Tuttobene Milan 2008 - [Download PDF]

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april 16 – 21

daily 10.00-20.00 thur 17, 10.00-16.00

tuttobenedesignshop

newnewnew

are you a designer?you can sell your designs at www.tuttobenedesignshoP.com.

you create your own account and uPload your designs. we take care of marketing and sales, you do the shiPPing!

Editorial

wild deSignneedS Strong focuS!David Heldt

tuttobene’s fifth anniversary! five years ago tuttobene was formed by a group of young designers that joined forces in order to keep costs low and approach a larger audience. and basically this is still the case, as there is a demand for a platform for starting design studios. designers seem to find us easier as tuttobene’s reputation is growing. while making the selection it was clear that the focus on quality became stronger. this shows in our presentation!

FOCUS! is what we do this year, not only on our social or sustainable criteria, but also on what the designers come for: doing business. Thanks to the financial support from the EVD (Dutch Agency for International Business and Cooperation) we have organised a Network Cocktail / Dinner. Specifically invited guests from the design industry will meet the designers in an exclusive setting. Hotel Artemis from Amsterdam will make sure everyone will enjoy a great dinner. Networking is an important element for this presentation and is literally integrated in the design of this newspaper, greatly visualised by the graphic designers Esmée Steur en Loes van Esch.

As you might have noticed, sustainability has become a regular aspect within the design process to deal with, whether it is for legal, idealistic or commercial reasons. It is been spread like a meme*, and as a result the amount of presentations in Milan that promote sustainable design increased. Will the

overall design industry adopt the sustainable trend? Will the commercial interests be still attractive?

What else can you expect at our show this year? • Check out Tuttobene’s underground satellite presentation Focus on Nature in Tuttobene’s wild design jungle, lobby of the Nhow Hotel (see page 53).• Participate for 30 minutes in the SmallSpaceDesignRace design competition (2nd edition) powered by Ahrend (see page 20).• We launch our new design web-shop www.tuttobenedesignshop.com; upload your designs and sell your work worldwide (see page 43).• The Tuttobene Collection expands with a new product: Pit Industry, a glass house designed by Jana Flohr & Frederike Top, the winners of the competition SmallSpaceDesignRace (1st edition) during the Dutch Design Week, Eindhoven (see page 21).

Tuttobene realises the important duty of inspiring the industry with socially, environmentally and commercial sound concepts, whilst functioning as a bridge between young designers and the production and retail industry. Come to Tuttobene’s presentation and see if we succeed!

* A meme is cultural information, such as a practice or idea, that gets transmitted

(like a virus!) verbally or by repeated action from one mind to another.

en.wikipedia.org/wiki/Meme

tuttoBEnE Milan 2008 -page 2-

contentS SponSorS& partnerS

TUTTOBENE Tweede Atjehstraat 60hs 1094 LK Amsterdam The Netherlands www.tuttobene.nl Telephone: +31 (0)20 6685505Mobile: +31 615510727 Fax: +31 (0)20 4633555

OrgANISATION TUTTOBENE Board members David HeldtVictor le NobleSilke Spinner

TUTTOBENE TEAMMEMBErS corporate identity Lesley Moorewebsite Bethuel Heldt / 1site1production assistant Sarah SandlerMatchmakingLink2Italy & Pressreleaseundercover

TUTTOBENE NEWSPAPEr Editor David Heldt Graphic design Loes van Esch en Esmée Steur (graduate students from ArtEZ Arnhem - Academy of Visual Arts)printed by Dijkman Offset

© Tuttobene 2008All rights reserved. Copyrights on the photographs, illustrations, drawings and written material in this publication are owned by the respective photo-grapher(s), the designer(s) and the author(s). No part of this publication may be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying or other-wise, without permission from the pub-lisher and designers, photographers and authors involved.

colophon www.nhow-hotels.com

www.interieurinstituut.nl

www.duvel.be

www.defietsfabriek.nl

www.artemisamsterdam.com

www.ahrend.nl

www.evd.nl

tuttoBEnE Milan 2008 -page 3-

floorplanevelientahoua import elena Khurtovadesign Studio carola zeeblaowwwKrejcielsinga designweMadeeditorial: bridging Visionary designcelia Suzanne Sluijteralon alex grossbok.groene hondenStudio Mdfdthe tuttobene collectionSmallSpacedesignraceStephan Siepermannjeroen wesselinkStudio Vonk & janneke hooymanStudiofrisoflocKSbritta telemanexperimenta o campofocus! make-a-matcheditorial: empty beer bottles create design opportunitytuttobene opening partyfocus on naturein tuttobene’s wild design jungletuttobene repriSe ‘08

46 / 517 / 508 / 499 / 4810 / 4711 / 4612 / 4513 / 4414 15 / 4216 / 4117 / 4018 / 3919 / 3820 2122 / 3523 / 3424 / 3325 / 3226 / 3127 / 3028 / 2936

3743

5353

www.mondriaanstichting.nl

focus!focus!

PRESS COUNTER /THE TUTTOBENECOLLECTION

SMALLSPACEDESIGNRACE

TUTTOBENE BAR

TOILET

weavingcollaborationsocial developmentNiger

ceramicrelationshipinteractionemotional

craftmanshipceramicsocial developmentChina

natureliving roomdigitalcommunication

attitudefashion itemurbanrecycling

smilenarrativeliving roomexpress

craftspeoplecollaborationsocial developmentIndonesian

Nepalweavingsocial development nature

technologicalpossibilitiessocial developmentportable

fantasyweavinggarden furniturereusing

narrativecollaborationliving roomweaving

weavingliving roomlifetimeflexible

narrativenew applicationsnaturehigh-end

techniquesconstructionsnarrativenature

weavingstorycollaborationreviving

adaptationgarden furniturechangesurrounding

living roomweavingnarrativeorigin

portablefashion itemenvironmentalrenewable

weavingliving roomcollaborationhandmade

TAHOUA IMPORT

ELENA KHURTOVA

DESIGN STUDIO CAROLA ZEE

BLAOWWW

KREJCI

ELSINGA DESIGN

WEMADE

CELIA SUZANNESLUIJTER

EXPERIMENTA O CAMPO

BRITTA TELEMAN

FLOCKS

STUDIOFRISO

STUDIO VONK & JANNEKE HOOYMAN

JEROEN WESSELINK

STUDIO MDFD

GROENE HONDEN

BOK

ALON ALEX GROSS

EVELIENnarrativeliving roomnaturefuture

STEPHAN SIEPERMANN VORMGEVING

floorplanVia Mortara 15

tuttoBEnE Milan 2008 -page 4-

www.ahrend.comwww.world-wide-working.comVIA TORTONA 32

AHR_077_AD_DEF.indd 1 11-03-2008 10:03:03

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tuttoBEnE Milan 2008 -page 6-

tahoua import is a small dutch import organisation that aims at improving the economic situation of its producers and their families in niger. therefore developing the skills of the people in niger as well as introducing elements that go well with European trends has been necessary to ensure an effective and successful partnership. tahoua import gives special support to large groups of women in the north of niger. in addition to pro-ducers in niger, producers in Mali and Burkina-faso are also involved.

in 2008, tahoua import will expand its network to other European countries.

on this paGE: rayon dE solEiltavie offers a unique collection of decorative and functional products, originating from northern niger. a tavie product is made with pas-sion and pride, using the age-old traditional technique of palm leaf weaving. Every tavie product is unique, they are all hand crafted and of the highest quality.crafts are an immensely important

source of income for the touarag tribes of northern niger. accord-ing to the un, niger is a forgot-ten country and the poorest of the world. purchasing a tavie product helps create a better economic situ-ation for the almost 3.000 women who are united in the s.a.a., the local cooperation organising the production. the tavie collection has given them new hope and vitality! all the tavie products are made of young leaves taken from the ‘doum’ palm, a naturally ecological and sustainable material.

prEsEntinG at tuttoBEnE - rayon de soleil- points du jour- coucher de soleil- la cascade- outre Mer- le petit Etang- la Boucle

–––image by wilkins

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tuttoBEnE Milan 2008 -page 7-

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tuttoBEnE Milan 2008 -page 8-

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carola zee is running her own design company since 2004, developing and producing ceramic products. she is working under her own label but also designs for other labels.

her work in general stands out by her use of graphic decorations in the material and the form of the objects. combining modern production techniques with craftsmanship.

“due to mass production people get an overload on products and gadgets, that follow the

newest hypes, every season. Most consumer articles are cheap and easily replaceable. which leads to more consumption and waste of materials. My personal goal is to create products that are beautiful, unique and can withstand time by giving them personal and exclusive qualities.”

on this paGE: MadE in chinaMade in china (november 2007) is carola’s latest collection and was realised in jingdezhen china. the collection is presented with a book publication, which tells the story of the people behind the

production and shows the way they work. the vases are the end result of this collaboration and show the different techniques typical for this region of china.

Even with the big economical and industrial changes in china at the moment a lot of products here are still produced manually. these products are able to compete with the low prices of machine-produced products because of the low wages the chinese craftsmen get paid. Bycreating this collection carola wants to make consumers aware of the fact that most chinese products

and the people creating them are under valued. through interviews and photographs she shows the amount of work and time that the craftsmen put in to the creation of this collection.

prEsEntinG at tuttoBEnE- Made in china- archetype Big- secondhand painting

–––image by ingmar swalue

deSign Studiocarola zee

tuttoBEnE Milan 2008 -page 9-

focus!focus!

My work represents a world where simplicity sets the tone and a clear communication appears to the users, both in form and function.

Blaowww is mainly working on self-initiated projects; projects concerning furniture and other interior products.

although the designs seem to come from a child’s world, my interior products are developed for adults; products that are inspired by graphic digital images. simplicity and humor, results in a world where there’s room for your own imagination.

on this paGE: trEE sEatErthis chair is inspired by a graphic digital image of a small tree. the height of this object will invite you to sit on it.

prEsEntinG at tuttoBEnE - tree seater- coat rack- Bearrug

–––image by Budi joseph

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tuttoBEnE Milan 2008 -page 11-

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elSinga deSignlEt’s fEEl Good! ExprEss and sharE ValuEs if possiBlE!

design is about objects and peoples feelings. i love it when someone sees my design and smiles, it’s that simple! there is many ways to make others smile, design is my way!it is for me a way of giving a little bit of ‘love’, this while studying form, structure and meaning of objects.

then there is the modest desire to express some positive ethical values with some designs. designing a chair will not create worldwide peace, but there is definitely some ‘space’ to communicate ethical values and even political ideas.

i like this space, and will explore it. using the insight that the light and the serious matters go hand in hand in life.

on this paGE: happy laMpshi, we are happy lamps, we light up your space, and maybe your heart! people love them, their moods are lifted. no seriously guys, that is thething. Making people feel good is giving something. the very fundament of being social. though the lamps are not especially eco-friendly, they are certainly not especially unfriendly.

prEsEntinG at tuttoBEnE- happy lamps- happy pet- rainbow table / world leader table- friendly chair

–––image by Mara skujeniece

tuttoBEnE Milan 2008 -page 12-

weMadewEMadE is a project between two dutch designers and indonesian craftspeople who were victims of the Bantul earthquake 2006. Goal: to increase the economic indepen-dence of the local craftspeople. result: series of lifestyle products meant for export.

lidewij: studio for graphics, anima-tion and product design.

the designs are characterised by implicity and contain a spot of humour.rixxt: studio for concepts and product design. the designs are often inspired by graphic design and crafts. they are fresh, tactile and playful.

on this paGE: listriKa hammered copper lamp with

perforated pattern and chrome finish on the outside. the pattern is based on islamic motives, since a lot of Middle Eastern influences can be seen on java.

prEsEntinG at tuttoBEnE- Bambuster- soupper- constructors- smocker Bag

- Elephant Bag- coco- cocups- roster- shareware- rajut- small accessories- listrik

–––image by lidewij spitshuis w

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sma@

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+31

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stu

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mst

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he n

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rlan

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tuttoBEnE Milan 2008 -page 13-

focus!focus!

Editorial

just imagine: you live in holland, a country in the middle of Europe known for its clouds and rainy weather. But you designed a spectacular bed with an integrated cooling system, which ensures a sensational cool sleeping experience without the usual energy-consuming air conditioner.

It is a perfect solution for environment-conscious consumers in countries with a warm climate. People in such countries -a lot of them in the Spanish-speaking areas of the world- are a great potential market and an interesting business opportunity. How can we bring the two together?

FLOOV Visionary Design, launched during the month of Dutch Design in March 2008, is a Madrid based online publication (www.floov.net) that wants to form a bridge between the non-Spanish-speaking with the Spanish-speaking world for products and ideas that promote sustainable design. How? Through articles, presentations and events it wants to link experts and leaders of the governmental, educational and business sectors on the one hand and the creative industry on the other. Many initiatives are developed in one part of the world, while there is a demand in inter-esting markets in Spain and Latin America.

FLOOV founder-director Luis Bohorquez: FLOOV Visionary Design promotes a new kind of thinking in the creative process. Why? “Today, people want the environmental impact to be important in the way products are designed. For instance, they want to have information about the kind of materials that are used and what the impact can be on their health as well as on the environment.” And that means of course that the design process also has to take into account to control the social impact of the way the product is produced, distributed and sold. “I think a visionary designer needs to commit himself from the very beginning, to create a new generation of products that have their benefits for the environment and promote wellness and satisfaction with economic value and sustainable justice for the global society.”

Bohorquez wants to direct FLOOV at design students and researchers in a broad field: from architecture to industrial_graphic_interior design, crafts and engineering. He also wants to make Floov Visionary Design a platform for professionals and experts in all areas of design, r&D and business. “I believe in exchanging knowledge and experience as the only way to cre-ate new business opportunities with a sustainable approach.”

The website offers its content for free. The design of the web is fresh, clear, direct and collaborative to benefit the participants. “We hope to attract visionary experts and researchers, design academics and business man as well as governmental institutions to participate as providers of content or as sponsors. Also, we offer our platform to students to present their projects or to cooperate doing graphic content. This network of international contacts will be useful for everyone who promotes the value of innovation and visionary design.”

Bohorquez: “Don’t wait for the future; Visionary Design starts today.”

bridgingViSionarydeSignluis bohorquez

www.floov.net

tuttoBEnE Milan 2008 -page 14-

cEl

ia s

uza

nn

E sl

uij

tEr

ww

w.c

elia

.nl /

ww

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designing starts from an atmo-sphere, a history, a material or a technique. design, pure and honest. fragile but strong in character forms the distinct signature noticeable in all designs. the focus lies on the purpose, the applicability of the object and the visual enrichment in form. fare trade and proper design are no conflicting values. the studio supports different development projects. for this purpose the foun-dation design 4 development was founded in december 2007. the studio, specialises in custom-made designs and produces the home labels Celia Suzanne Sluijter and Xo+; objects with an aim.

on this paGE: shadow, l’arBrE d’hiVEr, waVEs‘thinking of Holland... ...with the voice of the water.’.*a collection of carpets is based on the waves of the sea, the power of water, the wind touching trees and the shadows playing on endless fields with northern lights and sailing clouds along the flat views of my country.tibetan wool and nepal knots, silk, in raw and fine, with soften-ing colours do bring a carpet to life. produced in nepal based on old techniques and long traditions.Being the first ‘dutch’ designer to develop her own carpet collection,

celia launched the tapis jardin col-lection in 2005 in co-operation with nepal. the carpet production with a fair focus was a new way of think-ing in ‘design‘ carpets. the production company was founded and built up by a tibetan refuge and is now in its second gen-eration. the collection is support-ing fair business improvement and the awareness of old techniques and natural materials. the business improvement has a social and pov-erty alleviation target.

prEsEntinG at tuttoBEnE - wallpaper towels (collection xo+)- paperpillows (collection xo+)- shadow (collection ‘thinking of holland...’)- l’arbre d’ hiver (collection ‘thinking of holland...’)- waves (collection ‘thinking of holland...’)

