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Focus!, distributed during the Milan Design Week 2008
Transcript of Tuttobene Milan 2008
tuttoben
e durin
g Salon
e in
ternazion
aledel M
obile di M
ilano 2008
foc
us!
pagedesigners
Corso
Cris
tofo
ro C
olom
bo
Via Alessandria
Via M
orta
ra 1
5
tuttobene
M
Colombo
Stazione Porta Genova
Via Vigevano
Via Tortona
ExpEr
iMEn
ta o
caM
po
Britta
tElEMa
n
floc
Ks
stud
io fr
iso
stud
io Vo
nK
&
jEro
En w
EssElinK
stEpha
n siEpEr
Ma
nn
stud
io M
dfd
Gr
oEn
E ho
nd
En
Bo
K.
alo
n a
lEx G
ro
ss
cElia
suza
nn
E sluijtEr
wEM
ad
E
ElsinG
a d
EsiGn
Kr
Ejci
Blao
ww
w
jan
nEK
E ho
oyM
an
282726322423351939404115131246109
april 16 – 21
daily 10.00-20.00 thur 17, 10.00-16.00
tuttobenedesignshop
newnewnew
are you a designer?you can sell your designs at www.tuttobenedesignshoP.com.
you create your own account and uPload your designs. we take care of marketing and sales, you do the shiPPing!
Editorial
wild deSignneedS Strong focuS!David Heldt
tuttobene’s fifth anniversary! five years ago tuttobene was formed by a group of young designers that joined forces in order to keep costs low and approach a larger audience. and basically this is still the case, as there is a demand for a platform for starting design studios. designers seem to find us easier as tuttobene’s reputation is growing. while making the selection it was clear that the focus on quality became stronger. this shows in our presentation!
FOCUS! is what we do this year, not only on our social or sustainable criteria, but also on what the designers come for: doing business. Thanks to the financial support from the EVD (Dutch Agency for International Business and Cooperation) we have organised a Network Cocktail / Dinner. Specifically invited guests from the design industry will meet the designers in an exclusive setting. Hotel Artemis from Amsterdam will make sure everyone will enjoy a great dinner. Networking is an important element for this presentation and is literally integrated in the design of this newspaper, greatly visualised by the graphic designers Esmée Steur en Loes van Esch.
As you might have noticed, sustainability has become a regular aspect within the design process to deal with, whether it is for legal, idealistic or commercial reasons. It is been spread like a meme*, and as a result the amount of presentations in Milan that promote sustainable design increased. Will the
overall design industry adopt the sustainable trend? Will the commercial interests be still attractive?
What else can you expect at our show this year? • Check out Tuttobene’s underground satellite presentation Focus on Nature in Tuttobene’s wild design jungle, lobby of the Nhow Hotel (see page 53).• Participate for 30 minutes in the SmallSpaceDesignRace design competition (2nd edition) powered by Ahrend (see page 20).• We launch our new design web-shop www.tuttobenedesignshop.com; upload your designs and sell your work worldwide (see page 43).• The Tuttobene Collection expands with a new product: Pit Industry, a glass house designed by Jana Flohr & Frederike Top, the winners of the competition SmallSpaceDesignRace (1st edition) during the Dutch Design Week, Eindhoven (see page 21).
Tuttobene realises the important duty of inspiring the industry with socially, environmentally and commercial sound concepts, whilst functioning as a bridge between young designers and the production and retail industry. Come to Tuttobene’s presentation and see if we succeed!
* A meme is cultural information, such as a practice or idea, that gets transmitted
(like a virus!) verbally or by repeated action from one mind to another.
en.wikipedia.org/wiki/Meme
tuttoBEnE Milan 2008 -page 2-
contentS SponSorS& partnerS
TUTTOBENE Tweede Atjehstraat 60hs 1094 LK Amsterdam The Netherlands www.tuttobene.nl Telephone: +31 (0)20 6685505Mobile: +31 615510727 Fax: +31 (0)20 4633555
OrgANISATION TUTTOBENE Board members David HeldtVictor le NobleSilke Spinner
TUTTOBENE TEAMMEMBErS corporate identity Lesley Moorewebsite Bethuel Heldt / 1site1production assistant Sarah SandlerMatchmakingLink2Italy & Pressreleaseundercover
TUTTOBENE NEWSPAPEr Editor David Heldt Graphic design Loes van Esch en Esmée Steur (graduate students from ArtEZ Arnhem - Academy of Visual Arts)printed by Dijkman Offset
© Tuttobene 2008All rights reserved. Copyrights on the photographs, illustrations, drawings and written material in this publication are owned by the respective photo-grapher(s), the designer(s) and the author(s). No part of this publication may be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying or other-wise, without permission from the pub-lisher and designers, photographers and authors involved.
colophon www.nhow-hotels.com
www.interieurinstituut.nl
www.duvel.be
www.defietsfabriek.nl
www.artemisamsterdam.com
www.ahrend.nl
www.evd.nl
tuttoBEnE Milan 2008 -page 3-
floorplanevelientahoua import elena Khurtovadesign Studio carola zeeblaowwwKrejcielsinga designweMadeeditorial: bridging Visionary designcelia Suzanne Sluijteralon alex grossbok.groene hondenStudio Mdfdthe tuttobene collectionSmallSpacedesignraceStephan Siepermannjeroen wesselinkStudio Vonk & janneke hooymanStudiofrisoflocKSbritta telemanexperimenta o campofocus! make-a-matcheditorial: empty beer bottles create design opportunitytuttobene opening partyfocus on naturein tuttobene’s wild design jungletuttobene repriSe ‘08
46 / 517 / 508 / 499 / 4810 / 4711 / 4612 / 4513 / 4414 15 / 4216 / 4117 / 4018 / 3919 / 3820 2122 / 3523 / 3424 / 3325 / 3226 / 3127 / 3028 / 2936
3743
5353
www.mondriaanstichting.nl
focus!focus!
PRESS COUNTER /THE TUTTOBENECOLLECTION
SMALLSPACEDESIGNRACE
TUTTOBENE BAR
TOILET
TOILET
weavingcollaborationsocial developmentNiger
ceramicrelationshipinteractionemotional
craftmanshipceramicsocial developmentChina
natureliving roomdigitalcommunication
attitudefashion itemurbanrecycling
smilenarrativeliving roomexpress
craftspeoplecollaborationsocial developmentIndonesian
Nepalweavingsocial development nature
technologicalpossibilitiessocial developmentportable
fantasyweavinggarden furniturereusing
narrativecollaborationliving roomweaving
weavingliving roomlifetimeflexible
narrativenew applicationsnaturehigh-end
techniquesconstructionsnarrativenature
weavingstorycollaborationreviving
adaptationgarden furniturechangesurrounding
living roomweavingnarrativeorigin
portablefashion itemenvironmentalrenewable
weavingliving roomcollaborationhandmade
TAHOUA IMPORT
ELENA KHURTOVA
DESIGN STUDIO CAROLA ZEE
BLAOWWW
KREJCI
ELSINGA DESIGN
WEMADE
CELIA SUZANNESLUIJTER
EXPERIMENTA O CAMPO
BRITTA TELEMAN
FLOCKS
STUDIOFRISO
STUDIO VONK & JANNEKE HOOYMAN
JEROEN WESSELINK
STUDIO MDFD
GROENE HONDEN
BOK
ALON ALEX GROSS
EVELIENnarrativeliving roomnaturefuture
STEPHAN SIEPERMANN VORMGEVING
floorplanVia Mortara 15
tuttoBEnE Milan 2008 -page 4-
www.ahrend.comwww.world-wide-working.comVIA TORTONA 32
AHR_077_AD_DEF.indd 1 11-03-2008 10:03:03
tuttoBEnE Milan 2008 -advertisement-
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, pag
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tuttoBEnE Milan 2008 -page 6-
tahoua import is a small dutch import organisation that aims at improving the economic situation of its producers and their families in niger. therefore developing the skills of the people in niger as well as introducing elements that go well with European trends has been necessary to ensure an effective and successful partnership. tahoua import gives special support to large groups of women in the north of niger. in addition to pro-ducers in niger, producers in Mali and Burkina-faso are also involved.
in 2008, tahoua import will expand its network to other European countries.
on this paGE: rayon dE solEiltavie offers a unique collection of decorative and functional products, originating from northern niger. a tavie product is made with pas-sion and pride, using the age-old traditional technique of palm leaf weaving. Every tavie product is unique, they are all hand crafted and of the highest quality.crafts are an immensely important
source of income for the touarag tribes of northern niger. accord-ing to the un, niger is a forgot-ten country and the poorest of the world. purchasing a tavie product helps create a better economic situ-ation for the almost 3.000 women who are united in the s.a.a., the local cooperation organising the production. the tavie collection has given them new hope and vitality! all the tavie products are made of young leaves taken from the ‘doum’ palm, a naturally ecological and sustainable material.
prEsEntinG at tuttoBEnE - rayon de soleil- points du jour- coucher de soleil- la cascade- outre Mer- le petit Etang- la Boucle
–––image by wilkins
tahoua iMport
tah
ou
a i
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a
bke
Gee
lsc
onta
ct p
erso
n:
cec
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Mee
uw
sen
ww
w.t
avie
.nl
info
@ta
vie.
nl
+31
6306
9819
8
stu
dio:
d
ordr
echt
, the
net
herl
ands
stu
dy:
tech
nic
al u
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ty d
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indu
stri
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esig
n
tuttoBEnE Milan 2008 -page 7-
focus!focus!
ElE
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to
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prod
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.”
des
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stu
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car
ola
zee,
pag
e 9
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, pag
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–
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tuttoBEnE Milan 2008 -page 8-
dEs
iGn
st
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io c
ar
ola
zEE
car
ola
zee
ww
w.c
arol
azee
.nl
caro
la@
caro
laze
e.n
l+
3165
4325
628
stu
dio:
r
otte
rdam
, the
net
herl
ands
stu
dy:
wil
lem
de
Koo
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my,
rot
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carola zee is running her own design company since 2004, developing and producing ceramic products. she is working under her own label but also designs for other labels.
her work in general stands out by her use of graphic decorations in the material and the form of the objects. combining modern production techniques with craftsmanship.
“due to mass production people get an overload on products and gadgets, that follow the
newest hypes, every season. Most consumer articles are cheap and easily replaceable. which leads to more consumption and waste of materials. My personal goal is to create products that are beautiful, unique and can withstand time by giving them personal and exclusive qualities.”
on this paGE: MadE in chinaMade in china (november 2007) is carola’s latest collection and was realised in jingdezhen china. the collection is presented with a book publication, which tells the story of the people behind the
production and shows the way they work. the vases are the end result of this collaboration and show the different techniques typical for this region of china.
Even with the big economical and industrial changes in china at the moment a lot of products here are still produced manually. these products are able to compete with the low prices of machine-produced products because of the low wages the chinese craftsmen get paid. Bycreating this collection carola wants to make consumers aware of the fact that most chinese products
and the people creating them are under valued. through interviews and photographs she shows the amount of work and time that the craftsmen put in to the creation of this collection.
prEsEntinG at tuttoBEnE- Made in china- archetype Big- secondhand painting
–––image by ingmar swalue
deSign Studiocarola zee
tuttoBEnE Milan 2008 -page 9-
focus!focus!
My work represents a world where simplicity sets the tone and a clear communication appears to the users, both in form and function.
Blaowww is mainly working on self-initiated projects; projects concerning furniture and other interior products.
although the designs seem to come from a child’s world, my interior products are developed for adults; products that are inspired by graphic digital images. simplicity and humor, results in a world where there’s room for your own imagination.
on this paGE: trEE sEatErthis chair is inspired by a graphic digital image of a small tree. the height of this object will invite you to sit on it.
prEsEntinG at tuttoBEnE - tree seater- coat rack- Bearrug
–––image by Budi joseph
blaowww
Bla
ow
ww
Bu
di j
osep
hc
onta
ct p
erso
n:
jim
my
jose
phj.j
osep
h9@
upc
.nl
+31
6 22
4094
88
stu
dio:
zuth
pen
, the
net
herl
ands
stu
dy:
art
Ez a
rnhe
m a
cade
my
of a
rt a
nd
des
ign
tuttoBEnE Milan 2008 -page 10-
atti
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or m
ater
ials
in a
dif
fer-
ent,
sm
arte
r an
d fu
nnie
r w
ay.”
Bok
., pa
ge 4
0–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“the
des
ign
com
bin
es
both
nat
ura
l an
d hi
gh-
tech
mat
eria
ls (
...)
in
rEV
iVin
G...
”st
udi
o Vo
nk
& j
ann
eke
hoo
yman
, pag
e 24
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“he
use
s to
upg
rade
co
mm
on o
r u
nu
sual
m
ater
ials
an
d pa
rts
into
h
iGh
-En
d...
”st
epha
n s
iepe
rman
n,
page
35
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“….a
ll m
ater
ials
are
r
EnEw
aB
lE, r
ecyc
led
or o
rgan
ic a
nd
com
e to
geth
er in
a s
tyli
sh
prod
uct
.”B
ritt
a te
lem
an, p
age
27
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“the
mai
n in
tere
st o
f fl
oc
Ks
is t
o sh
ow t
he
or
iGin
of
raw
mat
eria
ls
that
are
use
d…”
flo
cK
s, p
age
26
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“…an
d co
me
toge
ther
in
a st
yli
sh p
ro
du
ct.
”
Bri
tta
tele
man
, pag
e 27
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“i a
m in
tere
sted
in t
he
EMo
tio
na
l m
ean
ing
of t
hin
gs, i
cre
ate
new
im
ages
tha
t pr
ovok
e th
inki
ng…
”El
ena
Khu
rtov
a,, p
age
49
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“the
re a
re m
any
way
s to
mak
e ot
hers
sM
ilE,
de
sign
is m
y w
ay!”
Elsi
nga
des
ign
, pag
e 12
–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“the
n t
here
is t
he
mod
est
desi
re t
o Ex
prEs
s so
me
posi
tive
et
hica
l val
ues
wit
h so
me
desi
gns.
”El
sin
ga d
esig
n, p
age
12–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“the
pro
duct
nev
er
goes
wit
hou
t a
use
r an
d it
’s p
erce
ptio
ns,
or
a s
ur
ro
un
din
G
and
it’s
con
diti
ons.
” st
udi
ofri
so, p
age
32–
––
––
––
––
––
––
––
–
tuttoBEnE Milan 2008 -page 11-
focus!focus!
Elsi
nG
a d
EsiG
n
roe
l-ja
n E
lsin
gaw
ww
.els
inga
desi
gn.c
omel
sin
gade
sign
@gm
ail.c
om+
3163
4270
746
stu
dio:
a
mst
erda
m, t
he n
ethe
rlan
dsst
udy
: d
esig
n a
cade
my,
Ein
dhov
en
elSinga deSignlEt’s fEEl Good! ExprEss and sharE ValuEs if possiBlE!
design is about objects and peoples feelings. i love it when someone sees my design and smiles, it’s that simple! there is many ways to make others smile, design is my way!it is for me a way of giving a little bit of ‘love’, this while studying form, structure and meaning of objects.
then there is the modest desire to express some positive ethical values with some designs. designing a chair will not create worldwide peace, but there is definitely some ‘space’ to communicate ethical values and even political ideas.
i like this space, and will explore it. using the insight that the light and the serious matters go hand in hand in life.
on this paGE: happy laMpshi, we are happy lamps, we light up your space, and maybe your heart! people love them, their moods are lifted. no seriously guys, that is thething. Making people feel good is giving something. the very fundament of being social. though the lamps are not especially eco-friendly, they are certainly not especially unfriendly.
prEsEntinG at tuttoBEnE- happy lamps- happy pet- rainbow table / world leader table- friendly chair
–––image by Mara skujeniece
tuttoBEnE Milan 2008 -page 12-
weMadewEMadE is a project between two dutch designers and indonesian craftspeople who were victims of the Bantul earthquake 2006. Goal: to increase the economic indepen-dence of the local craftspeople. result: series of lifestyle products meant for export.
lidewij: studio for graphics, anima-tion and product design.
the designs are characterised by implicity and contain a spot of humour.rixxt: studio for concepts and product design. the designs are often inspired by graphic design and crafts. they are fresh, tactile and playful.
on this paGE: listriKa hammered copper lamp with
perforated pattern and chrome finish on the outside. the pattern is based on islamic motives, since a lot of Middle Eastern influences can be seen on java.
prEsEntinG at tuttoBEnE- Bambuster- soupper- constructors- smocker Bag
- Elephant Bag- coco- cocups- roster- shareware- rajut- small accessories- listrik
–––image by lidewij spitshuis w
EMa
dE
rix
t r
eits
ma
& l
idew
ij s
pits
huis
ww
w.li
dew
ij.n
et /
ww
w.r
ixxt
.nl
rixt
reit
sma@
gmai
l.com
+31
6194
3494
8
stu
dio:
a
mst
erda
m, t
he n
ethe
rlan
dsst
udy
:r
ietv
eld
aca
dem
ie, a
mst
erda
m (
rei
tsm
a)d
esig
n a
cade
my,
Ein
dhov
en (
spit
shu
is)
tuttoBEnE Milan 2008 -page 13-
focus!focus!
