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• L’entrata in guerra Einaudi, Torino, 1954

• Fiabe italiane Einaudi, Torino, 1956

• Il barone rampante Einaudi, Torino, 1957

• Racconti Einaudi, Torino, 1958

• Il cavaliere inesistente Einaudi, Torino, 1959

• I nostri antenati Einaudi, Torino, 1960

• Marcovaldo ovvero Le stagioni in città Einaudi, Torino, 1963

• La giornata d’uno scrutatore Einaudi, Torino, 1963

• La speculazione edilizia Einaudi, Torino, 1963

• Le Cosmicomiche Einaudi, Torino, 1965

• La nuvola di smog e La formica argentina Einaudi, Torino, 1965

• Ti con zero Einaudi, Torino, 1967

• La memoria del mondo e altre storie cosmicomiche Club degli Editori, Milano, 1968

• Gli amori difficili Einaudi, Torino, 1970

• Orlando furioso di Ludovico Ariosto raccontato da Italo Calvino Einaudi, Torino, 1970

• L’Uccel belvedere e altre fiabe italiane Einaudi, Torino, 1972

• Le città invisibili Einaudi, Torino, 1972

• Il castello dei destini incrociati Einaudi, Torino, 1973

• Il Principe granchio e altre fiabe italiane Einaudi, Torino, 1974

254

• Se una notte d’inverno un viaggiatore Einaudi, Torino, 1979

• Una pietra sopra. Discorsi di letteratura e società Einaudi, Torino, 1980

• Palomar Einaudi, Torino, 1983

• Collezione di sabbia Garzanti, Milano, 1984

• Cosmicomiche vecchie e nuove Garzanti, Milano, 1984

• Sotto il sole giaguaro Garzanti, Milano, 1986

• Six Memos for the Next Millennium Harvard University Press, 1988

• Lezioni americane Garzanti, Milano, 1988

• Sulla fiaba Einaudi, Torino, 1988

• La strada di San Giovanni Arnoldo Mondadori, Milano, 1990

• Perché leggere i classici Arnoldo Mondadori, Milano, 1991

• I libri degli altri. Lettere 1947 – 1981 Einaudi, Torino, 1991

• Prima che tu dica << Pronto >> Arnoldo Mondadori, Milano, 1993

• Eremita a Parigi. Pagine autobiografiche Arnoldo Mondadori, Milano, 1994

• Tutte le Cosmicomiche Arnoldo Mondadori, Milano, 1997

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Italo Calvino. La critica: monografie.

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• L. Baranelli e E. Ferrero (ed.), Album Calvino , Arnoldo Mondadori, Milano, 1995

• G. Baroni, Italo Calvino, Le Monnier, Firenze, 1990

• M. Belpoliti (ed.), Italo Calvino. Enciclopedia: Arte, Scienza e Letteratura, Riga n°9, Marcos y Marcos, Milano, 1995

• M. Belpoliti, L’occhio di Calvino, Einaudi, Torino, 1996

• C. Benedetti, Pasolini contro Calvino, Bollati Boringhieri, Torino, 1998

• C. Benussi, Introduzione a Calvino, Laterza, Bari, 1991

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• G. Bertone (ed.), Italo Calvino: la letteratura, la scienza, la città. Atti del convegno nazionale di studi di Sanremo, Marietti, Genova, 1988

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• G. Bonura, Invito alla lettura di Italo Calvino, Mursia, Milano, 1992

• N. Borsellino, Il viaggio interrotto di Italo Calvino, Mucchi, Modena, 1991

• A. Botta e D. Scarpa, Italo Calvino Newyorkese, Avagliano Editore, Cava de’ Tirreni, 2002

• C. Calligaris, Italo Calvino, U. Mursia & C. , Milano, 1973

• P. Castellucci, Un modo di stare al mondo. Italo Calvino e l’America, Adriatica Editrice, Bari, 1999

• F. Centofanti, Italo Calvino. Una trascendenza mancata, Istituto Propaganda Libraria, Milano, 1993

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Calvino & il comico, Marcos y Marcos, Milano, 1994

• P. Daros, Italo Calvino, Hachette, Paris, 1994

• R. Deidier, Le forme del tempo. Saggio su Italo Calvino, Guerini, Milano, 1995

• F. Di Carlo, Come leggere I nostri antenati di Italo Calvino, Mursia, Milano, 1978