*Hendrik Marsman,Dutch Poet 1899-1940

–––images by celia suzanne sluijter

celia Suzanne Sluijter

tuttoBEnE Milan 2008 -page 15-

focus!focus!

alo

n a

lEx

Gr

oss

teCH

no

loG

iCal

SoCi

al D

evel

oPm

ent

Port

able

PoSS

ibil

itie

S

––

“as

it c

omes

flat

-pac

ked,

tr

an

spo

rts

are

min

i-m

ised

too

.”

Bri

tta

tele

man

, pag

e 27

––

“pur

chas

ing

a ta

vie

prod

-uc

t he

lps

crea

te a

bet

ter

Eco

no

Mic

sit

uati

on f

or

the

alm

ost

3.00

0 w

omen

w

ho..”

taho

ua i

mpo

rt, p

age

7–

––

–

––

“… m

ake

cons

umer

s a

wa

rE

of t

he f

act

that

m

ost

(...)

peo

ple

crea

ting

th

em a

re u

nder

val

ued.

”d

esig

n s

tudi

o c

arol

a ze

e, p

age

9–

––

–

––

“Goa

l: t

o in

crea

se

the

Ec

on

oM

ic

ind

epen

den

ce o

f th

e lo

cal

craf

tspe

ople

.”

wEM

ad

E, p

age

13–

––

–

––

“th

e bu

sin

ess

impr

ove-

men

t h

as a

so

cia

l an

d po

vert

y al

levi

atio

n

targ

et.”

cel

ia s

luijt

er, p

age

15–

––

–

––

“tha

t’s w

hy s

tudi

o M

dfd

of

fers

flE

xiB

lE f

urni

-tu

re d

esig

ns, w

hich

can

be

mod

ified

acc

ordi

ng t

o ch

angi

ng li

fest

yles

.”st

udio

Md

fd, p

age

19

––

“sea

rchi

ng

for

nEw

a

ppli

cat

ion

s, c

on-

stru

ctio

ns

and

imag

es h

e w

orks

wit

h...”

step

han

sie

perm

ann

, pa

ge 3

5 –

––

–

––

“whe

n u

sed

outs

ide

the

pati

na

will

be

an o

ngo

-in

g pr

oces

s re

sult

ing

in

a sl

ow c

ha

nG

E of

col

or

and

appe

aran

ce.“

stud

iofr

iso,

pag

e 32

–

––

–

––

“stu

diof

riso

fin

ds t

he

ad

apt

atio

n o

f a

prod

uct

ju

st a

s im

port

ant

as it

’s

fun

ctio

n, a

ppea

ran

ce a

nd

clev

ern

ess.

”st

udio

fris

o, p

age

32

––

“… m

y in

teri

or p

rod-

ucts

are

dev

elop

ed f

or

adul

ts;

prod

ucts

tha

t ar

e in

spir

ed b

y gr

aphi

c d

iGi-

tal

imag

es.”

Bla

ow

ww

, pag

e 10

––

“...

new

co

nst

ru

ct

ion

s an

d im

ages

he

wor

ks w

ith

a va

riet

y of

mat

eria

ls a

nd

tech

niq

ues

.”je

roen

wes

seli

nk,

pa

ge 2

3 –

––

–

––

“...

new

con

stru

ctio

ns

and

imag

es h

e w

orks

wit

h a

vari

ety

of m

ater

ials

an

d t

Ech

niq

uEs

.”je

roen

wes

seli

nk,

pa

ge 2

3 –

––

–

tuttoBEnE Milan 2008 -page 16-

fan

taSy

Wea

vin

G

Gar

Den

fu

rn

itu

re

reu

Sin

GBo

K.

––

“… c

ombi

nes

qu

alit

y m

ater

ials

an

d co

nst

ruc-

tion

to

cr

Eat

E pr

od-

uct

s th

at w

ill e

xist

for

an

othe

r hu

ndr

ed y

ear.”

Evel

ien

, pag

e 51

––

“… b

ut t

here

is d

efin

itel

y so

me

‘spa

cE’

to

com

mu-

nic

ate

ethi

cal v

alue

s an

d ev

en p

olit

ical

idea

s.”

Elsi

nga

des

ign

, pag

e 12

––

“as

resu

lt, t

he

beas

ts g

et

som

eth

ing

My

th

olo

Gi-

ca

l.”

lies

beth

Hui

zing

Gro

ene

hon

den

, pag

e 39

––

“...

a su

rpri

sin

g t

ra

ns-

for

Mat

ion

of

the

use

d m

ater

ials

.”

step

han

sie

perm

ann

, pa

ge 3

5–

––

–

––

“sto

ol t

hat

you

can

han

g u

psid

e do

wn

on

a w

all

hook

an

d B

Eco

MEs

a

deer

hea

d.”

jero

en w

esse

lin

k,

page

23

––

“she

has

a g

reat

inte

rest

in

rEc

on

nEc

tin

G e

nd

prod

uct

s to

the

ir r

aw

mat

eria

ls.”

flo

cK

s, p

age

26–

––

–

––

“… a

gre

at s

to

ry

is t

he

star

tin

g po

int.

”

stu

dio

Von

k &

jan

nek

e h

ooym

an, p

age

24–

––

–

––

“the

bag

s ar

e m

ade

from

rEc

yclE

d m

ate-

rial

in s

mal

l soc

ial w

ork-

plac

es ..

.”

Kr

Ejc

i, p

age

46–

––

–

––

“the

des

ign

com

bin

es

both

nat

ura

l an

d hi

gh-

tech

mat

eria

ls (

...)

in

rEV

iVin

G ..

.”st

udi

o Vo

nk

& j

ann

eke

hoo

yman

, pag

e 24

––

“he

use

s to

upg

rade

co

mm

on o

r u

nu

sual

m

ater

ials

an

d pa

rts

into

h

iGh

-En

d ..

.”st

epha

n s

iepe

rman

n,

page

35

––

“… a

ll m

ater

ials

are

r

EnEw

aB

lE, r

ecyc

led

or o

rgan

ic a

nd

com

e to

geth

er in

a s

tyli

sh

prod

uct

.”B

ritt

a te

lem

an, p

age

27

––

“the

mai

n in

tere

st o

f fl

oc

Ks

is t

o sh

ow t

he

or

iGin

of

raw

mat

eria

ls

that

are

use

d…”

flo

cK

s, p

age

26

––

“res

pect

ing

the

wor

k of

n

atu

rE

whi

le c

ombi

n-

ing

this

wit

h su

rpri

sin

g so

luti

ons.

”

Evel

ien

, pag

e 51

––

“thi

s ch

air

is in

spir

ed b

y a

grap

hic

digi

tal i

mag

e of

a s

mal

l tr

EE.”

Bla

ow

ww

, pag

e 10

––

“a c

olle

ctio

n o

f ca

rpet

s is

bas

ed o

n t

he w

aves

of

the

sEa

the

pow

er

of w

ater

, …”

cel

ia s

luij

ter,

page

15

––

“an

atm

osph

eric

wal

l la

mp

usin

g ca

st p

last

ic

lEaV

Es m

oun

ted

to t

he

wal

l in

a b

ran

ch s

hape

.”st

epha

n s

iepe

rman

n,

page

35

––

“sto

ol t

hat

you

can

han

g u

psid

e do

wn

on

a w

all

hook

an

d be

com

es a

d

EEr

hea

d.”

jero

en w

esse

lin

k,

page

23

––

“whe

n u

sed

ou

tsi

dE

the

pati

na

wil

l be

an

ongo

ing

proc

ess

resu

lt-

ing

in a

slo

w c

han

ge o

f co

lor

and

appe

aran

ce.”

stu

diof

riso

, pag

e 32

––

“...

mad

e w

ith

pass

ion

an

d pr

ide,

usi

ng

the

age-

old

trad

itio

nal

tec

hniq

ue

of p

alm

leaf

wEa

Vin

G.”

taho

ua

impo

rt, p

age

7–

––

–

––

“tib

etan

wo

ol

and

nep

al k

not

s, s

ilk, i

n r

aw

and

fin

e (.

..) d

o br

ing

a ca

rpet

to

life.

”

cel

ia s

luij

ter,

page

15

––

“the

ca

rpE

ts

are

han

dmad

e, u

sin

g le

ftov

er le

athe

r.”m

anon

de

bru

ijn

Gro

ene

hon

den

, pag

e 39

––

“deK

ast

offe

rs t

he

poss

ibili

ty t

o di

spla

y an

d co

mbi

ne

a w

ide

ran

ge o

f ri

ch a

nd

deco

rati

ve f

aB

ric

s.”

stu

dio

Md

fd, p

age

19–

––

–

––

“fa

Br

ics

are

use

d in

a

tota

lly

diff

eren

t m

an-

ner

the

y w

ere

orig

inal

ly

mea

nt

for.”

stu

dio

Von

k &

jan

nek

e h

ooym

an, p

age

24–

––

–

––

“urc

hin

’ is

a h

an

d-

Kn

itt

Ed w

oole

n

pou

f…”

flo

cK

s, p

age

26–

––

–

––

“…fr

om w

EaV

inG

to

bask

etry

or

tin

wor

k, in

or

der

to d

evel

op t

heir

m

ater

ial o

ffer

...”

Expe

rim

onet

a o

cam

po,

page

28

––

tuttoBEnE Milan 2008 -page 17-

focus!focus!

Gr

oE

nE

ho

nd

En

livi

nG

ro

om

nar

rat

ive

Coll

abo

rat

ion

Wea

vin

G

––

“… c

ombi

nes

qu

alit

y m

ater

ials

an

d co

nst

ruc-

tion

to

cr

Eat

E pr

od-

uct

s th

at w

ill e

xist

for

an

othe

r hu

ndr

ed y

ear.”

Evel

ien

, pag

e 51

––

“… b

ut t

here

is d

efin

itel

y so

me

‘spa

cE’

to

com

mu-

nic

ate

ethi

cal v

alue

s an

d ev

en p

olit

ical

idea

s.”

Elsi

nga

des

ign

, pag

e 12

––

“...

a su

rpri

sin

g t

ra

ns-

for

Mat

ion

of

the

use

d m

ater

ials

.”

step

han

sie

perm

ann

, pa

ge 3

5–

––

–

––

“sto

ol t

hat

you

can

han

g u

psid

e do

wn

on

a w

all

hook

an

d B

Eco

MEs

a

deer

hea

d.”

jero

en w

esse

lin

k,

page

23

––

“she

has

a g

reat

inte

rest

in

rEc

on

nEc

tin

G e

nd

prod

uct

s to

the

ir r

aw

mat

eria

ls.”

flo

cK

s, p

age

26–

––

–

––

“in

the

sea

rch

for

a st

age

for

his

enor

mou

s fa

n-

tasy

an

d en

thus

iasm

,…”

Bok

., pa

ge 4

0–

––

–

––

“… a

gre

at s

to

ry

is t

he

star

tin

g po

int.

”

stu

dio

Von

k &

jan

nek

e h

ooym

an, p

age

24–

––

–

––

“… a

n e

ffec

tive

an

d su

cces

sful

pa

rtn

Er-

ship

.”

taho

ua i

mpo

rt, p

age

7–

––

–

––

“wEM

ad

E is

a p

roje

ct

BEt

wEE

n t

wo

dut

ch

desi

gner

s an

d in

don

e-si

an c

raft

speo

ple

who

w

ere

vict

ims

of ..

.”

wEM

ad

E, p

age

13–

––

–

––

“our

exp

erti

se is

u

nit

Ed in

thi

s pr

ojec

t w

hich

will

be

the

star

t-in

g po

int.

..”st

udio

Von

k &

jan

nek

e h

ooym

an, p

age

24–

––

–

––

“...

an a

rtis

tic

rEs

i-d

Enc

E th

at s

eeks

the

de

velo

pmen

t of

new

de

sign

s fo

r ar

tisa

ns…

”Ex

peri

men

ta o

cam

po,

page

28

––

“thi

s pi

ece

of f

ur

ni-

tu

rE

is b

ecau

se o

f it

s ef

fici

ent

use

of

mat

eria

ls

high

ly e

nvi

ron

men

tall

y co

nsc

iou

s.”

Evel

ien

, pag

e 51

––

“thi

s c

ha

ir is

insp

ired

by

a g

raph

ic d

igit

al

imag

e of

a s

mal

l tre

e.”

Bla

ow

ww

, pag

e 10

––

“hi,

we

are

hap

py

laM

ps, w

e li

ght

up

you

r sp

ace,

an

d m

aybe

you

r he

art!

”

Elsi

nga

des

ign

, pag

e 12

––

“stu

dio

Md

fd, d

evel

-op

s m

ult

i-fu

nct

ion

al

fur

nit

ur

E th

at c

an

be a

dapt

ed t

o ou

r ev

er-

chan

gin

g n

eeds

,...“

stu

dio

Md

fd, p

age

19

––

“… a

s w

ell a

s in

tEr

ior

ob

ject

s.”

flo

cK

s, p

age

26–

––

–

––

“… a

llow

ing

a ho

t ki

tche

n p

ot t

o co

me

to t

he n

oble

din

nEr

ce

rem

ony.

”Ex

peri

men

ta o

cam

po.

page

28

––

“...

mad

e w

ith

pass

ion

an

d pr

ide,

usi

ng

the

age-

old

trad

itio

nal

tec

hniq

ue

of p

alm

leaf

wEa

Vin

G.”

taho

ua

impo

rt, p

age

7–

––

–

––

“tib

etan

wo

ol

and

nep

al k

not

s, s

ilk, i

n r

aw

and

fin

e (.

..) d

o br

ing

a ca

rpet

to

life.

”

cel

ia s

luij

ter,

page

15

––

“Bok

.ho

sEpi

pE f

urn

i-tu

re is

a f

urn

itu

re

con

cept

mad

e of

old

an

d n

ew h

osE

pipE

s.”

