Gian Mario Maletto MUSICA JAZZ, April 2002

If there is a force to the Italian jazz abounds, are certainly young guitarists who continuously flock. To these the emerging stand is not easy, but it must be said that among those who will succeed is the Apulian Lucio Ferrara, with richness and clarity of ideas before, and (this seems to say its hard) through a road of no easier. It never gets caught in the act of using media to attract attention subtly vibrant, on the contrary, always try to avoid hot tones and sounds, like an explorer who síimponga caution. And in the end you realize that the landscape has managed to visit every possible suggestion and describe it. Ferrara provide valuable support to the partners, and with particular emphasis on the two winds: the contribution of Piancastelli is impeccable (always, but especially in Tutatitaià), while the articulate voice of the soprano sax Bosetti recorded some of the most significant exploit a greater weight in the song that gives its name to the entire disk. In the rhythm section of drummer Sorace cooperates with a continuous play drums ebolliente but without losing the opportunity to project solo, while Giampaoli is also credited with having added a couple of his own compositions (Blat and Brunzsezes) the emblematic pink those of the leaders.