fl
1 ~ 40 Eccitante Stereophonic Music for Sheng and EnsembleHehkuu
Jukka Tiensuu 2014
ob
bcl
tpt
con sord.
vib
Motor OFFwith contrabass bow
hpE and B tuned ¼-tone down
v.2
vc
S.
~ 40 Eccitante
cl
bsn
hn
tne
pf
v.l
va
2
fl
10 poco a poco accel.~ 60)(
piu
~ 40 ~ 60 accel. poco a poco
ob
piu
bcl
piu
tpt
senza sord.
piu
vib
Motor ON SLOWmallets
hp
v.2
piu
vc
piu
S.
poco a poco accel. ~ 60)( ~ 40 ~ 60 accel. poco a poco
cl
piu
bsn
piu
hn
piu
tne
piu
pf
v.l
piu
va
piu
3
fl
17 ~ 80)(
piu
rall. molto
z z
< 10)( ~ 40 Appassionato
z
ob
piu
z z
bcl
piu
x z
tpt
piu
z z
vib
hp
l.v.
poco
x x x x z x x x
v.2
piu
z zcantando(ma senza vibr.)
s.v.
z z
vc
piu
z z
S.
~ 80)( rall. molto < 10)( ~ 40
cl
piu
x z z
bsn
piu
z z
hn
piu
x z
tne
piu
z z
pfm.s.
m.d.l.v. (senza Ped.) (11.)
8ba
z z
8ba
z
v.l
piu
z z
~ 40 Appassionato
va
piu
z z
4
fl
24
z z
ob
bcl
tpt
vib
(motor ON slow)with two cb bows
hp x z z z z z z z zz
v.2x z x
s.pont.
vc
s.v.
cantando(ma senza vibr.)
z z
s.pont.
S.
( )
clx z
bsn
hn
tne
pfz
8ba
z z
8ba 8ba
z x
8ba
z
8ba
x
v.l zcantando
s.v.
(ma senza vibr.)
x z x zs.pont.
va
cantando
s.v.
(ma senza vibr.)
x x x x
s.pont.
5
fl
34z z z
ob
bcl
tpt
vib
mallets
hpzz zz x x x x z z z z z z
zz zz (l.v.)
v.2
ord. s.v.
z z
s.pont.
vc
ord. s.v.
cantando(ma senza vibr.)
z z
s.pont.
S.
(quasi accel... ...rall.)
cl z x
bsn
hn
tne
pf
xx
8ba
zz z
8ba
zz
8ba
z z
8ba
z
8ba
xx
8ba
zz
v.l z
ord. s.v.
x zx
3
z x
3
z
3
va
ord. s.v.
x x
6
fl
43accel. poco a poco ~ 54 Ardente sempre accel. p. a p.
ob
bcl
tpt
con sord.
vib
bows
hp
v.2
ord.
vc
ord.
S.
accel. poco a poco ~ 54 Ardenteetc. accel. al...
sempre accel. p. a p.
cl
bsn
hn
tne
pf
v.l
s.pont. ord.
va
s.pont. ord.
7
fl
53 = 88-96
piu sub. ( )
ob
piu sub. ( )
bcl
piu sub.
tpt
piusub.
vibMotor OFFmallets
secco sub.
hp
sub.
v.2
piu sub. ( )
vc
piu sub.
S.
= 88-96
cl
piu sub. ( )
bsn
piu sub.
hn
piu sub.
tne
con sord.
x
piu sub.
pf
sub.
v.l
piu sub. ( )
va
piu sub. ( )
8
fl
58ritmi precisi
leggero
3
33 3 meno
fl
64
piu
3 3 3 3 3 3
33
3
ob
leggero
3
33 3 meno
ob
piu
3 3 3 3 3 3
3
tpt
leggero
3
3
v.2
leggero
3
3 33
vc
S.
ritmi precisi
( ) leggero3 3
3 3 meno
S.
piu
3 3 3 3
3 3
3
cl
leggero3 3
3 3
cl
piu
3 3 3 3 3 3
3 3
v.l
leggero
3
3 33
va
leggero
3
3 33
9
fl
703 3 3 3 3 3 3
33
3
fl
76
brillante
ritmi precisi sempre
33
poco accel.
3
~ 108
ob
3
3 3 3 3 3 3 3 3 3
ob
brillante 33
tpt
brillante
3
33
v.2
brillante3 3
vc
brillante 3
S.3 3 3 3 3 3
33
3
S.
cl3 3 3 3 3 3 3 3
cl
brillante3
3
v.l
brillante3 3
va
brillante3
3
10
fl
82molto rall.
ob
bcl
~ 30 ~ 48
tpt
vib
hp
xx xx xx
v.2
vc
S.
cl
~ 54)( ~ 36)( < 20)( ~ 30 ~ 48
bsn
hn
tne
senza sord.
pf
v.l
va
11
vib
89 malletsMotor ON SLOW
( )
vib
104
( )
hpx
(l.v.)
x x x x x x x x x x x x x x
hpxx
(upper g-flat ord.)
xxxz xz
xz xzxz xz
zz
S.
quasi nocturne
( )
(through small glissandi produce beats ad lib.)
(keep E, gliss. on D#)
S.
(vibrato sempre) p. a p. meno vibr.
pf
z
(senza Ped.)
z z z z z z z z z z z
pf
zz zz z zz
12
fl
113~30
s.v. z z x x
ob
s.v. x x t
tpt
s.v. con sord.
vib
motor OFF
hpzz
v.2s.v.
