Niko Lova Neolithic Paolo Biagi

8/8/2019 Niko Lova Neolithic Paolo Biagi

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LOLITA NIKOLOVA*

Toward an EvoluTionarY ModEl of Gradual dEvElopMEnT of

Social coMplExiTY aMonG ThE nEoliThic poTTErY

coMMuniTiES in ThE BalkanS

(culTural-chronoloGical and culTural-anThropoloGical proBlEMS)

SuMMarY - Toward an evolutionary model of gradual development of social complexity among the Neolithic pottery communities in

the Balkans (cultural-chronological and cultural-anthropological problems). Based on the recent data on the earlier Neolithic materialculture, we distinguish five general stages of development in social complexity during the Neolithic in the Balkans, from the emergence

of sedentary pottery-making communities to the culmination of the Neolithic cultures development in the latest Neolithic, includingthe introduction of metallurgy. In this approach we will discuss cultural-chronological and cultural-anthropological problems mainlyof the first stage of Neolithic development in the Balkans, using in some cases a prospective analysis, from the later chronologicalperiods. Of primary importance for the chronological conclusions are the radiocarbon dates, while the social models are based on thegeneral theories in cultural and social anthropology, sociology and especially the anthropology of everydayness. This approach has alsoproposed that our understanding of the problems of the earliest pottery-making complex societies in the Balkans would benefit fromfurther intensification of micro-regional interdisciplinary investigations from the point of view of the anthropology of everydayness,by constructing micro- and medium-social models of social reproduction.

riaSSunTo - Per un modello di sviluppo graduale della complessit sociale delle comunit neolitiche ceramiche dei Balcani(problemi cronologico-culturali e antropologico-culturali). Grazie ai dati disponibili riguardanti i reperti della cultura materiale delNeolitico pi antico, possiamo attualmente distinguere cinque fasi di sviluppo della complessit sociale del Neolitico dei Balcani, a

partire dalle prime comunit sedentarie di popolazioni produttrici di ceramica, alla fine del Neolitico quando venne introdotto il metallo.In questo lavoro vengono discussi i problemi cronologico-culturali e antropologico-culturali riguardanti principalmente linizio delNeolitico, utilizzando, in alcuni casi, unanalisi prospettica. Le datazioni radiocarboniche sono di importanza fondamentale, per quantoriguarda le conclusioni cronologiche, mentre i modelli sociali sono basati su teorie generali prese dallantropologia sociale e culturalee, in particolar modo, dallantropologia di tutti i giorni. Questo approccio metodologico mostra come la comprensione dei problemirelativi alle prime comunit produttrici di ceramica dei Balcani potrebbe migliorare notevolmente qualora vi fosse un incremento deglistudi microregionali nellantropologia di tutti i giorni, grazie alla costruzione di modelli riproduttivi micro e medio sociali.

inTroducTion: GEnEral rESEarch fraMEwork

Graduate models of Neolithisation of the Balkans have become the most popular in contemporary archae-ology. Although the data included may have a variety of interpretations followed even by alternative conclu-sions (Parzinger, 1993; Whittle, 1996: 39; Budja, 1998; VajsoV, 1998;BoyadzhieV, 2000;nikoloVa, 2000;thissen, 2000; Biagiet al., 2005), the models themselves are theoretically valuable contributions to this fieldof research.

We would point to two fundamental aspects: demographic growth (increasing population density in the Bal-kans), and social change (the gradual increase in social complexity). The latter is the subject of our approach.

Based on the recent data on the earlier Neolithic material culture, we are able to distinguish five generalstages of development in social complexity during the Neolithic in the Balkans, from the emergence of sedentary

pottery-making communities to the culmination of the Neolithic cultures development in the latest Neolithic,including the introduction of metallurgy (Topolnitsa, unpublished). We would briefly describe the evolutionarysocial scheme as follows:

Michela sPataro and PaoloBiagi (edited by)A Short Walk through the Balkans: the First Farmers of the Carpathian Basin and Adjacent Regions

Societ Preistoria Protostoria Friuli-V.G., Trieste, Quaderno 12, 2007: 89-102

* University of Utah and International Institute of Anthropology, Salt Lake City, USA


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1. An initial development of the earliest pottery-making communities (in the later 7th millennium cal BC), andthe emergence of archaic white-painted pottery communities (in the latest 7th millennium cal BC), whichis still documented in only some parts of the Balkans (the so-called monochrome phase and the phase ofKovachevo Ia/b and related sites). With further research and additional data, we believe that in future itwill become clear whether we can differentiate two sub-stages or even two independent stages in the later7th millennium cal BC.