• M. Dini, Calvino critico, Transeuropa, Ancona, 1999

• G.C. Ferretti, Le capre di Bikini: Calvino giornalista e saggista 1945-1985, Editori Riuniti, Roma, 1989 Le avventure del lettore. Calvino, Ludmilla e gli altri, Piero Manni, Lecce, 1997

• A. Frasson-Marin, Italo Calvino et l’imaginaire, Editions Slatkine, Genève-Paris, 1986

• D. Frigessi, Inchiesta sulle fate : Italo Calvino e la fiaba, Lubrina, Bergamo, 1988

• M. Lavagetto, Dovuto a Calvino, Bollati Boringhieri, Torino, 2001

• N. Longo, Il peso dell’imponderabile: lettura de Il cavaliere inesistente di Italo Calvino, La Goliardica, Roma, 1995

• C. Milanini, L’utopia discontinua. Saggio su Italo Calvino, Garzanti, Milano, 1990

• E. Mondello, Italo Calvino, Edizioni Studio Tesi, Pordenone, 1990

• U. Musarra-Schroeder, Il labirinto e la rete. Percorsi moderni e postmoderni nell’opera di Italo Calvino, Bulzoni, Roma, 1996

• S. Perrella, Calvino, Laterza, Bari, 1999

• G. Pescio Bottino, Calvino, Il Castoro, La Nuova Italia, Firenze, 1988

• F. Pierangeli, Italo Calvino. La metamorfosi e l’idea del nulla, Rubbettino, Soneria Mannelli (CZ), 1997

• A. Ponti, Come leggere Il sentiero dei nidi di ragno di Italo Calvino, Mursia, Milano, 1991

• L. Re, Calvino and the Age of Neorealism: Fables of Estrangement, Standford University Press, Standford, 1990

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• N. Roelens, L’odissea di uno scrittore virtuale: strategie narrative in Palomar di Italo Calvino, F. Cesati, Firenze, 1989

• D. Scarpa, Italo Calvino, Bruno Mondadori, Milano, 1999

• F. Serri, Calvino e il pulviscolo di Palomar, Le Lettere, Firenze, 1996

• Italo Calvino: Atti del convegno internazionale (Firenze, Palazzo Medici-Riccardi, 26-28 Febbraio 1987), Garzanti, Milano, 1988

• Italo Calvino, le défi au labyrinthe, (Actes de la journée d’études de Caen), Presses Universitaires de Caen, 1998

Italo Calvino. La critica. Miscellanea.

• P. Braffort, “Italo Calvino sur les sentiers du labyrinthe”, in Magazine Littéraire, L’Oulipo. La Littérature comme Jeu, n°398 Mai 2001, Paris

• R. Ceserani, “Il caso Calvino”, in R. Ceserani, Raccontare il postmoderno, Bollati Boringhieri, Torino, 1997

• M. Corti, “Trittico per Calvino”, in M. Corti, Il viaggio testuale. Le ideologie e le strutture semiotiche, Einaudi, Torino, 1978

• G. Falaschi, “Ritratto di Italo Calvino” ; “Calvino negli anni del neorealismo”, in G. Falaschi, Da Giusti a Calvino, Bulzoni, Roma, 1993

• M. Filogramo, “La città e il labirinto: dal fascino dello smarrimento alla geometria dell’invisibile”, in La Scrittura rivista letteraria trimestrale, Anno I n° 4, Inverno 1996/97, Antonio Stango Editore, Roma • G. Guglielmi, “Microromanzo e motto di spirito”, in G. Guglielmi, La prosa italiana del novecento. Umorismo Metafisica Grottesco, Einaudi, Torino, 1986

258

John Barth. Le opere.

• The Floating Opera, New York, Appleton-Century-Crofts, 1956

• The End of the Road, Garden City, Doubleday, 1958

• The Sot-Weed Factor, Garden City, Doubleday, 1960

• Giles Goat-Boy or, The Revised New Syllabus, Garden City, Doubleday, 1966

• Lost in the Funhouse, Garden City, Doubleday, 1968

• Chimera, Garden City, Doubleday, 1972

• Comic Relief: Humour in Contemporary American Literature, Urbana, University of Illinois Press, 1978

• LETTERS New York, Putnam, 1979

• Sabbatical: a Romance New York, Putnam, 1982

• The Friday Book: Essays and other Nonfiction, New York, Putnam, 1984

• The Tidewater Tales New York, Putnam, 1987

• The Last Voyage of Somebody the Sailor Boston, Little, Brown, 1991

• Once Upon a Time Boston, Little, Brown, 1994

• Further Fridays, (essays) Boston, Little, Brown, 1995

• On With the Story Boston, Little, Brown, 1996

• Coming Soon !!! Houghton Mifflin, 2001

259

John Barth. La critica.

