESSO È NATURALE CHE SIA SPES-SO STANCA, SOPRATTUTTO DOPO AVER RICEVUTO DEGLI OSPITI. MA IL TEMPO PER RIPOSARE È POCO E PREZIOSO, ALTRI IMPEGNI L’ATTENDONO. QUINDI ANCHE UN SOLO MINUTO PASSATO RILASSATA SUL DIVANO, VALE COME SE FOSSE UN INTERO POMERIGGIO DEDICATO A SE STESSA. SI GUARDA INTORNO, PIACEVOLMENTE SORPRESA DALLA BELLEZZA SCUL-TOREA DEL TAVOLINO E RAPITA DALLA MORBIDA VOLUTTÀ DEL DIVANO. E GUARDA LA SUA CASA, COME SE LA VEDESSE PER LA PRIMA VOLTA, ATTRAVERSO LA BELLEZZA DELLE CORNICI DECORATE DEI SUOI INNUMEREVOLI SPECCHI. GIORGIO PIOTTO

MILLE INVITATI O ANCHE UNO SOLO, I PIACERI DEL PALATO, CONDIVISI O GUSTATI DA SOLI, VANNO ESIBITI IN SONTUO-SE PORTATE E ADORNATI DI CRISTALLI E PORCELLANE. UNA CUCINA DI LUSSO PER PALATI RAFFINATI DIVENTA TEMPIO DEL GUSTO. LUOGO DA VIVERE E DA CUI FARSI ISPIRARE QUI NON NASCONO SOLO LE RICETTE PIÙ RICERCATE, CÈ DI PIÙ. IL BIANCO A CONTRASTO CON I PIANI LAVORO NERI SPLENDENTI NON ACCETTANO COMPROMESSI, MA CONVIVONO SOLO COME GLI OPPOSTI TOTALI SONO CAPACI DI FARE, CREANDO UN EFFETTO DI SONTUOSITÀ DA GUSTARE CON GLI OCCHI.

GIORGIO PIOTTO

GIORGIO PIOTTO

GIORGIO PIOTTO

GIORGIO PIOTTO

GIORGIO PIOTTO

LA RICERCA DEL LUSSO NON È SOLO UN PASSATEMPO. LEI SFOGGIA RISOLUTA UN’ARIA DA DONNA D’AFFARI CHE NON SI DIMENTICA MAI DI CIRCONDARSI DELLO SFARZO PIÙ ASSOLUTO. TUTTO IL SUO STUDIO È FATTO SU MISURA, PER ASSE-CONDARE LE SUE RICCHE ESIGENZE. LA SCRIVANIA È DA REGINA, IMPONENTE E DECORATA DA SCANALATURE, RICCIOLI, VOLUTE E FESTONI. È IL POSTO DOVE LEI SI SIEDE, SEVERA, TRONEGGIANDO SUI SUOI INTERLOCUTORI E PRENDE DECI-SIONI CHE MUOVONO I DESTINI DI MOLTI.

LCD a scomparsaCOD.36512

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GIORGIO PIOTTO

GIORGIO PIOTTO

IL MATTINO SORGE IN COMPAGNIA DELL’ALBA. IL SOLE ILLUMINA L’ORIZZONTE E SCALDA GLI ANIMALI, LE PIANTE, I MURI DI QUESTA PRIGIONE DORATA, DOVE IL TEMPO TRASCORRE PIÙ LENTO, SCANDITO DAI RITMI SEMPLICI DELLA VITA AGRESTE. IM-POSSIBILE RESTARE ANCORA A DORMIRE, IL TEPORE CALDO DELLE COPERTE ORMAI HA SAZIATO I SENSI E QUESTA GIORNATA RISERVA TROPPE COSE DA FARE. LA LUCE FILTRA DEBOLE DALLE FINESTRE, ILLUMINA LA STANZA COSÌ RICCA, PIENA DI BIANCO E D’ARGENTO. LA BELLA RECLUSA LANGUE NEL SUO OZIO SFARZOSO, PER QUALCHE MINUTO ANCORA, IL MONDO DEI COMUNI MORTALI PER ORA PUÒ ATTENDERE.