2. The classical white painted pottery-making communities covering a broader region of the Balkans (earlyKaranovo I, early Starevo horizon), characterised by a demographic boom in the Balkans at the beginning

of the 6th millennium cal BC.3. Late white painted and polychrome pottery-making communities with a variety of regional models, and the

development of a network of dense micro-regional settlement systems with multi-scale and multi-variationinteraction systems (later Karanovo I, Karanovo II, later Starevo horizon) during the second quarter of

the 6th millennium cal BC.4. Late polychrome and dark burnished pottery communities (late Starevo, Karanovo III and related cultures),

c. the third quarter of the 6th millennium cal BC. According to the recent evidence, it is also believed thatHamangia is the first Neolithic culture in the northeast part of the Balkans, whose beginning was possiblycontemporaneous with later Karanovo III Culture.

5. Encrusted, pricked and dark burnished pottery-making communities (early Vina, Topolnitsa, Karanovo

IV, early Boian, Hamangia and related cultures), c. the fourth quarter of the 6th millennium cal BC.

During the first two stages, the most parts of the Balkans between the Drina River and the Black Sea, andthe Carpathians and the Aegean, were gradually occupied by pottery-making communities; during the nextthree stages the Neolithic complexity was reproduced, developed and expanded, representing, on the whole,a typical evolutionary model of development of complexity in prehistory, indicating possibly the existenceof powerful systems of economic and political multi-scale social strategies and networks that kept the socialsystems stable.

In this approach we will discuss cultural-chronological and cultural-anthropological problems mainly ofthe first stage of Neolithic development in the Balkans, using in some cases a prospective analysis (from thelater chronological periods). Of primary importance for the chronological conclusions are the radiocarbondates, while the social models are based on general theories in cultural and social anthropology, sociology andespecially the anthropology of everydayness (Featherstone, 1992; chaney, 2002).

culTural-chronoloGical proBlEMS

To study the problem archaeologically, of special importance are the new results of the Kovachevo ex-cavations (lichardus-ittenet al., 2000; 2006) and the radiocarbon dates from this site, the newly publisheddata from the Struma Valley (chokhadzhieV, 2001), the publication of Donja Branjevina (karManski, 2005)and Koprivets (PoPoV, 1996) and other sites in the lower Danube (elenski, 2005; elenskiand leshtakoV,2006), and the theoretical contribution of N.N. Tasi (2003) to the white-painted pottery settlements ofStarevo Culture.

It is worth considering the thematic studies of the Iron Gates data (Bonsallet al., 2000; 2002; 2004),the new data from Lepenski Vir (Bori, pers. comm. 2006), and a Macedonian survey project (Wilkie andsaVina,1997).The new archaeological compilation of sites from Bulgaria should be alsoadded, despite thechronological problems of some sites and theoretical controversy of the model discussed (elenski, 2005; elenskiand lesktakoV, 2006; Weningeret al., in press).

Our basic chronological framework of Balkan Neolithic sequences was argued innikoloVa (1998). It seemslike the new evidence confirmed that for the time being, there are no archaeological arguments to divide themonochrome horizon as an independent stage of the development of the Early Neolithic in the Balkans whilethe publications after 1998 allow us to update the scheme, including especially Kovachevo.

ThE EarliEST poTTErY SETTlEMEnTS in ThE BalkanS

We propose the following two typological and cultural-chronological horizons for the earliest Neolithic(c. 6300-c. 6000 cal BC) between the Danube and the Aegean:


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1. Hoca eme 4-3, Krajnitsi 1, Divostin 1, Koprivets 1, Dzhulyunitsa, Smurdesh 1. This horizon is known

as the monochrome pottery with an incipient painted pottery horizon (c. ?6300-6200/6100 cal BC). Theperiod between c. 6300 and 6000 cal BC coincides with the so-called 8.2 ka event.

2. Kovachevo 1a/b, Vaksevo-Studena Voda 1-2, Nevestino 1, Anzabegovo Ia, Donja Branjevina II and relatedsites (earliest white-painted pottery horizon (c. 6200/6100-6000 cal BC).We cannot precisely date the beginning and the end of the two horizons because there are no radiocarbon

dates available from most of the settlements investigated and the records come from different distant regions. Inother words, horizon 1 could have overlapped with horizon 2, on the one hand. On the other hand, the radiocarbon

dates from earlier Karanovo I Culture (c. 6000 cal BC and later) suggest that the first pottery-making settlementsin Thrace (e.g., Kovachevo Ia/b, Rakitovo) could be before the beginning of 6th millennium cal BC.