• J. W. Aldridge, The American Novel and the Way We Live Now, New York, Oxford University Press, 1983

• J. D. Bellamy, The New Fiction: Interviews with Innovative American Writers, Urbana, University of Illinois Press, 1974

• John Barth, Delta n°21, Montpellier, Université Paul Valery, 1985

• F. Garnero, Come scrivere un romanzo postmoderno, Panda’s Edition, Torino, 1984

• F. Gado, First Person Conversation on Writers and Writing, Schenectady, NY, Union College Press, 1973

• C. Harris, Contemporary American Novelists of the Absurd, New Haven, Conn. , College and University Press, 1971

• J. Hendin, Vulnerable People, a View of American Fiction since 1945, New York, Oxford University Press, 1979

• G. Hicks, Literary Horizons, New York, New York University Press, 1970

• G. J. Joseph, John Barth, Minneapolis, University of Minnesota Press, 1970

• T. LeClair, The Art of Excess: Mastery in Contemporary American Fiction, Urbana, University of Illinois Press, 1980

• F. D. McConnell, Four Postwar American Novelists: Bellow, Mailer, Barth, Pynchon, Chicago, University of Chicago Press, 1980

• S. Pinsker, Between Two Worlds: the American Novel in the 1960’s, Troy, NY, Whitston Pub. Co. , 1980

• R. M. Olderman, Beyond the Waste Land; a Study of the American Novel in the 1960’s, New Haven, Yale University Press, 1973 • P. Sanavio, “John Barth” in, I Contemporanei. Novecento Americano, vol. III , diretto da E. Zolla, Lucarini Editore, Roma, 1981

• R. E. Scholes, Fabulation and Metafiction, Urbana, University of Illinois Press, 1979

• Sei tipi di ambiguità, Edizioni Scientifiche Italiane, Napoli, 1991

• J. Waldmer(ed.), Critical Essays on John Barth, Boston, Mass., G. K. Hall, 1980

260

• T. D. Young, The Past in the Present: a Thematic Study of Modern Southern Fiction by T. D. Young, Baton Rouge, Louisiana State University Press, 1970

261

Donald Barthelme. Le opere.

• Come Back, Dr. Caligari, Boston, Little, Brown, 1964

• Snow White, New York, Atheneum, 1967

• Unspeakable Practices, Unnatural Acts, New York, Farrar, Straus & Giroux, 1968

• City Life, New York, Farrar, Straus & Giroux, 1970

• The Slightly Irregular Fire Engine, New York, Farrar, Straus & Giroux, 1971

• Sadness, New York, Farrar, Straus & Giroux, 1972

• Guilty Pleasures, New York, Farrar, Straus & Giroux, 1974

• The Dead Father, New York, Farrar, Straus & Giroux, 1975

• Amateurs, New York, Farrar, Straus & Giroux, 1976

• Great Days New York, Farrar, Straus & Giroux, 1979

• Sixty Stories New York, Putnam’s, 1981

• Overnight to Many Distant Cities New York, Putnam’s, 1983

• Paradise New York, Putnam’s, 1986

• Forty Stories New York, Putnam’s, 1987

• Sam’s Bar: An American Landscape (with Seymour Chwast), New York, Doubleday, 1987

• The King New York, Harper & Row, 1990

• The Teachings of Don B. Satires, Parodies, Fables, Illustrated Stories, and Plays (ed. Kim Herzinger), New York, Random House, 1992

• Not-Knowing. The Essays and Interviews (ed. Kim Herzinger), New York, Random House, 1997

262

Donald Barthelme. La critica.

• J. D. Bellamy, Op. cit.

• P. Bruss, Victims, Textual Strategies in Recent American Fiction, Lewisburg (Pa.); Bucknell University Press; London, Associated University Presses, 1981

• M. Couturier, Donald Barthelme, London, New York, Methuen, 1982

• D. Daniele, Città senza mappa. Paesaggi urbani e racconto postmoderno in America, Edizioni dell’Orso, Alessandria, 1994

• William Gass, Donald Barthelme, Thomas Pynchon, Robert Coover, Delta n° 8 , Montpellier, Université Paul Valery, 1979

• B. Gervais, Donald Barthelme. Critique de la vie quotidienne, Belin, Paris, 2002

• C. Giorcelli, “Donald Barthelme” in I Contemporanei. NovecentoAmericano, vol. III, op. cit.