Editorial
just imagine: you live in holland, a country in the middle of Europe known for its clouds and rainy weather. But you designed a spectacular bed with an integrated cooling system, which ensures a sensational cool sleeping experience without the usual energy-consuming air conditioner.
It is a perfect solution for environment-conscious consumers in countries with a warm climate. People in such countries -a lot of them in the Spanish-speaking areas of the world- are a great potential market and an interesting business opportunity. How can we bring the two together?
FLOOV Visionary Design, launched during the month of Dutch Design in March 2008, is a Madrid based online publication (www.floov.net) that wants to form a bridge between the non-Spanish-speaking with the Spanish-speaking world for products and ideas that promote sustainable design. How? Through articles, presentations and events it wants to link experts and leaders of the governmental, educational and business sectors on the one hand and the creative industry on the other. Many initiatives are developed in one part of the world, while there is a demand in inter-esting markets in Spain and Latin America.
FLOOV founder-director Luis Bohorquez: FLOOV Visionary Design promotes a new kind of thinking in the creative process. Why? “Today, people want the environmental impact to be important in the way products are designed. For instance, they want to have information about the kind of materials that are used and what the impact can be on their health as well as on the environment.” And that means of course that the design process also has to take into account to control the social impact of the way the product is produced, distributed and sold. “I think a visionary designer needs to commit himself from the very beginning, to create a new generation of products that have their benefits for the environment and promote wellness and satisfaction with economic value and sustainable justice for the global society.”
Bohorquez wants to direct FLOOV at design students and researchers in a broad field: from architecture to industrial_graphic_interior design, crafts and engineering. He also wants to make Floov Visionary Design a platform for professionals and experts in all areas of design, r&D and business. “I believe in exchanging knowledge and experience as the only way to cre-ate new business opportunities with a sustainable approach.”
The website offers its content for free. The design of the web is fresh, clear, direct and collaborative to benefit the participants. “We hope to attract visionary experts and researchers, design academics and business man as well as governmental institutions to participate as providers of content or as sponsors. Also, we offer our platform to students to present their projects or to cooperate doing graphic content. This network of international contacts will be useful for everyone who promotes the value of innovation and visionary design.”
Bohorquez: “Don’t wait for the future; Visionary Design starts today.”
bridgingViSionarydeSignluis bohorquez
www.floov.net
tuttoBEnE Milan 2008 -page 14-
cEl
ia s
uza
nn
E sl
uij
tEr
ww
w.c
elia
.nl /
ww
w.x
oplu
s.n
lin
fo@
celi
a.n
l+
3247
3175
844
stu
dio:
a
mst
edam
, the
net
herl
ands
stu
dy:
aca
dem
y of
fin
e a
rt M
aast
rich
t
designing starts from an atmo-sphere, a history, a material or a technique. design, pure and honest. fragile but strong in character forms the distinct signature noticeable in all designs. the focus lies on the purpose, the applicability of the object and the visual enrichment in form. fare trade and proper design are no conflicting values. the studio supports different development projects. for this purpose the foun-dation design 4 development was founded in december 2007. the studio, specialises in custom-made designs and produces the home labels Celia Suzanne Sluijter and Xo+; objects with an aim.
on this paGE: shadow, l’arBrE d’hiVEr, waVEs‘thinking of Holland... ...with the voice of the water.’.*a collection of carpets is based on the waves of the sea, the power of water, the wind touching trees and the shadows playing on endless fields with northern lights and sailing clouds along the flat views of my country.tibetan wool and nepal knots, silk, in raw and fine, with soften-ing colours do bring a carpet to life. produced in nepal based on old techniques and long traditions.Being the first ‘dutch’ designer to develop her own carpet collection,
celia launched the tapis jardin col-lection in 2005 in co-operation with nepal. the carpet production with a fair focus was a new way of think-ing in ‘design‘ carpets. the production company was founded and built up by a tibetan refuge and is now in its second gen-eration. the collection is support-ing fair business improvement and the awareness of old techniques and natural materials. the business improvement has a social and pov-erty alleviation target.
prEsEntinG at tuttoBEnE - wallpaper towels (collection xo+)- paperpillows (collection xo+)- shadow (collection ‘thinking of holland...’)- l’arbre d’ hiver (collection ‘thinking of holland...’)- waves (collection ‘thinking of holland...’)
*Hendrik Marsman,Dutch Poet 1899-1940
–––images by celia suzanne sluijter
celia Suzanne Sluijter
tuttoBEnE Milan 2008 -page 15-
focus!focus!
alo
n a
lEx
Gr
oss
teCH
no
loG
iCal
SoCi
al D
evel
oPm
ent
Port
able
PoSS
ibil
itie
S
––
––
––
––
––
––
––
––
“as
it c
omes
flat
-pac
ked,
tr
an
spo
rts
are
min
i-m
ised
too
.”
Bri
tta
tele
man
, pag
e 27
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“pur
chas
ing
a ta
vie
prod
-uc
t he
lps
crea
te a
bet
ter
Eco
no
Mic
sit
uati
on f
or
the
alm
ost
3.00
0 w
omen
w
ho..”
taho
ua i
mpo
rt, p
age
7–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“… m
ake
cons
umer
s a
wa
rE
of t
he f
act
that
m
ost
(...)
peo
ple
crea
ting
th
em a
re u
nder
val
ued.
”d
esig
n s
tudi
o c
arol
a ze
e, p
age
9–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“Goa
l: t
o in
crea
se
the
Ec
on
oM
ic
ind
epen
den
ce o
f th
e lo
cal
craf
tspe
ople
.”
wEM
ad
E, p
age
13–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“th
e bu
sin
ess
impr
ove-
men
t h
as a
so
cia
l an
d po
vert
y al
levi
atio
n
targ
et.”
cel
ia s
luijt
er, p
age
15–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“tha
t’s w
hy s
tudi
o M
dfd
of
fers
flE
xiB
lE f
urni
-tu
re d
esig
ns, w
hich
can
be
mod
ified
acc
ordi
ng t
o ch
angi
ng li
fest
yles
.”st
udio
Md
fd, p
age
19
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“sea
rchi
ng
for
nEw
a
ppli
cat
ion
s, c
on-
stru
ctio
ns
and
imag
es h
e w
orks
wit
h...”
step
han
sie
perm
ann
, pa
ge 3
5 –
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“whe
n u
sed
outs
ide
the
pati
na
will
be
an o
ngo
-in
g pr
oces
s re
sult
ing
in
a sl
ow c
ha
nG
E of
col
or
and
appe
aran
ce.“
stud
iofr
iso,
pag
e 32
–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“stu
diof
riso
fin
ds t
he
ad
apt
atio
n o
f a
prod
uct
ju
st a
s im
port
ant
as it
’s
fun
ctio
n, a
ppea
ran
ce a
nd
clev
ern
ess.
”st
udio
fris
o, p
age
32
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“… m
y in
teri
or p
rod-
ucts
are
dev
elop
ed f
or
adul
ts;
prod
ucts
tha
t ar
e in
spir
ed b
y gr
aphi
c d
iGi-
tal
imag
es.”
Bla
ow
ww
, pag
e 10
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“...
new
co
nst
ru
ct
ion
s an
d im
ages
he
wor
ks w
ith
a va
riet
y of
mat
eria
ls a
nd
tech
niq
ues
.”je
roen
wes
seli
nk,
pa
ge 2
3 –
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“...
new
con
stru
ctio
ns
and
imag
es h
e w
orks
wit
h a
vari
ety
of m
ater
ials
an
d t
Ech
niq
uEs
.”je
roen
wes
seli
nk,
pa
ge 2
3 –
––
––
––
––
––
––
––
–
tuttoBEnE Milan 2008 -page 16-
fan
taSy
Wea
vin
G
Gar
Den
fu
rn
itu
re
reu
Sin
GBo
K.
––
––
––
––
––
––
––
––
“… c
ombi
nes
qu
alit
y m
ater
ials
an
d co
nst
ruc-
tion
to
cr
Eat
E pr
od-
uct
s th
at w
ill e
xist
for
an
othe
r hu
ndr
ed y
ear.”
Evel
ien
, pag
e 51
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“… b
ut t
here
is d
efin
itel
y so
me
‘spa
cE’
to
com
mu-
nic
ate
ethi
cal v
alue
s an
d ev
en p
olit
ical
idea
s.”
Elsi
nga
des
ign
, pag
e 12
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“as
resu
lt, t
he
beas
ts g
et
som
eth
ing
My
th
olo
Gi-
ca
l.”
lies
beth
Hui
zing
Gro
ene
hon
den
, pag
e 39
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“...
a su
rpri
sin
g t
ra
ns-
for
Mat
ion
of
the
use
d m
ater
ials
.”
step
han
sie
perm
ann
, pa
ge 3
5–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“sto
ol t
hat
you
can
han
g u
psid
e do
wn
on
a w
all
hook
an
d B
Eco
MEs
a
deer
hea
d.”
jero
en w
esse
lin
k,
page
23
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“she
has
a g
reat
inte
rest
in
rEc
on
nEc
tin
G e
nd
prod
uct
s to
the
ir r
aw
mat
eria
ls.”
flo
cK
s, p
age
26–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“… a
gre
at s
to
ry
is t
he
star
tin
g po
int.
”
stu
dio
Von
k &
jan
nek
e h
ooym
an, p
age
24–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“the
bag
s ar
e m
ade
from
rEc
yclE
d m
ate-
rial
in s
mal
l soc
ial w
ork-
plac
es ..
.”
Kr
Ejc
i, p
age
46–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“the
des
ign
com
bin
es
both
nat
ura
l an
d hi
gh-
tech
mat
eria
ls (
...)
in
rEV
iVin
G ..
.”st
udi
o Vo
nk
& j
ann
eke
hoo
yman
, pag
e 24
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“he
use
s to
upg
rade
co
mm
on o
r u
nu
sual
m
ater
ials
an
d pa
rts
into
h
iGh
-En
d ..
.”st
epha
n s
iepe
rman
n,
page
35
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“… a
ll m
ater
ials
are
r
EnEw
aB
lE, r
ecyc
led
or o
rgan
ic a
nd
com
e to
geth
er in
a s
tyli
sh
prod
uct
.”B
ritt
a te
lem
an, p
age
27
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“the
mai
n in
tere
st o
f fl
oc
Ks
is t
o sh
ow t
he
or
iGin
of
raw
mat
eria
ls
that
are
use
d…”
flo
cK
s, p
age
26
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“res
pect
ing
the
wor
k of
n
atu
rE
whi
le c
ombi
n-
ing
this
wit
h su
rpri
sin
g so
luti
ons.
”
Evel
ien
, pag
e 51
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“thi
s ch
air
is in
spir
ed b
y a
grap
hic
digi
tal i
mag
e of
a s
mal
l tr
EE.”
Bla
ow
ww
, pag
e 10
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“a c
olle
ctio
n o
f ca
rpet
s is
bas
ed o
n t
he w
aves
of
the
sEa
the
pow
er
of w
ater
, …”
cel
ia s
luij
ter,
page
15
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“an
atm
osph
eric
wal
l la
mp
usin
g ca
st p
last
ic
lEaV
Es m
oun
ted
to t
he
wal
l in
a b
ran
ch s
hape
.”st
epha
n s
iepe
rman
n,
page
35
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“sto
ol t
hat
you
can
han
g u
psid
e do
wn
on
a w
all
hook
an
d be
com
es a
d
EEr
hea
d.”
jero
en w
esse
lin
k,
page
23
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“whe
n u
sed
ou
tsi
dE
the
pati
na
wil
l be
an
ongo
ing
proc
ess
resu
lt-
ing
in a
slo
w c
han
ge o
f co
lor
and
appe
aran
ce.”
stu
diof
riso
, pag
e 32
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“...
mad
e w
ith
pass
ion
an
d pr
ide,
usi
ng
the
age-
old
trad
itio
nal
tec
hniq
ue
of p
alm
leaf
wEa
Vin
G.”
taho
ua
impo
rt, p
age
7–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“tib
etan
wo
ol
and
nep
al k
not
s, s
ilk, i
n r
aw
and
fin
e (.
..) d
o br
ing
a ca
rpet
to
life.
”
cel
ia s
luij
ter,
page
15
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“the
ca
rpE
ts
are
han
dmad
e, u
sin
g le
ftov
er le
athe
r.”m
anon
de
bru
ijn
Gro
ene
hon
den
, pag
e 39
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“deK
ast
offe
rs t
he
poss
ibili
ty t
o di
spla
y an
d co
mbi
ne
a w
ide
ran
ge o
f ri
ch a
nd
deco
rati
ve f
aB
ric
s.”
stu
dio
Md
fd, p
age
19–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“fa
Br
ics
are
use
d in
a
tota
lly
diff
eren
t m
an-
ner
the
y w
ere
orig
inal
ly
mea
nt
for.”
stu
dio
Von
k &
jan
nek
e h
ooym
an, p
age
24–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“urc
hin
’ is
a h
an
d-
Kn
itt
Ed w
oole
n
pou
f…”
flo
cK
s, p
age
26–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“…fr
om w
EaV
inG
to
bask
etry
or
tin
wor
k, in
or
der
to d
evel
op t
heir
m
ater
ial o
ffer
...”
Expe
rim
onet
a o
cam
po,
page
28
––
––
––
––
––
––
––
––
tuttoBEnE Milan 2008 -page 17-
focus!focus!
Gr
oE
nE
ho
nd
En
livi
nG
ro
om
nar
rat
ive
Coll
abo
rat
ion
Wea
vin
G
––
––
––
––
––
––
––
––
“… c
ombi
nes
qu
alit
y m
ater
ials
an
d co
nst
ruc-
tion
to
cr
Eat
E pr
od-
uct
s th
at w
ill e
xist
for
an
othe
r hu
ndr
ed y
ear.”
Evel
ien
, pag
e 51
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“… b
ut t
here
is d
efin
itel
y so
me
‘spa
cE’
to
com
mu-
nic
ate
ethi
cal v
alue
s an
d ev
en p
olit
ical
idea
s.”
Elsi
nga
des
ign
, pag
e 12
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“...
a su
rpri
sin
g t
ra
ns-
for
Mat
ion
of
the
use
d m
ater
ials
.”
step
han
sie
perm
ann
, pa
ge 3
5–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“sto
ol t
hat
you
can
han
g u
psid
e do
wn
on
a w
all
hook
an
d B
Eco
MEs
a
deer
hea
d.”
jero
en w
esse
lin
k,
page
23
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“she
has
a g
reat
inte
rest
in
rEc
on
nEc
tin
G e
nd
prod
uct
s to
the
ir r
aw
mat
eria
ls.”
flo
cK
s, p
age
26–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“in
the
sea
rch
for
a st
age
for
his
enor
mou
s fa
n-
tasy
an
d en
thus
iasm
,…”
Bok
., pa
ge 4
0–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“… a
gre
at s
to
ry
is t
he
star
tin
g po
int.