Then, we have three basic problems:1. What are the cultural and chronological interrelations between Horizon 1 and Horizon 2 formulated

above?2. What is the relationship of the beginning of Karanovo I Culture to these Horizons?3. How were both horizons influenced by the 8.2 ka event (c. 6300-6000 cal BC), since the most probably

probable chronological span of Horizon 1 and Horizon 2 completely overlaps with this interruption in theearly Holocene climate?

ThefirsT NeoliThicTypologicalaNdculTural-chroNologicalhorizoN

The identification of the monochrome pottery stage as the earliest Neolithic chronological horizon in theBalkans was initially formulated by srejovi(1988: 85-86) on the basis of data from Eastern Serbia. Later theconcept became popular since other archaeologists believed that they had documented monochrome potterysites: in southwest Bulgaria (Krajnitsi I), northeast Bulgaria (for instance Polyanitsa-Platoto and Koprivets I),Romania (Gura Baciului Ia), the Vojvodina (Donja Branjevina III), European Turkey (Hoca Ceme IV) and

other sites. The stage is also called proto-Starevo and was documented for instance, in Makresani-Ornice.

In light of the recent data, the site of Hoca eme is of special value. Most researchers share the

opinion that Hoca eme preceded Karanovo I (Parzinger and zdoan, 1996; nikoloVa, 1998). li-chardus and ilieV (2000:81) suggested a different interpretation. They did not accept the analogieswith Hacilar and with Karanovo I proposed in the preliminary publication ofParzinger and zdoan

(1996) and they believed that the earliest analogies with Thrace can be found in the Karanovo II cul-ture. But the radiocarbon dates (c. 6300-6200 cal BC) strengthen the hypothesis that the earliest levelof Hoca eme (IV) belongs to the Balkan earliest pottery chronological horizon (nikoloVa, 1998).According to the excavators of Hoca eme, painted pottery was documented even in the earliest phase

of this site. At the same time, some monochrome pottery sites from the Central Balkans and from theLower Danube do not have radiocarbon dates. We also need to keep in mind the typology of the pot-tery of the first Balkan cultural-chronological ceramic horizon is not well elaborated, only small areasof the monochrome pottery sites have been excavated, and even during the classical Early Neolithicit is possible that painted pottery has simply been missed. The conclusion seems to be supported bythe new excavations at Dzhulyunitsa-Smurdesh (central northern Bulgaria, Veliko Turnovo District),where according to the preliminary excavation reports (elenski, 2005; elenski and leshtakoV, 2006)

pottery was discovered with analogies at Hoca eme III-IV. A peculiarity is a painting with a dark

color/slip, like the vessel was washed with a slip (elenski, 2005: 22). The author dates the layer frompre-white painted stage of Early Neolithic in the Balkans. The site of Okhoden in northwest Bulgariawas proposed as a monochrome settlement (the final phase of Proto-Starevo [ganetsoVski, 2005: 23]),

but the preliminary information about a radiocarbon date from this site (571040 cal BC: ganetsoVski,2005: 30) points to later phase (Weningeret al., in press).

For the time being, let us assume that there are undiscovered monochrome pottery villages in the UpperThracian valley that theoretically allow us to presume the stage overlapped with the white-painted stage.In this sense it is possible to question the real existence of the monochrome pottery stage (thissen, 2000:196-197).

In light of the recent evidence, it is a problem not only the synchronization of the earlier painted potterysites from Upper Thrace with the monochromic sites, but also with the earliest painted pottery sites from the

basin of the Struma. At Kovachevo, analogies with Upper Thrace can be found only during the third phase ofEarly Neolithic settlement, which may indicate a stage of independent development of the two painted styles.


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Alternatively, we have to accept for the time being, that the pottery discovered in Upper Thrace is later thanthe earliest painted pottery in the basin of the Struma River.

As we stressed above, according to M. zdoan (1998), painted pottery fragments occurred in the earliestlevel of the village of Hoca eme IV. If these sherds were found in their original stratigraphic context, they

may indicate that the earliest stage of theNeolithic in the Balkans could not be absolutely monochromic, or thatHoca eme IV is not contemporaneous with the earliest known monochrome pottery sites or that there were

contacts with the painted pottery communities, so Hoca eme IV represents a transition from the monochrome

to the painted pottery in the Balkans.

Having in mind some typological similarities between the monochrome pottery and early white-paintedpottery, in the chronological scheme the former can be defined as the earliest phase in the first stage of thegradual Neolithisation of the Balkans in the sense of foundation of pottery-using settlements. It dates from thelater third quarter of the 7th millennium cal BC, since the calibrated dates from Hoca eme IV and Polyanitsa-Platoto date from 6200-5800 cal BC, a span that overlaps with the dates of the earliest painted pottery in theBalkans (nikoloVa, 1998: diagram 1).