GIORGIO PIOTTO

GIORGIO PIOTTO

IL LUSSO, SIGNORE E PADRONE, OSSERVA, IMMOBILE E COMPIACIUTO, LE INNUMEREVOLI RICCHEZZE DELLA SUA STANZA. OGGETTI PREZIOSI, FORME INSOLITE, LINEE CAPRICCIOSE E RICCIOLI BAROCCHI. NULLA SCOMPONE IL MUTO SPETTATORE, ABITUATO A CONVIVERE CON IL PIACERE OGNI ATTIMO DELLA SUA ESISTENZA.

GIORGIO PIOTTO

È TEMPO ORMAI DI PREPARARSI PER LA GIORNATA. C’È BISOGNO DI SPAZIO, DI TANTO SPAZIO, DI ARIA E DI LUCE PER FARE IN MODO CHE SIA TUTTO PERFETTO, TUTTO SEMPRE IN ORDINE E PRONTO. PERCHÉ L’ARTE DI PREPARASI È UNA STRATEGIA CHE RICHIEDE TEMPO E LA MASSIMA ORGANIZZAZIONE DEGLI SPAZI. SCEGLIERE IL PROPRIO STILE DI ABBIGLIAMENTO IN TUTTA TRANQUILLITÀ, È UNA DELLE ATTIVITÀ PREFERITE DELLA PADRONA DI CASA, CHE AMA SOFFERMARSI DAVANTI ALLO SPECCHIO PER RIMIRARE IL RISULTATO DEL SUO GUSTO PERSONALE. IL GUSTO DI SCEGLIERE TRA UN’INFINITÀ DI CAPI ALL’ULTIMA MODA, ACCESSORI, BORSE GRIFFATE, SCARPE MOZZAFIATO E GIOIELLI DA REGINA, RACCHIUDE IN SE L’ES-SENZA DELL’ARTE DELL’APPARIRE. SOLO UN GUARDAROBA MONUMENTALE PUÒ SODDISFARE LE CONTINUE RICHIESTE E LE ESIGENZE DI UNA SIGNORINA SEMPRE ALLA RICERCA DI QUALCOSA DI BELLO E NUOVO DA SFOGGIARE. D’ALTRONDE, COME DARLE TORTO, LEI NON PUÒ CHE PRETENDERE IL MASSIMO.

GIORGIO PIOTTO

GIORGIO PIOTTO

GIORGIO PIOTTO

QUESTA SERA, NESSUNA VOGLIA DI USCIRE, DOPO TUTTO UNA RAGAZZA DEL BEL MONDO DEVE PUR DEDICARE DEL TEMPO ALLO STUDIO E ALLA CONTINUA RICERCA DEL SUO STILE RAFFINATO. C’È TEMPO PER FAR FESTA, ORA MEGLIO LEG-GERE UN LIBRO, MAGARI UNA RIVISTA. SI VEDE CHE LA SIGNORINA HA STILE, GUARDATE LE SUE STANZE PRIVATE: MORBIDI DIVANI E POLTRONE PER ACCOGLIERE I SUOI OSPITI PIÙ INTIMI, LINEE COSÌ RICCHE E TESSUTI DAI COLORI COSÌ POP. NON È UNA PRINCIPESSA DELLE FIABE RINCHIUSA NEL SUO CASTELLO, MA UNA MODERNA INCANTATRICE CAPACE DI CREARE ATTORNO A SE, UN MONDO FATTO DI RICCHEZZA E SEDUZIONE PER AFFASCINARE GLI SGUARDI CHE SI POSANO SU DI LEI O OVUNQUE, NELLA SUA DIMORA. GIORGIO PIOTTO

GIORGIO PIOTTO

GIORGIO PIOTTO

GIORGIO PIOTTO

GIORGIO PIOTTO

GIORGIO PIOTTO

Cassetti attrezzatiCOD.36512

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Cassetti alluminioCOD.36512

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Colonna estraibileCOD.36512

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Base estraibileCOD.36512

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Presa correnteCOD.36512

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Colonna estraibileCOD.36512

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Base estraibileCOD.36512

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Presa correnteCOD.36512

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Cassettone alluminioCOD.36512

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Magic cornerCOD.36512

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Accessori Cucina

ScrivaniaCOD.36512

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PoltronaCOD.36512

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PoltroncinaCOD.36512

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CaminoCOD.36512

THE HEADLINE IS IN BLUE. WHEN THE COPY-WRITER HAS FINISHED WRITING THE COPY IT WILL GO HERE. THIS IS JUST DUMMY COPY. THERE IS NO POINT READING ANY FURTHER. THIS COPY HAS BEEN WRITTEN MERELY TO ILLUSTRATE WHAT A LAYOU.