”
stu
dio
Von
k &
jan
nek
e h
ooym
an, p
age
24–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“… a
n e
ffec
tive
an
d su
cces
sful
pa
rtn
Er-
ship
.”
taho
ua i
mpo
rt, p
age
7–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“wEM
ad
E is
a p
roje
ct
BEt
wEE
n t
wo
dut
ch
desi
gner
s an
d in
don
e-si
an c
raft
speo
ple
who
w
ere
vict
ims
of ..
.”
wEM
ad
E, p
age
13–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“our
exp
erti
se is
u
nit
Ed in
thi
s pr
ojec
t w
hich
will
be
the
star
t-in
g po
int.
..”st
udio
Von
k &
jan
nek
e h
ooym
an, p
age
24–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“...
an a
rtis
tic
rEs
i-d
Enc
E th
at s
eeks
the
de
velo
pmen
t of
new
de
sign
s fo
r ar
tisa
ns…
”Ex
peri
men
ta o
cam
po,
page
28
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“thi
s pi
ece
of f
ur
ni-
tu
rE
is b
ecau
se o
f it
s ef
fici
ent
use
of
mat
eria
ls
high
ly e
nvi
ron
men
tall
y co
nsc
iou
s.”
Evel
ien
, pag
e 51
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“thi
s c
ha
ir is
insp
ired
by
a g
raph
ic d
igit
al
imag
e of
a s
mal
l tre
e.”
Bla
ow
ww
, pag
e 10
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“hi,
we
are
hap
py
laM
ps, w
e li
ght
up
you
r sp
ace,
an
d m
aybe
you
r he
art!
”
Elsi
nga
des
ign
, pag
e 12
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“stu
dio
Md
fd, d
evel
-op
s m
ult
i-fu
nct
ion
al
fur
nit
ur
E th
at c
an
be a
dapt
ed t
o ou
r ev
er-
chan
gin
g n
eeds
,...“
stu
dio
Md
fd, p
age
19
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“… a
s w
ell a
s in
tEr
ior
ob
ject
s.”
flo
cK
s, p
age
26–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“… a
llow
ing
a ho
t ki
tche
n p
ot t
o co
me
to t
he n
oble
din
nEr
ce
rem
ony.
”Ex
peri
men
ta o
cam
po.
page
28
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“...
mad
e w
ith
pass
ion
an
d pr
ide,
usi
ng
the
age-
old
trad
itio
nal
tec
hniq
ue
of p
alm
leaf
wEa
Vin
G.”
taho
ua
impo
rt, p
age
7–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“tib
etan
wo
ol
and
nep
al k
not
s, s
ilk, i
n r
aw
and
fin
e (.
..) d
o br
ing
a ca
rpet
to
life.
”
cel
ia s
luij
ter,
page
15
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“Bok
.ho
sEpi
pE f
urn
i-tu
re is
a f
urn
itu
re
con
cept
mad
e of
old
an
d n
ew h
osE
pipE
s.”
Bok
., pa
ge 4
0–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“deK
ast
offe
rs t
he
poss
ibili
ty t
o di
spla
y an
d co
mbi
ne
a w
ide
ran
ge o
f ri
ch a
nd
deco
rati
ve f
aB
ric
s.”
stu
dio
Md
fd, p
age
19–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“fa
Br
ics
are
use
d in
a
tota
lly
diff
eren
t m
an-
ner
the
y w
ere
orig
inal
ly
mea
nt
for.”
stu
dio
Von
k &
jan
nek
e h
ooym
an, p
age
24–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“urc
hin
’ is
a h
an
d-
Kn
itt
Ed w
oole
n
pou
f …
”
flo
cK
s, p
age
26–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“… f
rom
wEa
Vin
G t
o ba
sket
ry o
r ti
n w
ork,
in
orde
r to
dev
elop
the
ir
mat
eria
l off
er ..
.”Ex
peri
mon
eta
o c
ampo
, pa
ge 2
8–
––
––
––
––
––
––
––
–
tuttoBEnE Milan 2008 -page 18-
studio Mdfd, develops multi-func-tional furniture that can be adapted to our ever-changing needs. people change, tastes change, and in the wake of this change most furniture is replaced, but in this process a lot of resources are wasted. that’s why studio Mdfd offers flexible furni-ture designs, which can be modified according to changing lifestyles. the core structure of the furniture remains intact, while the general look and feel of a piece can be modified endlessly.
studio Mdfd furniture will last a lifetime of change. it is this unique design characteristic which makes studio Mdfd a sustainable design practice.
on this paGE: dEKastdeKast is a modular shelving system, which can be designed and assem-bled according to your personal taste and specific needs. deKast offers the possibility to display and combine a wide range of rich and decorative fabrics. studio Mdfd
provides a growing collection of exclusive fabrics for use on the front panels of deKast.
the structure of the deKast shelving system is made from high quality, long lasting plywood. fabrics such as cotton and wool are the basic materials used to give deKast its unique finish.deKast appeals to our creativity. deKast invites its owner to change its look, simply by altering the composition of the structure, and
replacing the fabric mounted front panels. this creates a strong rela-tionship between deKast and its user. a product that is made to last a lifetime without ever looking dated is a truly sustainable product.
prEsEntinG at tuttoBEnE - deKast
–––image by ralph Kamena
Studio Mdfd
stu
dio
Md
fdM
iche
l doy
erw
ww
.dek
ast.
euin
fo@
mdf
d.n
l+
3162
8228
408
stu
dio:
a
mst
erda
m, t
he n
ethe
rlan
dsst
udy
: au
todi
dact
tuttoBEnE Milan 2008 -page 19-
focus!focus!
tuttoBEnE Milan 2008 -page 20-
1 de ArchitectArchitectuur en bouwen | Interview met Antony Vidler
Instituut voor Beeld en Geluid in HilversumCaballero Fabriek in Den Haag | Licht en architectuur
Jaargang 38, Sdu Uitgevers, januari 2007
2 de ArchitectArchitectuur en infrastructuur | Interview met Don Murphy
Architectuurfaculteit in New York door Steven HollSelexyz boekwinkels door Merkx + Girod | Tafuri rivisited
Jaargang 38, Sdu Uitgevers, februari 2007
Architectuurfaculteit in New York door Steven HollSelexyz boekwinkels door Merkx + Girod | Tafuri rivisited
3 de ArchitectLeren van Ridderkerk | Sejima in Almere
FiftyTwoDegrees door Mecanoo Interview met Paul Meurs | Woning van Fabio Novembre
Jaargang 38, Sdu Uitgevers, maart 2007
Bloeiende architectuur in Zürich | Theater in Lelystad Metzo College in Doetinchem | Interview met Olafur Eliasson
Woonhuizen in het landschap | Bibliotheek Roosendaal
de ArchitectJaargang 38, Sdu Uitgevers, april 2007
Bloeiende architectuur in Zürich | Theater in Lelystad Metzo College in Doetinchem | Interview met Olafur Eliasson
Woonhuizen in het landschap | Bibliotheek Roosendaal
5
Vernieuwing van de naoorlogse stad | Nesciobrug Amsterdam Universiteitsbibliotheek door atelier PRO
Interview met David Banister | Loft nieuwe stijl in Gent
de ArchitectJaargang 38, Sdu Uitgevers, mei 2007
Jaargang 38, Sdu Uitgevers, juni 2007
de ArchitectEuropese aanbestedingen | Interview met Frits Palmboom
Stedebouwkundige plannen voor Almere Hout Stationsplein in Groningen | Salone del Mobile in Milaan
de Architectde Architectde Architect| Sejima in Almere
FiftyTwoDegrees door Mecanoo Interview met Paul Meurs | Woning van Fabio Novembre
Stationsplein in Groningen | Salone del Mobile in Milaan
7/8
Jaargang 38, Sdu Uitgevers, juli - augustus 2007
de ArchitectDe transformatie van Londen | Interview met Robert Yaro
Parkrandgebouw in Amsterdam door MVRDVTRUTEC Building in Seoul | Restaurant Puck / Pip in Den Haag
Vernieuwing van de naoorlogse stad | Nesciobrug Amsterdam Universiteitsbibliotheek door atelier PRO
Interview met David Banister | Loft nieuwe stijl in Gent
de Architect de ArchitectStudentenhuisvesting in Nederland | Interview met Ed Soja
Huis voor Cultuur en Bestuur in NijverdalGeotechnologie in Delft | Coffeeshop in Hoofddorp
Jaargang 38, Sdu Uitgevers, september 2007
Stedebouwkundige plannen voor Almere Hout Stationsplein in Groningen | Salone del Mobile in Milaan Stationsplein in Groningen | Salone del Mobile in Milaan
de ArchitectDe transformatie van Londen | Interview met Robert Yaro
Parkrandgebouw in Amsterdam door Building in Seoul | Restaurant Puck / Pip in Den Haag
de ArchitectStudentenhuisvesting in Nederland | Interview met Ed Soja
Huis voor Cultuur en Bestuur in NijverdalGeotechnologie in Delft | Coffeeshop in Hoofddorp
10
Jaargang 38, Sdu Uitgevers, oktober 2007
de ArchitectArchitectuur en onderwijs | Het Nieuwe Leren | Brede scholen
Opdrachtvormen | Leefklimaat | Corlaer College in Nijkerk Trias vmbo in Krommenie | Brede school in Utrecht
de ArchitectArchitectuur en onderwijs | Het Nieuwe Leren | Brede scholen
Opdrachtvormen | Leefklimaat | Corlaer College in Nijkerk Trias vmbo in Krommenie | Brede school in Utrecht
Jaargang 38, Sdu Uitgevers, november 2007
de ArchitectCollectieve woningbouw | Stadsarchief in Amsterdam
Interview met Elma van Boxel en Kristian Koreman Werkgebouw op voormalig kraanspoor | Media-interieurs
Trias vmbo in Krommenie | Brede school in Utrecht Trias vmbo in Krommenie | Brede school in Utrecht
12
Jaargang 38, Sdu Uitgevers, december 2007
de ArchitectArchitectuur en ethiek | Interview met Josep Acebillo
Onderwijsgebouwen Universiteit TwenteMuseum door Peter Zumthor | Bar Black Pearl in Antwerpen
de ArchitectArchitectuur en ethiek | Interview met Josep Acebillo
Onderwijsgebouwen Universiteit TwenteMuseum door Peter Zumthor | Bar Black Pearl in Antwerpen
de Architectextra Jaaroverzicht architectuur
Nederland 2007
JJaargang 38, Sdu Uitgevers, december 2007
de Architectinterieur
Jaargang 38, Sdu Uitgevers, november 2007
Lensvelt de Architect Interieurprijs 2007
Mart Stamprijs2007
de Architectinterieur
Jaargang 38, Sdu Uitgevers, mei 2007
de Architect
de Architectinterieur
Jaargang 38, Sdu Uitgevers, maart 2007
Did you miss Humberto and Fernando Campana or Michael Braungart during our events? Visit www.deArchitect.nl, subscribe yourself and we keep you informed about our topics and events.
The leading magazine for architects and interior designers
tuttoBEnE Milan 2008 -page 21-
thetuttobenecollection
Pit industry together with holy homes from frederik roijé and dutch wood from lotte van laatum will be Presented and sold at the tuttobene Presentation in milan.
tuttobene Presentationvia mortara 15 milanwww.tuttobene.nl
smallspacedesignrace
Where? at the tuttobene Presentation in Via mortara 15, milano
When?Wednesday aPril 16 - sunday aPril 20all days from 10.00 am untill 20.00 Pm
€
www.ikbenchantalvanheeswijk.nl
stE
pha
n s
iEpE
rM
an
ntuttoBEnE Milan 2008
-page 22-
jEr
oEn
wEs
sEli
nK
ww
w.je
roen
wes
seli
nk.
nl
info
@je
roen
wes
seli
nk.
nl
+31
6249
9226
9
stu
dio:
u
trec
ht, t
he n
ethe
rlan
dsst
udy
: d
esig
n a
cade
my,
Ein
dhov
en
jeroen weSSelinKjeroen wesselink graduated cum laude at the design academy Eindhoven in 2006. he started his own studio in utrecht (the netherlands) where he creates furniture concepts and interior products. searching for new
constructions and images he works with a variety of materials and techniques.
on this paGE: My dEErstool that you can hang upside down on a wall hook andbecomes a deer head.
prEsEntinG at tuttoBEnE- swing stool- floco- My deer- saddle–––image by jeroen wesselink
tuttoBEnE Milan 2008 -page 23-
HiG
H-e
nD
nar
rat
ive
neW
aPP
liCa
tio
nS
nat
ur
e
––
––
––
––
––
––
––
––
“the
bag
s ar
e m
ade
from
rEc
yclE
d m
ate-
rial
in s
mal
l soc
ial w
ork-
plac
es ..
.”
Kr
Ejc
i, p
age
46–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“… b
y u
sin
g or
rEu
sin
G
exis
tin
g pr
odu
cts
or
mat
eria
ls in
a d
iffe
ren
t,
smar
ter
and
fun
nie
r w
ay.”
Bok
., pa
ge 4
0–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“the
des
ign
com
bin
es
both
nat
ura
l an
d hi
gh-
tech
mat
eria
ls (
...)
in
rEV
iVin
G ..
.”st
udi
o Vo
nk
& j
ann
eke
hoo
yman
, pag
e 24
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“….a
ll m
ater
ials
are
r
EnEw
aB
lE, r
ecyc
led
or o
rgan
ic a
nd
com
e to
geth
er in
a s
tyli
sh
prod
uct
.”B
ritt
a te
lem
an, p
age
27
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“the
mai
n in
tere
st o
f fl
oc
Ks
is t
o sh
ow t
he
or
iGin
of
raw
mat
eria
ls
that
are
use
d …
”
flo
cK
s, p
age
26
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“… c
ombi
nes
qu
alit
y m
ater
ials
an
d co
nst
ruc-
tion
to
cr
Eat
E pr
od-
uct
s th
at w
ill e
xist
for
an
othe
r hu
ndr
ed y
ear.”
Evel
ien
, pag
e 51
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“… b
ut t
here
is d
efin
itel
y so
me
‘spa
cE’
to
com
mu-
nic
ate
ethi
cal v
alue
s an
d ev
en p
olit
ical
idea
s.”
Elsi
nga
des
ign
, pag
e 12
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“as
resu
lt, t
he
beas
ts g
et
som
eth
ing
My
th
olo
Gi-
ca
l.”
lies
beth
Hui
zing
Gro
ene
hon
den
, pag
e 39
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“sto
ol t
hat
you
can
han
g u
psid
e do
wn
on
a w
all
hook
an
d B
Eco
MEs
a
deer
hea
d.”
jero
en w
esse
lin
k,
page
23
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“she
has
a g
reat
inte
rest
in
rEc
on
nEc
tin
G e
nd
prod
uct
s to
the
ir r
aw
mat
eria
ls.”
flo
cK
s, p
age
26–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“in
the
sea
rch
for
a st
age
for
his
enor
mou
s fa
n-
tasy
an
d en
thus
iasm
…”
Bok
., pa
ge 4
0–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“… a
gre
at s
to
ry
is t
he
star
tin
g po
int.