The chronology of Hoca eme III is important to define the chronology of Hoca eme IV. According to

zdoan (1998), Hoca eme III preceded Karanovo I. Most of the radiocarbon dates date the third level toafter the beginning of the 6 th millennium cal BC, but computer modelling (nikoloVa, 1998: diagram 3) meansthe beginning of Hoca eme III can be dated to the very end of the 7 th millennium cal BC, and Hoca eme

IV to before 6100 cal BC.

Since there are no radiocarbon dates from Krajnitsi, Divostin and Koprivets, they may have actually pre-ceded even Hoca eme IV, and we may have to date the beginning of the monochrome pottery horizon to

before 6300 cal BC. New radiocarbon dates would help precisely to determine the horizon.

ThesecoNd NeoliThicTypologicalaNdculTural-chroNologicalhorizoN

The earliest data about white-painted pottery from Kovachevo were a base for proposing a culturalgroup (lichardus-ittenet al., 2000: 35) that includes the most southwest Bulgaria and the north regionsof Nea Nikomedea and Giannitsa. It is believed this group was the ancestor of the Karanovo I Culture.Important elements are the documented southern elements in the ceramic style, an influence from Ses-klo (Achilleion, Tsani), which according to the recent data occurred in the phase Ib/c at Kovachevo

(lichardus-ittenet al., 2000: 34, note 44).The similarity includes chess motifs (dark brown on light brown), although the technology was different(lichardus-ittenet al., 2000: 34; for Nea Nikomedea and Anzabegovo see thissen, 2000: 194-195). The set-tlements analysed by N.N. Tasi (2003) with the earliest painted pottery in the western-central Balkans includessites within a relatively wide chronological diapason (c. 6100 cal BC and the beginning of the 6th millenniumcal BC) and would only partly cover our second horizon.

In southwest Bulgaria, impressive typological similarities with Kovachevo Ia/b in white-painted ornamen-tation are found at the sites of Nevestino 1 and Vaksevo-Studena Voda 1-2 (fig. 1). All these assemblages mayrelate to the earliest white-painted pottery atDonja Branjevina in the Vojvodina (Serbia) (fig. 2). The commonelements may indicate interactions or common origins while the differences point to local peculiarities and/orsome chronological differences.

Most of the published radiocarbon dates from Kovachevo (reingruBer and thissen, 2005) come fromthe earliest phase. They verify our hypothesis that Kovachevo Ia-b could be dated to the last century of the 7thmillennium cal BC.

A specific problem is the relationship of the earliest pottery Neolithic settlements to the Lepenski Vir Cul-ture. Recently, new radiocarbon data were interpreted in terms of the 8.2 ka event and according to Bonsall(et al., 2000; 2002; 2004) with co-authors, there were changes in the settlement pattern in the Iron Gates areaduring the later 7th millennium cal BC, whereas at Lepenski Vir itself there was continuity.

The radiocarbon data favour possible co-existence of the hunter-gatherer communities and the earli-est sedentary pottery communities in the Balkans in the earlier 6th millennium cal BC. However, we needmore recently excavated evidence for deeper structural analysis. Possible DNA samples from Divostin,the Iron Gates and Dzhulyunitsa-Smurdyak would also help to construct models of interrelations betweenthe Balkan non-pottery hunter-gatherers and the earliest pottery-using communities, whose economy was

based on sedentary farming, semi-sedentary farming and/or stockbreeding, depending on the micro-re-gional environment.


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Fig 1 - Similarity in the ornamentation in sites from the second typological and cultural-chronological horizon (after differentauthors).


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Fig. 2 - Earlier white-painted pottery from Donja Branjevina (afterKarmansKi, 2005).

culTural-anThropoloGical proBlEMS

The NeoliThisaTioNiNThe BalkaNsasaproBlem

Following the archaeological paradigm above, we have to point to the emergence of a new lifestyle, sed-entary and semi-sedentary/semi-mobile pottery-using communities, in short or long-lived villages, founding in

many cases the first prehistoric tells. Neolithisation in the Balkans means pottery, plant and animal domesticatesand a new social network of stable early complex communities.


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However, at a micro-regional level the questions are rather different: why one environment was chosen andnot another, for instance, living on the riverside or next to a mineral spring, why one subsistence strategy wasadopted and not another (completely sedentary or semi-sedentary and even semi-mobile to mobile way of life),what was the rate of population growth, of artistic and ideological presentations, etc. In other words, the ancient

population had many more problems to resolve than those problems framed by the traditional Neolithisationparadigm (domestication and diffusion of the Neolithic package).