Capitello CaminoCOD.36512

THE HEADLINE IS IN BLUE. WHEN THE COPY-WRITER HAS FINISHED WRITING THE COPY IT WILL GO HERE. THIS IS JUST DUMMY COPY. THERE IS NO POINT READING ANY FURTHER. THIS COPY HAS BEEN WRITTEN MERELY TO ILLU-STRATE WHAT A LAYOUT WITH A SIGNIFICANT AMOUNT OF COPY.

ColonnaCOD.36512

THE HEADLINE IS IN BLUE. WHEN THE COPY-WRITER HAS FINISHED WRITING THE COPY IT WILL GO HERE. THIS IS JUST DUMMY COPY. THERE IS NO POINT READING ANY FURTHER. THIS COPY HAS BEEN WRITTEN MERELY TO ILLUSTRATE WHAT A LAYOU.

CassettiCOD.36512

THE HEADLINE IS IN BLUE. WHEN THE COPY-WRITER HAS FINISHED WRITING THE COPY IT WILL GO HERE. THIS IS JUST DUMMY COPY. THERE IS NO POINT READING.

AnteCOD.36512

THE HEADLINE IS IN BLUE. WHEN THE COPY-WRITER HAS FINISHED WRITING THE COPY IT WILL GO HERE. THIS IS JUST DUMMY COPY. THERE IS NO POINT READING ANY FURTHER. THIS COPY HAS BEEN WRITTEN MERELY TO ILLU-STRATE WHAT A LAYOUT WITH A SIGNIFICANT AMOUNT OF COPY.

RipianiCOD.36512

THE HEADLINE IS IN BLUE. WHEN THE COPY-WRITER HAS FINISHED WRITING THE COPY IT WILL GO HERE. THIS IS JUST DUMMY COPY. THERE IS NO POINT READING ANY FURTHER. THIS COPY HAS BEEN WRITTEN MERELY TO ILLUSTRATE WHAT A LAYOUT WITH A SIGNIFI-CANT AMOUNT OF COPY WOULD LOOK LIKE. SO PLEASE, IF YOU ARE STILL READING, STOP NOW.

SerratureCOD.36512

THE HEADLINE IS IN BLUE. WHEN THE COPY-WRITER HAS FINISHED WRITING THE COPY IT WILL GO HERE. THIS IS JUST DUMMY COPY. THERE IS NO POINT READING ANY FURTHER. THIS COPY HAS BEEN WRITTEN MERELY TO ILLU-STRATE WHAT A LAYOUT WITH A SIGNIFICANT AMOUNT OF COPY.

LCD a scomparsaCOD.36512

THE HEADLINE IS IN BLUE. WHEN THE COPY-WRITER HAS FINISHED WRITING THE COPY IT WILL GO HERE. THIS IS JUST DUMMY COPY. THERE IS NO POINT READING ANY FURTHER. THIS COPY HAS BEEN WRITTEN MERELY TO ILLUSTRATE WHAT A LAYOU.

DivanoCOD.36512

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Accessori Ufficio

SpecchioCOD.36512

THE HEADLINE IS IN BLUE. WHEN THE COPY-WRITER HAS FINISHED WRITING THE COPY IT WILL GO HERE. THIS IS JUST DUMMY COPY. THERE IS NO POINT READING ANY FURTHER. THIS COPY HAS BEEN WRITTEN MERELY TO ILLUSTRATE WHAT A LAYOUT WITH A SIGNIFI-CANT AMOUNT.

SpecchioCOD.36512

THE HEADLINE IS IN BLUE. WHEN THE COPY-WRITER HAS FINISHED WRITING THE COPY IT WILL GO HERE. THIS IS JUST DUMMY COPY. THERE IS NO POINT READING ANY FURTHER. THIS COPY HAS BEEN WRITTEN MERELY TO ILLU-STRATE WHAT A LAYOUT WITH A SIGNIFICANT AMOUNT OF COPY.

SpecchioCOD.36512

THE HEADLINE IS IN BLUE. WHEN THE COPY-WRITER HAS FINISHED WRITING THE COPY IT WILL GO HERE. THIS IS JUST DUMMY COPY. THERE IS NO POINT READING ANY FURTHER. THIS COPY HAS BEEN WRITTEN MERELY TO ILLUSTRATE WHAT A LAYOUT WITH A SIGNIFI-CANT AMOUNT.