”
stu
dio
Von
k &
jan
nek
e h
ooym
an, p
age
24–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“...
of o
bjec
ts a
nd
devi
ces
that
hig
hlig
ht
new
po
ssiB
ilit
iEs
and
harb
or n
ew t
echn
olo-
gies
.”a
lon
ale
x G
ross
, pag
e 41
–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“tha
t’s w
hy s
tudi
o M
dfd
off
ers
flEx
iBlE
fu
rnit
ure
desi
gns,
whi
ch
can
be m
odifi
ed a
ccor
d-in
g to
cha
ngin
g ...
”st
udio
Md
fd, p
age
19
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“whe
n u
sed
outs
ide
the
pati
na
will
be
an o
ngo
-in
g pr
oces
s re
sult
ing
in
a sl
ow c
ha
nG
E of
col
or
and
appe
aran
ce.“
stud
iofr
iso,
pag
e 32
–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“stu
diof
riso
fin
ds t
he
ad
apt
atio
n o
f a
prod
-u
ct ju
st a
s im
port
ant
as
it’s
fu
nct
ion
, app
eara
nce
an
d cl
ever
nes
s.”
stud
io f
riso
–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“res
pect
ing
the
wor
k of
n
atu
rE
whi
le c
ombi
n-
ing
this
wit
h su
rpri
sin
g so
luti
ons“
Evel
ien
, pag
e 51
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“thi
s ch
air
is in
spir
ed b
y a
grap
hic
digi
tal i
mag
e of
a s
mal
l tr
EE.”
Bla
ow
ww
, pag
e 10
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“a c
olle
ctio
n o
f ca
rpet
s is
bas
ed o
n t
he w
aves
of
the
sEa
the
pow
er
of w
ater
, …”
cel
ia s
luij
ter,
page
15
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“the
fur
nit
ure
is
for
inte
rior
an
d Ex
tEr
ior
use
.”
Bok
., pa
ge 4
0–
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“sto
ol t
hat
you
can
han
g u
psid
e do
wn
on
a w
all
hook
an
d be
com
es a
d
EEr
hea
d.”
jero
en w
esse
lin
k,
page
23
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“whe
n u
sed
ou
tsi
dE
the
pati
na
wil
l be
an
ongo
ing
proc
ess
resu
lt-
ing
in a
slo
w c
han
ge o
f co
lor
and
appe
aran
ce.”
stu
diof
riso
, pag
e 32
––
––
––
––
––
––
––
––
focus!focus!
Studio VonK &janneKe hooyManstudio petra Vonk produces innovative fabric design for interior and fashion. our specialty is the synthesis of innovation and tradition in knitted fabrics.
janneke hooyman operates in a wide range of fields, from jewellery design up to interior design. the key of their activities is a conceptual approach to all projects: a great story is the starting point.
the recently established cooperation Vonk-hooymans exists next to our activities as textile designer and product-interior designer. our expertise is united in this project which will be the starting point for a whole new range of products, examining the possibilities of knits in product design.
on this paGE: poofstretch your knits to the max!4 layers of knitted fabric shape the
pillows into this poof.fabrics are used in a totally different manner they were originally meant for. delicate mohair combined with high-tech knitted elastics hooked to a robust steel base.
the design combines both natural and high-tech materials and is produced in the netherlands which will result in reviving the local craft of knitting. we would like to make use of the remaining textile industry
to produce and develop new utilisations in knitting, to retain and further explore this know-ledge.
prEsEntinG at tuttoBEnE - poof
–––image by hooyman en Vonk
stu
dio
Vo
nK
& j
an
nEK
E h
oo
yM
an
jan
nek
e h
ooym
an &
pet
ra V
onk
ww
w.t
jep.
com
/ w
ww
.pet
ravo
nk.
nl
jan
ep.c
om+
3162
4652
993
stu
dio:
a
mst
erda
m, t
he n
ethe
rlan
dsst
udy
:d
esig
n a
cade
my,
Ein
dhov
entuttoBEnE Milan 2008
-page 24-
aDaP
tati
on
Gar
Den
fu
rn
itu
re
CHan
Ge
Sur
ro
un
Din
G
stu
dio
fr
iso
––
––
––
––
––
––
––
––
“...
of o
bjec
ts a
nd
devi
ces
that
hig
hlig
ht
new
po
ssiB
ilit
iEs
and
harb
or n
ew t
echn
olo-
gies
.”a
lon
ale
x G
ross
, pag
e 41
–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“tha
t’s w
hy s
tudi
o M
dfd
off
ers
flEx
iBlE
fu
rnit
ure
desi
gns,
whi
ch
can
be m
odifi
ed a
ccor
d-in
g to
cha
ngin
g ...
”st
udio
Md
fd, p
age
19
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“sea
rchi
ng
for
nEw
a
ppli
cat
ion
s, c
on-
stru
ctio
ns
and
imag
es h
e w
orks
wit
h ...
”st
epha
n s
iepe
rman
n,
page
35
––
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“res
pect
ing
the
wor
k of
n
atu
rE
whi
le c
ombi
n-
ing
this
wit
h su
rpri
sin
g so
luti
ons
...“
Evel
ien
, pag
e 51
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“thi
s ch
air
is in
spir
ed b
y a
grap
hic
digi
tal i
mag
e of
a s
mal
l tr
EE.”
Bla
ow
ww
, pag
e 10
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“a c
olle
ctio
n o
f ca
rpet
s is
bas
ed o
n t
he w
aves
of
the
sEa
the
pow
er
of w
ater
, …”
cel
ia s
luij
ter,
page
15
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“the
fur
nit
ure
is
for
inte
rior
an
d Ex
tEr
ior
use
.”
Bok
., pa
ge 4
0–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“an
atm
osph
eric
wal
l la
mp
usin
g ca
st p
last
ic
lEaV
Es m
oun
ted
to t
he
wal
l in
a b
ran
ch s
hape
.”st
epha
n s
iepe
rman
n,
page
35
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“sto
ol t
hat
you
can
han
g u
psid
e do
wn
on
a w
all
hook
an
d be
com
es a
d
EEr
hea
d.”
jero
en w
esse
lin
k,
page
23
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“...
of o
bjec
ts a
nd
devi
ces
that
hig
hlig
ht
new
po
ssiB
ilit
iEs
and
harb
or n
ew t
echn
olo-
gies
.”a
lon
ale
x G
ross
, pag
e 41
–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“tha
t’s w
hy s
tudi
o M
dfd
off
ers
flEx
iBlE
fu
rnit
ure
desi
gns,
whi
ch
can
be m
odifi
ed a
ccor
d-in
g to
cha
ngin
g ...
”st
udio
Md
fd, p
age
19
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“sea
rchi
ng
for
nEw
a
ppli
cat
ion
s, c
on-
stru
ctio
ns
and
imag
es h
e w
orks
wit
h...“
step
han
sie
perm
ann
, pa
ge 3
5 –
––
––
––
––
––
––
––
–
–
––
––
––
––
––
––
––
––
“wit
h th
e m
ain
foc
us
on in
teri
or a
nd
furn
itu
re d
esig
n,
Evel
ien
des
ign
s th
e an
tiqu
e of
the
fu
tu
rE.
”Ev
elie
n, p
age
51–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“a p
rodu
ct t
hat
is m
ade
to la
st a
lif
EtiM
E w
ith-
out
ever
look
ing
date
d is
a t
ruly
su
stai
nab
le
prod
uct
.”st
udi
o M
dfd
, pag
e 19
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“…m
ade
as E
nV
iro
n-
MEn
tall
y f
rien
dly
as
poss
ible
.”
Bri
tta
tele
man
, pag
e 27
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“Kr
Ejc
i st
ands
for
st
ron
g, u
rB
an
, hig
h qu
alit
y de
sign
wit
h an
at
titu
de.”
Kr
Ejc
i, p
age
46–
––
––
––
––
––
––
––
–
tuttoBEnE Milan 2008 -page 25-
focus!focus!
flocKS
flo
cK
sc
hris
tien
Mei
nde
rtsm
aw
ww
.the
sefl
ocks
.com
chri
stie
n@
thes
eflo
cks.
com
+31
6265
4084
3
stu
dio:
rot
terd
am, t
he n
ethe
rlan
dsst
udy
:d
esig
n a
cade
my,
Ein
dhov
en
dutch designer christien Meindertsma (1980) lives and works in rotterdam. under her own label flocKs she designs clothes as well as interior objects – cardigans knitted from the wool of a single sheep and rugs from a whole flock. her latest project is a photo book called piG 05049, a catalogue showing all the products that are made from a single pig; from por-celain to bullets, from shampoo to
washing powder. she has a great interest in reconnecting end products to their raw materials.
on this paGE: urchin‘urchin’ is a hand-knitted woolen pouf, carrying an id tag showing the breed of sheep that provided the wool. the urchin pouf will be presented in a ‘flock’ of various sizes and colors.the urchins are part of a collection
of products entitled flocKs. the main interest of flocKs is to show the origin of raw materials that are used as well as producing products as locally as possible. all flocKs products come with a passport showing a photograph of the sort of animal the product came from as well as information about where it was made. for example, the crossbred sheep that provide for the urchin wool graze in open fields in
new zealand. once the sheep are shorn the wool is exported to the netherlands where it is spun, dyed and hand-knitted.
prEsEntinG at tuttoBEnE- urchin
–––image by Bas helbers
tuttoBEnE Milan 2008 -page 26-
Br
itta
tEl
EMa
nbr
itta
.tel
eman
@gm
ail.c
om+
3249
5182
560
stu
dio:
B
russ
els,
Bel
giu
mst
udy
: c
entr
al s
ain
t M
arti
ns
in l
ondo
npr
odu
ct d
esig
n
Britta teleman studied traditional product design at central saint Martins in london, but soon found her way into a more concept-based design via internships with front and droog design. she takes her starting points in themes or statements, such as ‘taboo’, ‘contour’ or ‘babies are accessories’. sustainability is a given factor in everything she does.
on this paGE: and My BaBy GoEs so wEll with it!‘and my baby goes so well with it!’ is a lightweight Moses basket for when the baby is still too small for a bed. in response to the growing trend of sustainable parenting, all materials are renewable, recycled or organic and come together in a stylish product.the starting point for this project
was to make a sustainable product for babies. Because baby products are becoming like status symbols, and parents want to show off their environmental awareness, this needs to show in the product. i believe that the shorter the life of the product, the smaller the ecological footprint should be.a Moses basket is only needed for a few months, and should therefore
be made as environmentally friendly as possible. as it comes flat-packed, transports are minimised too.
prEsEntinG at tuttoBEnE:- and my baby goes so well with it!
–––image by Britta teleman
britta teleMan
tuttoBEnE Milan 2008 -page 27-
focus!focus!
ExpE
riM
Enta
o c
aM
pod
ian
a a
ntu
nes
, Bru
no
car
valh
o &
Man
uel
am
aral
net
to
dian
a.r.a
ntu
nes
@gm
ail.c
om
bru
nom
mca
rval
ho@
gmai
l.com
m
anel
etto
@gm
ail.c
om /
+35
1919
9751
19
stu
dio:
si
ntr
a, p
ortu
gal
stu
dy:
Esco
la s
upe
rior
de
art
e e
des
ign
da
s c
alda
s da
rai
nha
Experimenta o campo is an artis-tic residence that seeks the devel-opment of new designs for artisans of different crafts, from weaving to basketry or tin work, in order to develop their material offer and its economic value.
on this paGE: hot pot BasE towEllinen is a traditional noble towel material that breaks with the conventional by allowing a hot kitchen pot to come to the noble dinner ceremony.this design is manufactured with
a traditional loom in a sustainable handmade process by female artisans. it makes use of handmade linen and felt, both natural mate-rials and transformed in a sustain-able manufacturing process with the objective of developing of the traditional arts and crafts.
prEsEntinG at tuttoBEnE - hot pot base towel- tie individual
–––image by duarte amaral netto
experiMenta o caMpo
Wea
vin
G
livi
nG
ro
om
Coll
abo
rat
ion
Han
Dm
aDe
Ex
pEr
iME
nta
o c
aM
po
––
––
––
––
––
––
––
––
“...m
ade
wit
h pa
ssio
n
and
prid
e, u
sin
g th
e ag
e-ol
d tr
adit
ion
al t
echn
iqu
e of
pal
m le
af w
EaV
inG
.”
taho
ua
impo
rt, p
age
7–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“tib
etan
wo
ol
and
nep
al k
not
s, s
ilk, i
n r
aw
and
fin
e (.
..) d
o br
ing
a ca
rpet
to
life.
”
cel
ia s
luij
ter,
page
15
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“Bok
.ho
sEpi
pE
furn
itu
re is
a f
urn
itu
re
con
cept
mad
e of
old
an
d n
ew h
osE
pipE
s. .”
Bok
., pa
ge 4
0–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“the
ca
rpE
ts
are
han
dmad
e, u
sin
g le
ftov
er le
athe
r.”m
anon
de
bru
ijn
Gro
ene
hon
den
, pag
e 39
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“deK
ast
offe
rs t
he
poss
ibili
ty t
o di
spla
y an
d co
mbi
ne
a w
ide
ran
ge o
f ri
ch a
nd
deco
rati
ve f
aB
ric
s.”
stu
dio
Md
fd, p
age
19–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“fa
Br
ics
are
use
d in
a
tota
lly
diff
eren
t m
an-
ner
the
y w
ere
orig
inal
ly
mea
nt
for.”
stu
dio
Von
k &
jan
nek
e h
ooym
an, p
age
24–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“urc
hin
’ is
a h
an
d-
Kn
itt
Ed w
oole
n
pou
f…”
flo
cK
s, p
age
26–
––
––
––
––
––
––
––
–
–
––
––
––
––
––
––
––
––
“thi
s pi
ece
of f
ur
ni-
tu
rE
is b
ecau
se o
f it
s ef
fici
ent
use
of
mat
eria
ls
high
ly e
nvi
ron
men
tall
y co
nsc
iou
s.”
Evel
ien
, pag
e 51
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“thi
s c
ha
ir is
insp
ired
by
a g
raph
ic d
igit
al
imag
e of
a s
mal
l tre
e.”
Bla
ow
ww
, pag
e 10
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“hi,
we
are
hap
py
laM
ps, w
e li
ght
up
you
r sp
ace,
an
d m
aybe
you
r he
art!
”
Elsi
nga
des
ign
, pag
e 12
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“Gla
ss V
asE
s, c
up-
Bo
ar
d, c
ar
pEt,
sEa
t
oB
jEc
ts,
la
Mps
, ...”
Gro
ene
hon
den
, pag
e 39
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“stu
dio
Md
fd, d
evel
-op
s m
ult
i-fu
nct
ion
al
fur
nit
ur
E th
at c
an
be a
dapt
ed t
o ou
r ev
er-
chan
gin
g n
eeds
,...”
stu
dio
Md
fd, p
age
19
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“… a
s w
ell a
s in
tEr
ior
ob
ject
s.”
flo
cK
s, p
age
26–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“… a
n e
ffec
tive
an
d su
cces
sful
pa
rtn
Er-
ship
.“
taho
ua i
mpo
rt, p
age
7–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“wEM
ad
E is
a p
roje
ct
BEt
wEE
n t
wo
dut
ch
desi
gner
s an
d in
don
e-si
an c
raft
speo
ple
who
w
ere
vict
ims
of ..
.”
wEM
ad
E, p
age
13–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“the
str
engt
h of
the
‘G
roen
e h
onde
n, j
ong
on
twer
p’ f
oun
dati
on li
es
in t
heir
inte
rdis
cipl
inar
y c
oll
aB
or
atio
n.”
Gro
ene
hon
den
, pag
e 39
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“our
exp
erti
se is
u
nit
Ed in
thi
s pr
ojec
t w
hich
will
be
the
star
t-in
g po
int
...”
stud
io V
onk
& j
ann
eke
hoo
yman
, pag
e 24
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“com
bin
ing
mod
ern
pr
oduc
tion
tec
hniq
ues
wit
h c
ra
ftsM
an
ship
.”
des
ign
stu
dio
car
ola
zee,
pag
e 12
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“Goa
l: t
o in
crea
se
the
econ
omic
in
dep
en-
den
ce o
f th
e lo
cal
cr
aft
spE
opl
E.“
wEM
ad
E, p
age
13–
––
––
––
––
––
––
––
–
tuttoBEnE Milan 2008 -page 28-
tuttoBEnE Milan 2008 -page 29-
focus!focus!