In our case, if we preserve the term Neolithisation it just means formation of the early complex society

based on productive economy by multi-faceted social processes in the different micro-regions (Findlayet al.,

1997; zdoan, 2002). In this context I believe we deal with one of the most amazing moments in human his-tory, because our distant ancestors discovered and patterned the foundation of our modern life, the homes, inwhich we live, the food that we eat, and the bases of the multi-level and multi-scale social interrelations andinteractions and especially the fundamentals of what we name enculturation. In some regions Neolithic com-munities even developed social strategies of investment, up to discovering gold and jewellery as an opportunityto accumulate and reproduce wealth (the Hamangia Culture).

NeoliThisaTioNofThe BalkaNsaNdThe 8.2 kaeveNT

The 8.2 ka event has been recognized as the most prominent climatic event occurring in the early Holocenedocumented by the climate researchers. It is the result of a salinity anomaly in the North Atlantic, which was

caused by the outflow of two Laurentide glacial lakes, transferring its effects globally through oceanic andatmospheric redistribution of energy (sugden, 2005).

In point of fact, the role of the 8.2 ka event in the earlier prehistory of Eurasia has become a popular topicfor scholars interested either in the Neolithisation of Europe or in the economic and demographic crises in

Near East and in Anatolia. The simplified thesis argues that the 8.2 ka event caused a crisis in Anatolia andstimulated a migration towards Europe. It is stated that in archaeological terms the climatic change known as8.2 ka event coincides with the earliest pottery settlements in the Balkans (the so-called monochrome potteryhorizon) from the second half of the 7th millennium cal BC. This at first view makes a strong argument thatthe Neolithisation of the Balkans was a result of the interruption in the Holocene climate known as the 8.2 kaevent, or in other words the latter caused migrations and demographic changes in Eurasia including a wave ofimmigrants who occupied the Balkans.

Regarding Balkan prehistory, the problem was discussed by Bonsall (et al., 2000; 2002; 2004) at the mi-cro-regional level: the Iron Gates case study, as well as more globally for the Balkans and Europe by Weningerand collaborators (Weningeret al., in press). For the time being, it is noticeable in the Balkans a transitionto pottery settlements most probably began within the span of the 8.2 ka event or a little bit earlier. It is sug-gested the climate to the south of the Danube was dryer during the 8.2 ka event that before and after the event(Bonsall, 2006), but as L. sugden (2005) stated the event induced environmental responses globally, at leastin the Northern Hemisphere, but the magnitude, spatial expression and mechanisms of this response are not

well understood.Following this line of opinion, the best conditions for a graduate biological and social reproduction

within the Neolithic pottery population in the Balkans occurred actually after the 8.2 ka event, since thebeginning of the 6 th millennium cal BC was the period of tremendous expansion of the pottery settlements.Of the newly-discovered sites we would mention the village of Ilindentsi, which was founded on high ter-race of the Struma Valley, probably in the period of the classical white painted pottery (Karanovo Ic andId analogies were documented by the excavator [greBska-kuloVa, 2005: 42]). This case study supports anexpansion of the white pottery settlements from south to north, but a period of population growth wouldalso have led to the subdivision (segmentation) of existing communities and gradually increasing settlementdensity in the lower Struma Valley.

The conclusion would be that the 8.2 ka event did not favour, and possibly slowed the Neolithisationprocess in the Balkans. Further palaeoclimatic and archaeological data would allow further research in depthof this contentious problem.

NeoliThisaTioN, eNculTuraTioNaNd aNThropologyof everydayNess

Although the Neolithisation of the Balkans is a deep-rooted theme in Balkan archaeology, the differentschools of thought discuss familiar problems such as: Neolithisation and migrations; Neolithisation and the


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autochthonous population; Neolithisation and emergence of the earliest Neolithic archaeological cultures (Ka-ranovo I, Starevo, etc.); Neolithisation and the monochrome ceramic horizon, etc.

In the 1990s R. tringhaM (2000) and A. Whittle (1996: 37-46) offered different theoretical models of theNeolithisation of southeast Europe, while in general terms it has become clear that none of the current theo-ries (migration, colonization, economic change, disaster-like events, climatic change, psychological factors,accumulation etc.) (cauVin, 2000) can itself completely explain the archaeological data on one hand, and thecultural process on the other, in any region of Neolithisation.

Anthropology of everydayness is also a traditional theme in archaeology. However, what makes the modern

development of this theory actual and powerful are its methodological principles: from a description of artefactsof everydayness toward constructing structural models of prehistoric everydayness as a continuing development,in which we can find reproducing traditions, ideas and enduring changes.