Bok

., pa

ge 4

0–

––

–

––

“deK

ast

offe

rs t

he

poss

ibili

ty t

o di

spla

y an

d co

mbi

ne

a w

ide

ran

ge o

f ri

ch a

nd

deco

rati

ve f

aB

ric

s.”

stu

dio

Md

fd, p

age

19–

––

–

––

“fa

Br

ics

are

use

d in

a

tota

lly

diff

eren

t m

an-

ner

the

y w

ere

orig

inal

ly

mea

nt

for.”

stu

dio

Von

k &

jan

nek

e h

ooym

an, p

age

24–

––

–

––

“urc

hin

’ is

a h

an

d-

Kn

itt

Ed w

oole

n

pou

f …

”

flo

cK

s, p

age

26–

––

–

––

“… f

rom

wEa

Vin

G t

o ba

sket

ry o

r ti

n w

ork,

in

orde

r to

dev

elop

the

ir

mat

eria

l off

er ..

.”Ex

peri

mon

eta

o c

ampo

, pa

ge 2

8–

––

–

tuttoBEnE Milan 2008 -page 18-

studio Mdfd, develops multi-func-tional furniture that can be adapted to our ever-changing needs. people change, tastes change, and in the wake of this change most furniture is replaced, but in this process a lot of resources are wasted. that’s why studio Mdfd offers flexible furni-ture designs, which can be modified according to changing lifestyles. the core structure of the furniture remains intact, while the general look and feel of a piece can be modified endlessly.

studio Mdfd furniture will last a lifetime of change. it is this unique design characteristic which makes studio Mdfd a sustainable design practice.

on this paGE: dEKastdeKast is a modular shelving system, which can be designed and assem-bled according to your personal taste and specific needs. deKast offers the possibility to display and combine a wide range of rich and decorative fabrics. studio Mdfd

provides a growing collection of exclusive fabrics for use on the front panels of deKast.

the structure of the deKast shelving system is made from high quality, long lasting plywood. fabrics such as cotton and wool are the basic materials used to give deKast its unique finish.deKast appeals to our creativity. deKast invites its owner to change its look, simply by altering the composition of the structure, and

replacing the fabric mounted front panels. this creates a strong rela-tionship between deKast and its user. a product that is made to last a lifetime without ever looking dated is a truly sustainable product.

prEsEntinG at tuttoBEnE - deKast

–––image by ralph Kamena

Studio Mdfd

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tuttoBEnE Milan 2008 -page 19-

focus!focus!

tuttoBEnE Milan 2008 -page 20-

1 de ArchitectArchitectuur en bouwen | Interview met Antony Vidler

Instituut voor Beeld en Geluid in HilversumCaballero Fabriek in Den Haag | Licht en architectuur

Jaargang 38, Sdu Uitgevers, januari 2007

2 de ArchitectArchitectuur en infrastructuur | Interview met Don Murphy

Architectuurfaculteit in New York door Steven HollSelexyz boekwinkels door Merkx + Girod | Tafuri rivisited

Jaargang 38, Sdu Uitgevers, februari 2007

Architectuurfaculteit in New York door Steven HollSelexyz boekwinkels door Merkx + Girod | Tafuri rivisited

3 de ArchitectLeren van Ridderkerk | Sejima in Almere

FiftyTwoDegrees door Mecanoo Interview met Paul Meurs | Woning van Fabio Novembre

Jaargang 38, Sdu Uitgevers, maart 2007

Bloeiende architectuur in Zürich | Theater in Lelystad Metzo College in Doetinchem | Interview met Olafur Eliasson

Woonhuizen in het landschap | Bibliotheek Roosendaal

de ArchitectJaargang 38, Sdu Uitgevers, april 2007

Bloeiende architectuur in Zürich | Theater in Lelystad Metzo College in Doetinchem | Interview met Olafur Eliasson

Woonhuizen in het landschap | Bibliotheek Roosendaal

5

Vernieuwing van de naoorlogse stad | Nesciobrug Amsterdam Universiteitsbibliotheek door atelier PRO

Interview met David Banister | Loft nieuwe stijl in Gent

de ArchitectJaargang 38, Sdu Uitgevers, mei 2007

Jaargang 38, Sdu Uitgevers, juni 2007

de ArchitectEuropese aanbestedingen | Interview met Frits Palmboom

Stedebouwkundige plannen voor Almere Hout Stationsplein in Groningen | Salone del Mobile in Milaan

de Architectde Architectde Architect| Sejima in Almere

FiftyTwoDegrees door Mecanoo Interview met Paul Meurs | Woning van Fabio Novembre

Stationsplein in Groningen | Salone del Mobile in Milaan

7/8

Jaargang 38, Sdu Uitgevers, juli - augustus 2007

de ArchitectDe transformatie van Londen | Interview met Robert Yaro

Parkrandgebouw in Amsterdam door MVRDVTRUTEC Building in Seoul | Restaurant Puck / Pip in Den Haag

Vernieuwing van de naoorlogse stad | Nesciobrug Amsterdam Universiteitsbibliotheek door atelier PRO

Interview met David Banister | Loft nieuwe stijl in Gent

de Architect de ArchitectStudentenhuisvesting in Nederland | Interview met Ed Soja

Huis voor Cultuur en Bestuur in NijverdalGeotechnologie in Delft | Coffeeshop in Hoofddorp

Jaargang 38, Sdu Uitgevers, september 2007

Stedebouwkundige plannen voor Almere Hout Stationsplein in Groningen | Salone del Mobile in Milaan Stationsplein in Groningen | Salone del Mobile in Milaan

de ArchitectDe transformatie van Londen | Interview met Robert Yaro

Parkrandgebouw in Amsterdam door Building in Seoul | Restaurant Puck / Pip in Den Haag

de ArchitectStudentenhuisvesting in Nederland | Interview met Ed Soja

Huis voor Cultuur en Bestuur in NijverdalGeotechnologie in Delft | Coffeeshop in Hoofddorp

10

Jaargang 38, Sdu Uitgevers, oktober 2007

de ArchitectArchitectuur en onderwijs | Het Nieuwe Leren | Brede scholen

Opdrachtvormen | Leefklimaat | Corlaer College in Nijkerk Trias vmbo in Krommenie | Brede school in Utrecht

de ArchitectArchitectuur en onderwijs | Het Nieuwe Leren | Brede scholen

Opdrachtvormen | Leefklimaat | Corlaer College in Nijkerk Trias vmbo in Krommenie | Brede school in Utrecht

Jaargang 38, Sdu Uitgevers, november 2007

de ArchitectCollectieve woningbouw | Stadsarchief in Amsterdam

Interview met Elma van Boxel en Kristian Koreman Werkgebouw op voormalig kraanspoor | Media-interieurs

Trias vmbo in Krommenie | Brede school in Utrecht Trias vmbo in Krommenie | Brede school in Utrecht

12

Jaargang 38, Sdu Uitgevers, december 2007

de ArchitectArchitectuur en ethiek | Interview met Josep Acebillo

Onderwijsgebouwen Universiteit TwenteMuseum door Peter Zumthor | Bar Black Pearl in Antwerpen

de ArchitectArchitectuur en ethiek | Interview met Josep Acebillo

Onderwijsgebouwen Universiteit TwenteMuseum door Peter Zumthor | Bar Black Pearl in Antwerpen

de Architectextra Jaaroverzicht architectuur

Nederland 2007

JJaargang 38, Sdu Uitgevers, december 2007

de Architectinterieur

Jaargang 38, Sdu Uitgevers, november 2007

Lensvelt de Architect Interieurprijs 2007

Mart Stamprijs2007

de Architectinterieur

Jaargang 38, Sdu Uitgevers, mei 2007

de Architect

de Architectinterieur

Jaargang 38, Sdu Uitgevers, maart 2007

Did you miss Humberto and Fernando Campana or Michael Braungart during our events? Visit www.deArchitect.nl, subscribe yourself and we keep you informed about our topics and events.

The leading magazine for architects and interior designers

tuttoBEnE Milan 2008 -page 21-

thetuttobenecollection

Pit industry together with holy homes from frederik roijé and dutch wood from lotte van laatum will be Presented and sold at the tuttobene Presentation in milan.

tuttobene Presentationvia mortara 15 milanwww.tuttobene.nl

smallspacedesignrace

Where? at the tuttobene Presentation in Via mortara 15, milano

When?Wednesday aPril 16 - sunday aPril 20all days from 10.00 am untill 20.00 Pm

€

www.ikbenchantalvanheeswijk.nl

stE

pha

n s

iEpE

rM

an

ntuttoBEnE Milan 2008

-page 22-

jEr

oEn

wEs

sEli

nK

ww

w.je

roen

wes

seli

nk.

nl

info

@je

roen

wes

seli

nk.

nl

+31

6249

9226

9

stu

dio:

u

trec

ht, t

he n

ethe

rlan

dsst

udy

: d

esig

n a

cade

my,

Ein

dhov

en

jeroen weSSelinKjeroen wesselink graduated cum laude at the design academy Eindhoven in 2006. he started his own studio in utrecht (the netherlands) where he creates furniture concepts and interior products. searching for new

constructions and images he works with a variety of materials and techniques.

on this paGE: My dEErstool that you can hang upside down on a wall hook andbecomes a deer head.

prEsEntinG at tuttoBEnE- swing stool- floco- My deer- saddle–––image by jeroen wesselink

tuttoBEnE Milan 2008 -page 23-

HiG

H-e

nD

nar

rat

ive

neW

aPP

liCa

tio

nS

nat

ur

e

––

“the

bag

s ar

e m

ade

from

rEc

yclE

d m

ate-

rial

in s

mal

l soc

ial w

ork-

plac

es ..

.”

Kr

Ejc

i, p

age

46–

––

–

––

“… b

y u

sin

g or

rEu

sin

G

exis

tin

g pr

odu

cts

or

mat

eria

ls in

a d

iffe

ren

t,

smar

ter

and

fun

nie

r w

ay.”

Bok

., pa

ge 4

0–

––

–

––

“the

des

ign

com

bin

es

both

nat

ura

l an

d hi

gh-

tech

mat

eria

ls (

...)

in

rEV

iVin

G ..

.”st

udi

o Vo

nk

& j

ann

eke

hoo

yman

, pag

e 24

––

“….a

ll m

ater

ials

are

r

EnEw

aB

lE, r

ecyc

led

or o

rgan

ic a

nd

com

e to

geth

er in

a s

tyli

sh

prod

uct

.”B

ritt

a te

lem

an, p

age

27

––

“the

mai

n in

tere

st o

f fl

oc

Ks

is t

o sh

ow t

he

or

iGin

of

raw

mat

eria

ls

that

are

use

d …

”

flo

cK

s, p

age

26

––

“… c

ombi

nes

qu

alit

y m

ater

ials

an

d co

nst

ruc-

tion

to

cr

Eat

E pr

od-

uct

s th

at w

ill e

xist

for

an

othe

r hu

ndr

ed y

ear.”

Evel

ien

, pag

e 51

––

“… b

ut t

here

is d

efin

itel

y so

me

‘spa

cE’

to

com

mu-

nic

ate

ethi

cal v

alue

s an

d ev

en p

olit

ical

idea

s.”

Elsi

nga

des

ign

, pag

e 12

––

“as

resu

lt, t

he

beas

ts g

et

som

eth

ing

My

th

olo

Gi-

ca

l.”

lies

beth

Hui

zing

Gro

ene

hon

den

, pag

e 39

––

“sto

ol t

hat

you

can

han

g u

psid

e do

wn

on

a w

all

hook

an

d B

Eco

MEs

a

deer

hea

d.”

jero

en w

esse

lin

k,

page

23

––

“she

has

a g

reat

inte

rest

in

rEc

on

nEc

tin

G e

nd

prod

uct

s to

the

ir r

aw

mat

eria

ls.”

flo

cK

s, p

age

26–

––

–

––

“in

the

sea

rch

for

a st

age

for

his

enor

mou

s fa

n-

tasy

an

d en

thus

iasm

…”

Bok

., pa

ge 4

0–

––

–

––

“… a

gre

at s

to

ry

is t

he

star

tin

g po

int.

”

stu

dio

Von

k &

jan

nek

e h

ooym

an, p

age

24–

––

–

––

“...

of o

bjec

ts a

nd

devi

ces

that

hig

hlig

ht

new

po

ssiB

ilit

iEs

and

harb

or n

ew t

echn

olo-

gies

.”a

lon

ale

x G

ross

, pag

e 41

–

––

–

––

“tha

t’s w

hy s

tudi

o M

dfd

off

ers

flEx

iBlE

fu

rnit

ure

desi

gns,

whi

ch

can

be m

odifi

ed a

ccor

d-in

g to

cha

ngin

g ...

”st

udio

Md

fd, p

age

19

––

“whe

n u

sed

outs

ide

the

pati

na

will

be

an o

ngo

-in

g pr

oces

s re

sult

ing

in

a sl

ow c

ha

nG

E of

col

or

and

appe

aran

ce.“

stud

iofr

iso,

pag

e 32

–

––

–

––

“stu

diof

riso

fin

ds t

he

ad

apt

atio

n o

f a

prod

-u

ct ju

st a

s im

port

ant

as

it’s

fu

nct

ion

, app

eara

nce

an

d cl

ever

nes

s.”

stud

io f

riso

–

––

–

––

“res

pect

ing

the

wor

k of

n

atu

rE

whi

le c

ombi

n-

ing

this

wit

h su

rpri

sin

g so

luti

ons“

Evel

ien

, pag

e 51

––

“thi

s ch

air

is in

spir

ed b

y a

grap

hic

digi

tal i

mag

e of

a s

mal

l tr

EE.”

Bla

ow

ww

, pag

e 10

––

“a c

olle

ctio

n o

f ca

rpet

s is

bas

ed o

n t

he w

aves

of

the

sEa

the

pow

er

of w

ater

, …”

cel

ia s

luij

ter,

page

15

––

“the

fur

nit

ure

is

for

inte

rior

an

d Ex

tEr

ior

use

.”

Bok

., pa

ge 4

0–

––

“sto

ol t

hat

you

can

han

g u

psid

e do

wn

on

a w

all

hook

an

d be

com

es a

d

EEr

hea

d.”

jero

en w

esse

lin

k,

page

23

––

“whe

n u

sed

ou

tsi

dE

the

pati

na

wil

l be

an

ongo

ing

proc

ess

resu

lt-

ing

in a

slo

w c

han

ge o

f co

lor

and

appe

aran

ce.”

stu

diof

riso

, pag

e 32

––

focus!focus!

Studio VonK &janneKe hooyManstudio petra Vonk produces innovative fabric design for interior and fashion. our specialty is the synthesis of innovation and tradition in knitted fabrics.

janneke hooyman operates in a wide range of fields, from jewellery design up to interior design. the key of their activities is a conceptual approach to all projects: a great story is the starting point.

the recently established cooperation Vonk-hooymans exists next to our activities as textile designer and product-interior designer. our expertise is united in this project which will be the starting point for a whole new range of products, examining the possibilities of knits in product design.

on this paGE: poofstretch your knits to the max!4 layers of knitted fabric shape the

pillows into this poof.fabrics are used in a totally different manner they were originally meant for. delicate mohair combined with high-tech knitted elastics hooked to a robust steel base.

the design combines both natural and high-tech materials and is produced in the netherlands which will result in reviving the local craft of knitting. we would like to make use of the remaining textile industry

to produce and develop new utilisations in knitting, to retain and further explore this know-ledge.

prEsEntinG at tuttoBEnE - poof

–––image by hooyman en Vonk

stu

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& j

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ww

w.t

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com

/ w

ww

.pet

ravo

nk.

nl

jan

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om+

3162

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993

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entuttoBEnE Milan 2008

-page 24-

aDaP

tati

on

Gar

Den

fu

rn

itu

re

CHan

Ge

Sur

ro

un

Din

G

stu

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––

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lon

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x G

ross

, pag

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–

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epha

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rman

n,

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35

––

–

––

“res

pect

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whi

le c

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ing

this

wit

h su

rpri

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g so

luti

ons

...“

Evel

ien

, pag

e 51

––

“thi

s ch

air

is in

spir

ed b

y a

grap

hic

digi

tal i

mag

e of

a s

mal

l tr

EE.”