Br
itta
tE
lEM
an
Port
able
faSH
ion
item
envi
ro
nm
enta
lly
ren
eWab
le
––
––
––
––
––
––
––
––
“the
dev
ice
coul
d be
po
siti
on
Ed n
ext
to a
w
indo
w, r
ooft
op o
r in
th
e ga
rden
.”
alo
n a
lex
Gro
ss, p
age
41–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“...
a sh
ould
er B
aG
fro
m
the
clas
sic
tubu
s co
llec-
tion
of
Kr
Ejc
i, a
n e
le-
gan
t, e
asy
to u
se b
ag
wit
h a
sim
ple
desi
gn.”
K
rEj
ci,
pag
e 46
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“the
bag
s ar
e m
ade
from
rEc
yclE
d m
ate-
rial
in s
mal
l soc
ial w
ork-
plac
es ..
.”
Kr
Ejc
i, p
age
46–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“ …
by
usi
ng
or r
E-u
sin
G e
xist
ing
prod
uct
s or
mat
eria
ls in
a d
iffe
r-en
t, s
mar
ter
and
fun
nie
r w
ay.”
Bok
., pa
ge 4
0–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“the
des
ign
com
bin
es
both
nat
ura
l an
d hi
gh-
tech
mat
eria
ls (
...)
in
rEV
iVin
G ..
.”st
udi
o Vo
nk
& j
ann
eke
hoo
yman
, pag
e 24
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“he
use
s to
upg
rade
co
mm
on o
r u
nu
sual
m
ater
ials
an
d pa
rts
into
h
iGh
-En
d ..
.”st
epha
n s
iepe
rman
n,
page
35
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“the
mai
n in
tere
st o
f fl
oc
Ks
is t
o sh
ow t
he
or
iGin
of
raw
mat
eria
ls
that
are
use
d …
”
flo
cK
s, p
age
26
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“wit
h th
e m
ain
foc
us
on in
teri
or a
nd
furn
itu
re d
esig
n,
Evel
ien
des
ign
s th
e an
tiqu
e of
the
fu
tu
rE.
”Ev
elie
n, p
age
51–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“a p
rodu
ct t
hat
is m
ade
to la
st a
lif
EtiM
E w
ith-
out
ever
look
ing
date
d is
a t
ruly
su
stai
nab
le
prod
uct
.”st
udi
o M
dfd
, pag
e 19
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“the
pro
duct
nev
er
goes
wit
hou
t a
use
r an
d it
’s p
erce
ptio
ns,
or
a s
ur
ro
un
din
G a
nd
it’s
con
diti
ons.
” st
udi
ofri
so, p
age
32–
––
––
––
––
––
––
––
–
tuttoBEnE Milan 2008 -page 30-
livi
nG
ro
om
Wea
vin
G
nar
rat
ive
or
iGinfl
oc
Ks
––
––
––
––
––
––
––
––
“thi
s pi
ece
of f
ur
ni-
tu
rE
is b
ecau
se o
f it
s ef
fici
ent
use
of
mat
eria
ls
high
ly e
nvi
ron
men
tall
y co
nsc
iou
s.”
Evel
ien
, pag
e 51
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“thi
s c
ha
ir is
insp
ired
by
a g
raph
ic d
igit
al
imag
e of
a s
mal
l tre
e.”
Bla
ow
ww
, pag
e 10
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“hi,
we
are
hap
py
laM
ps, w
e li
ght
up
you
r sp
ace,
an
d m
aybe
you
r he
art!
”
Elsi
nga
des
ign
, pag
e 12
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“Gla
ss V
asE
s, c
up-
Bo
ar
d, c
ar
pEt,
sEa
t
oB
jEc
ts,
la
Mps
, ...”
Gro
ene
hon
den
, pag
e 39
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“stu
dio
Md
fd d
evel
-op
s m
ult
i-fu
nct
ion
al
fur
nit
ur
E th
at c
an
be a
dapt
ed t
o ou
r ev
er-
chan
gin
g n
eeds
...“
stu
dio
Md
fd, p
age
19
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“… a
llow
ing
a ho
t ki
tche
n p
ot t
o co
me
to t
he n
oble
din
nEr
ce
rem
ony.
”Ex
peri
men
ta o
cam
po.
page
28
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“...
mad
e w
ith
pass
ion
an
d pr
ide,
usi
ng
the
age-
old
trad
itio
nal
tec
hniq
ue
of p
alm
leaf
wEa
Vin
G.”
taho
ua
impo
rt, p
age
7–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“tib
etan
wo
ol
and
nep
al k
not
s, s
ilk, i
n r
aw
and
fin
e (.
..) d
o br
ing
a ca
rpet
to
life.
”
cel
ia s
luij
ter,
page
15
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“Bok
.ho
sEpi
pE f
urn
i-tu
re is
a f
urn
itu
re
con
cept
mad
e of
old
an
d n
ew h
osE
pipE
s ...
”
Bok
., pa
ge 4
0–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“the
ca
rpE
ts
are
han
dmad
e, u
sin
g le
ftov
er le
athe
r.”m
anon
de
bru
ijn
Gro
ene
hon
den
, pag
e 39
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“deK
ast
offe
rs t
he
poss
ibili
ty t
o di
spla
y an
d co
mbi
ne
a w
ide
ran
ge o
f ri
ch a
nd
deco
rati
ve f
aB
ric
s.”
stu
dio
Md
fd, p
age
19–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“fa
Br
ics
are
use
d in
a
tota
lly
diff
eren
t m
an-
ner
the
y w
ere
orig
inal
ly
mea
nt
for.”
stu
dio
Von
k &
jan
nek
e h
ooym
an, p
age
24–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“…fr
om w
EaV
inG
to
bask
etry
or
tin
wor
k, in
or
der
to d
evel
op t
heir
m
ater
ial o
ffer
...”
Expe
rim
onet
a o
cam
po,
page
28
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“… c
ombi
nes
qu
alit
y m
ater
ials
an
d co
nst
ruc-
tion
to
cr
Eat
E pr
od-
uct
s th
at w
ill e
xist
for
an
othe
r hu
ndr
ed y
ear.”
Evel
ien
, pag
e 51
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“… b
ut t
here
is d
efin
itel
y so
me
‘spa
cE’
to
com
mu-
nic
ate
ethi
cal v
alue
s an
d ev
en p
olit
ical
idea
s.”
Elsi
nga
des
ign
, pag
e 12
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“as
resu
lt, t
he
beas
ts g
et
som
eth
ing
My
th
olo
Gi-
ca
l.”
lies
beth
Hui
zing
Gro
ene
hon
den
, pag
e 39
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“...
a su
rpri
sin
g t
ra
ns-
for
Mat
ion
of
the
use
d m
ater
ials
.”
step
han
sie
perm
ann
, pa
ge 3
5–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“sto
ol t
hat
you
can
han
g u
psid
e do
wn
on
a w
all
hook
an
d B
Eco
MEs
a
deer
hea
d.”
jero
en w
esse
lin
k,
page
23
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“in
the
sea
rch
for
a st
age
for
his
enor
mou
s fa
n-
tasy
an
d en
thus
iasm
…”
Bok
., pa
ge 4
0–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“… a
gre
at s
to
ry
is t
he
star
tin
g po
int.
”
stu
dio
Von
k &
jan
nek
e h
ooym
an, p
age
24–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“the
bag
s ar
e m
ade
from
rec
ycle
d m
ater
ial
in s
mal
l soc
ial w
ork-
plac
es ..
.”
Kr
Ejc
i, p
age
46–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“ …
by
usi
ng
or r
E-u
sin
G e
xist
ing
prod
-u
cts
or m
ater
ials
in a
di
ffer
ent,
smar
ter
and
fun
nie
r w
ay.”
Bok
., pa
ge 4
0–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“the
des
ign
com
bin
es
both
nat
ura
l an
d hi
gh-
tech
mat
eria
ls (
...)
in
rEV
iVin
G ..
.”st
udi
o Vo
nk
& j
ann
eke
hoo
yman
, pag
e 24
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“he
use
s to
upg
rade
co
mm
on o
r u
nu
sual
m
ater
ials
an
d pa
rts
into
h
iGh
-En
d...
”st
epha
n s
iepe
rman
n,
page
35
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“…. a
ll m
ater
ials
are
r
EnEw
aB
lE, r
ecyc
led
or o
rgan
ic a
nd
com
e to
geth
er in
a s
tyli
sh
prod
uct
.”B
ritt
a te
lem
an, p
age
27
––
––
––
––
––
––
––
––
tuttoBEnE Milan 2008 -page 31-
focus!focus!
stu
dio
fr
iso
fris
o d
ijks
tra
ww
w.s
tudi
o-fr
iso.
com
info
@st
udi
o-fr
iso.
com
+31
6245
5283
8
stu
dio:
a
mst
erda
m, t
he n
ethe
rlan
dsst
udy
:d
esig
n a
cade
my,
Ein
dhov
en
studiofriso finds the adaptation of a product just as important as it’s function, appearance and cleverness. the product never goes without a user and it’s perceptions, or a surrounding and it’s conditions. all these elements change rapidly under the influence of each other and make sure new products can be born.
on this paGE: MonochroME sturdythe Monochrome sturdy is made of two aluminum sand cast parts. it is intended for the chair to look more faded by the oxidation pro-cess, which, over time, will take place naturally.Monochromes is a collection for out- en indoor use, inspired by garden furniture surrounding
coffee kiosks in parks. it uses an oxidisation process to give the product its distinctive color and to preserve the metal from corroding.when used outside the patina will be an ongoing process resulting in a slow change of color and appearance. Monochromes are made by a single material, a single technique and ‘finished-to-age’ in a single color.
prEsEntinG at tuttoBEnE - Monochrome sturdy- Monochrome ray- Monochrome atmosphere
–––image by friso dijkstra
Studio friSo
tuttoBEnE Milan 2008 -page 32-
Wea
vin
G
Sto
ry
Coll
abo
rat
ion
rev
ivin
G
stu
dio
Vo
nK
& j
an
nE
KE
ho
oy
Ma
n
––
––
––
––
––
––
––
––
“...
mad
e w
ith
pass
ion
an
d pr
ide,
usi
ng
the
age-
old
trad
itio
nal
tec
hniq
ue
of p
alm
leaf
wEa
Vin
G.”
taho
ua
impo
rt, p
age
7–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“tib
etan
wo
ol
and
nep
al k
not
s, s
ilk, i
n r
aw
and
fin
e (.
..) d
o br
ing
a ca
rpet
to
life.
”
cel
ia s
luij
ter,
page
15
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“Bok
.ho
sEpi
pE f
urn
i-tu
re is
a f
urn
itu
re
con
cept
mad
e of
old
an
d n
ew h
osE
pipE
s ...
”
Bok
., pa
ge 4
0–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“the
ca
rpE
ts
are
han
dmad
e, u
sin
g le
ftov
er le
athe
r.”m
anon
de
bru
ijn
Gro
ene
hon
den
, pag
e 39
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“deK
ast
offe
rs t
he
poss
ibili
ty t
o di
spla
y an
d co
mbi
ne
a w
ide
ran
ge o
f ri
ch a
nd
deco
rati
ve f
aB
ric
s.”
stu
dio
Md
fd, p
age
19–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“urc
hin
’ is
a h
an
d-
Kn
itt
Ed w
oole
n
pou
f…”
flo
cK
s, p
age
26–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“…fr
om w
EaV
inG
to
bask
etry
or
tin
wor
k, in
or
der
to d
evel
op t
heir
m
ater
ial o
ffer
...”
Expe
rim
onet
a o
cam
po,
page
28
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“… c
ombi
nes
qu
alit
y m
ater
ials
an
d co
nst
ruc-
tion
to
cr
Eat
E pr
od-
uct
s th
at w
ill e
xist
for
an
othe
r hu
ndr
ed y
ear.”
Evel
ien
, pag
e 51
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“…, b
ut t
here
is d
efi-
nit
ely
som
e ‘s
pac
E’ t
o co
mm
unic
ate
ethi
cal
valu
es a
nd
even
pol
itic
al
idea
s.”
Elsi
nga
des
ign
, pag
e 12
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“as
resu
lt, t
he
beas
ts g
et
som
eth
ing
My
th
olo
Gi-
ca
l.”
lies
beth
Hui
zing
Gro
ene
hon
den
, pag
e 39
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“...
a su
rpri
sin
g t
ra
ns-
for
Mat
ion
of
the
use
d m
ater
ials
.”
step
han
sie
perm
ann
, pa
ge 3
5–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“sto
ol t
hat
you
can
han
g u
psid
e do
wn
on
a w
all
hook
an
d B
Eco
MEs
a
deer
hea
d.”
jero
en w
esse
lin
k,
page
23
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“she
has
a g
reat
inte
rest
in
rEc
on
nEc
tin
G e
nd
prod
uct
s to
the
ir r
aw
mat
eria
ls.”
flo
cK
s, p
age
26–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“in
the
sea
rch
for
a st
age
for
his
enor
mou
s fa
n-
tasy
an
d en
thus
iasm
…”
Bok
., pa
ge 4
0–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“… a
n e
ffec
tive
an
d su
cces
sful
pa
rtn
Er-
ship
.”
taho
ua i
mpo
rt, p
age
7–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“wEM
ad
E is
a p
roje
ct
BEt
wEE
n t
wo
dut
ch
desi
gner
s an
d in
don
e-si
an c
raft
speo
ple
who
w
ere
vict
ims
of ..
.”
wEM
ad
E, p
age
13–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“the
str
engt
h of
the
‘G
roen
e h
onde
n, j
ong
on
twer
p’ f
oun
dati
on li
es
in t
heir
inte
rdis
cipl
inar
y c
oll
aB
or
atio
n.”
Gro
ene
hon
den
, pag
e 39
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“...a
n a
rtis
tic
rEs
idEn
cE
that
see
ks t
he d
evel
op-
men
t of
new
des
ign
s fo
r ar
tisa
ns…
”Ex
peri
men
ta o
cam
po,
page
28
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“the
bag
s ar
e m
ade
from
rEc
yclE
d m
ate-
rial
in s
mal
l soc
ial w
ork-
plac
es ..
.”
Kr
Ejc
i, p
age
46–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“…
by
usi
ng
or r
E-u
sin
G e
xist
ing
prod
uct
s or
mat
eria
ls in
a d
iffe
r-en
t, s
mar
ter
and
fun
nie
r w
ay.”
Bok
., pa
ge 4
0–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“he
use
s to
upg
rade
co
mm
on o
r u
nu
sual
m
ater
ials
an
d pa
rts
into
h
iGh
-En
d...
”st
epha
n s
iepe
rman
n,
page
35
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“...
all m
ater
ials
are
r
EnEw
aB
lE, r
ecyc
led
or o
rgan
ic a
nd
com
e to
geth
er in
a s
tyli
sh
prod
uct
.”B
ritt
a te
lem
an, p
age
27
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“the
mai
n in
tere
st o
f fl
oc
Ks
is t
o sh
ow t
he
or
iGin
of
raw
mat
eria
ls
that
are
use
d …
”
flo
cK
s, p
age
26
––
––
––
––
––
––
––
––
tuttoBEnE Milan 2008 -page 33-
focus!focus!
jEr
oE
n w
Ess
Eli
nK
teCH
niq
ueS
Con
Str
uCt
ion
S
nat
ur
e
nar
rat
ive
––
––
––
––
––
––
––
––
“… c
ombi
nes
qu
alit
y m
ater
ials
an
d co
nst
ruc-
tion
to
cr
Eat
E pr
od-
uct
s th
at w
ill e
xist
for
an
othe
r hu
ndr
ed y
ear.”