Anthropology of everydayness has attempted to develop not only as a theory of explanation of ancientlives, but also it is strongly oriented toward the developing modern technique of excavating and documentingstructures and artefacts for constructing micro-cultural as well as macro-cultural processes. Usually the re-searcher asks Whyquestions and answers as an outsider (e.g. They migrated because there was A (B, C...) typeof circumstances). Conversely, we might say They chose A or B as the most successful social reproduction

strategy for the community, which makes the ancient population not a subject and victim of nature and externalcircumstances, but active social actors with clear and well-defined social reproduction strategies. This is the

place to point to at least two theoretical insights that could be useful for prehistoric cultural anthropology:

1. Evolution itself does not embody the trend of increasing complexity (hodgson and knudsen, 2006: 17).2. Unlike the classical evolutionary schemes that posited a uniform direction of change from simple to complex

form, and from the homogeneous to the heterogeneous (sMith, 1976: 35), one can argue for multi-evolutionaland even devolution traits and search not only for the successful socially-reproduced strategies but also forthe errors since copying error is much more destructive to complexity than other forms of error, particularly

in environmental interactions or individual development (hodgson and knudsen, 2006: 17).The contemporary development of the concept of cultural reproduction is associated with the work of

P. Bourdieau and the growing interest in everyday social practices, while it is generally assumed that socialreproduction is the process of reproduction of social relationships (nikoloVa, 2006). We have emphasised thatreproduction does not mean the reiteration of certain traditions: in most cases social strategies are based ondifferent kinds of variations.

It seems that the increasing interest in the cultural-anthropological aspects of the earlier Neolithic fromthe point of view of the anthropology of everydayness would in turn increase the value of cultural models asin the case of the Iron Gates. Regarding the earliest pottery sites in the Balkans, we still are able to work onlywith a few sites, which are situated at long distances from one another. On the other hand, there is only excep-tional chronological continuity documented and respectively no opportunity for a detail analysis of the socialreproduction on-site.

A general model of social replication (fig. 3) includes several steps in social reproduction: mating (com-petition, choice) and parenting (Betziget al., 1988) followed by biological and social reproduction (kinshipgrouping and social grouping by age, gender and/or interest).

For the time being, among the best records for social reproduction are the burials in the settlements (nikoloVa,2006) interpreted not only as evidence of the cult of the dead (tilley, 1996: 215) but also an element in thesocial reproduction strategies for enhancing of the living community. A strong case study are the burials fromnorthwest Anatolia (Early Neolithic Ilipinar), where on the periphery of the village were buried exclusivelychildren. Such a concentration of earlier Neolithic burials, for the time being, has been recorded in the Balkansonly at Maluk Preslavets painted pottery village (northeast Bulgaria), where the ages of the deceased vary (Infans

I, Infans II, Juvenilis, Adultus, Maturus [yordanoV and diMitroVa, 1996: 108]). However, isolated or groupedsingle, or more rarely double and triple burials were typical of the Early Neolithic Balkans (lichter, 2001).

Whittle (1996: 37, 39), who contrasts the foraging way of life to that of Neolithic sedentary communities,includes in his comparison the increasing reverence of the dead as ancestors and for the principle of descent.However, the village burials in Upper Thrace are not comparable either with those of Lepenski Vir nor withthose at Ilipinar. It is possible that flat cemeteries have not yet been discovered in Upper Thrace, but it alsolooks likely that despite the communal manner of life, the cult of the dead during the Early Neolithic in theBalkans was integrated into the household realm of traditions, and the graves were therefore dispersed. In

other words, the communal life did not require a communal cemetery, and according to the available data it isin the later Neolithic when a central place of the ancestors was founded, for instance in the northeast Balkans


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Fig. 3 - A simplified model of social replication, which was embodied in the Early Neolithic societies and has been reproducing tillnowadays.

(e.g. Durankulak). Curiously, the large cemetery occurred in an area with a relatively mobile population. Ac-cordingly, in the early stages of civilization the settlement and the cemeteries complement each other - bigvillages with no or smaller cemeteries, and a mobile or semi-sedentary (semi-mobile) - population with a

large cemetery as a central place.We can also presume that cult of the ancestors (respectively the social memory of the ancestors), was theframework of the everyday social life within the different sedentary and semi-sedentary communities. As Whit-tle (1996: 37) has pointed out, the clay figurines may have represented ancestors, although they could alsorepresent mythic figures. The expressive finding from Thessaly, places the prehistoric figurines closer to theancestor beliefs (coles, 1998), while the common stylistic peculiarities replicated over vast territories, and theabsence of individualized characteristics, may support their interpretation as mythic images. If one combines bothalternatives, including also a presumed divine function, probably we could be closer to the past reality; mythicancestors who connected the social-natural worlds of the communities and generations during feasts and rituals,combining the vertical and horizontal aspects of enculturation, the so-called ein Medium der Kommunikation(cauVin, 2000: 29f. for the Near East; hansen, 2006: 142). The role of the ancestors is very well documentedamong traditional cultures and can be thought even as the original owners of the land (kuPer, 1982: 15).