Bla

ow

ww

, pag

e 10

––

“a c

olle

ctio

n o

f ca

rpet

s is

bas

ed o

n t

he w

aves

of

the

sEa

the

pow

er

of w

ater

, …”

cel

ia s

luij

ter,

page

15

––

“the

fur

nit

ure

is

for

inte

rior

an

d Ex

tEr

ior

use

.”

Bok

., pa

ge 4

0–

––

–

––

“an

atm

osph

eric

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l la

mp

usin

g ca

st p

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Es m

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wal

l in

a b

ran

ch s

hape

.”st

epha

n s

iepe

rman

n,

page

35

––

“sto

ol t

hat

you

can

han

g u

psid

e do

wn

on

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all

hook

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d be

com

es a

d

EEr

hea

d.”

jero

en w

esse

lin

k,

page

23

––

“...

of o

bjec

ts a

nd

devi

ces

that

hig

hlig

ht

new

po

ssiB

ilit

iEs

and

harb

or n

ew t

echn

olo-

gies

.”a

lon

ale

x G

ross

, pag

e 41

–

––

–

––

“tha

t’s w

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o M

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udio

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fd, p

age

19

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e w

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step

han

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perm

ann

, pa

ge 3

5 –

––

–

––

“wit

h th

e m

ain

foc

us

on in

teri

or a

nd

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itu

re d

esig

n,

Evel

ien

des

ign

s th

e an

tiqu

e of

the

fu

tu

rE.

”Ev

elie

n, p

age

51–

––

–

––

“a p

rodu

ct t

hat

is m

ade

to la

st a

lif

EtiM

E w

ith-

out

ever

look

ing

date

d is

a t

ruly

su

stai

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le

prod

uct

.”st

udi

o M

dfd

, pag

e 19

––

“…m

ade

as E

nV

iro

n-

MEn

tall

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rien

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as

poss

ible

.”

Bri

tta

tele

man

, pag

e 27

––

“Kr

Ejc

i st

ands

for

st

ron

g, u

rB

an

, hig

h qu

alit

y de

sign

wit

h an

at

titu

de.”

Kr

Ejc

i, p

age

46–

––

–

tuttoBEnE Milan 2008 -page 25-

focus!focus!

flocKS

flo

cK

sc

hris

tien

Mei

nde

rtsm

aw

ww

.the

sefl

ocks

.com

chri

stie

n@

thes

eflo

cks.

com

+31

6265

4084

3

stu

dio:

rot

terd

am, t

he n

ethe

rlan

dsst

udy

:d

esig

n a

cade

my,

Ein

dhov

en

dutch designer christien Meindertsma (1980) lives and works in rotterdam. under her own label flocKs she designs clothes as well as interior objects – cardigans knitted from the wool of a single sheep and rugs from a whole flock. her latest project is a photo book called piG 05049, a catalogue showing all the products that are made from a single pig; from por-celain to bullets, from shampoo to

washing powder. she has a great interest in reconnecting end products to their raw materials.

on this paGE: urchin‘urchin’ is a hand-knitted woolen pouf, carrying an id tag showing the breed of sheep that provided the wool. the urchin pouf will be presented in a ‘flock’ of various sizes and colors.the urchins are part of a collection

of products entitled flocKs. the main interest of flocKs is to show the origin of raw materials that are used as well as producing products as locally as possible. all flocKs products come with a passport showing a photograph of the sort of animal the product came from as well as information about where it was made. for example, the crossbred sheep that provide for the urchin wool graze in open fields in

new zealand. once the sheep are shorn the wool is exported to the netherlands where it is spun, dyed and hand-knitted.

prEsEntinG at tuttoBEnE- urchin

–––image by Bas helbers

tuttoBEnE Milan 2008 -page 26-

Br

itta

tEl

EMa

nbr

itta

.tel

eman

@gm

ail.c

om+

3249

5182

560

stu

dio:

B

russ

els,

Bel

giu

mst

udy

: c

entr

al s

ain

t M

arti

ns

in l

ondo

npr

odu

ct d

esig

n

Britta teleman studied traditional product design at central saint Martins in london, but soon found her way into a more concept-based design via internships with front and droog design. she takes her starting points in themes or statements, such as ‘taboo’, ‘contour’ or ‘babies are accessories’. sustainability is a given factor in everything she does.

on this paGE: and My BaBy GoEs so wEll with it!‘and my baby goes so well with it!’ is a lightweight Moses basket for when the baby is still too small for a bed. in response to the growing trend of sustainable parenting, all materials are renewable, recycled or organic and come together in a stylish product.the starting point for this project

was to make a sustainable product for babies. Because baby products are becoming like status symbols, and parents want to show off their environmental awareness, this needs to show in the product. i believe that the shorter the life of the product, the smaller the ecological footprint should be.a Moses basket is only needed for a few months, and should therefore

be made as environmentally friendly as possible. as it comes flat-packed, transports are minimised too.

prEsEntinG at tuttoBEnE:- and my baby goes so well with it!

–––image by Britta teleman

britta teleMan

tuttoBEnE Milan 2008 -page 27-

focus!focus!

ExpE

riM

Enta

o c

aM

pod

ian

a a

ntu

nes

, Bru

no

car

valh

o &

Man

uel

am

aral

net

to

dian

a.r.a

ntu

nes

@gm

ail.c

om

bru

nom

mca

rval

ho@

gmai

l.com

m

anel

etto

@gm

ail.c

om /

+35

1919

9751

19

stu

dio:

si

ntr

a, p

ortu

gal

stu

dy:

Esco

la s

upe

rior

de

art

e e

des

ign

da

s c

alda

s da

rai

nha

Experimenta o campo is an artis-tic residence that seeks the devel-opment of new designs for artisans of different crafts, from weaving to basketry or tin work, in order to develop their material offer and its economic value.

on this paGE: hot pot BasE towEllinen is a traditional noble towel material that breaks with the conventional by allowing a hot kitchen pot to come to the noble dinner ceremony.this design is manufactured with

a traditional loom in a sustainable handmade process by female artisans. it makes use of handmade linen and felt, both natural mate-rials and transformed in a sustain-able manufacturing process with the objective of developing of the traditional arts and crafts.

prEsEntinG at tuttoBEnE - hot pot base towel- tie individual

–––image by duarte amaral netto

experiMenta o caMpo

Wea

vin

G

livi

nG

ro

om

Coll

abo

rat

ion

Han

Dm

aDe

Ex

pEr

iME

nta

o c

aM

po

––

“...m

ade

wit

h pa

ssio

n

and

prid

e, u

sin

g th

e ag

e-ol

d tr

adit

ion

al t

echn

iqu

e of

pal

m le

af w

EaV

inG

.”

taho

ua

impo

rt, p

age

7–

––

–

––

“tib

etan

wo

ol

and

nep

al k

not

s, s

ilk, i

n r

aw

and

fin

e (.

..) d

o br

ing

a ca

rpet

to

life.

”

cel

ia s

luij

ter,

page

15

––

“Bok

.ho

sEpi

pE

furn

itu

re is

a f

urn

itu

re

con

cept

mad

e of

old

an

d n

ew h

osE

pipE

s. .”

Bok

., pa

ge 4

0–

––

–

––

“the

ca

rpE

ts

are

han

dmad

e, u

sin

g le

ftov

er le

athe

r.”m

anon

de

bru

ijn

Gro

ene

hon

den

, pag

e 39

––

“deK

ast

offe

rs t

he

poss

ibili

ty t

o di

spla

y an

d co

mbi

ne

a w

ide

ran

ge o

f ri

ch a

nd

deco

rati

ve f

aB

ric

s.”

stu

dio

Md

fd, p

age

19–

––

–

––

“fa

Br

ics

are

use

d in

a

tota

lly

diff

eren

t m

an-

ner

the

y w

ere

orig

inal

ly

mea

nt

for.”

stu

dio

Von

k &

jan

nek

e h

ooym

an, p

age

24–

––

–

––

“urc

hin

’ is

a h

an

d-

Kn

itt

Ed w

oole

n

pou

f…”

flo

cK

s, p

age

26–

––

–

––

“thi

s pi

ece

of f

ur

ni-

tu

rE

is b

ecau

se o

f it

s ef

fici

ent

use

of

mat

eria

ls

high

ly e

nvi

ron

men

tall

y co

nsc

iou

s.”

Evel

ien

, pag

e 51

––

“thi

s c

ha

ir is

insp

ired

by

a g

raph

ic d

igit

al

imag

e of

a s

mal

l tre

e.”

Bla

ow

ww

, pag

e 10

––

“hi,

we

are

hap

py

laM

ps, w

e li

ght

up

you

r sp

ace,

an

d m

aybe

you

r he

art!

”

Elsi

nga

des

ign

, pag

e 12

––

“Gla

ss V

asE

s, c

up-

Bo

ar

d, c

ar

pEt,

sEa

t

oB

jEc

ts,

la

Mps

, ...”

Gro

ene

hon

den

, pag

e 39

––

“stu

dio

Md

fd, d

evel

-op

s m

ult

i-fu

nct

ion

al

fur

nit

ur

E th

at c

an

be a

dapt

ed t

o ou

r ev

er-

chan

gin

g n

eeds

,...”

stu

dio

Md

fd, p

age

19

––

“… a

s w

ell a

s in

tEr

ior

ob

ject

s.”

flo

cK

s, p

age

26–

––

–

––

“… a

n e

ffec

tive

an

d su

cces

sful

pa

rtn

Er-

ship

.“

taho

ua i

mpo

rt, p

age

7–

––

–

––

“wEM

ad

E is

a p

roje

ct

BEt

wEE

n t

wo

dut

ch

desi

gner

s an

d in

don

e-si

an c

raft

speo

ple

who

w

ere

vict

ims

of ..

.”

wEM

ad

E, p

age

13–

––

–

––

“the

str

engt

h of

the

‘G

roen

e h

onde

n, j

ong

on

twer

p’ f

oun

dati

on li

es

in t

heir

inte

rdis

cipl

inar

y c

oll

aB

or

atio

n.”

Gro

ene

hon

den

, pag

e 39

––

“our

exp

erti

se is

u

nit

Ed in

thi

s pr

ojec

t w

hich

will

be

the

star

t-in

g po

int

...”

stud

io V

onk

& j

ann

eke

hoo

yman

, pag

e 24

––

“com

bin

ing

mod

ern

pr

oduc

tion

tec

hniq

ues

wit

h c

ra

ftsM

an

ship

.”

des

ign

stu

dio

car

ola

zee,

pag

e 12

––

“Goa

l: t

o in

crea

se

the

econ

omic

in

dep

en-

den

ce o

f th

e lo

cal

cr

aft

spE

opl

E.“

wEM

ad

E, p

age

13–

––

–

tuttoBEnE Milan 2008 -page 28-

tuttoBEnE Milan 2008 -page 29-

focus!focus!

Br

itta

tE

lEM

an

Port

able

faSH

ion

item

envi

ro

nm

enta

lly

ren

eWab

le

––

“the

dev

ice

coul

d be

po

siti

on

Ed n

ext

to a

w

indo

w, r

ooft

op o

r in

th

e ga

rden

.”

alo

n a

lex

Gro

ss, p

age

41–

––

–

––

“...

a sh

ould

er B

aG

fro

m

the

clas

sic

tubu

s co

llec-

tion

of

Kr

Ejc

i, a

n e

le-

gan

t, e

asy

to u

se b

ag

wit

h a

sim

ple

desi

gn.”

K

rEj

ci,

pag

e 46

––

“the

bag

s ar

e m

ade

from

rEc

yclE

d m

ate-

rial

in s

mal

l soc

ial w

ork-

plac

es ..

.”

Kr

Ejc

i, p

age

46–

––

–

––

“ …

by

usi

ng

or r

E-u

sin

G e

xist

ing

prod

uct

s or

mat

eria

ls in

a d

iffe

r-en

t, s

mar

ter

and

fun

nie

r w

ay.”

Bok

., pa

ge 4

0–

––

–

––

“the

des

ign

com

bin

es

both

nat

ura

l an

d hi

gh-

tech

mat

eria

ls (

...)

in

rEV

iVin

G ..

.”st

udi

o Vo

nk

& j

ann

eke

hoo

yman

, pag

e 24

––

“he

use

s to

upg

rade

co

mm

on o

r u

nu

sual

m

ater

ials

an

d pa

rts

into

h

iGh

-En

d ..

.”st

epha

n s

iepe

rman

n,

page

35

––

“the

mai

n in

tere

st o

f fl

oc

Ks

is t

o sh

ow t

he

or

iGin

of

raw

mat

eria

ls

that

are

use

d …

”

flo

cK

s, p

age

26

––

“wit

h th

e m

ain

foc

us

on in

teri

or a

nd

furn

itu

re d

esig

n,

Evel

ien

des

ign

s th

e an

tiqu

e of

the

fu

tu

rE.

”Ev

elie

n, p

age

51–

––

–

––

“a p

rodu

ct t

hat

is m

ade

to la

st a

lif

EtiM

E w

ith-

out

ever

look

ing

date

d is

a t

ruly

su

stai

nab

le

prod

uct

.”st

udi

o M

dfd

, pag

e 19

––

“the

pro

duct

nev

er

goes

wit

hou

t a

use

r an

d it

’s p

erce

ptio

ns,

or

a s

ur

ro

un

din

G a

nd

it’s

con

diti

ons.

” st

udi

ofri

so, p

age

32–

––

–

tuttoBEnE Milan 2008 -page 30-

livi

nG

ro

om

Wea

vin

G

nar

rat

ive

or

iGinfl

oc

Ks

––

“thi

s pi

ece

of f

ur

ni-

tu

rE

is b

ecau

se o

f it

s ef

fici

ent

use

of

mat

eria

ls

high

ly e

nvi

ron

men

tall

y co

nsc

iou

s.”

Evel

ien

, pag

e 51

––

“thi

s c

ha

ir is

insp

ired

by

a g

raph

ic d

igit

al

imag

e of

a s

mal

l tre

e.”

Bla

ow

ww

, pag

e 10

––

“hi,

we

are

hap

py

laM

ps, w

e li

ght

up

you

r sp

ace,

an

d m

aybe

you

r he

art!

”

Elsi

nga

des

ign

, pag

e 12

––

“Gla

ss V

asE

s, c

up-

Bo

ar

d, c

ar

pEt,

sEa

t

oB

jEc

ts,

la

Mps

, ...”

