A385: Nel Giardino di Partenope - ENG
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RELEASE APRIL 2015 N EL GIARDINO DI P ARTENOPE S ONATE NAPOLETANE PER VIOLONCELLO Gaetano Nasillo, Michele Barchi, Sara Bennici – A 385 – Ten years after the success of the Neapolitan cel- lo concertos, accompanied by the Ensemble 415 conducted by Chiara Banchini (Zig Zag Territoires), Gaetano Nasillo comes full circle with this collection of Neapolitan cello sonatas, a worthy sequel to the previous recording. Best known for its contributions to vocal music, Naples was also one of the birthplaces of the modern violoncello: the programme provides a fascinating overview of the Neapolitan repertoire for the instrument from its onset at the end of the 17th century to the second half of the 18th century. It offers a good balance between well-known com- posers of the Neapolitan School (Pergolesi, Porpora) and less familiar cellist-composers (Alborea, Lanzet- ti, Supriani, Pericoli) who established new standards in cello technique that would define the later cello repertoire through these cellists’ successes in France and England. Outhere S.A. · Rue de l’Epargne 29 · B-1000 Brussels tel.: +32 2 373 82 00 · fax: +32 2 373 82 09 Sales & marketing: [email protected] · Communication: [email protected] www.outhere-music.com 2cd cd1 (new): 79’03 cd2 (bonus): 70’04 – A 362 – – A 356 – also available here an extract!
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Gaetano Nasillo, violin Michele Barchi, harpsichord Sara Bennici, cello
Transcript of A385: Nel Giardino di Partenope - ENG
r e l e a s e a p r i l 2 0 15
Ne l g i a r d i N o d i pa r t e N o p e
so N at e N a p o l e ta N e p e r v i o l o N c e l l o
Gaetano Nasillo, Michele Barchi, Sara Bennici
– a 385 –
Ten years after the success of the Neapolitan cel-lo concertos, accompanied by the Ensemble 415 conducted by Chiara Banchini (Zig Zag Territoires), Gaetano Nasillo comes full circle with this collection of Neapolitan cello sonatas, a worthy sequel to the previous recording. Best known for its contributions to vocal music, Naples was also one of the birthplaces of the modern violoncello: the programme provides a fascinating overview of the Neapolitan repertoire for the instrument from its onset at the end of the 17th century to the second half of the 18th century. It offers a good balance between well-known com-posers of the Neapolitan School (Pergolesi, Porpora) and less familiar cellist-composers (Alborea, Lanzet-ti, Supriani, Pericoli) who established new standards in cello technique that would define the later cello repertoire through these cellists’ successes in France and England.
O u t h e r e S . A . · R u e d e l ’ E p a r g n e 2 9 · B - 10 0 0 B r u s s e l s
t e l . : + 3 2 2 3 7 3 8 2 0 0 · f a x : + 3 2 2 3 7 3 8 2 0 9
S a l e s & m a r k e t i n g : d o m i n i c @ o u t h e r e - m u s i c . c o m · C o m m u n i c a t i o n : j u l i e n @ o u t h e r e - m u s i c . c o m
w w w. o u t h e r e - m u s i c . c o m
2cdcd1 (new): 79’03
cd2 (bonus): 70’04
– a 362 –
– a 356 –
also available
here an extract!
Ne l g i a r d i N o d i pa r t e N o p e
TRACKLISTCD1 (new release)Sinfonia terza à due viole in Sol maggiore, BWV 1079 – Rocco Greco 1 Grave 1’17 2 Allegro 2’19 3 Corrente 1’22Sonata à violoncello Solo in sol minore – Giolio De Ruvo 4 [Allemanda] 2’43 5 [Giga] 1’16 6 [Minuetto] 1’217 Tarantella - Romanella - Tarantella 4’25Sonata a violoncello e basso in Sol maggiore – Francesco Alborea 8 Adagio 2’23 9 Allegro 2’46 10 Adagio 0’30 11 Menuetto 2’12Sonata a violoncello e basso in Re maggiore – Francesco Alborea 12 Amoroso 2’30 13 Allegro 2’16 14 Menuet 1’39Toccate a violoncello solo con la diminuzione – Francesco Supriani 15 Toccata Sesta in Re maggiore 2’14 16 Diminuzione 2’19 17 Toccata Decima in Re minore 2’10 18 Diminuzione 2’02Sinfonia à Violongello Solo in Fa maggiore – Giovanni Battista Pergolesi 19 Comodo 1’14 20 Allegro 1’47 21 Adagio 2’10 22 Presto 1’45Pièces pour le Violoncelle – Salvatore Lanzetti 23 Grave 4’05 24 Allegro 3’50 25 Affettuoso 2’14Sonata à Violoncello solo – Nicola Porpora 26 Adagio 1’16 27 Allegro 1’29 28 Adagio 1’19 29 Allegro non presto 1’52
– a 385 –
O u t h e r e S . A . · R u e d e l ’ E p a r g n e 2 9 · B - 10 0 0 B r u s s e l s
t e l . : + 3 2 2 3 7 3 8 2 0 0 · f a x : + 3 2 2 3 7 3 8 2 0 9
S a l e s & m a r k e t i n g : d o m i n i c @ o u t h e r e - m u s i c . c o m · C o m m u n i c a t i o n : j u l i e n @ o u t h e r e - m u s i c . c o m
w w w. o u t h e r e - m u s i c . c o m
r e l e a s e a p r i l 2 0 15
Ne l g i a r d i N o d i pa r t e N o p e
Sonata Quarta in Fa minore – Pasquale Pericoli 30 Allegretto 3’11 31 Siciliana 3’02 32 Allegro 1’56Sonata op. 5 n. III in Re maggiore – Salvatore Lanzetti 33 Adagio cantabile 3’19 34 Allegro 2’41 35 Grazioso 3’51
Gaetano Nasillo, Michele Barchi, Sara Bennici
CD2 (bonus)Concerto per violoncello solo con violini e basso in Fa maggiore – Nicola Fiorenza 1 Presto 4’47 2 Allegro 3’17 3 Largo 2’43 4 Allegro 4’23Concerto en Sol maggiore – Nicola Porpora 5 Adagio 4’37 6 Allegro 5’23 7 Adagio 4’05 8 Allegro 4’19Concerto per violoncello solo con violini in la maggiore – Leonardo Leo 9 Andantino grazioso 3’08 10 Allegro 2’57 11 Larghetto 3’40 12 Allegro 2’45Concerto per violoncello con violini e basso continuo in la minore – Nicola Fiorenza 13 Largo 2’34 14 Allegro 3’13 15 Adagio 1’24 16 Allegro 2’32Solo di violoncello con due violini e basso in Sol maggiore – Nicola Sabatino 17 Largo assai 4’07 18 Fuga 3’32 19 Adagio 3’02 20 Allegro ma presto 2’54
Gaetano Nasillo, Ensemble 415, Chiara Banchini
– a 385 –
O u t h e r e S . A . · R u e d e l ’ E p a r g n e 2 9 · B - 10 0 0 B r u s s e l s
t e l . : + 3 2 2 3 7 3 8 2 0 0 · f a x : + 3 2 2 3 7 3 8 2 0 9
S a l e s & m a r k e t i n g : d o m i n i c @ o u t h e r e - m u s i c . c o m · C o m m u n i c a t i o n : j u l i e n @ o u t h e r e - m u s i c . c o m
w w w. o u t h e r e - m u s i c . c o m
r e l e a s e a p r i l 2 0 15