TowardsThe NeoliThic social complexiTy

Despite the broader database on the Neolithisation of the Balkans, recently there are still irresolvable prob-lems that make research in depth difficult and leave the Neolithic experts at the level of general hypotheses:

We still have a limited knowledge about the development and the demographic destiny and peculiaritiesof the hunter-gathering communities in the Central and Eastern Balkans in later 7th millennium cal BC, andespecially about what happened to them during the latest 7 th and the beginning of the 6 th millennia cal BC.The data can be interpreted using different models and methodologies that permits two opposing models of

Neolithisation to co-exist: autochthonous, which is more plausible in the light of the newest data from the IronGates, and pure migration, which connects the Neolithisation with immigrants from southeast and/or south only.

The analysis of the social complexity in the Iron Gates (Bori, 2005; Budja, pers. comm. 2006; Bonsall, pers.comm. 2006) and the new radiocarbon data from the Iron Gates (Bori, 2005: 25) stimulate research into the


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transformation of hunting-gathering strategies, keeping in mind that the earliest pottery sites occur in regionscloser to the Iron Gates (eastern Serbia and the Struma Valley). In archaeological terms, one possible next stepis to try to bridge socially the grave 7 (from House 21 at Lepenski Vir) discovered with an aurochs skull (Bori,2005: 23-24) and the Neolithic data about social complexity.1. The emergence of the earliest pottery settlements cannot answer the question of who founded those vil-

lages, camps or central places, since all hypotheses have been based on pottery data and burial evidenceis practically absent. However, the innovation of the fired pottery (ceramic) production can easily diffuseand can be accepted in everyday life, as either as a replacement for wooden vessels or in the context of

revolutionary changes in diet and the development of the subsistence economy.2. The role of the population from the latest 7th millennium cal BC in the settlement and the cultural explo-

sion during the first half of the 6th millennium cal BC cannot be evaluated realistically and cannot excludea possible new migration, since the evidence again makes possible only general hypotheses and allows theco-existence of complementary and even of opposing explanation models.In our opinion, Neolithisation represents a long-term process of gradual foundation and reproduction of

the earliest pottery-using complex societies and their spread over the whole territory of the Balkans. The flatmigration model of Neolithisation is based on distribution of societies in the space, while the social model of

Neolithisation stressed the gradual distribution of social complexity.

Fig. 4 - Model 1.1. A flat migration model of Neolithisation. Society 1 occupies social space 1 and later the same community occupiessocial space 2 (top). Model 1.2. A social model of distribution of the Neolithic complexity in the Balkans. Society 1 occupies socialspace 1 and the reproduced (more complex) society 1/1 occupies social space 2.

In theory the Balkan data support Model 1.2 (fig. 4) since any later Neolithic horizon is more complexthat the previous. The wider distribution of the white painted pottery is a stage of development of social com-

plexity, while the social strategies of economic and social stability required solidarity and possibly stimulatedmacro-regional similarity in ceramic style over vast territories. But our understanding is that archaeologicalsimilarity between households does not necessarily indicate social equality, since there are many archaeologi-cally invisible distinctions. A special problem is how the land was exploited and its role in the development ofthe Neolithic social complexity, but it is an unexplored theme that has been waiting for researchers specialisedin economic anthropology. It is usually believed that the land in prehistory provided the subsistence while theaccumulation of the wealth and the development of social hierarchy was a result of trade in exotic objects andthe emergence of metallurgy.

A special problem in earlier Balkan prehistory is the initial development of social stratification and thebiography of prestige objects.

Possible prestige items in the Early Neolithic in the Balkans include some exotic items like the obsidian knifefrom Kliment-Banyata, in the Upper Stryama Valley, from the later Early Neolithic. Obsidian items have beenalso reported from Kurdzhali, which marks one of the possible trade routes, along the Maritsa Valley from theAegean or Anatolia. However, obsidian was also distributed in the Carpathians and their neighbourhood (Biagietal., 2007) and in the Adriatic (sPataro, 2002: 12 and references cited there, pp. 201-202), and its function in theBalkan macro-region would be different because of the existence of different resources and perhaps because of adifferent understanding of its value. The Early Neolithic was exactly the period in which these prestige items werefirst used not only in everyday life but also as a possible investment and as a source of accumulation of wealth.