Gro

ene

hon

den

, pag

e 39

––

“stu

dio

Md

fd d

evel

-op

s m

ult

i-fu

nct

ion

al

fur

nit

ur

E th

at c

an

be a

dapt

ed t

o ou

r ev

er-

chan

gin

g n

eeds

...“

stu

dio

Md

fd, p

age

19

––

“… a

llow

ing

a ho

t ki

tche

n p

ot t

o co

me

to t

he n

oble

din

nEr

ce

rem

ony.

”Ex

peri

men

ta o

cam

po.

page

28

––

“...

mad

e w

ith

pass

ion

an

d pr

ide,

usi

ng

the

age-

old

trad

itio

nal

tec

hniq

ue

of p

alm

leaf

wEa

Vin

G.”

taho

ua

impo

rt, p

age

7–

––

–

––

“tib

etan

wo

ol

and

nep

al k

not

s, s

ilk, i

n r

aw

and

fin

e (.

..) d

o br

ing

a ca

rpet

to

life.

”

cel

ia s

luij

ter,

page

15

––

“Bok

.ho

sEpi

pE f

urn

i-tu

re is

a f

urn

itu

re

con

cept

mad

e of

old

an

d n

ew h

osE

pipE

s ...

”

Bok

., pa

ge 4

0–

––

–

––

“the

ca

rpE

ts

are

han

dmad

e, u

sin

g le

ftov

er le

athe

r.”m

anon

de

bru

ijn

Gro

ene

hon

den

, pag

e 39

––

“deK

ast

offe

rs t

he

poss

ibili

ty t

o di

spla

y an

d co

mbi

ne

a w

ide

ran

ge o

f ri

ch a

nd

deco

rati

ve f

aB

ric

s.”

stu

dio

Md

fd, p

age

19–

––

–

––

“fa

Br

ics

are

use

d in

a

tota

lly

diff

eren

t m

an-

ner

the

y w

ere

orig

inal

ly

mea

nt

for.”

stu

dio

Von

k &

jan

nek

e h

ooym

an, p

age

24–

––

–

––

“…fr

om w

EaV

inG

to

bask

etry

or

tin

wor

k, in

or

der

to d

evel

op t

heir

m

ater

ial o

ffer

...”

Expe

rim

onet

a o

cam

po,

page

28

––

“… c

ombi

nes

qu

alit

y m

ater

ials

an

d co

nst

ruc-

tion

to

cr

Eat

E pr

od-

uct

s th

at w

ill e

xist

for

an

othe

r hu

ndr

ed y

ear.”

Evel

ien

, pag

e 51

––

“… b

ut t

here

is d

efin

itel

y so

me

‘spa

cE’

to

com

mu-

nic

ate

ethi

cal v

alue

s an

d ev

en p

olit

ical

idea

s.”

Elsi

nga

des

ign

, pag

e 12

––

“as

resu

lt, t

he

beas

ts g

et

som

eth

ing

My

th

olo

Gi-

ca

l.”

lies

beth

Hui

zing

Gro

ene

hon

den

, pag

e 39

––

“...

a su

rpri

sin

g t

ra

ns-

for

Mat

ion

of

the

use

d m

ater

ials

.”

step

han

sie

perm

ann

, pa

ge 3

5–

––

–

––

“sto

ol t

hat

you

can

han

g u

psid

e do

wn

on

a w

all

hook

an

d B

Eco

MEs

a

deer

hea

d.”

jero

en w

esse

lin

k,

page

23

––

“in

the

sea

rch

for

a st

age

for

his

enor

mou

s fa

n-

tasy

an

d en

thus

iasm

…”

Bok

., pa

ge 4

0–

––

–

––

“… a

gre

at s

to

ry

is t

he

star

tin

g po

int.

”

stu

dio

Von

k &

jan

nek

e h

ooym

an, p

age

24–

––

–

––

“the

bag

s ar

e m

ade

from

rec

ycle

d m

ater

ial

in s

mal

l soc

ial w

ork-

plac

es ..

.”

Kr

Ejc

i, p

age

46–

––

–

––

“ …

by

usi

ng

or r

E-u

sin

G e

xist

ing

prod

-u

cts

or m

ater

ials

in a

di

ffer

ent,

smar

ter

and

fun

nie

r w

ay.”

Bok

., pa

ge 4

0–

––

–

––

“the

des

ign

com

bin

es

both

nat

ura

l an

d hi

gh-

tech

mat

eria

ls (

...)

in

rEV

iVin

G ..

.”st

udi

o Vo

nk

& j

ann

eke

hoo

yman

, pag

e 24

––

“he

use

s to

upg

rade

co

mm

on o

r u

nu

sual

m

ater

ials

an

d pa

rts

into

h

iGh

-En

d...

”st

epha

n s

iepe

rman

n,

page

35

––

“…. a

ll m

ater

ials

are

r

EnEw

aB

lE, r

ecyc

led

or o

rgan

ic a

nd

com

e to

geth

er in

a s

tyli

sh

prod

uct

.”B

ritt

a te

lem

an, p

age

27

––

tuttoBEnE Milan 2008 -page 31-

focus!focus!

stu

dio

fr

iso

fris

o d

ijks

tra

ww

w.s

tudi

o-fr

iso.

com

info

@st

udi

o-fr

iso.

com

+31

6245

5283

8

stu

dio:

a

mst

erda

m, t

he n

ethe

rlan

dsst

udy

:d

esig

n a

cade

my,

Ein

dhov

en

studiofriso finds the adaptation of a product just as important as it’s function, appearance and cleverness. the product never goes without a user and it’s perceptions, or a surrounding and it’s conditions. all these elements change rapidly under the influence of each other and make sure new products can be born.

on this paGE: MonochroME sturdythe Monochrome sturdy is made of two aluminum sand cast parts. it is intended for the chair to look more faded by the oxidation pro-cess, which, over time, will take place naturally.Monochromes is a collection for out- en indoor use, inspired by garden furniture surrounding

coffee kiosks in parks. it uses an oxidisation process to give the product its distinctive color and to preserve the metal from corroding.when used outside the patina will be an ongoing process resulting in a slow change of color and appearance. Monochromes are made by a single material, a single technique and ‘finished-to-age’ in a single color.

prEsEntinG at tuttoBEnE - Monochrome sturdy- Monochrome ray- Monochrome atmosphere

–––image by friso dijkstra

Studio friSo

tuttoBEnE Milan 2008 -page 32-

Wea

vin

G

Sto

ry

Coll

abo

rat

ion

rev

ivin

G

stu

dio

Vo

nK

& j

an

nE

KE

ho

oy

Ma

n

––

“...

mad

e w

ith

pass

ion

an

d pr

ide,

usi

ng

the

age-

old

trad

itio

nal

tec

hniq

ue

of p

alm

leaf

wEa

Vin

G.”

taho

ua

impo

rt, p

age

7–

––

–

––

“tib

etan

wo

ol

and

nep

al k

not

s, s

ilk, i

n r

aw

and

fin

e (.

..) d

o br

ing

a ca

rpet

to

life.

”

cel

ia s

luij

ter,

page

15

––

“Bok

.ho

sEpi

pE f

urn

i-tu

re is

a f

urn

itu

re

con

cept

mad

e of

old

an

d n

ew h

osE

pipE

s ...

”

Bok

., pa

ge 4

0–

––

–

––

“the

ca

rpE

ts

are

han

dmad

e, u

sin

g le

ftov

er le

athe

r.”m

anon

de

bru

ijn

Gro

ene

hon

den

, pag

e 39

––

“deK

ast

offe

rs t

he

poss

ibili

ty t

o di

spla

y an

d co

mbi

ne

a w

ide

ran

ge o

f ri

ch a

nd

deco

rati

ve f

aB

ric

s.”

stu

dio

Md

fd, p

age

19–

––

–

––

“urc

hin

’ is

a h

an

d-

Kn

itt

Ed w

oole

n

pou

f…”

flo

cK

s, p

age

26–

––

–

––

“…fr

om w

EaV

inG

to

bask

etry

or

tin

wor

k, in

or

der

to d

evel

op t

heir

m

ater

ial o

ffer

...”

Expe

rim

onet

a o

cam

po,

page

28

––

“… c

ombi

nes

qu

alit

y m

ater

ials

an

d co

nst

ruc-

tion

to

cr

Eat

E pr

od-

uct

s th

at w

ill e

xist

for

an

othe

r hu

ndr

ed y

ear.”

Evel

ien

, pag

e 51

––

“…, b

ut t

here

is d

efi-

nit

ely

som

e ‘s

pac

E’ t

o co

mm

unic

ate

ethi

cal

valu

es a

nd

even

pol

itic

al

idea

s.”

Elsi

nga

des

ign

, pag

e 12

––

“as

resu

lt, t

he

beas

ts g

et

som

eth

ing

My

th

olo

Gi-

ca

l.”

lies

beth

Hui

zing

Gro

ene

hon

den

, pag

e 39

––

“...

a su

rpri

sin

g t

ra

ns-

for

Mat

ion

of

the

use

d m

ater

ials

.”

step

han

sie

perm

ann

, pa

ge 3

5–

––

–

––

“sto

ol t

hat

you

can

han

g u

psid

e do

wn

on

a w

all

hook

an

d B

Eco

MEs

a

deer

hea

d.”

jero

en w

esse

lin

k,

page

23

––

“she

has

a g

reat

inte

rest

in

rEc

on

nEc

tin

G e

nd

prod

uct

s to

the

ir r

aw

mat

eria

ls.”

flo

cK

s, p

age

26–

––

–

––

“in

the

sea

rch

for

a st

age

for

his

enor

mou

s fa

n-

tasy

an

d en

thus

iasm

…”

Bok

., pa

ge 4

0–

––

–

––

“… a

n e

ffec

tive

an

d su

cces

sful

pa

rtn

Er-

ship

.”

taho

ua i

mpo

rt, p

age

7–

––

–

––

“wEM

ad

E is

a p

roje

ct

BEt

wEE

n t

wo

dut

ch

desi

gner

s an

d in

don

e-si

an c

raft

speo

ple

who

w

ere

vict

ims

of ..

.”

wEM

ad

E, p

age

13–

––

–

––

“the

str

engt

h of

the

‘G

roen

e h

onde

n, j

ong

on

twer

p’ f

oun

dati

on li

es

in t

heir

inte

rdis

cipl

inar

y c

oll

aB

or

atio

n.”

Gro

ene

hon

den

, pag

e 39

––

“...a

n a

rtis

tic

rEs

idEn

cE

that

see

ks t

he d

evel

op-

men

t of

new

des

ign

s fo

r ar

tisa

ns…

”Ex

peri

men

ta o

cam

po,

page

28

––

“the

bag

s ar

e m

ade

from

rEc

yclE

d m

ate-

rial

in s

mal

l soc

ial w

ork-

plac

es ..

.”

Kr

Ejc

i, p

age

46–

––

–

––

“…

by

usi

ng

or r

E-u

sin

G e

xist

ing

prod

uct

s or

mat

eria

ls in

a d

iffe

r-en

t, s

mar

ter

and

fun

nie

r w

ay.”

Bok

., pa

ge 4

0–

––

–

––

“he

use

s to

upg

rade

co

mm

on o

r u

nu

sual

m

ater

ials

an

d pa

rts

into

h

iGh

-En

d...

”st

epha

n s

iepe

rman

n,

page

35

––

“...

all m

ater

ials

are

r

EnEw

aB

lE, r

ecyc

led

or o

rgan

ic a

nd

com

e to

geth

er in

a s

tyli

sh

prod

uct

.”B

ritt

a te

lem

an, p

age

27

––

“the

mai

n in

tere

st o

f fl

oc

Ks

is t

o sh

ow t

he

or

iGin

of

raw

mat

eria

ls

that

are

use

d …

”

flo

cK

s, p

age

26

––

tuttoBEnE Milan 2008 -page 33-

focus!focus!

jEr

oE

n w

Ess

Eli

nK

teCH

niq

ueS

Con

Str

uCt

ion

S

nat

ur

e

nar

rat

ive

––

“… c

ombi

nes

qu

alit

y m

ater

ials

an

d co

nst

ruc-

tion

to

cr

Eat

E pr

od-

uct

s th

at w

ill e

xist

for

an

othe

r hu

ndr

ed y

ear.”

Evel

ien

, pag

e 51

––

“…, b

ut t

here

is d

efi-

nit

ely

som

e ‘s

pac

E’ t

o co

mm

unic

ate

ethi

cal

valu

es a

nd

even

pol

itic

al

idea

s.”

Elsi

nga

des

ign

, pag

e 12

––

“as

resu

lt, t

he

beas

ts g

et

som

eth

ing

My

th

olo

Gi-

ca

l.”

lies

beth

Hui

zing

Gro

ene

hon

den

, pag

e 39

––

“...a

su

rpri

sin

g t

ra

ns-

for

Mat

ion

of

the

use

d m

ater

ials

.”

step

han

sie

perm

ann

, pa

ge 3

5–

––

–

––

“she

has

a g

reat

inte

rest

in

rEc

on

nEc

tin

G e

nd

prod

uct

s to

the

ir r

aw

mat

eria

ls.”

flo

cK

s, p

age

26–

––

–

––

“in

the

sea

rch

for

a st

age

for

his

enor

mou

s fa

n-

tasy

an

d en

thus

iasm

…”

Bok

., pa

ge 4

0–

––

–

––

“… m

y in

teri

or p

rodu

cts

are

deve

lope

d fo

r ad

ults

; pr

oduc

ts t

hat

are

insp

ired

by

grap

hic

diG

ita

l im

ages

.”B

lao

ww

w, p

age

10–

––

–

––

“… a

nd

appr

ecia

te

alte

rnat

ive

ecol

ogic

al

and

tEc

hn

olo

Gic

al

idea

s.”

alo

n a

lex

Gro

ss, p

age

41

––

“… m

y in

teri

or p

rodu

cts

are

deve

lope

d fo

r ad

ults

; pr

oduc

ts t

hat

are

insp

ired

by

grap

hic

diG

ita

l im

ages

.”B

lao

ww

w, p

age

10–

––

–

––

“… a

nd

appr

ecia

te

alte

rnat

ive

ecol

ogic

al

and

tEc

hn

olo

Gic

al

idea

s.”

alo

n a

lex

Gro

ss, p

age

41

––

“res

pect

ing

the

wor

k of

n

atu

rE

whi

le c

ombi

n-

ing

this

wit

h su

rpri

sin

g so

luti

ons“

Evel

ien

, pag

e 51

––

“thi

s ch

air

is in

spir

ed b

y a

grap

hic

digi

tal i

mag

e of

a s

mal

l tr

EE.”

Bla

ow

ww

, pag

e 10

––

“a c

olle

ctio

n o

f ca

rpet

s is

bas

ed o

n t

he w

aves

of

the

sEa

the

pow

er

of w

ater

, …”

cel

ia s

luij

ter,

page

15

––

“the

fur

nit

ure

is

for

inte

rior

an

d Ex

tEr

ior

use

.”