Evel
ien
, pag
e 51
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“…, b
ut t
here
is d
efi-
nit
ely
som
e ‘s
pac
E’ t
o co
mm
unic
ate
ethi
cal
valu
es a
nd
even
pol
itic
al
idea
s.”
Elsi
nga
des
ign
, pag
e 12
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“as
resu
lt, t
he
beas
ts g
et
som
eth
ing
My
th
olo
Gi-
ca
l.”
lies
beth
Hui
zing
Gro
ene
hon
den
, pag
e 39
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“...a
su
rpri
sin
g t
ra
ns-
for
Mat
ion
of
the
use
d m
ater
ials
.”
step
han
sie
perm
ann
, pa
ge 3
5–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“she
has
a g
reat
inte
rest
in
rEc
on
nEc
tin
G e
nd
prod
uct
s to
the
ir r
aw
mat
eria
ls.”
flo
cK
s, p
age
26–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“in
the
sea
rch
for
a st
age
for
his
enor
mou
s fa
n-
tasy
an
d en
thus
iasm
…”
Bok
., pa
ge 4
0–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“… m
y in
teri
or p
rodu
cts
are
deve
lope
d fo
r ad
ults
; pr
oduc
ts t
hat
are
insp
ired
by
grap
hic
diG
ita
l im
ages
.”B
lao
ww
w, p
age
10–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“… a
nd
appr
ecia
te
alte
rnat
ive
ecol
ogic
al
and
tEc
hn
olo
Gic
al
idea
s.”
alo
n a
lex
Gro
ss, p
age
41
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“… m
y in
teri
or p
rodu
cts
are
deve
lope
d fo
r ad
ults
; pr
oduc
ts t
hat
are
insp
ired
by
grap
hic
diG
ita
l im
ages
.”B
lao
ww
w, p
age
10–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“… a
nd
appr
ecia
te
alte
rnat
ive
ecol
ogic
al
and
tEc
hn
olo
Gic
al
idea
s.”
alo
n a
lex
Gro
ss, p
age
41
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“res
pect
ing
the
wor
k of
n
atu
rE
whi
le c
ombi
n-
ing
this
wit
h su
rpri
sin
g so
luti
ons“
Evel
ien
, pag
e 51
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“thi
s ch
air
is in
spir
ed b
y a
grap
hic
digi
tal i
mag
e of
a s
mal
l tr
EE.”
Bla
ow
ww
, pag
e 10
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“a c
olle
ctio
n o
f ca
rpet
s is
bas
ed o
n t
he w
aves
of
the
sEa
the
pow
er
of w
ater
, …”
cel
ia s
luij
ter,
page
15
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“the
fur
nit
ure
is
for
inte
rior
an
d Ex
tEr
ior
use
.”
Bok
., pa
ge 4
0–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“an
atm
osph
eric
wal
l la
mp
usin
g ca
st p
last
ic
lEaV
Es m
oun
ted
to t
he
wal
l in
a b
ran
ch s
hape
.”st
epha
n s
iepe
rman
n,
page
35
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“whe
n u
sed
ou
tsi
dE
the
pati
na
wil
l be
an
ongo
ing
proc
ess
resu
lt-
ing
in a
slo
w c
han
ge o
f co
lor
and
appe
aran
ce.”
stu
diof
riso
, pag
e 32
––
––
––
––
––
––
––
––
tuttoBEnE Milan 2008 -page 34-
stEp
ha
n s
iEpE
rM
an
nw
ww
.ste
phan
siep
erm
ann
.com
info
@st
epha
nsi
eper
man
n.c
om+
3162
0440
951
stu
dio:
u
trec
ht, t
he n
ethe
rlan
dsst
udy
:d
esig
n a
cade
my,
Ein
dhov
en
Stephan SieperMannstephan siepermann graduated at the design academy Eindhoven in 2005. he started his own studio in utrecht (the netherlands) where he creates furniture concepts and interior products. searching for new applications, constructions and images he works with a variety of materials and techniques.
on this paGE: lEaft’ wall laMpan atmospheric wall lamp using cast plastic leafs mounted to the wall in a branch shape. available with a different quantity of leaves.the work of stephan siepermann can be often described as a surprising transformation of the used materials. he uses to upgrade common or unusual materials
and parts into high-end furniture components. By this he tries to keep them away from the cycles of re-cycling and down-cycling, the so called out-cycling.
prEsEntinG at tuttoBEnE- duct’ chair- Kitt’ stool- Kitt’ table
- leaft’ hanging lamp- leaft’ wall lamp- ript’ chair and ript’ stool- a lamp- accicandlelly
–––image by stephan siepermann
tuttoBEnE Milan 2008 -page 35-
focus!focus!
ExpE
riM
Enta
Brit
ta t
ElEM
an
flo
cK
s
stu
dio
fr
iso
stu
dio
Vo
nK
&
jEr
oEn
wEs
sEli
nK
stEp
ha
n s
iEpE
rM
an
n
stu
dio
Md
fd
Gr
oEn
E h
on
dEn
Bo
K.
alo
n a
lEx
Gr
oss
cEl
ia s
uza
nn
E
wEM
ad
E
Elsi
nG
a d
EsiG
n
Kr
Ejc
i
Bla
ow
ww
dEs
iGn
stu
dio
ElEn
a K
hu
rto
Va
tah
ou
a iM
por
t
EVEl
iEn
o c
aM
po
jan
nEK
E h
oo
yMa
n
slu
ijtE
r
car
ola
zEE
narrativenarrativenarrativenarrativenarrativenarrativefantasystoryceramicceramicliving roomliving roomliving roomliving roomliving roomliving roomliving roomnaturenaturenaturenaturenaturegarden furnituregarden furniturerecycledreusingrevivinghigh-endrenewableoriginenvironmentalsurroundingurbanfuturelifetimesocial developmentsocial developmentsocial developmentsocial developmentsocial developmentcollaborationcollaborationcollaborationcollaborationcollaborationemotional interactioncommunicationrelationshipattitudeexpresssmilenigerchinaindonesiannepalweavingweavingweavingweavingweavingweavingweavingweavingfashion itemfashion itemcraftmanshipcraftspeoplehandmadepossibilitiesnew applicationsflexiblechangeadaptationtechnologicaldigitalconstructionstechniquesportableportable
MaKe-a-Match
tuttoBEnE Milan 2008 -page 36-
Editorial
design as a tool to tackle social and environmental degradation in public square, Milan.
Several public meeting areas in Milan are witnessing social and environmental degradation. It is a common problem for many metropolis.The Colonne di San Lorenzo is one of such areas situated in Corso di Porta Ticinese in Milan; it has a strategic position that is easy to reach. The area is a fashionable place where pubs, bars and restaurants surround a roman monument consisting of ten columns in front of the Basilica di San Lorenzo.
In June last year the social and environmental degradation reached a critical point. The area residents complained about the hundreds of beverage bottles and glasses left and broken. The city mayor decided to implement several experimental measures to support the residents and protect the monumental site. For example; after 9:00 pm from the 6th of June to 31st of July all pubs and bars in the area were only allowed to sell drinks in plastic cups. Another measure involved closing the whole monumental area with metal barriers from 7:00 pm until 7:00 am. Unfortunately, the mayor’s measures failed. Instead of resolving the problem frequent visitors to the area retaliated, organising several specific protests against the mayor’s decisions.
“Beer Bottles nei luoghi pubblici” is an international design competition with the objective of developing independent creative solutions for the problem. All stakeholders representative of the phases in the product’s life cycle should form part of the solution. This includes; bars, pubs, beverages local tradesmen, beverages street traders, area residents, and the groups of consumers. The design problem should be resolved from a sustainable point of view. Designers are asked to develop creative solutions considering both minor environmental impact and major social appreciation and satisfaction. All submitted projects will be included and discussed in a research report and published on the competition website www.o2italia.org.
The research and design competition are a collaboration between O2 Italia, the local Italian group of O2 global Network and Co-Creando, a research and design consultancy based in Milan. The Design competition will be launched in April as part of ‘System reload’ an event that will celebrate the 20th Anniversary of O2 global Network. This event will occur during Milan Design Week in the Nhow Hotel in Via Tortona 35, with the jury members are experts in social and environmental sustainability. The winner of the competition will be offered a free exhibition space and all the travel and journey expenses required to participate in Milan Design Week 2009.
[email protected]@cocreando.it
Image by Fatina Saikaly
eMptybeer bottleScreate deSignopportunity
artemis_tutto.indd 1 07-03-2008 16:06:38
tuttoBEnE Milan 2008 -page 37-
-advertisement-
antonia teatino & fatina Saikaly
focus!
stu
dio
Md
fd
fleX
ible
livi
nG
ro
om
life
tim
e
Wea
vin
G
––
––
––
––
––
––
––
––
“...
of o
bjec
ts a
nd
devi
ces
that
hig
hlig
ht
new
po
ssiB
ilit
iEs
and
harb
or n
ew t
echn
olo-
gies
.”a
lon
ale
x G
ross
, pag
e 41
–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“sea
rchi
ng
for
nEw
a
ppli
cat
ion
s, c
on-
stru
ctio
ns
and
imag
es h
e w
orks
wit
h ...
“st
epha
n s
iepe
rman
n,
page
35
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“whe
n u
sed
outs
ide
the
pati
na
will
be
an o
ngo
-in
g pr
oces
s re
sult
ing
in
a sl
ow c
ha
nG
E of
col
or
and
appe
aran
ce.“
stud
iofr
iso,
pag
e 32
–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“stu
diof
riso
fin
ds t
he
ad
apt
atio
n o
f a
prod
-u
ct ju
st a
s im
port
ant
as
it’s
fu
nct
ion
, app
eara
nce
an
d cl
ever
nes
s.”
stud
iofr
iso,
pag
e 32
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“wit
h th
e m
ain
foc
us
on in
teri
or a
nd
furn
itu
re d
esig
n,
Evel
ien
des
ign
s th
e an
tiqu
e of
the
fu
tu
rE.
”Ev
elie
n, p
age
51–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“the
pro
duct
nev
er
goes
wit
hou
t a
use
r an
d it
’s p
erce
ptio
ns,
or
a s
ur
ro
un
din
G a
nd
it’s
con
diti
ons.
” st
udi
ofri
so, p
age
32–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“… m
ade
as E
nV
iro
n-
MEn
tall
y f
rien
dly
as
poss
ible
.”
Bri
tta
tele
man
, pag
e 27
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“thi
s pi
ece
of f
ur
ni-
tu
rE
is b
ecau
se o
f it
s ef
fici
ent
use
of
mat
eria
ls
high
ly e
nvi
ron
men
tall
y co
nsc
iou
s.“
Evel
ien
, pag
e 51
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“thi
s c
ha
ir is
insp
ired
by
a g
raph
ic d
igit
al
imag
e of
a s
mal
l tre
e.”
Bla
ow
ww
, pag
e 10
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“hi,
we
are
hap
py
laM
ps, w
e li
ght
up
you
r sp
ace,
an
d m
aybe
you
r he
art!
”
Elsi
nga
des
ign
, pag
e 12
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“Gla
ss V
asE
s, c
up-
Bo
ar
d, c
ar
pEt,
sEa
t
oB
jEc
ts,
la
Mps
, ...”
Gro
ene
hon
den
, pag
e 39
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“… a
s w
ell a
s in
tEr
ior
ob
ject
s.”
flo
cK
s, p
age
26–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“… a
llow
ing
a ho
t ki
tche
n p
ot t
o co
me
to t
he n
oble
din
nEr
ce
rem
ony.
”Ex
peri
men
ta o
cam
po,
page
28
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“...m
ade
wit
h pa
ssio
n
and
prid
e, u
sin
g th
e ag
e-ol
d tr
adit
ion
al t
echn
iqu
e of
pal
m le
af w
EaV
inG
.”
taho
ua
impo
rt, p
age
7–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“tib
etan
wo
ol
and
nep
al k
not
s, s
ilk, i
n r
aw
and
fin
e (.
..) d
o br
ing
a ca
rpet
to
life.
”
cel
ia s
luij
ter,
page
15
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“Bok
.ho
sEpi
pE f
urn
i-tu
re is
a f
urn
itu
re
con
cept
mad
e of
old
an
d n
ew h
osE
pipE
s ...
”
Bok
., pa
ge 4
0–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“the
ca
rpE
ts
are
han
dmad
e, u
sin
g le
ftov
er le
athe
r.”m
anon
de
bru
ijn
Gro
ene
hon
den
, pag
e 39
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“fa
Br
ics
are
use
d in
a
tota
lly
diff
eren
t m
an-
ner
the
y w
ere
orig
inal
ly
mea
nt
for.”
stu
dio
Von
k &
jan
nek
e h
ooym
an, p
age
24–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“urc
hin
’ is
a h
an
d-
Kn
itt
Ed w
oole
n
pou
f…”
flo
cK
s, p
age
26–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“…fr
om w
EaV
inG
to
bask
etry
or
tin
wor
k, in
or
der
to d
evel
op t
heir
m
ater
ial o
ffer
...”
Expe
rim
onet
a o
cam
po,
page
28
––
––
––
––
––
––
––
––
tuttoBEnE Milan 2008 -page 38-
jan
a fl
ohr
hom
e is
whe
re t
he h
eart
is (
cupb
oard
)
lies
beth
hu
izin
gB
east
s (s
eat
obje
cts)
roz
a pe
lgro
m
Map
of
thou
ght
(thr
ee b
lan
kets
)
ros
alie
Bak
d
isse
ctio
n#
1 (4
gla
ss v
ases
) an
d #
2 (2
0 ba
nda
ged
doll
s)
suza
nn
e r
ietd
ijk
was
hin
g de
vice
s (2
boo
ks,
min
iatu
re b
ath
and
was
hin
g ba
g)lo
la h
esp
the
sel
fish
gen
e pr
ojec
t (7
lam
ps)
Man
on d
e B
ruij
n
feli
z! (
carp
et)
fred
erik
e to
pfl
own
up
(3 la
mps
) an
d 1
rose
tte
groene hondenthe ‘Groene honden, jong ontwerp’ foundation is a platform that has been established by recently gradu-ated designers. the ‘Groene honden’ (Green dogs) joined forces to gener-ate exposure for new dutch design. this platform aims to reintroduce creativity and playfulness into the dutch design community by ques-tioning all existing boundaries of ‘design’. the strength of the ‘Groene honden, jong ontwerp’ foundation lies in their interdisciplinary collaboration. sharing knowledge and experience makes it possible to achieve higher goals. the foundation is involved in a wide range of activities; from designing new products and orga-nizing exhibitions to expose young design, to organizing lectures and design tours.
on this paGE: rosaliE BaK ‘My work deals with that what is
fragile and what needs to be healed. whether it is an actual product, a material or something random as a stain. something to comfort you, or for you to comfort it.’ www.rosaliebak.nl
jana flohr why can people get so emotionally attached to the seemingly useless things they surround themselves with? the true worth of things can only be defined by its value to each individual person. is it possible to design an emotional attachment? can we design immaterial value?www.janaflohr.com
liEsBEth huizinG i copy animals without them literally become a copy. as result, the beasts get something mythological. they are like statues, lifeless, being turned into a ‘thing’, a thing to use as a sitting element or a table.