• L. G. Gordon, Donald Barthelme, Boston, Twayne Publishers, 1981

• J. Hicks, In the Singer’s Temple: an Essay on Contemporary American Fiction: Prose Fiction of Barthelme, Gaines, Brautigan, Percy, Kesey and Kosinsky, Chapel Hill, University of North Carolina Press, 1981

• J. Klinkowitz, Literary Disruptions: the Making of a Post-Contemporary American Fiction, Urbana, University of Illinois Press, 1978 The Practice of Fiction in America: Writers from Hawthorne to the Present, Ames, Iowa State University Press, 1980

• T. LeClair, Anything Can Happen: Interviews with Contemporary American Novelists, Urbana, University of Illinois Press, 1983

• L. McCaffery, The Metafictional Muse. The Works of Robert Coover, Donald Barthelme and William Gass, Pittsburgh, Pa. , University of Pittsburgh Press, 1982

• R. E. Scholes, Op. cit.

263

Robert Coover. Le opere.

• The Origin of the Brunists, New York, Putnam, 1966

• The Universal Baseball Association, J. Henry Waugh, Prop. New York, Random House, 1968

• Pricksongs and Descants, New York, Dutton, 1969

• A Theological Position, (plays) New York, Dutton, 1972

• The Water-Pourer Columbia, S. C., Bruccoli-Clark , 1972

• The Fallguy’s Faith No Mountains Poetry Project, 1975

• The Public Burning, New York, Viking, 1977

• Hair O’ the Chine Columbia, S. C. , Bruccoli-Clark, 1979

• Charlie in the House of Rue Lincoln, MA, Penmaen Press, 1980

• A Political Fable (The Cat in the Hat for President) New York, Viking, 1980

• After Lazarus Columbia, S. C. , Bruccoli-Clark, 1980

• Spanking the Maid Columbia, S. C. , Bruccoli-Clark, 1982

• The Old Man Northridge, CA, Lord John Press, 1982

• The Convention Northridge, CA, Lord John Press, 1982

• In Bed One Night & Other Brief Encounters Providence, RI, Burning Deck, 1983

• Gerald’s Party: a Novel New York, Simon & Schuster (Linden Press), 1986

• A Night at the Movies New York, Simon & Schuster (Linden Press), 1987

• Whatever Happened to Gloomy Gus of the Chicago Bears ?, New York, Simon & Schuster (Linden Press), 1987

• Pinocchio in Venice New York, Simon & Schuster (Linden Press), 1991

• John’s Wife: a Novel, New York, Simon & Schuster (Linden Press), 1996

• Briar Rose, New York, Grove Press, 1996

264

• Ghost Town: a Novel, New York, Holt, 1998

Robert Coover. La critica.

• Robert Coover, Delta n° 28, Montpellier, Université Paul Valery, 1989

• F. Gado, Op. cit.

• G. Lois, Robert Coover: the Universal Fiction Making Process, Carbondale, Southern Illinois University Press, 1983

• T. LeClair, Anything Can Happen:… , op. cit.

• L. McCaffery, Op. cit.

• R. E. Scholes, Op. cit.

265

Raymond Federman. Le opere.

• Journey to Chaos: Samuel Beckett’s Early Fiction, University of California Press, 1965

• Double or Nothing, Chicago, Swallow Press, 1971

• Amer Eldorado, Paris (France), Editions Stock, 1974

• Me Too, Reno, Nevada, Westcoast Poetry Press, 1975

• (ed.) Surfiction: Fiction Now and … Tomorrow, (essays) Chicago, Swallow Press, 1975

• Take it or Leave it, New York, The Fiction Collective, 1976

• The Voice in the Closet/ La Voix Dans le Cabinet de Débarras, Madison, Wisconsin, Coda Press, 1977