Bok

., pa

ge 4

0–

––

–

––

“an

atm

osph

eric

wal

l la

mp

usin

g ca

st p

last

ic

lEaV

Es m

oun

ted

to t

he

wal

l in

a b

ran

ch s

hape

.”st

epha

n s

iepe

rman

n,

page

35

––

“whe

n u

sed

ou

tsi

dE

the

pati

na

wil

l be

an

ongo

ing

proc

ess

resu

lt-

ing

in a

slo

w c

han

ge o

f co

lor

and

appe

aran

ce.”

stu

diof

riso

, pag

e 32

––

tuttoBEnE Milan 2008 -page 34-

stEp

ha

n s

iEpE

rM

an

nw

ww

.ste

phan

siep

erm

ann

.com

info

@st

epha

nsi

eper

man

n.c

om+

3162

0440

951

stu

dio:

u

trec

ht, t

he n

ethe

rlan

dsst

udy

:d

esig

n a

cade

my,

Ein

dhov

en

Stephan SieperMannstephan siepermann graduated at the design academy Eindhoven in 2005. he started his own studio in utrecht (the netherlands) where he creates furniture concepts and interior products. searching for new applications, constructions and images he works with a variety of materials and techniques.

on this paGE: lEaft’ wall laMpan atmospheric wall lamp using cast plastic leafs mounted to the wall in a branch shape. available with a different quantity of leaves.the work of stephan siepermann can be often described as a surprising transformation of the used materials. he uses to upgrade common or unusual materials

and parts into high-end furniture components. By this he tries to keep them away from the cycles of re-cycling and down-cycling, the so called out-cycling.

prEsEntinG at tuttoBEnE- duct’ chair- Kitt’ stool- Kitt’ table

- leaft’ hanging lamp- leaft’ wall lamp- ript’ chair and ript’ stool- a lamp- accicandlelly

–––image by stephan siepermann

tuttoBEnE Milan 2008 -page 35-

focus!focus!

ExpE

riM

Enta

Brit

ta t

ElEM

an

flo

cK

s

stu

dio

fr

iso

stu

dio

Vo

nK

&

jEr

oEn

wEs

sEli

nK

stEp

ha

n s

iEpE

rM

an

n

stu

dio

Md

fd

Gr

oEn

E h

on

dEn

Bo

K.

alo

n a

lEx

Gr

oss

cEl

ia s

uza

nn

E

wEM

ad

E

Elsi

nG

a d

EsiG

n

Kr

Ejc

i

Bla

ow

ww

dEs

iGn

stu

dio

ElEn

a K

hu

rto

Va

tah

ou

a iM

por

t

EVEl

iEn

o c

aM

po

jan

nEK

E h

oo

yMa

n

slu

ijtE

r

car

ola

zEE

narrativenarrativenarrativenarrativenarrativenarrativefantasystoryceramicceramicliving roomliving roomliving roomliving roomliving roomliving roomliving roomnaturenaturenaturenaturenaturegarden furnituregarden furniturerecycledreusingrevivinghigh-endrenewableoriginenvironmentalsurroundingurbanfuturelifetimesocial developmentsocial developmentsocial developmentsocial developmentsocial developmentcollaborationcollaborationcollaborationcollaborationcollaborationemotional interactioncommunicationrelationshipattitudeexpresssmilenigerchinaindonesiannepalweavingweavingweavingweavingweavingweavingweavingweavingfashion itemfashion itemcraftmanshipcraftspeoplehandmadepossibilitiesnew applicationsflexiblechangeadaptationtechnologicaldigitalconstructionstechniquesportableportable

MaKe-a-Match

tuttoBEnE Milan 2008 -page 36-

Editorial

design as a tool to tackle social and environmental degradation in public square, Milan.

Several public meeting areas in Milan are witnessing social and environmental degradation. It is a common problem for many metropolis.The Colonne di San Lorenzo is one of such areas situated in Corso di Porta Ticinese in Milan; it has a strategic position that is easy to reach. The area is a fashionable place where pubs, bars and restaurants surround a roman monument consisting of ten columns in front of the Basilica di San Lorenzo.

In June last year the social and environmental degradation reached a critical point. The area residents complained about the hundreds of beverage bottles and glasses left and broken. The city mayor decided to implement several experimental measures to support the residents and protect the monumental site. For example; after 9:00 pm from the 6th of June to 31st of July all pubs and bars in the area were only allowed to sell drinks in plastic cups. Another measure involved closing the whole monumental area with metal barriers from 7:00 pm until 7:00 am. Unfortunately, the mayor’s measures failed. Instead of resolving the problem frequent visitors to the area retaliated, organising several specific protests against the mayor’s decisions.

“Beer Bottles nei luoghi pubblici” is an international design competition with the objective of developing independent creative solutions for the problem. All stakeholders representative of the phases in the product’s life cycle should form part of the solution. This includes; bars, pubs, beverages local tradesmen, beverages street traders, area residents, and the groups of consumers. The design problem should be resolved from a sustainable point of view. Designers are asked to develop creative solutions considering both minor environmental impact and major social appreciation and satisfaction. All submitted projects will be included and discussed in a research report and published on the competition website www.o2italia.org.

The research and design competition are a collaboration between O2 Italia, the local Italian group of O2 global Network and Co-Creando, a research and design consultancy based in Milan. The Design competition will be launched in April as part of ‘System reload’ an event that will celebrate the 20th Anniversary of O2 global Network. This event will occur during Milan Design Week in the Nhow Hotel in Via Tortona 35, with the jury members are experts in social and environmental sustainability. The winner of the competition will be offered a free exhibition space and all the travel and journey expenses required to participate in Milan Design Week 2009.

[email protected]@cocreando.it

Image by Fatina Saikaly

eMptybeer bottleScreate deSignopportunity

artemis_tutto.indd 1 07-03-2008 16:06:38

tuttoBEnE Milan 2008 -page 37-

-advertisement-

antonia teatino & fatina Saikaly

focus!

stu

dio

Md

fd

fleX

ible

livi

nG

ro

om

life

tim

e

Wea

vin

G

––

“...

of o

bjec

ts a

nd

devi

ces

that

hig

hlig

ht

new

po

ssiB

ilit

iEs

and

harb

or n

ew t

echn

olo-

gies

.”a

lon

ale

x G

ross

, pag

e 41

–

––

–

––

“sea

rchi

ng

for

nEw

a

ppli

cat

ion

s, c

on-

stru

ctio

ns

and

imag

es h

e w

orks

wit

h ...

“st

epha

n s

iepe

rman

n,

page

35

––

“whe

n u

sed

outs

ide

the

pati

na

will

be

an o

ngo

-in

g pr

oces

s re

sult

ing

in

a sl

ow c

ha

nG

E of

col

or

and

appe

aran

ce.“

stud

iofr

iso,

pag

e 32

–

––

–

––

“stu

diof

riso

fin

ds t

he

ad

apt

atio

n o

f a

prod

-u

ct ju

st a

s im

port

ant

as

it’s

fu

nct

ion

, app

eara

nce

an

d cl

ever

nes

s.”

stud

iofr

iso,

pag

e 32

––

“wit

h th

e m

ain

foc

us

on in

teri

or a

nd

furn

itu

re d

esig

n,

Evel

ien

des

ign

s th

e an

tiqu

e of

the

fu

tu

rE.

”Ev

elie

n, p

age

51–

––

–

––

“the

pro

duct

nev

er

goes

wit

hou

t a

use

r an

d it

’s p

erce

ptio

ns,

or

a s

ur

ro

un

din

G a

nd

it’s

con

diti

ons.

” st

udi

ofri

so, p

age

32–

––

–

––

“… m

ade

as E

nV

iro

n-

MEn

tall

y f

rien

dly

as

poss

ible

.”

Bri

tta

tele

man

, pag

e 27

––

“thi

s pi

ece

of f

ur

ni-

tu

rE

is b

ecau

se o

f it

s ef

fici

ent

use

of

mat

eria

ls

high

ly e

nvi

ron

men

tall

y co

nsc

iou

s.“

Evel

ien

, pag

e 51

––

“thi

s c

ha

ir is

insp

ired

by

a g

raph

ic d

igit

al

imag

e of

a s

mal

l tre

e.”

Bla

ow

ww

, pag

e 10

––

“hi,

we

are

hap

py

laM

ps, w

e li

ght

up

you

r sp

ace,

an

d m

aybe

you

r he

art!

”

Elsi

nga

des

ign

, pag

e 12

––

“Gla

ss V

asE

s, c

up-

Bo

ar

d, c

ar

pEt,

sEa

t

oB

jEc

ts,

la

Mps

, ...”

Gro

ene

hon

den

, pag

e 39

––

“… a

s w

ell a

s in

tEr

ior

ob

ject

s.”

flo

cK

s, p

age

26–

––

–

––

“… a

llow

ing

a ho

t ki

tche

n p

ot t

o co

me

to t

he n

oble

din

nEr

ce

rem

ony.

”Ex

peri

men

ta o

cam

po,

page

28

––

“...m

ade

wit

h pa

ssio

n

and

prid

e, u

sin

g th

e ag

e-ol

d tr

adit

ion

al t

echn

iqu

e of

pal

m le

af w

EaV

inG

.”

taho

ua

impo

rt, p

age

7–

––

–

––

“tib

etan

wo

ol

and

nep

al k

not

s, s

ilk, i

n r

aw

and

fin

e (.

..) d

o br

ing

a ca

rpet

to

life.

”

cel

ia s

luij

ter,

page

15

––

“Bok

.ho

sEpi

pE f

urn

i-tu

re is

a f

urn

itu

re

con

cept

mad

e of

old

an

d n

ew h

osE

pipE

s ...

”

Bok

., pa

ge 4

0–

––

–

––

“the

ca

rpE

ts

are

han

dmad

e, u

sin

g le

ftov

er le

athe

r.”m

anon

de

bru

ijn

Gro

ene

hon

den

, pag

e 39

––

“fa

Br

ics

are

use

d in

a

tota

lly

diff

eren

t m

an-

ner

the

y w

ere

orig

inal

ly

mea

nt

for.”

stu

dio

Von

k &

jan

nek

e h

ooym

an, p

age

24–

––

–

––

“urc

hin

’ is

a h

an

d-

Kn

itt

Ed w

oole

n

pou

f…”

flo

cK

s, p

age

26–

––

–

––

“…fr

om w

EaV

inG

to

bask

etry

or

tin

wor

k, in

or

der

to d

evel

op t

heir

m

ater

ial o

ffer

...”

Expe

rim

onet

a o

cam

po,

page

28

––

tuttoBEnE Milan 2008 -page 38-

jan

a fl

ohr

hom

e is

whe

re t

he h

eart

is (

cupb

oard

)

lies

beth

hu

izin

gB

east

s (s

eat

obje

cts)

roz

a pe

lgro

m

Map

of

thou

ght

(thr

ee b

lan

kets

)

ros

alie

Bak

d

isse

ctio

n#

1 (4

gla

ss v

ases

) an

d #

2 (2

0 ba

nda

ged

doll

s)

suza

nn

e r

ietd

ijk

was

hin

g de

vice

s (2

boo

ks,

min

iatu

re b

ath

and

was

hin

g ba

g)lo

la h

esp

the

sel

fish

gen

e pr

ojec

t (7

lam

ps)

Man

on d

e B

ruij

n

feli

z! (

carp

et)

fred

erik

e to

pfl

own

up

(3 la

mps

) an

d 1

rose

tte

groene hondenthe ‘Groene honden, jong ontwerp’ foundation is a platform that has been established by recently gradu-ated designers. the ‘Groene honden’ (Green dogs) joined forces to gener-ate exposure for new dutch design. this platform aims to reintroduce creativity and playfulness into the dutch design community by ques-tioning all existing boundaries of ‘design’. the strength of the ‘Groene honden, jong ontwerp’ foundation lies in their interdisciplinary collaboration. sharing knowledge and experience makes it possible to achieve higher goals. the foundation is involved in a wide range of activities; from designing new products and orga-nizing exhibitions to expose young design, to organizing lectures and design tours.

on this paGE: rosaliE BaK ‘My work deals with that what is

fragile and what needs to be healed. whether it is an actual product, a material or something random as a stain. something to comfort you, or for you to comfort it.’ www.rosaliebak.nl

jana flohr why can people get so emotionally attached to the seemingly useless things they surround themselves with? the true worth of things can only be defined by its value to each individual person. is it possible to design an emotional attachment? can we design immaterial value?www.janaflohr.com

liEsBEth huizinG i copy animals without them literally become a copy. as result, the beasts get something mythological. they are like statues, lifeless, being turned into a ‘thing’, a thing to use as a sitting element or a table.

lola hEsp lola hesp is a conceptual designer who gets inspired by science, technology and people and the coherence between these factors. this results in very different projects, from a tunnel lightning to a genetic research project.www.theselfishgene.nl

Manon dE Bruijn for the collection of carpets ‘os Elos’ i have designed a technique which allows the whole production process to be carried out by disabled people in Brazil to give them a better future. the carpets are handmade, using leftover leather. there is no need for a sewing machine. www.manonjuliette.nl

frEdEriKE top flown up is a series of lamps which make your mind wonder. due to

the lamps shapes and silhouettes they look as if they are blowing in the wind. www.frederiketop.nl

suzannE riEtdijK the domestic tasks that we perform daily exist from tradition and habit. By going back to the basic function in the product, the user’s initiative is stimulated again. the washing modules give the action back to the user.www.suzannerietdijk.nl

roza pElGroM with these blankets i create a landscape of thought. fictional maps show you a new way of travelling. they show memories, thoughts and sometimes the dreams that a person can have about a certain place. it has a lot to do with creating your own space, wherever you are.www.rozapelgrom.nl

Gr

oEn

E h

on

dEn

ww

w.g

roen

ehon

den

.nl

info

@gr

oen

ehon

den

.nl

pers

@gr

oen

ehon

den

.nl

+31

6206

8368

7 fr

eder

ike

top

+31

6412

1174

2 r

oza

pelg

rom

stu

dio:

u

trec

ht, t

he n

ethe

rlan

dsst

udy

: a

ll p

rese

nti

ng

desi

gner

s st

udi

ed 3

d-de

sign

at

the

hK

u, u

trec

ht, t

he n

ethe

rlan

ds

www.liesbethhuizing.nl

tuttoBEnE Milan 2008 -page 39-

focus!focus!

in the search for a stage for his enormous fantasy and enthusiasm, the dutch architect/designer sander Bokkinga started in 2006 with Bok.. Bok. is fascinating and wondering himself about the existing world around him.Because of that Bok. is using existing traditional products and materials to design new surprising functional objects. the new objects are mainly meant as furniture and accessoirie for interior and exterior use.

on this paGE: BoK.hosEpipE furniturEBoK.hosEpipE furniture is a furniture concept made of old and new hosepipes. the first series contains a chair, a floor-lamp and a stool. Each object is handmade by Bok. the furniture is for interior and exterior use. and the water can still going through the objects! a water-cooled chair! Bok. wants to make the world nicer and little better. sustainability and

social responsibility are important components of the Bok.vision. Bok. wants to make the world aware of the beautiful things around us by using or reusing existing products or materials in a different, smarter and funnier way. Bok. wants to stop the race of better and more. quality instead of quantity. the new objects are always functional, not complex, with durable pure materials and easy to recycle or reuse. all Bok.

objects are produced in holland by Bok. or in cooperation with local factories.

prEsEntinG at tuttoBEnE - BoK.hosEpipE furniture

–––image by Emiel Bokkinga

boK.