SpecchioCOD.36512

THE HEADLINE IS IN BLUE. WHEN THE COPY-WRITER HAS FINISHED WRITING THE COPY IT WILL GO HERE. THIS IS JUST DUMMY COPY. THERE IS NO POINT READING ANY FURTHER. THIS COPY HAS BEEN WRITTEN MERELY TO ILLUSTRATE WHAT A LAYOU.

SpecchioCOD.36512

THE HEADLINE IS IN BLUE. WHEN THE COPY-WRITER HAS FINISHED WRITING THE COPY IT WILL GO HERE. THIS IS JUST DUMMY COPY. THERE IS NO POINT READING.

SpecchioCOD.36512

THE HEADLINE IS IN BLUE. WHEN THE COPY-WRITER HAS FINISHED WRITING THE COPY IT WILL GO HERE. THIS IS JUST DUMMY COPY. THERE IS NO POINT READING ANY FURTHER. THIS COPY HAS BEEN WRITTEN MERELY TO ILLU-STRATE WHAT A LAYOUT WITH A SIGNIFICANT AMOUNT OF COPY.

SpecchioCOD.36512

THE HEADLINE IS IN BLUE. WHEN THE COPY-WRITER HAS FINISHED WRITING THE COPY IT WILL GO HERE. THIS IS JUST DUMMY COPY. THERE IS NO POINT READING ANY FURTHER. THIS COPY HAS BEEN WRITTEN MERELY TO ILLUSTRATE WHAT A LAYOUT WITH A SIGNIFI-CANT AMOUNT OF COPY WOULD LOOK LIKE. SO PLEASE, IF YOU ARE STILL READING, STOP NOW.

Specchi

Canale illuminatoCOD.36512

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Servetto estraibileCOD.36512

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Canale pantaloniCOD.36512

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SvuotatascheCOD.36512

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Specchio estraibileCOD.36512

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Ripiano pantaloniCOD.36512

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Scomparto cravatteCOD.36512

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Scomparto cintureCOD.36512

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Lucida scarpeCOD.36512

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Ripiano scarpeCOD.36512

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Gancio stivaliCOD.36512

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Accessori Cabina armadio

CassettoCOD.36512

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Cassetto estraibileCOD.36512

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Porta biancheriaCOD.36512

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OptionalCOD.36512

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OptionalCOD.36512

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OptionalCOD.36512

THE HEADLINE IS IN BLUE. WHEN THE COPY-WRITER HAS FINISHED WRITING THE COPY IT WILL GO HERE. THIS IS JUST DUMMY COPY. THERE IS NO POINT READING ANY FURTHER. THIS COPY HAS BEEN WRITTEN MERELY TO ILLUSTRATE WHAT A LAYOUT WITH A SIGNIFI-CANT AMOUNT.

CassettoCOD.36512

THE HEADLINE IS IN BLUE. WHEN THE COPY-WRITER HAS FINISHED WRITING THE COPY IT WILL GO HERE. THIS IS JUST DUMMY COPY. THERE IS NO POINT READING ANY FURTHER. THIS COPY HAS BEEN WRITTEN MERELY TO ILLUSTRATE WHAT A LAYOU.

Porta biancheriaCOD.36512

THE HEADLINE IS IN BLUE. WHEN THE COPY-WRITER HAS FINISHED WRITING THE COPY IT WILL GO HERE. THIS IS JUST DUMMY COPY. THERE IS NO POINT READING ANY FURTHER. THIS COPY HAS BEEN WRITTEN MERELY TO ILLU-STRATE WHAT A LAYOUT WITH A SIGNIFICANT AMOUNT OF COPY.

Gancio estraibileCOD.36512

THE HEADLINE IS IN BLUE. WHEN THE COPY-WRITER HAS FINISHED WRITING THE COPY IT WILL GO HERE. THIS IS JUST DUMMY COPY. THERE IS NO POINT READING ANY FURTHER. THIS COPY HAS BEEN WRITTEN MERELY TO ILLUSTRATE WHAT A LAYOU.

LampadaCOD QIG 0665

LampadaCOD QIG 0665

LampadaCOD QIG 0665

LampadaCOD QIG 0665

LampadaCOD QIG 0665

LampadaCOD QIG 0665

LampadaCOD QIG 0665

LampadaCOD QIG 0665

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