• The Twofold Vibration, Bloomington, Indiana Press University, 1982

• The Rigmarole of Contrariety Buffalo, New York, The Bolt Court Press, 1982

• Smiles on Washington Squares, New York, Thunder’s Mouth Press, 1985

• Playtext/Spieltexte, Berlin (Germany), LCB/DAAD, 1989

• To Whom It May Concern, Boulder, Colorado, The Fiction Collective Two, 1990

• Duel-L, Berlin (Germany), The Stop-over Press, 1991

• Now Then/Nun Denn, Freiburg (Germany), Edition Isele, 1992

• Critifiction: Postmodern Essays, (essays) Albany, State University of New York Press, 1993

• The Supreme Indecision of the Writer, Buffalo, New York, The Bolt Court Press, 1995

• La Fourrure de Ma Tante Rachel, Saulxures (France), Editions Circé, 1996

• The Line, Amherst, New York, The Club of Odd Volumes, 1996

• The Precipice and Other Catastrophes, Salzburg (Austria), Poetry Salzburg, 1999

266

• Loose Shoes: A Life Story of Sorts, Berlin (Germany), Weidler Buchverlag, 2001

• 99 Hand-Written Poems / 99 Poèmes Faits à la Main, Berlin (Germany), Weidler Buchverlag, 2001

Raymond Federman. La critica.

• M. V. D’Amico, “Raymond Federman e la ricostruzione di una memoria abrasa”, in G. Fink (ed.), Memoria e tradizione nella cultura ebraico-americana, Edizioni Club, Bologna, 1990

• T. LeClair, Anything Can Happen: … , op. cit.

267

William Howard Gass. Le opere.

• Omensetter’s Luck, New York, New American Library, 1967

• In the Heart of the Heart of the Country, New York, Harper & Row, 1968

• Willie Masters’ Lonesome Wife, Evanston, Ill., Northwestern University Press, 1968

• Fiction and the Figures of Life, (essays) New York, Knopf, 1970

• On Being Blue, (essays) Boston, Godine, 1976

• The World within the Word: Essays by William Howard Gass, (essays) New York, Knopf, 1978

• Habitations of the Word, (essays) New York, Random House, 1985

• The Tunnel New York, Ticknor & Fields, 1995

• Finding a Form, (essays) New York, Knopf, 1996

• Cartesian Sonata and Other Novellas, New York, Knopf, 1998

• Reading Rilke: Reflections on the Problems of Translation, New York, Knopf, 1999

268

William Howard Gass. La critica.

• J. D. Bellamy, Op. cit.

• Delta n°8, op. cit.

• Narrations Américains, Delta n° 27, Montpellier Cedex, Université Paul Valery, 1989

• N. Fusini, “ William Gass “, in I Contemporanei. op. cit.

• M. Kaufmann, Textual bodies: Modernism, Postmodernism and Print, Lewisburg, Bucknell University Press, London, Toronto, Associated University Presses, 1984

• T. LeClair, Anything Can Happen:… , op. cit.

• F. La Polla, “William Gass: la parola dopo l’eden”, in Paragone/Letteratura, Estratto n° 330, Firenze, Agosto 1977

• L. McCaffery, op. cit.

• R. E. Scholes, op. cit.

269

Vladimir Nabokov. Le opere americane.

• The Real Life of Sebastian Knight, Norfolk, Conn., New Directions, 1941

• Bend Sinister, New York, Holt, 1947

• Conclusive Evidence, New York, Harper, 1951

• Lolita, Paris, Olympia, 1955; 1° ed. americana: New York, Putnam’s, 1958

• Pnin, Garden City, Doubleday, 1957

• Pale Fire New York, Putnam’s, 1962

• Speak, Memory, (edizione riveduta di Conclusive Evidence), New York, Putnam’s, 1966

• Ada, New York, McGraw-Hill, 1972

• Transparent Things, New York, McGraw-Hill, 1972

• Look at the Harlequins !, New York, McGraw-Hill, 1975

270

Vladimir Nabokov. La critica.

• The Anchor Review, n° 2, Garden City, NY, Doubleday, 1957

• N. Balakian (ed.), The Creative Present: Notes on Contemporary American Fiction, Garden City, NY, Doubleday, 1963

• P. Bruss, Op. cit.

• S. Blacher Cohen (ed.), Comic Relief: Humour in Contemporary American Literature, Urbana, University of Illinois Press, 1978

• A. Carosso, Invito alla lettura di Nabokov, Mursia, Milano, 1999

• Vladimir Nabokov, Delta n° 17, Montpellier, Université Paul Valery, 1983

• L. S. Dembo (ed.), Nabokov the Man and his Work, Studies, Madison, University of Wisconsin Press, 1967

• A. Fabris Grube, “Vladimir Nabokov”, in I Contemporanei, op. cit.