lola hEsp lola hesp is a conceptual designer who gets inspired by science, technology and people and the coherence between these factors. this results in very different projects, from a tunnel lightning to a genetic research project.www.theselfishgene.nl
Manon dE Bruijn for the collection of carpets ‘os Elos’ i have designed a technique which allows the whole production process to be carried out by disabled people in Brazil to give them a better future. the carpets are handmade, using leftover leather. there is no need for a sewing machine. www.manonjuliette.nl
frEdEriKE top flown up is a series of lamps which make your mind wonder. due to
the lamps shapes and silhouettes they look as if they are blowing in the wind. www.frederiketop.nl
suzannE riEtdijK the domestic tasks that we perform daily exist from tradition and habit. By going back to the basic function in the product, the user’s initiative is stimulated again. the washing modules give the action back to the user.www.suzannerietdijk.nl
roza pElGroM with these blankets i create a landscape of thought. fictional maps show you a new way of travelling. they show memories, thoughts and sometimes the dreams that a person can have about a certain place. it has a lot to do with creating your own space, wherever you are.www.rozapelgrom.nl
Gr
oEn
E h
on
dEn
ww
w.g
roen
ehon
den
.nl
info
@gr
oen
ehon
den
.nl
pers
@gr
oen
ehon
den
.nl
+31
6206
8368
7 fr
eder
ike
top
+31
6412
1174
2 r
oza
pelg
rom
stu
dio:
u
trec
ht, t
he n
ethe
rlan
dsst
udy
: a
ll p
rese
nti
ng
desi
gner
s st
udi
ed 3
d-de
sign
at
the
hK
u, u
trec
ht, t
he n
ethe
rlan
ds
www.liesbethhuizing.nl
tuttoBEnE Milan 2008 -page 39-
focus!focus!
in the search for a stage for his enormous fantasy and enthusiasm, the dutch architect/designer sander Bokkinga started in 2006 with Bok.. Bok. is fascinating and wondering himself about the existing world around him.Because of that Bok. is using existing traditional products and materials to design new surprising functional objects. the new objects are mainly meant as furniture and accessoirie for interior and exterior use.
on this paGE: BoK.hosEpipE furniturEBoK.hosEpipE furniture is a furniture concept made of old and new hosepipes. the first series contains a chair, a floor-lamp and a stool. Each object is handmade by Bok. the furniture is for interior and exterior use. and the water can still going through the objects! a water-cooled chair! Bok. wants to make the world nicer and little better. sustainability and
social responsibility are important components of the Bok.vision. Bok. wants to make the world aware of the beautiful things around us by using or reusing existing products or materials in a different, smarter and funnier way. Bok. wants to stop the race of better and more. quality instead of quantity. the new objects are always functional, not complex, with durable pure materials and easy to recycle or reuse. all Bok.
objects are produced in holland by Bok. or in cooperation with local factories.
prEsEntinG at tuttoBEnE - BoK.hosEpipE furniture
–––image by Emiel Bokkinga
boK.
Bo
K.
san
der
Bok
kin
gaw
ww
.san
derb
okki
nga
.nl
info
@sa
nde
rbok
kin
ga.n
l+
3162
8455
874
stu
dio:
r
otte
rdam
, the
net
herl
ands
stu
dy:
tech
nic
al u
niv
ersi
ty d
elft
, the
net
herl
ands
facu
lty
of a
rchi
tect
ure
tuttoBEnE Milan 2008 -page 40-
alon alex groSSin my work i aim to combine technology and sustainability, which allow for the creation of objects and devices that highlight new possibilities and harbor new technologies. the goal is to use these object to pass on a story, so the viewers can open up and appreciate alternative ecological and technological ideas. this in turn will influence and per-haps change their perception of ecological problems that affect our environment.
on this paGE: autoMatEd dEw/rain collEctor flour for doMEstic usEa technological based object, which allows a sustainable automated process to collect dew/rain drops relying on information that is being gathered by censors or being pulled out from the world wide web via network connection. the device could be positioned next to a window, rooftop or in the garden.fog harvesting and dew collection are ancient methods for producing
drinking water. in an era where natural resources like pure drinking water are becoming scarce in many undeveloped countries, the role of design becomes important to pass on ecological and economical ideas that could hopefully contribute for finding solutions for water short-ages. By presenting the fog and dew collector devices i strive to raise awareness to alternative production possibilities for water in areas where water supply is limited or doesn’t exist either because of
weather conditions or because the lack of suitable funds to supply drinking water.
prEsEntinG at tuttoBEnE - fog collector- dew collector- automated dew/rain collector flour for a domestic use
–––image by nimrod Glickman
alo
n a
lEx
Gr
oss
+44
7787
8021
08al
onal
exgr
oss@
gmai
l.com
stu
dio:
lo
ndo
n, G
reat
Bri
ttan
stu
dy:
Gol
dsm
iths
col
lege
lon
don
Ma
cri
tica
l the
ory
and
prac
tice
.
tuttoBEnE Milan 2008 -page 41-
focus!focus!
cE
lia
su
zan
nE
slu
ijt
Er
neP
al
Wea
vin
G
SoCi
al D
evel
oPm
ent
nat
ur
e
––
––
––
––
––
––
––
––
“tav
ie o
ffer
s a
uniq
ue
colle
ctio
n o
f de
cora
tive
an
d fu
nct
ion
al p
rodu
cts,
or
igin
atin
g fr
om
nor
ther
n n
iGEr
.”ta
houa
im
port
, pag
e 7
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“...h
is c
olla
bora
tion
an
d sh
ow t
he d
iffe
ren
t te
ch-
niq
ues
typi
cal f
or t
his
regi
on o
f c
hin
a.”
des
ign
stud
io
car
ola
zee,
pag
e 9
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“...b
etw
een
two
dut
ch
desi
gner
s an
d in
do
nE-
sia
n c
raft
speo
ple
who
w
ere
vict
ims
of t
he B
an-
tul e
arth
quak
e 20
06.”
wEM
ad
E, p
age
13–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“pur
chas
ing
a ta
vie
prod
uct
help
s cr
eate
a
bett
er E
co
no
Mic
sit
ua-
tion
for
the
alm
ost
3.00
0 w
omen
who
..”ta
houa
im
port
, pag
e 7
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“…m
ake
cons
umer
s a
wa
rE
of t
he f
act
that
m
ost
(...)
peo
ple
crea
ting
th
em a
re u
nder
val
ued.
”d
esig
n s
tudi
o c
arol
a ze
e, p
age
9–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“Goa
l: t
o in
crea
se
the
Ec
on
oM
ic
ind
epen
den
ce o
f th
e lo
cal
craf
tspe
ople
.”
wEM
ad
E, p
age
13–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“… t
o pa
ss o
n e
colo
gica
l an
d ec
onom
ical
idea
s,
that
cou
ld h
opef
ully
co
nt
riB
ut
E fo
r fi
ndi
ng
solu
tion
s...”
alo
n a
lex
Gro
ss, p
age
41–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“res
pect
ing
the
wor
k of
n
atu
rE
whi
le c
ombi
n-
ing
this
wit
h su
rpri
sin
g so
luti
ons“
Evel
ien
, pag
e 51
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“thi
s ch
air
is in
spir
ed b
y a
grap
hic
digi
tal i
mag
e of
a s
mal
l tr
EE.”
Bla
ow
ww
, pag
e 10
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“the
fur
nit
ure
is
for
inte
rior
an
d Ex
tEr
ior
use
.”
Bok
., pa
ge 4
0–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“an
atm
osph
eric
wal
l la
mp
usin
g ca
st p
last
ic
lEaV
Es m
oun
ted
to t
he
wal
l in
a b
ran
ch s
hape
.”st
epha
n s
iepe
rman
n,
page
35
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“sto
ol t
hat
you
can
han
g u
psid
e do
wn
on
a w
all
hook
an
d be
com
es a
d
EEr
hea
d.”
jero
en w
esse
lin
k,
page
23
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“whe
n u
sed
ou
tsi
dE
the
pati
na
wil
l be
an
ongo
ing
proc
ess
resu
lt-
ing
in a
slo
w c
han
ge o
f co
lor
and
appe
aran
ce.”
stu
diof
riso
, pag
e 32
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“...m
ade
wit
h pa
ssio
n
and
prid
e, u
sin
g th
e ag
e-ol
d tr
adit
ion
al t
echn
iqu
e of
pal
m le
af w
EaV
inG
.”
taho
ua
impo
rt, p
age
7–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“Bok
.ho
sEpi
pE
furn
itu
re is
a f
urn
itu
re
con
cept
mad
e of
old
an
d n
ew h
osE
pipE
s...”
Bok
., pa
ge 4
0–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“the
ca
rpE
ts
are
han
dmad
e, u
sin
g le
ftov
er le
athe
r.”m
anon
de
bru
ijn
Gro
ene
hon
den
, pag
e 39
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“deK
ast
offe
rs t
he
poss
ibili
ty t
o di
spla
y an
d co
mbi
ne
a w
ide
ran
ge o
f ri
ch a
nd
deco
rati
ve f
aB
ric
s.”
stu
dio
Md
fd, p
age
19–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“fa
Br
ics
are
use
d in
a
tota
lly
diff
eren
t m
an-
ner
the
y w
ere
orig
inal
ly
mea
nt
for.”
stu
dio
Von
k &
jan
nek
e h
ooym
an, p
age
24–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“urc
hin
’ is
a h
an
d-
Kn
itt
Ed w
oole
n
pou
f…”
flo
cK
s, p
age
26–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“…fr
om w
EaV
inG
to
bask
etry
or
tin
wor
k, in
or
der
to d
evel
op t
heir
m
ater
ial o
ffer
...”
Expe
rim
onet
a o
cam
po,
page
28
––
––
––
––
––
––
––
––
tuttoBEnE Milan 2008 -page 42-
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20
08 •
EW-IDA08advertentie.indd 1 13-03-2008 12:01:11
Music by dJ deleau, dJ Mulat and Mr. Jd & Marco at the sax
tuttobeneopening party
tuttobeneopening party
tuttobeneopening party
17 aPril20.00 - 01.00
via mortara 15milan
tuttoBEnE Milan 2008 -page 43-
focus!
wE
Ma
dE
Craf
tSPe
oPl
e
Coll
abo
rat
ion
inD
on
eSia
n
SoCi
al D
evel
oPm
ent
––
––
––
––
––
––
––
––
“… a
n e
ffec
tive
an
d su
cces
sful
pa
rtn
Er-
ship
.“
taho
ua i
mpo
rt, p
age
7–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“the
str
engt
h of
the
‘G
roen
e h
onde
n, j
ong
on
twer
p’ f
oun
dati
on li
es
in t
heir
inte
rdis
cipl
inar
y c
oll
aB
or
atio
n.”
Gro
ene
hon
den
, pag
e 39
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“our
exp
erti
se is
un
itEd
in
thi
s pr
ojec
t w
hich
will
be
the
sta
rtin
g po
int
for
a w
hole
new
,...”
stud
io V
onk
& j
ann
eke
hoo
yman
, pag
e 24
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“...a
n a
rtis
tic
rEs
idEn
cE
that
see
ks t
he d
evel
op-
men
t of
new
des
ign
s fo
r ar
tisa
ns…
”Ex
peri
men
ta o
cam
po,
page
28
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“com
bin
ing
mod
ern
pr
oduc
tion
tec
hniq
ues
wit
h c
ra
ftsM
an
ship
.”
des
ign
stu
dio
car
ola
zee,
pag
e 9
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“thi
s de
sign
is m
anuf
ac-
ture
d w
ith
a tr
adit
ion
al
loom
in a
sus
tain
able
h
an
dM
ad
E pr
oces
s…”
Expe
rim
enta
o c
ampo
, pa
ge 2
8–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“pur
chas
ing
a ta
vie
prod
uct
help
s cr
eate
a
bett
er E
co
no
Mic
sit
ua-
tion
for
the
alm
ost
3.00
0 w
omen
who
..”ta
houa
im
port
, pag
e 7
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“…m
ake
cons
umer
s a
wa
rE
of t
he f
act
that
m
ost
(...)
peo
ple
crea
ting
th
em a
re u
nder
val
ued.
”d
esig
n s
tudi
o c
arol
a ze
e, p
age
9–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“th
e bu
sin
ess
impr
ove-
men
t h
as a
so
cia
l an
d po
vert
y al
levi
atio
n
targ
et.”
cel
ia s
luijt
er, p
age
15–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“… t
o pa
ss o
n e
colo
gica
l an
d ec
onom
ical
idea
s,
that
cou
ld h
opef
ully
co
nt
riB
ut
E fo
r fi
ndi
ng
solu
tion
s...”
alo
n a
lex
Gro
ss, p
age
41–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“...h
is c
olla
bora
tion
an
d sh
ow t
he d
iffe
ren
t te
ch-
niq
ues
typi
cal f
or t
his
regi
on o
f c
hin
a.”
des
ign
stud
io
car
ola
zee,
pag
e 9
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“tav
ie o
ffer
s a
uniq
ue
colle
ctio
n o
f de
cora
tive
an
d fu
nct
ion
al p
rodu
cts,
or
igin
atin
g fr
om
nor
ther
n n
iGEr
.”ta
houa
im
port
, pag
e 7
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“…c
elia
laun
ched
the
ta
pis
jard
in c
olle
ctio
n
in 2
005
in c
o-op
erat
ion
w
ith
nEp
al.
”c
elia
suz
ann
e sl
uijt
er, p
age
15–
––
––
––
––
––
––
––
–
tuttoBEnE Milan 2008 -page 44-
Smil
e
nar
rat
ive
livi
nG
ro
om
eXPr
eSS
Els
inG
a d
Esi
Gn
––
––
––
––
––
––
––
––
“i a
m in
tere
sted
in t
he
EMo
tio
na
l m
ean
ing
of t
hin
gs, i
cre
ate
new
im
ages
tha
t pr
ovok
e th
inki
ng…
”El
ena
Khu
rtov
a, p
age
49
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“a
n a
tti
tud
E th
at
wan
ts y
ou t
o ta
lk b
ack!
”
Kr
Ejc
i, p
age
46–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“… c
ombi
nes
qu
alit
y m
ater
ials
an
d co
nst
ruc-
tion
to
cr
Eat
E pr
od-
uct
s th
at w
ill e
xist
for
an
othe
r hu
ndr
ed y
ear.”
Evel
ien
, pag
e 51
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“as
resu
lt, t
he
beas
ts g
et
som
eth
ing
My
th
olo
Gi-
ca
l.”
lies
beth
Hui
zing
Gro
ene
hon
den
, pag
e 39
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“...a
su
rpri
sin
g t
ra
ns-
for
Mat
ion
of
the
use
d m
ater
ials
.”
step
han
sie
perm
ann
, pa
ge 3
5–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“sto
ol t
hat
you
can
han
g u
psid
e do
wn
on
a w
all
hook
an
d B
Eco
MEs
a
deer
hea
d.”
jero
en w
esse
lin
k,
page
23
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“she
has
a g
reat
inte
rest
in
rEc
on
nEc
tin
G e
nd
prod
uct
s to
the
ir r
aw
mat
eria
ls.”
flo
cK
s, p
age
26–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“in
the
sea
rch
for
a st
age
for
his
enor
mou
s fa
n-
tasy
an
d en
thus
iasm
,…”
Bok
., pa
ge 4
0–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“… a
gre
at s
to
ry
is t
he
star
tin
g po
int.
”
stu
dio
Von
k &
jan
nek
e h
ooym
an, p
age
24–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“i a
m in
tere
sted
in t
he
EMo
tio
na
l m
ean
ing
of t
hin
gs, i
cre
ate
new
im
ages
tha
t pr
ovok
e th
inki
ng…
”El
ena
Khu
rtov
a, p
age
49
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“an
at
titu
dE
that
w
ants
you
to
talk
bac
k!”
Kr
Ejc
i, p
age
46–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“thi
s pi
ece
of f
ur
ni-
tu
rE
is b
ecau
se o
f it
s ef
fici
ent
use
of
mat
eria
ls
high
ly e
nvi
ron
men
tall
y co
nsc
iou
s.“
Evel
ien
, pag
e 51
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“thi
s c
ha
ir is
insp
ired
by
a g
raph
ic d
igit
al
imag
e of
a s
mal
l tre
e.”