Bo

K.

san

der

Bok

kin

gaw

ww

.san

derb

okki

nga

.nl

info

@sa

nde

rbok

kin

ga.n

l+

3162

8455

874

stu

dio:

r

otte

rdam

, the

net

herl

ands

stu

dy:

tech

nic

al u

niv

ersi

ty d

elft

, the

net

herl

ands

facu

lty

of a

rchi

tect

ure

tuttoBEnE Milan 2008 -page 40-

alon alex groSSin my work i aim to combine technology and sustainability, which allow for the creation of objects and devices that highlight new possibilities and harbor new technologies. the goal is to use these object to pass on a story, so the viewers can open up and appreciate alternative ecological and technological ideas. this in turn will influence and per-haps change their perception of ecological problems that affect our environment.

on this paGE: autoMatEd dEw/rain collEctor flour for doMEstic usEa technological based object, which allows a sustainable automated process to collect dew/rain drops relying on information that is being gathered by censors or being pulled out from the world wide web via network connection. the device could be positioned next to a window, rooftop or in the garden.fog harvesting and dew collection are ancient methods for producing

drinking water. in an era where natural resources like pure drinking water are becoming scarce in many undeveloped countries, the role of design becomes important to pass on ecological and economical ideas that could hopefully contribute for finding solutions for water short-ages. By presenting the fog and dew collector devices i strive to raise awareness to alternative production possibilities for water in areas where water supply is limited or doesn’t exist either because of

weather conditions or because the lack of suitable funds to supply drinking water.

prEsEntinG at tuttoBEnE - fog collector- dew collector- automated dew/rain collector flour for a domestic use

–––image by nimrod Glickman

alo

n a

lEx

Gr

oss

+44

7787

8021

08al

onal

exgr

oss@

gmai

l.com

stu

dio:

lo

ndo

n, G

reat

Bri

ttan

stu

dy:

Gol

dsm

iths

col

lege

lon

don

Ma

cri

tica

l the

ory

and

prac

tice

.

tuttoBEnE Milan 2008 -page 41-

focus!focus!

cE

lia

su

zan

nE

slu

ijt

Er

neP

al

Wea

vin

G

SoCi

al D

evel

oPm

ent

nat

ur

e

––

“tav

ie o

ffer

s a

uniq

ue

colle

ctio

n o

f de

cora

tive

an

d fu

nct

ion

al p

rodu

cts,

or

igin

atin

g fr

om

nor

ther

n n

iGEr

.”ta

houa

im

port

, pag

e 7

––

“...h

is c

olla

bora

tion

an

d sh

ow t

he d

iffe

ren

t te

ch-

niq

ues

typi

cal f

or t

his

regi

on o

f c

hin

a.”

des

ign

stud

io

car

ola

zee,

pag

e 9

––

“...b

etw

een

two

dut

ch

desi

gner

s an

d in

do

nE-

sia

n c

raft

speo

ple

who

w

ere

vict

ims

of t

he B

an-

tul e

arth

quak

e 20

06.”

wEM

ad

E, p

age

13–

––

–

––

“pur

chas

ing

a ta

vie

prod

uct

help

s cr

eate

a

bett

er E

co

no

Mic

sit

ua-

tion

for

the

alm

ost

3.00

0 w

omen

who

..”ta

houa

im

port

, pag

e 7

––

“…m

ake

cons

umer

s a

wa

rE

of t

he f

act

that

m

ost

(...)

peo

ple

crea

ting

th

em a

re u

nder

val

ued.

”d

esig

n s

tudi

o c

arol

a ze

e, p

age

9–

––

–

––

“Goa

l: t

o in

crea

se

the

Ec

on

oM

ic

ind

epen

den

ce o

f th

e lo

cal

craf

tspe

ople

.”

wEM

ad

E, p

age

13–

––

–

––

“… t

o pa

ss o

n e

colo

gica

l an

d ec

onom

ical

idea

s,

that

cou

ld h

opef

ully

co

nt

riB

ut

E fo

r fi

ndi

ng

solu

tion

s...”

alo

n a

lex

Gro

ss, p

age

41–

––

–

––

“res

pect

ing

the

wor

k of

n

atu

rE

whi

le c

ombi

n-

ing

this

wit

h su

rpri

sin

g so

luti

ons“

Evel

ien

, pag

e 51

––

“thi

s ch

air

is in

spir

ed b

y a

grap

hic

digi

tal i

mag

e of

a s

mal

l tr

EE.”

Bla

ow

ww

, pag

e 10

––

“the

fur

nit

ure

is

for

inte

rior

an

d Ex

tEr

ior

use

.”

Bok

., pa

ge 4

0–

––

–

––

“an

atm

osph

eric

wal

l la

mp

usin

g ca

st p

last

ic

lEaV

Es m

oun

ted

to t

he

wal

l in

a b

ran

ch s

hape

.”st

epha

n s

iepe

rman

n,

page

35

––

“sto

ol t

hat

you

can

han

g u

psid

e do

wn

on

a w

all

hook

an

d be

com

es a

d

EEr

hea

d.”

jero

en w

esse

lin

k,

page

23

––

“whe

n u

sed

ou

tsi

dE

the

pati

na

wil

l be

an

ongo

ing

proc

ess

resu

lt-

ing

in a

slo

w c

han

ge o

f co

lor

and

appe

aran

ce.”

stu

diof

riso

, pag

e 32

––

“...m

ade

wit

h pa

ssio

n

and

prid

e, u

sin

g th

e ag

e-ol

d tr

adit

ion

al t

echn

iqu

e of

pal

m le

af w

EaV

inG

.”

taho

ua

impo

rt, p

age

7–

––

–

––

“Bok

.ho

sEpi

pE

furn

itu

re is

a f

urn

itu

re

con

cept

mad

e of

old

an

d n

ew h

osE

pipE

s...”

Bok

., pa

ge 4

0–

––

–

––

“the

ca

rpE

ts

are

han

dmad

e, u

sin

g le

ftov

er le

athe

r.”m

anon

de

bru

ijn

Gro

ene

hon

den

, pag

e 39

––

“deK

ast

offe

rs t

he

poss

ibili

ty t

o di

spla

y an

d co

mbi

ne

a w

ide

ran

ge o

f ri

ch a

nd

deco

rati

ve f

aB

ric

s.”

stu

dio

Md

fd, p

age

19–

––

–

––

“fa

Br

ics

are

use

d in

a

tota

lly

diff

eren

t m

an-

ner

the

y w

ere

orig

inal

ly

mea

nt

for.”

stu

dio

Von

k &

jan

nek

e h

ooym

an, p

age

24–

––

–

––

“urc

hin

’ is

a h

an

d-

Kn

itt

Ed w

oole

n

pou

f…”

flo

cK

s, p

age

26–

––

–

––

“…fr

om w

EaV

inG

to

bask

etry

or

tin

wor

k, in

or

der

to d

evel

op t

heir

m

ater

ial o

ffer

...”

Expe

rim

onet

a o

cam

po,

page

28

––

tuttoBEnE Milan 2008 -page 42-

AN INSPIRING DESIGN ROUTE THROUGHOUT AMSTERDAM WITH AS REMARKABLE STARTING POINT THE ELLE WONEN DESIGN HOTEL @ LLOYD HOTEL

MORE INFORMATION: WWW.INSIDEDESIGN.NL

LLOYD HOTEL AMSTERDAM WWW.INSIDEDESIGN.NLINSIDE DESIGN

AMSTERDAM 2008

THU 11 SE

PT

– SUN SEPT 14

20

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EW-IDA08advertentie.indd 1 13-03-2008 12:01:11

Music by dJ deleau, dJ Mulat and Mr. Jd & Marco at the sax

tuttobeneopening party

17 aPril20.00 - 01.00

via mortara 15milan

tuttoBEnE Milan 2008 -page 43-

focus!

wE

Ma

dE

Craf

tSPe

oPl

e

Coll

abo

rat

ion

inD

on

eSia

n

SoCi

al D

evel

oPm

ent

––

“… a

n e

ffec

tive

an

d su

cces

sful

pa

rtn

Er-

ship

.“

taho

ua i

mpo

rt, p

age

7–

––

–

––

“the

str

engt

h of

the

‘G

roen

e h

onde

n, j

ong

on

twer

p’ f

oun

dati

on li

es

in t

heir

inte

rdis

cipl

inar

y c

oll

aB

or

atio

n.”

Gro

ene

hon

den

, pag

e 39

––

“our

exp

erti

se is

un

itEd

in

thi

s pr

ojec

t w

hich

will

be

the

sta

rtin

g po

int

for

a w

hole

new

,...”

stud

io V

onk

& j

ann

eke

hoo

yman

, pag

e 24

––

“...a

n a

rtis

tic

rEs

idEn

cE

that

see

ks t

he d

evel

op-

men

t of

new

des

ign

s fo

r ar

tisa

ns…

”Ex

peri

men

ta o

cam

po,

page

28

––

“com

bin

ing

mod

ern

pr

oduc

tion

tec

hniq

ues

wit

h c

ra

ftsM

an

ship

.”

des

ign

stu

dio

car

ola

zee,

pag

e 9

––

“thi

s de

sign

is m

anuf

ac-

ture

d w

ith

a tr

adit

ion

al

loom

in a

sus

tain

able

h

an

dM

ad

E pr

oces

s…”

Expe

rim

enta

o c

ampo

, pa

ge 2

8–

––

–

––

“pur

chas

ing

a ta

vie

prod

uct

help

s cr

eate

a

bett

er E

co

no

Mic

sit

ua-

tion

for

the

alm

ost

3.00

0 w

omen

who

..”ta

houa

im

port

, pag

e 7

––

“…m

ake

cons

umer

s a

wa

rE

of t

he f

act

that

m

ost

(...)

peo

ple

crea

ting

th

em a

re u

nder

val

ued.

”d

esig

n s

tudi

o c

arol

a ze

e, p

age

9–

––

–

––

“th

e bu

sin

ess

impr

ove-

men

t h

as a

so

cia

l an

d po

vert

y al

levi

atio

n

targ

et.”

cel

ia s

luijt

er, p

age

15–

––

–

––

“… t

o pa

ss o

n e

colo

gica

l an

d ec

onom

ical

idea

s,

that

cou

ld h

opef

ully

co

nt

riB

ut

E fo

r fi

ndi

ng

solu

tion

s...”

alo

n a

lex

Gro

ss, p

age

41–

––

–

––

“...h

is c

olla

bora

tion

an

d sh

ow t

he d

iffe

ren

t te

ch-

niq

ues

typi

cal f

or t

his

regi

on o

f c

hin

a.”

des

ign

stud

io

car

ola

zee,

pag

e 9

––

“tav

ie o

ffer

s a

uniq

ue

colle

ctio

n o

f de

cora

tive

an

d fu

nct

ion

al p

rodu

cts,

or

igin

atin

g fr

om

nor

ther

n n

iGEr

.”ta

houa

im

port

, pag

e 7

––

“…c

elia

laun

ched

the

ta

pis

jard

in c

olle

ctio

n

in 2

005

in c

o-op

erat

ion

w

ith

nEp

al.

”c

elia

suz

ann

e sl

uijt

er, p

age

15–

––

–

tuttoBEnE Milan 2008 -page 44-

Smil

e

nar

rat

ive

livi

nG

ro

om

eXPr

eSS

Els

inG

a d

Esi

Gn

––

“i a

m in

tere

sted

in t

he

EMo

tio

na

l m

ean

ing

of t

hin

gs, i

cre

ate

new

im

ages

tha

t pr

ovok

e th

inki

ng…

”El

ena

Khu

rtov

a, p

age

49

––

“a

n a

tti

tud

E th

at

wan

ts y

ou t

o ta

lk b

ack!

”

Kr

Ejc

i, p

age

46–

––

–

––

“… c

ombi

nes

qu

alit

y m

ater

ials

an

d co

nst

ruc-

tion

to

cr

Eat

E pr

od-

uct

s th

at w

ill e

xist

for

an

othe

r hu

ndr

ed y

ear.”

Evel

ien

, pag

e 51

––

“as

resu

lt, t

he

beas

ts g

et

som

eth

ing

My

th

olo

Gi-

ca

l.”

lies

beth

Hui

zing

Gro

ene

hon

den

, pag

e 39

––

“...a

su

rpri

sin

g t

ra

ns-

for

Mat

ion

of

the

use

d m

ater

ials

.”

step

han

sie

perm

ann

, pa

ge 3

5–

––

–

––

“sto

ol t

hat

you

can

han

g u

psid

e do

wn

on

a w

all

hook

an

d B

Eco

MEs

a

deer

hea

d.”

jero

en w

esse

lin

k,

page

23

––

“she

has

a g

reat

inte

rest

in

rEc

on

nEc

tin

G e

nd

prod

uct

s to

the

ir r

aw

mat

eria

ls.”

flo

cK

s, p

age

26–

––

–

––

“in

the

sea

rch

for

a st

age

for

his

enor

mou

s fa

n-

tasy

an

d en

thus

iasm

,…”

Bok

., pa

ge 4

0–

––

–

––

“… a

gre

at s

to

ry

is t

he

star

tin

g po

int.

”

stu

dio

Von

k &

jan

nek

e h

ooym

an, p

age

24–

––

–

––

“i a

m in

tere

sted

in t

he

EMo

tio

na

l m

ean

ing

of t

hin

gs, i

cre

ate

new

im

ages

tha

t pr

ovok

e th

inki

ng…

”El

ena

Khu

rtov

a, p

age

49

––

“an

at

titu

dE

that

w

ants

you

to

talk

bac

k!”

Kr

Ejc

i, p

age

46–

––

–

––

“thi

s pi

ece

of f

ur

ni-

tu

rE

is b

ecau

se o

f it

s ef

fici

ent

use

of

mat

eria

ls

high

ly e

nvi

ron

men

tall

y co

nsc

iou

s.“

Evel

ien

, pag

e 51

––

“thi

s c

ha

ir is

insp

ired

by

a g

raph

ic d

igit

al

imag

e of

a s

mal

l tre

e.”

Bla

ow

ww

, pag

e 10

––

“Gla

ss V

asE

s, c

up-

Bo

ar

d, c

ar

pEt,

sEa

t

oB

jEc

ts,

la

Mps

, ...”

Gro

ene

hon

den

, pag

e 39

––

“st

udi

o M

dfd

, dev

el-

ops

mu

lti-

fun

ctio

nal

fu

rn

itu

rE

that

can

be

ada

pted

to

our

ever

-ch

angi

ng

nee

ds,..

.“st

udi

o M

dfd

, pag

e 19

–

––

–

––

“… a

s w

ell a

s in

tEr

ior

ob

ject

s.”

flo

cK

s, p

age

26–

––

–

––

“…al

low

ing

a ho

t ki

tche

n p

ot t

o co

me

to t

he n

oble

din

nEr

ce

rem

ony.