• A. Field, Nabokov, his Life in Part, New York, Viking Press, 1977

• M. Green, Reapprisals: some Commonsense Readings in American Literature, London, Hugh Evelyn, 1963

• E. Hardwick, Bartleby in Manhattan: and other Essays, New York, Random House, 1983

• G. Hicks, Literary Horizons, op. cit.

• A. Kazin, Bright Book of Life: American Novelists and Storytellers from Hemingway to Mailer, Boston, Little Brown, 1973

• H. Levin, Memories of the Modern, New York, New Directions, 1980

• J. Moynahan, Vladimir Nabokov, Minneapolis, University of Minnesota Press, 1971

• J. Smid, Lolita di Vladimir Nabokov, Università degli studi di Roma, Facoltà di Lettere, 1980

• J. Updike, Picked-up Pieces, New York, Knopf, 1975

271

Thomas Pynchon. Le opere.

• V. , Philadelphia, J. B. Lippincott, 1963

• The Crying of Lot 49, Philadelphia, J. B. Lippincott, 1966

• Gravity’ Rainbow, New York, Viking, 1973

• Slow Learner, (racconti 1959-1964) Boston, Little, Brown, 1984

• Vineland Boston, Little, Brown, 1990

• Mason & Dixon New York, Henry Holt & Company, 1997

Thomas Pynchon. La critica.

• A. Accardo e I. Tattoni, The Crying of Lot 49 e Slaughterhouse Five: due romanzi contemporanei, in Cultura e Scuola n. 86 Aprile-Giugno, 1983 Treccani, Roma, 1983

• J. W. Aldridge, Op. cit.

• M. V. D’Amico, Le matrici dell’apprendista: I racconti di Thomas Pynchon, Adriatica Editrice, Bari, 1992

A Transmarginal Reading of Gravity’s Rainbow, in Anuario 1980, Departamento de Inglés, Facoltad de Letras, Bellaterra, Universidad Autonoma de Barcelona, 1980

“Thomas Pynchon”, in I Contemporanei, op. cit.

• D. Daniele, Op. cit.

• Delta n° 8, op. cit.

• Delta n° 27, op. cit.

• H. Garvin (ed.), Science and Literature, Bucknell Review,

272

Lewisburg, Bucknell University Press, 1983

• C. B. Harris, Op. cit.

• R. Holton, Jarring Witnesses: Modern Fiction and the Representation of History, New York, Harvester Wheatsheaf, 1994

• T. LeClair, The Art of Excess… , op. cit.

• D. Lehman (ed.), James Merrill Essays in Criticism, Ithaca, Cornell University Press,1983

• Z. Lewicki, The Bang and the Whimper; Apocalypse and Entropy in American Literature, West Port, Greenwood Press, 1984

• F. McConnell, Op. cit.

• E. Mendelson, Pynchon, a Collection of Critical Essays, Englewood Cliffs, NY, Prentice-Hall, 1978

• R. d. Newman, Understanding Thomas Pynchon, Columbia, University of South Carolina Press, 1986

• R. M. Olderman, Op. cit.

• W. M. Plater, The Grim Phoenix: Reconstructing Thomas Pynchon, Bloomington, Indiana University Press, 1978

• T. H. Schaub, Pynchon: the Voice of Ambiguity, Urbana, University of Illinois Press, 1981

• T. Tanner, Thomas Pynchon, London and New York, Methuen, 1982

273

Il postmodern: il dibattito teorico.

• La finzione necessaria. Il romanzo postmoderno americano Calibano 7, Savelli Editori, Milano, 1982

• Calinescu e Fokkema (ed.), Exploring Postmodernism, Amsterdam, Philadelphia, J. Benjamins, 1990

• R. Ceserani, Raccontare il postmoderno, Bollati Boringhieri, Torino, 1997

• D. Elam, Romancing the Postmodern, London & New York, Routledge, 1992

• I. Hassan, The Dismemberment of Orpheus, London, University of Wisconsin Press, 1982

• L. Hutcheon, A Poetics of Postmodernism. History, Theory, Fiction, New York, Routledge, 1988

• F. Jameson, Il postmoderno, o la logica culturale del tardo capitalismo, Garzanti, Milano, 1989

• B. McHale, Constructing Postmodernism, London & New York, Routledge, 1992