However, the most prominent and expressive were some jewellery items. From the Early Neolithic, theybecome in many cases emblems of social prosperity and wealth (e.g. finds from Hoca eme (Turkish Thrace)

and Gulubnic (Pernik District, western central Bulgaria) and later from Durankulak (northeast Bulgaria). Thisfact allows us to propose that a specially important role in our model of the evolution of the social complexity

Sety a/1 Sety a 1/2

Sety 1/1 Sety 1 1/2


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would have been played by customs associated with marriages (respectively the bride wealth and marriageexchange) and generally the development of systems of hierarchical exchanges well-known from traditionalcultures (kuPer, 1982: 14 ff.; liPuMa, 1988: 148 ff.)

Researching these problems in depth and using these examples, it is possible that some pottery shapes andespecially painted pottery diffused into the Balkan as status symbols and not as everyday objects. Over timethe exotic and high-status items became more common in most of the communities because of the opportunityfor large-scale replication. But imports (see above about Kovachevo) and limited diffusion of some stylistictypes indicate that pottery has a specific cultural function in the social strategies of the Balkan prehistoric com-

munities. In other words, we have been posing generally the question of the development of the social meaningof prehistoric objects. Applied to the topic of our study, the wide distribution of white-painted pottery itselfwould be a sign of increasing complexity in the Balkans, and the differentiation of the functions of the pottery

productions and its ability to connect and distinguish communities through communication of or avoiding atransmission of stylistic similarities. Further discussions, new data and critical considerations would probablyin future help to advance the understanding of the social aspects of development of complexity among the

Neolithic societies in the Balkans.

concluSionS

In light of the present evidence there are still many unresolved problems regarding the synchronization ofthe earliest Neolithic pottery settlements in the different micro-regions of the Balkans. This makes any culturalinterpretations hypothetical and impedes in-depth research.

Within our 5-stage scheme of evolution of social complexity in Neolithic Balkans we have proposed twotypological and cultural-chronological horizons of the earliest Balkan pottery settlements (stage 1 of Balkan

Neolithic Social Evolution):1. The initial pottery horizon: Hoca-eme 4, Krajnitsi 1, earliest Divostin, Koprivets 1, Dzhulyunitsa-

Smurdyak 1, Donja Branjevina III (c. ?6300/6200-6100 cal BC).2. Earlier white-painted pottery horizon Kovachevo Ia/b, Donja Branjevina II, Vaksevo-Studena Voda 1-2,

Nevestino 1, Hoca eme 3 (c. 6200/6100-c. 6000 cal BC). Based on the comparative analysis of the pot-tery from earlier Kovachevo and Rakitovo, it is possible that the Karanovo I Culture started during this

horizon, but we do not have direct evidence for a precise synchronisation.The analysis of the data shows that the limited evidence of pottery-using settlements in the Balkans before6000 cal BC may relate to the 8.2 ka event, while the real start of flourishing pottery long-term settlements inthe Balkans occurred just after the end of the 7th millennium cal BC; in other words, after the 8.2 ka event. The8.2 ka event would therefore had a decisive role in the Neolithisation of the Balkans.

This approach has also proposed that our understanding of the problems of the earliest pottery com-plex societies in the Balkans would benefit from further intensification of micro-regional interdisciplinaryinvestigations from the point of view of the anthropology of everydayness, by constructing micro- and me-dium-social models of social reproduction. We also proposed a diachronic model of evolution of Neolithiccomplexity in the Balkans, believing that in the earliest stage even painted pottery would have related tothe prestige items. Burials were a very important component of the social reproduction strategies workingtowards development of the ancestry ideology of the kinship-based Neolithic society. Last but not least, we

believe that in the Neolithic Balkans the figurines were multifunctional, but their leading social function,representing real and/or mythical ancestors, was to connect generations and communities over vast areas asone of the strongest symbolic means of communication. Future in-depth research would add new argumentsand updates to the topics of this study.

aegemets

First of all I would like to thank Professor P. Biagi and Dr. M. Spataro for their invitation to participate in the London Seminar in 2005.To prepare this communication for publication, I benefited from my consultations with and/or kindly submitted offprints and papers inpress from Professors S. Chokhadzhiev, C. Bonsall, N.N. Tasi and B. Weninger, to whom I am indebted indeed.

My presentation at the Neolithic Seminar in Ljubljana (2006) and the guest-lecture on 30 November 2006 at the Free University in Berlin,in collaboration with the Eurasian Department of the German Archaeological Institute, allowed me not only to discuss the problems,

but also to use the method of simulation models of social strategies, and I would like to thank all participants. The presentations at theNeolithic Seminar in Ljubljana (2006) and the latest discussions on the topic and/or generally on prehistory with Professors M. Budja,S. Hansen, W. Schier and Dr. R. Kraus were also extremely important for shaping my thesis and final conclusions in this approach.


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