Parco Archeologico della Neapolis Siracusa

43
http://www.authorstream.com/Presentation/sandamichaela-1221037-parco-archeologico-de lla-neapolis-siracusa/

Transcript of Parco Archeologico della Neapolis Siracusa

Page 1: Parco Archeologico della Neapolis Siracusa

http://www.authorstream.com/Presentation/sandamichaela-1221037-parco-archeologico-della-neapolis-siracusa/

Page 2: Parco Archeologico della Neapolis Siracusa
Page 3: Parco Archeologico della Neapolis Siracusa
Page 4: Parco Archeologico della Neapolis Siracusa
Page 5: Parco Archeologico della Neapolis Siracusa

Colonised by Corinthians around 734 B.C., Syracuse embodies the glories and triumphs of antiquity and the ancient past in a way rivaled only by Athens Carthage and Rome. It is a feast of ancient history in architecture, monuments, geography and geology.

Fondată de colonizatori greci din Corint în jurul anului 734 î.Hr Siracuza întruchipează gloria antichităţii, iar istoria trecutului ei antic rivalizează doar cu Atena, Cartagina şi Roma. Siracuza este o adevărată sărbătoare a istoriei antice în arhitectură, monumente, geografie si geologie.

Page 6: Parco Archeologico della Neapolis Siracusa
Page 7: Parco Archeologico della Neapolis Siracusa

The Greek theatre, whose cavea is one of the largest ever built by the ancient Greeks: it has 67 rows, divided into nine sections with eight aisles. Only traces of the scene and the orchestra remain. The edifice (still used today) was modified by the Romans, who adapted it to their different style of spectacles, including also circus games. Din teatrul Grec a cărui cavea a fost cea mai mare construită vreodată (67 de rânduri împărţite în nouă sectoare, prin opt culoare între bănci) au rămas doar urme din scenă şi orchestră. Edificiul (care se foloseşte şi astăzi) a fost transformat de romani, care l-au adaptat la tipul lor de spectacole (inclusiv spectacole de circ)

Page 8: Parco Archeologico della Neapolis Siracusa
Page 9: Parco Archeologico della Neapolis Siracusa
Page 10: Parco Archeologico della Neapolis Siracusa
Page 11: Parco Archeologico della Neapolis Siracusa
Page 12: Parco Archeologico della Neapolis Siracusa

Cut directly into the rock, it was enlarged and modified several times over the centuries, and is still in use today - Greek plays are performed here in May and June each year (note that if you visit around this time you will find the theatre disfigured with wooden seating and stage sets).

Tăiat direct în stâncă a fost mărit şi modificat de mai multe ori de-a lungul secolelor şi este în folosinţă şi în zilele noastre – aici se joacă tragedii greceşti în fiecare an în lunile mai şi iunie.

Page 13: Parco Archeologico della Neapolis Siracusa
Page 14: Parco Archeologico della Neapolis Siracusa
Page 15: Parco Archeologico della Neapolis Siracusa

The Greek theatre, one of Sicily's and Europe's greatest classical sites surviving from antiquity.

Page 16: Parco Archeologico della Neapolis Siracusa
Page 17: Parco Archeologico della Neapolis Siracusa
Page 18: Parco Archeologico della Neapolis Siracusa
Page 19: Parco Archeologico della Neapolis Siracusa

Near the theatre are the latomìe, stone quarries, also used as prisons in ancient times. The most famous sight here is the huge cave called the Ear of Dionysius (Orecchio di Dionisio). Apparently it was Caravaggio who coined the name; the connection with Dionysius is the story that this ruler of ancient Syracuse used to eavesdrop on his prisoners incarcerated here, thanks to the cave's acoustics.Lângă teatru sunt carierele de piatră, odinioară folosite şi ca închisori. Cea mai faimoasă este Urechea lui Dionisos. Se pare că cel care i-a dat acest nume a fost Caravaggio. Legendele spun că tiranul Dionisos o folosea datorită acusticii sale perfecte pentru a-i spiona pe prizonierii închişi aici.

Page 20: Parco Archeologico della Neapolis Siracusa

Entrance to Dionisus' Ear, the cave is approximately 23m high and 5 to 11m large, with an unusual S running developing in deepness for 65m, with wiggly walls converging in high, a sort of very pointed vault.

Page 21: Parco Archeologico della Neapolis Siracusa

A second cave nearby, the Grotta dei Cordari was used by the rope makers who gave the place its name.

Page 22: Parco Archeologico della Neapolis Siracusa

Legend held that Dionysius imprisoned his enemies in the cave, whose whispers he could hear from the small opening at the top. 

Latomia del Paradiso

Page 23: Parco Archeologico della Neapolis Siracusa
Page 24: Parco Archeologico della Neapolis Siracusa

Near the Theatre a medieval little house

Page 25: Parco Archeologico della Neapolis Siracusa
Page 26: Parco Archeologico della Neapolis Siracusa
Page 27: Parco Archeologico della Neapolis Siracusa
Page 28: Parco Archeologico della Neapolis Siracusa

Burial vaults

Page 29: Parco Archeologico della Neapolis Siracusa
Page 30: Parco Archeologico della Neapolis Siracusa

Th Altar of Hieron II (Hiero II) was built between 241 and 215 B.C. "for mass sacrifices of victims when the festival of Zeus Eleutherios was held," according to The Encyclopedia of Ancient Greece.

Page 31: Parco Archeologico della Neapolis Siracusa

Altar of Hieron, Sacrificial altar where 450 oxen could be killed at one time

Page 32: Parco Archeologico della Neapolis Siracusa

Roman Theatre

Page 33: Parco Archeologico della Neapolis Siracusa
Page 34: Parco Archeologico della Neapolis Siracusa
Page 35: Parco Archeologico della Neapolis Siracusa
Page 36: Parco Archeologico della Neapolis Siracusa
Page 37: Parco Archeologico della Neapolis Siracusa

The Roman Amphitheatre, today only the part dug into the stone remains and the corridor for the access of gladiators.

Page 38: Parco Archeologico della Neapolis Siracusa

The Roman Amphitheatre, dating back probably to III century BC, with an ellipse shape and of remarkable dimensions (m140x90)

Page 39: Parco Archeologico della Neapolis Siracusa
Page 40: Parco Archeologico della Neapolis Siracusa

The conical structure of Santuario della Madonna delle Lacrime dominates the skyline of Syracuse

Page 41: Parco Archeologico della Neapolis Siracusa

Il Santuario della Madonna delle Lacrime

Page 42: Parco Archeologico della Neapolis Siracusa

Nerium oleander

Page 43: Parco Archeologico della Neapolis Siracusa

Sound: Mara Eli – La barunissa di Carini

Text: InternetPictures : Sanda Foişoreanu

Otilia Contraş Gabriela Cristescu

InternetCopyright: All the images belong to their authors.

Arangement: Sanda Foişoreanuwww.slideshare.net/michaelasanda