Bla
ow
ww
, pag
e 10
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“Gla
ss V
asE
s, c
up-
Bo
ar
d, c
ar
pEt,
sEa
t
oB
jEc
ts,
la
Mps
, ...”
Gro
ene
hon
den
, pag
e 39
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“st
udi
o M
dfd
, dev
el-
ops
mu
lti-
fun
ctio
nal
fu
rn
itu
rE
that
can
be
ada
pted
to
our
ever
-ch
angi
ng
nee
ds,..
.“st
udi
o M
dfd
, pag
e 19
–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“… a
s w
ell a
s in
tEr
ior
ob
ject
s.”
flo
cK
s, p
age
26–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“…al
low
ing
a ho
t ki
tche
n p
ot t
o co
me
to t
he n
oble
din
nEr
ce
rem
ony.
”Ex
peri
men
ta o
cam
po.
page
28
––
––
––
––
––
––
––
––
tuttoBEnE Milan 2008 -page 45-
focus!focus!
Kr
Ejc
id
oree
n w
estp
hal
ww
w.k
rejc
i.nl
con
tact
ejci
.nl
+31
6242
4098
9
stu
dio:
a
mst
erda
m, t
he n
ethe
rlan
dsst
udy
: t
heat
re d
esig
n
KrEjci stands for strong, urban, high quality design with an attitude. an attitude that is asking you to think, that is encouraging you to question what we are used to. an attitude that wants you to talk back!
on this paGE: taKashitakashi is the latest design of a shoulder bag from the classic tubus collection of KrEjci, an elegant, easy to use bag with a simple design. it is made from old bicycle inner tubes and felt.
the bags are made from recycled material in small social workplaces in warsaw/poland and Berlin/Germany.
prEsEntinG at tuttoBEnE - a birds palace- takashi- let’s Grow some Balls
–––image by olga overbeek
Krejci
tuttoBEnE Milan 2008 -page 46-
nat
ur
e
livi
nG
ro
om
DiG
ital
Com
mu
niC
atio
nBla
ow
ww
––
––
––
––
––
––
––
––
“con
vers
atio
n c
ups
pro
-vo
ke i
nt
Era
ct
ion
, in
tera
ctiv
e ex
peri
ence
is
a n
ew im
port
ant
fun
c-ti
on. ”
Elen
a K
hurt
ova,
pag
e 49
–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“it’
s go
al is
to
intr
odu
ce
un
ders
tan
din
gs o
f ou
r r
Elat
ion
ship
s w
ith
each
oth
er…
”
Elen
a K
hurt
ova,
pag
e 49
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“… a
nd
appr
ecia
te
alte
rnat
ive
ecol
ogic
al
and
tEc
hn
olo
Gic
al
idea
s.”
alo
n a
lex
Gro
ss, p
age
41
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“...
new
con
stru
ctio
ns
and
imag
es h
e w
orks
w
ith
a va
riet
y of
mat
eri-
als
and
tEc
hn
iqu
Es.”
jero
en w
esse
lin
k,
page
23
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“...
new
co
nst
ru
c-
tio
ns
and
imag
es h
e w
orks
wit
h a
vari
ety
of
mat
eria
ls...
”je
roen
wes
seli
nk,
pa
ge 2
3 –
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“thi
s pi
ece
of f
ur
ni-
tu
rE
is b
ecau
se o
f it
s ef
fici
ent
use
of
mat
eria
ls
high
ly e
nvi
ron
men
tall
y co
nsc
iou
s.“
Evel
ien
, pag
e 51
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“hi,
we
are
hap
py
laM
ps, w
e li
ght
up
you
r sp
ace,
an
d m
aybe
you
r he
art!
”
Elsi
nga
des
ign
, pag
e 12
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“Gla
ss V
asE
s, c
up-
Bo
ar
d, c
ar
pEt,
sEa
t
oB
jEc
ts,
la
Mps
, ...”
Gro
ene
hon
den
, pag
e 39
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“stu
dio
Md
fd, d
evel
-op
s m
ult
i-fu
nct
ion
al
fur
nit
ur
E th
at c
an
be a
dapt
ed t
o ou
r ev
er-
chan
gin
g n
eeds
,...”
stu
dio
Md
fd, p
age
19
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“… a
s w
ell a
s in
tEr
ior
ob
ject
s.”
flo
cK
s, p
age
26–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“… a
llow
ing
a ho
t ki
tche
n p
ot t
o co
me
to t
he n
oble
din
nEr
ce
rem
ony.
”Ex
peri
men
ta o
cam
po.
page
28
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“res
pect
ing
the
wor
k of
n
atu
rE
whi
le c
ombi
n-
ing
this
wit
h su
rpri
sin
g so
luti
ons“
Evel
ien
, pag
e 51
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“a c
olle
ctio
n o
f ca
rpet
s is
bas
ed o
n t
he w
aves
of
the
sEa
the
pow
er
of w
ater
, …”
cel
ia s
luij
ter,
page
15
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“the
fur
nit
ure
is
for
inte
rior
an
d Ex
tEr
ior
use
.”
Bok
., pa
ge 4
0–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“an
atm
osph
eric
wal
l la
mp
usin
g ca
st p
last
ic
lEaV
Es m
oun
ted
to t
he
wal
l in
a b
ran
ch s
hape
.”st
epha
n s
iepe
rman
n,
page
35
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“sto
ol t
hat
you
can
han
g u
psid
e do
wn
on
a w
all
hook
an
d be
com
es a
d
EEr
hea
d.”
jero
en w
esse
lin
k,
page
23
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“whe
n u
sed
ou
tsi
dE
the
pati
na
wil
l be
an
ongo
ing
proc
ess
resu
lt-
ing
in a
slo
w c
han
ge o
f co
lor
and
appe
aran
ce.”
stu
diof
riso
, pag
e 32
––
––
––
––
––
––
––
––
tuttoBEnE Milan 2008 -page 47-
focus!focus!
dE
siG
n s
tu
dio
ca
ro
la z
EE
Craf
tman
SHiP
Cer
amiC
SoCi
al D
evel
oPm
ent
CHin
a
––
––
––
––
––
––
––
––
“Goa
l: t
o in
crea
se
the
econ
omic
in
dep
en-
den
ce o
f th
e lo
cal
cr
aft
spE
opl
E.”
wEM
ad
E, p
age
13–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“thi
s de
sign
is m
anuf
ac-
ture
d w
ith
a tr
adit
ion
al
loom
in a
sus
tain
able
h
an
dM
ad
E pr
oces
s…”
Expe
rim
enta
o c
ampo
, pa
ge 1
2–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“tw
o co
nn
ecte
d c
ups
en
han
ce t
he m
omen
t of
in
tera
ctio
n b
etw
een
tw
o fr
ien
ds.”
Elen
a K
hurt
ova,
pag
e 49
–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“pur
chas
ing
a ta
vie
prod
uct
help
s cr
eate
a
bett
er E
co
no
Mic
sit
ua-
tion
for
the
alm
ost
3.00
0 w
omen
who
..”ta
houa
im
port
, pag
e 7
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“Goa
l: t
o in
cr
Ea
sE
the
econ
omic
in
dep
end
ence
of
the
loca
l cr
afts
peop
le.”
wEM
ad
E, p
age
13–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“th
e bu
sin
ess
impr
ove-
men
t h
as a
so
cia
l an
d po
vert
y al
levi
atio
n
targ
et.”
cel
ia s
luijt
er, p
age
15–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“… t
o pa
ss o
n e
colo
gica
l an
d ec
onom
ical
idea
s,
that
cou
ld h
opef
ully
co
nt
riB
ut
E fo
r fi
ndi
ng
solu
tion
s...”
alo
n a
lex
Gro
ss, p
age
41–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“tav
ie o
ffer
s a
uniq
ue
colle
ctio
n o
f de
cora
tive
an
d fu
nct
ion
al p
rodu
cts,
or
igin
atin
g fr
om
nor
ther
n n
iGEr
.”ta
houa
im
port
, pag
e 7
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“...
betw
een
two
dut
ch
desi
gner
s an
d in
do
nE-
sia
n c
raft
speo
ple
who
w
ere
vict
ims
of t
he B
an-
tul e
arth
quak
e 20
06.”
wEM
ad
E, p
age
13–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“… c
elia
laun
ched
the
ta
pis
jard
in c
olle
ctio
n
in 2
005
in c
o-op
erat
ion
w
ith
nEp
al.
”
cel
ia s
luijt
er, p
age
15–
––
––
––
––
––
––
––
–
tuttoBEnE Milan 2008 -page 48-
elena KhurtoVai am interested in the emotional meaning of things, i create new images that provoke thinking about the value of the contemporary environment and the way people use it. My general subject is to question how people relate to design.
on this paGE: conVErsation cupstwo connected cups enhance the moment of interaction between two friends. you can’t drink at the same moment; you must first wait for your friend to have a drink. there are versions for left handed, right handed and mixed couples.conversation cups provoke
interaction, interactive experience is a new important function.
it’s goal is to introduce under-standings of our relationships and bring back common values for things like respect and taking care of each other instead of fulfilling never-ending desire of consumerism.
prEsEntinG at tuttoBEnE- conversation cups- porcelain chair
–––image by Elena Khurtova
ElE
na
Kh
ur
to
Vaeh
urto
va@
hotm
ail.c
om+
3164
7236
998
stud
io:
am
ster
dam
, the
net
herl
ands
stud
y:
Ger
riet
rie
tvel
d a
cade
my,
am
ster
dam
tuttoBEnE Milan 2008 -page 49-
focus!focus!
tah
ou
a i
Mpo
rt
Coll
abo
rat
ion
Wea
vin
G
SoCi
al D
evel
oPm
ent
niG
er
––
––
––
––
––
––
––
––
“wEM
ad
E is
a p
roje
ct
BEt
wEE
n t
wo
dut
ch
desi
gner
s an
d in
don
e-si
an c
raft
speo
ple
who
w
ere
vict
ims
of ..
.”
wEM
ad
E, p
age
13–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“the
str
engt
h of
the
‘G
roen
e h
onde
n, j
ong
on
twer
p’ f
oun
dati
on li
es
in t
heir
inte
rdis
cipl
inar
y c
oll
aB
or
atio
n.”
Gro
ene
hon
den
, pag
e 39
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“our
exp
erti
se is
u
nit
Ed in
thi
s pr
ojec
t w
hich
will
be
the
star
t-in
g po
int
for..
.”st
udio
Von
k &
jan
nek
e h
ooym
an, p
age
24–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“...
an a
rtis
tic
rEs
i-d
Enc
E th
at s
eeks
the
de
velo
pmen
t of
new
de
sign
s fo
r ar
tisa
ns…
”Ex
peri
men
ta o
cam
po,
page
28
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“...
his
colla
bora
tion
an
d sh
ow t
he d
iffe
ren
t te
ch-
niq
ues
typi
cal f
or t
his
regi
on o
f c
hin
a.”
des
ign
stud
io
car
ola
zee,
pag
e 9
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“...
betw
een
two
dut
ch
desi
gner
s an
d in
do
nE-
sia
n c
raft
speo
ple
who
w
ere
vict
ims
of t
he B
an-
tul e
arth
quak
e 20
06.”
wEM
ad
E, p
age
13–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“… c
elia
laun
ched
the
ta
pis
jard
in c
olle
ctio
n
in 2
005
in c
o-op
erat
ion
w
ith
nEp
al.
”
cel
ia s
luijt
er, p
age
15–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“Goa
l: t
o in
cr
Ea
sE
the
econ
omic
in
dep
end
ence
of
the
loca
l cr
afts
peop
le.”
wEM
ad
E, p
age
13–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“…m
ake
cons
umer
s a
wa
rE
of t
he f
act
that
m
ost
(...)
peo
ple
crea
ting
th
em a
re u
nder
val
ued.
”d
esig
n s
tudi
o c
arol
a ze
e, p
age
9–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“th
e bu
sin
ess
impr
ove-
men
t h
as a
so
cia
l an
d po
vert
y al
levi
atio
n
targ
et.”
cel
ia s
luijt
er, p
age
15–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“… t
o pa
ss o
n e
colo
gica
l an
d ec
onom
ical
idea
s,
that
cou
ld h
opef
ully
co
nt
riB
ut
E fo
r fi
ndi
ng
solu
tion
s...”
alo
n a
lex
Gro
ss, p
age
41–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“tib
etan
wo
ol
and
nep
al k
not
s, s
ilk, i
n r
aw
and
fin
e (.
..) d
o br
ing
a ca
rpet
to
life.
”
cel
ia s
luij
ter,
page
15
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“Bok
.ho
sEpi
pE
furn
itu
re is
a f
urn
itu
re
con
cept
mad
e of
old
an
d n
ew h
osE
pipE
s. .”
Bok
., pa
ge 4
0–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“the
ca
rpE
ts
are
han
dmad
e, u
sin
g le
ftov
er le
athe
r.”m
anon
de
bru
ijn
Gro
ene
hon
den
, pag
e 39
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
––
“deK
ast
offe
rs t
he
poss
ibili
ty t
o di
spla
y an
d co
mbi
ne
a w
ide
ran
ge o
f ri
ch a
nd
deco
rati
ve f
aB
ric
s.”
stu
dio
Md
fd, p
age
19–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“fa
Br
ics
are
use
d in
a
tota
lly
diff
eren
t m
an-
ner
the
y w
ere
orig
inal
ly
mea
nt
for.”
stu
dio
Von
k &
jan
nek
e h
ooym
an, p
age
24–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“‘u
rchi
n’ i
s a
ha
nd
-K
nit
tEd
woo
len
po
uf…
”
flo
cK
s, p
age
26–
––
––
––
––
––
––
––
–
––
––
––
––
––
––
––
––
“…fr
om w
EaV
inG
to
bask
etry
or
tin
wor
k, in
or
der
to d
evel
op t
heir
m
ater
ial o
ffer
...”
Expe
rim
onet
a o
cam
po,
page
28
––
––
––
––
––
––
––
––
tuttoBEnE Milan 2008 -page 50-
EVEl
iEn
Evel
ien
Val
kw
ww
.eve
lien
valk
.nl
evel
ien
@ev
elie
nva
lk.n
l+
3164
2812
447
stu
dio:
u
trec
ht, t
he n
ethe
rlan
dsst
udy
: d
esig
n a
cade
my,
Ein
dhov
en
eVelienwith the main focus on interior and furniture design, Evelien designs the antique of the future. inspired by the old cabinet-makers she combines quality materials and construction to create products that will exist for another hundred year.
respecting the work of nature while combining this with surprising solutions.
on this paGE: sEcrEtairEthis secretaire is a reaction to the inefficient use of materials in the
furniture industry. without any loss of wood this secretaire is cut out of a single piece of oak wood.
this piece of furniture is because of its efficient use of materials highly environmentally conscious.
prEsEntinG at tuttoBEnE - secretaire- Box of Memories
–––image by Evelien Valk
tuttoBEnE Milan 2008 -page 51-
focus!focus!
Pakhuis de Zwijger [email protected] Piet Heinkade 179 1019 HC Amsterdam 020 7884440www.dezwijger.nl www.cultuurfabriek.nl www.women-inc.nl www.beamlab.nl www.streetlab.nl
CONNECT
Ad Tuttobene.indd 1 06-03-2008 15:22:37
tuttoBEnE Milan 2008 -advertisement-
reprisepArTY
Piet heinkade 1791019 hc, amsterdam
exhibition oPening times:26 & 27 aPril from 13.00 till 18.0028 & 29 aPril from 09.00 till 17.30
music by dJ mulat & dJJJ
focuson nature
tuttobene’s underground satellite Presentationin the lobby, under the glass floor in front of the elevators
nhow hotelvia tortona 35milan
newnewnew
tuttoBEnE Milan 2008 -page 53-
focus!
tuttoBEnE Milan 2008 -advertisement-
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E wE a
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ene.n
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ur
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