”Ex

peri

men

ta o

cam

po.

page

28

––

tuttoBEnE Milan 2008 -page 45-

focus!focus!

Kr

Ejc

id

oree

n w

estp

hal

ww

w.k

rejc

i.nl

con

tact

l@kr

ejci

.nl

+31

6242

4098

9

stu

dio:

a

mst

erda

m, t

he n

ethe

rlan

dsst

udy

: t

heat

re d

esig

n

KrEjci stands for strong, urban, high quality design with an attitude. an attitude that is asking you to think, that is encouraging you to question what we are used to. an attitude that wants you to talk back!

on this paGE: taKashitakashi is the latest design of a shoulder bag from the classic tubus collection of KrEjci, an elegant, easy to use bag with a simple design. it is made from old bicycle inner tubes and felt.

the bags are made from recycled material in small social workplaces in warsaw/poland and Berlin/Germany.

prEsEntinG at tuttoBEnE - a birds palace- takashi- let’s Grow some Balls

–––image by olga overbeek

Krejci

tuttoBEnE Milan 2008 -page 46-

nat

ur

e

livi

nG

ro

om

DiG

ital

Com

mu

niC

atio

nBla

ow

ww

––

“con

vers

atio

n c

ups

pro

-vo

ke i

nt

Era

ct

ion

, in

tera

ctiv

e ex

peri

ence

is

a n

ew im

port

ant

fun

c-ti

on. ”

Elen

a K

hurt

ova,

pag

e 49

–

––

–

––

“it’

s go

al is

to

intr

odu

ce

un

ders

tan

din

gs o

f ou

r r

Elat

ion

ship

s w

ith

each

oth

er…

”

Elen

a K

hurt

ova,

pag

e 49

––

“… a

nd

appr

ecia

te

alte

rnat

ive

ecol

ogic

al

and

tEc

hn

olo

Gic

al

idea

s.”

alo

n a

lex

Gro

ss, p

age

41

––

“...

new

con

stru

ctio

ns

and

imag

es h

e w

orks

w

ith

a va

riet

y of

mat

eri-

als

and

tEc

hn

iqu

Es.”

jero

en w

esse

lin

k,

page

23

––

“...

new

co

nst

ru

c-

tio

ns

and

imag

es h

e w

orks

wit

h a

vari

ety

of

mat

eria

ls...

”je

roen

wes

seli

nk,

pa

ge 2

3 –

––

–

––

“thi

s pi

ece

of f

ur

ni-

tu

rE

is b

ecau

se o

f it

s ef

fici

ent

use

of

mat

eria

ls

high

ly e

nvi

ron

men

tall

y co

nsc

iou

s.“

Evel

ien

, pag

e 51

––

“hi,

we

are

hap

py

laM

ps, w

e li

ght

up

you

r sp

ace,

an

d m

aybe

you

r he

art!

”

Elsi

nga

des

ign

, pag

e 12

––

“Gla

ss V

asE

s, c

up-

Bo

ar

d, c

ar

pEt,

sEa

t

oB

jEc

ts,

la

Mps

, ...”

Gro

ene

hon

den

, pag

e 39

––

“stu

dio

Md

fd, d

evel

-op

s m

ult

i-fu

nct

ion

al

fur

nit

ur

E th

at c

an

be a

dapt

ed t

o ou

r ev

er-

chan

gin

g n

eeds

,...”

stu

dio

Md

fd, p

age

19

––

“… a

s w

ell a

s in

tEr

ior

ob

ject

s.”

flo

cK

s, p

age

26–

––

–

––

“… a

llow

ing

a ho

t ki

tche

n p

ot t

o co

me

to t

he n

oble

din

nEr

ce

rem

ony.

”Ex

peri

men

ta o

cam

po.

page

28

––

“res

pect

ing

the

wor

k of

n

atu

rE

whi

le c

ombi

n-

ing

this

wit

h su

rpri

sin

g so

luti

ons“

Evel

ien

, pag

e 51

––

“a c

olle

ctio

n o

f ca

rpet

s is

bas

ed o

n t

he w

aves

of

the

sEa

the

pow

er

of w

ater

, …”

cel

ia s

luij

ter,

page

15

––

“the

fur

nit

ure

is

for

inte

rior

an

d Ex

tEr

ior

use

.”

Bok

., pa

ge 4

0–

––

–

––

“an

atm

osph

eric

wal

l la

mp

usin

g ca

st p

last

ic

lEaV

Es m

oun

ted

to t

he

wal

l in

a b

ran

ch s

hape

.”st

epha

n s

iepe

rman

n,

page

35

––

“sto

ol t

hat

you

can

han

g u

psid

e do

wn

on

a w

all

hook

an

d be

com

es a

d

EEr

hea

d.”

jero

en w

esse

lin

k,

page

23

––

“whe

n u

sed

ou

tsi

dE

the

pati

na

wil

l be

an

ongo

ing

proc

ess

resu

lt-

ing

in a

slo

w c

han

ge o

f co

lor

and

appe

aran

ce.”

stu

diof

riso

, pag

e 32

––

tuttoBEnE Milan 2008 -page 47-

focus!focus!

dE

siG

n s

tu

dio

ca

ro

la z

EE

Craf

tman

SHiP

Cer

amiC

SoCi

al D

evel

oPm

ent

CHin

a

––

“Goa

l: t

o in

crea

se

the

econ

omic

in

dep

en-

den

ce o

f th

e lo

cal

cr

aft

spE

opl

E.”

wEM

ad

E, p

age

13–

––

–

––

“thi

s de

sign

is m

anuf

ac-

ture

d w

ith

a tr

adit

ion

al

loom

in a

sus

tain

able

h

an

dM

ad

E pr

oces

s…”

Expe

rim

enta

o c

ampo

, pa

ge 1

2–

––

–

––

“tw

o co

nn

ecte

d c

ups

en

han

ce t

he m

omen

t of

in

tera

ctio

n b

etw

een

tw

o fr

ien

ds.”

Elen

a K

hurt

ova,

pag

e 49

–

––

–

––

“pur

chas

ing

a ta

vie

prod

uct

help

s cr

eate

a

bett

er E

co

no

Mic

sit

ua-

tion

for

the

alm

ost

3.00

0 w

omen

who

..”ta

houa

im

port

, pag

e 7

––

“Goa

l: t

o in

cr

Ea

sE

the

econ

omic

in

dep

end

ence

of

the

loca

l cr

afts

peop

le.”

wEM

ad

E, p

age

13–

––

–

––

“th

e bu

sin

ess

impr

ove-

men

t h

as a

so

cia

l an

d po

vert

y al

levi

atio

n

targ

et.”

cel

ia s

luijt

er, p

age

15–

––

–

––

“… t

o pa

ss o

n e

colo

gica

l an

d ec

onom

ical

idea

s,

that

cou

ld h

opef

ully

co

nt

riB

ut

E fo

r fi

ndi

ng

solu

tion

s...”

alo

n a

lex

Gro

ss, p

age

41–

––

–

––

“tav

ie o

ffer

s a

uniq

ue

colle

ctio

n o

f de

cora

tive

an

d fu

nct

ion

al p

rodu

cts,

or

igin

atin

g fr

om

nor

ther

n n

iGEr

.”ta

houa

im

port

, pag

e 7

––

“...

betw

een

two

dut

ch

desi

gner

s an

d in

do

nE-

sia

n c

raft

speo

ple

who

w

ere

vict

ims

of t

he B

an-

tul e

arth

quak

e 20

06.”

wEM

ad

E, p

age

13–

––

–

––

“… c

elia

laun

ched

the

ta

pis

jard

in c

olle

ctio

n

in 2

005

in c

o-op

erat

ion

w

ith

nEp

al.

”

cel

ia s

luijt

er, p

age

15–

––

–

tuttoBEnE Milan 2008 -page 48-

elena KhurtoVai am interested in the emotional meaning of things, i create new images that provoke thinking about the value of the contemporary environment and the way people use it. My general subject is to question how people relate to design.

on this paGE: conVErsation cupstwo connected cups enhance the moment of interaction between two friends. you can’t drink at the same moment; you must first wait for your friend to have a drink. there are versions for left handed, right handed and mixed couples.conversation cups provoke

interaction, interactive experience is a new important function.

it’s goal is to introduce under-standings of our relationships and bring back common values for things like respect and taking care of each other instead of fulfilling never-ending desire of consumerism.

prEsEntinG at tuttoBEnE- conversation cups- porcelain chair

–––image by Elena Khurtova

ElE

na

Kh

ur

to

Vaeh

urto

va@

hotm

ail.c

om+

3164

7236

998

stud

io:

am

ster

dam

, the

net

herl

ands

stud

y:

Ger

riet

rie

tvel

d a

cade

my,

am

ster

dam

tuttoBEnE Milan 2008 -page 49-

focus!focus!

tah

ou

a i

Mpo

rt

Coll

abo

rat

ion

Wea

vin

G

SoCi

al D

evel

oPm

ent

niG

er

––

“wEM

ad

E is

a p

roje

ct

BEt

wEE

n t

wo

dut

ch

desi

gner

s an

d in

don

e-si

an c

raft

speo

ple

who

w

ere

vict

ims

of ..

.”

wEM

ad

E, p

age

13–

––

–

––

“the

str

engt

h of

the

‘G

roen

e h

onde

n, j

ong

on

twer

p’ f

oun

dati

on li

es

in t

heir

inte

rdis

cipl

inar

y c

oll

aB

or

atio

n.”

Gro

ene

hon

den

, pag

e 39

––

“our

exp

erti

se is

u

nit

Ed in

thi

s pr

ojec

t w

hich

will

be

the

star

t-in

g po

int

for..

.”st

udio

Von

k &

jan

nek

e h

ooym

an, p

age

24–

––

–

––

“...

an a

rtis

tic

rEs

i-d

Enc

E th

at s

eeks

the

de

velo

pmen

t of

new

de

sign

s fo

r ar

tisa

ns…

”Ex

peri

men

ta o

cam

po,

page

28

––

“...

his

colla

bora

tion

an

d sh

ow t

he d

iffe

ren

t te

ch-

niq

ues

typi

cal f

or t

his

regi

on o

f c

hin

a.”

des

ign

stud

io

car

ola

zee,

pag

e 9

––

“...

betw

een

two

dut

ch

desi

gner

s an

d in

do

nE-

sia

n c

raft

speo

ple

who

w

ere

vict

ims

of t

he B

an-

tul e

arth

quak

e 20

06.”

wEM

ad

E, p

age

13–

––

–

––

“… c

elia

laun

ched

the

ta

pis

jard

in c

olle

ctio

n

in 2

005

in c

o-op

erat

ion

w

ith

nEp

al.

”

cel

ia s

luijt

er, p

age

15–

––

–

––

“Goa

l: t

o in

cr

Ea

sE

the

econ

omic

in

dep

end

ence

of

the

loca

l cr

afts

peop

le.”

wEM

ad

E, p

age

13–

––

–

––

“…m

ake

cons

umer

s a

wa

rE

of t

he f

act

that

m

ost

(...)

peo

ple

crea

ting

th

em a

re u

nder

val

ued.

”d

esig

n s

tudi

o c

arol

a ze

e, p

age

9–

––

–

––

“th

e bu

sin

ess

impr

ove-

men

t h

as a

so

cia

l an

d po

vert

y al

levi

atio

n

targ

et.”

cel

ia s

luijt

er, p

age

15–

––

–

––

“… t

o pa

ss o

n e

colo

gica

l an

d ec

onom

ical

idea

s,

that

cou

ld h

opef

ully

co

nt

riB

ut

E fo

r fi

ndi

ng

solu

tion

s...”

alo

n a

lex

Gro

ss, p

age

41–

––

–

––

“tib

etan

wo

ol

and

nep

al k

not

s, s

ilk, i

n r

aw

and

fin

e (.

..) d

o br

ing

a ca

rpet

to

life.

”

cel

ia s

luij

ter,

page

15

––

“Bok

.ho

sEpi

pE

furn

itu

re is

a f

urn

itu

re

con

cept

mad

e of

old

an

d n

ew h

osE

pipE

s. .”

Bok

., pa

ge 4

0–

––

–

––

“the

ca

rpE

ts

are

han

dmad

e, u

sin

g le

ftov

er le

athe

r.”m

anon

de

bru

ijn

Gro

ene

hon

den

, pag

e 39

––

“deK

ast

offe

rs t

he

poss

ibili

ty t

o di

spla

y an

d co

mbi

ne

a w

ide

ran

ge o

f ri

ch a

nd

deco

rati

ve f

aB

ric

s.”

stu

dio

Md

fd, p

age

19–

––

–

––

“fa

Br

ics

are

use

d in

a

tota

lly

diff

eren

t m

an-

ner

the

y w

ere

orig

inal

ly

mea

nt

for.”

stu

dio

Von

k &

jan

nek

e h

ooym

an, p

age

24–

––

–

––

“‘u

rchi

n’ i

s a

ha

nd

-K

nit

tEd

woo

len

po

uf…

”

flo

cK

s, p

age

26–

––

–

––

“…fr

om w

EaV

inG

to

bask

etry

or

tin

wor

k, in

or

der

to d

evel

op t

heir

m

ater

ial o

ffer

...”

Expe

rim

onet

a o

cam

po,

page

28

––

tuttoBEnE Milan 2008 -page 50-

EVEl

iEn

Evel

ien

Val

kw

ww

.eve

lien

valk

.nl

evel

ien

@ev

elie

nva

lk.n

l+

3164

2812

447

stu

dio:

u

trec

ht, t

he n

ethe

rlan

dsst

udy

: d

esig

n a

cade

my,

Ein

dhov

en

eVelienwith the main focus on interior and furniture design, Evelien designs the antique of the future. inspired by the old cabinet-makers she combines quality materials and construction to create products that will exist for another hundred year.

respecting the work of nature while combining this with surprising solutions.

on this paGE: sEcrEtairEthis secretaire is a reaction to the inefficient use of materials in the

furniture industry. without any loss of wood this secretaire is cut out of a single piece of oak wood.

this piece of furniture is because of its efficient use of materials highly environmentally conscious.

prEsEntinG at tuttoBEnE - secretaire- Box of Memories

–––image by Evelien Valk

tuttoBEnE Milan 2008 -page 51-

focus!focus!

Pakhuis de Zwijger [email protected] Piet Heinkade 179 1019 HC Amsterdam 020 7884440www.dezwijger.nl www.cultuurfabriek.nl www.women-inc.nl www.beamlab.nl www.streetlab.nl

CONNECT

Ad Tuttobene.indd 1 06-03-2008 15:22:37

tuttoBEnE Milan 2008 -advertisement-

reprisepArTY

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exhibition oPening times:26 & 27 aPril from 13.00 till 18.0028 & 29 aPril from 09.00 till 17.30

music by dJ mulat & dJJJ

focuson nature

tuttobene’s underground satellite Presentationin the lobby, under the glass floor in front of the elevators

nhow hotelvia tortona 35milan

newnewnew

tuttoBEnE Milan 2008 -page 53-

focus!

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