(on string)
vcs.v.(on string)
S.
~ 30(non vibr.)
x
languido
clts.v.
t x t
pfxx
v.l
(on string)s.v. t
va
(on string)s.v.
13
fl
121 x z
obx x x
tpt
con sord.
vib
v.2
vcxx tt
S.
languido
S.
127 128 (Cadenza 1)
(sombre chordal processes)
cl
z t
v.l
x
va
xzz
14
fl
129 ~ 60129 ~ 48 / 60 accel.
ob
bclmolto vibrato (slow)
tptmolto vibrato (slow)
vib
motor ON SLOWbows
hp
v.2molto vibrato (slow)
vc
molto vibrato (slow)
S.
~ 60molto vibrato (slow)
~ 48 / 60 accel.
clmolto vibrato (slow)
bsn
molto vibrato (slow)
hn
molto vibrato (slow)
tne
con sord. molto vibrato (slow)
pf
v.lmolto vibrato (slow)
vamolto vibrato (slow)
15
fl
138~ 69/88)(
ob
bcl
ord.
tpt
ord.
vib
hp
v.2
ord.
vc
ord.
S.
~ 69/88)(
cl
ord.
bsn
ord.
hn
ord.
tne
ord.
pf
secco
v.l
ord.
va
ord.
16
fl
144
brillante3
33
~ 108 rall. molto
ob
brillante 3 3
bcl
tpt
brillante3 3
3
v.2
brillante3
3
vc
3
S.
~ 108 rall. molto
cl
brillante3
3
bsn
hn
tne
v.l
brillante3
3
va
brillante3
3
17
fl
150 < 40)( accel. molto ~ 88
ob
bcl
tpt
v.2
vc
S.
< 40)( accel. molto ~ 88
cl
bsn
hn
tne
v.l
va
18
fl
156
ob
bcl
tptsenza sord.
v.2
vc
S.
molto rall. ~ 20
S.
162l.v.
~ 40
release keys as indicated
(Cadenza 2)
Senza tempo 30"-60"163
(e.g. keep E, gliss on D#)
(start cadenza slowly, speed up)(use also crossing gliss. ad lib.)
(high glissandi with beat etc.)
.... ....
~ 40165
accelerando ad lib.
cl
bsn
hn
tne
v.l
va
19
fl
168~108 ritmi esatti
zs.v. z x x x
obs.v. x x t x
bcl
tpt
s.v. con sord.
t
vib
malletsmotor OFF
hp
v.2
(on string)s.v.
vc
(on string)s.v. xx
S.
~108 ritmi esatti
passionato
x
( ) passionato semprem
clts.v.
t x tz
bsn
hn
tne
pf
v.ls.v.
(on string) t x
va
(on string)s.v.
x
20
fl
173 z x x x z
obx t x
bcl
tpt
vib
hp
v.2z
vcxx
S.(poco l.v.)
clt x t
z
bsn
hn
tne
pf
v.lt x
va
x t
21
fl
180 ~ 60 s.v. poco a poco accel.
ob
s.v.
bcl
s.v.
tpt
s.v.
vibmotor OFFbows
hp
v.2
s.v.
vc
s.v.
S.
(repeat in free rhythm ad lib.)(strong syncopated thrusts)
non vibrato~ 60
poco a poco accel.
cl
s.v.z x
bsn
s.v. z x
hn xs.v.
z
tne
con sord.
xs.v. z
pf
v.ls.v.
z x
vas.v.
x z
22
fl
186 ~ 80)(~ 108
z
ob
bcl
tpt
senza sord.
vib
mallets
hp
v.2z
vc
S.
~ 80)( ~ 108
cl z x z z z z z z
bsnx z x x x x x x
hn x x z z z z z z
tnez x z z z z z z
senza sord.
pf
v.l
z z x x x x x x
va z x z z z z z z
23
fl
192 z~ 60 accel.
obz z
bcl z z
tpt z z
vib
hp xxxx
zzzz zz z z z z
(l.v.)
v.2z
vcz z
S.
~ 60 accel.
cl z z
bsnz z
hn z z
tnez z
pf
z(11.)z
8ba 8basecco
v.l
z z
va
z z
24
fl
202 ~ 96 3 3
ob
3 3
bcl
cresc.
tpt
vib
hp
v.2
vc
cresc.
S.
~ 96 3 3
cl
cresc.
3 3
bsn
cresc.
hn
cresc.
tne
cresc.
pf
v.l
va
cresc.
25
fl
208 3 3 3 3
fl
215
piu
3 3 3 3 3 3
3
3
3
3 3 3 33 3
fl
2203
3 3 3
ob
3 3 3 3
ob
piu
3 3 3 3 3 3
3
3
3
3 3 33
3
ob3 3 3 3
S.
3 3 3 3
S.
piu
3 3 3 3
3 3
33 3 3 3 3 3
S.
33
3 3
cl
3 3 3 3
cl
piu
3 3 3 3 3 3
3 3
3 3 33 3
cl
3 3 3 3
26
fl
233
cresc.
ob
bcl
tpt
(senza sord.)
v.2
cresc.
vc
cresc.
S.
keep up the intensity ("drive")throughout the cadenza
( . . etc.)224 (Cadenza 3)ca. 30"-60"
"bird-calls"...... Shui-tu ... Hu-she
( )( )
( )~ 132-138
optional tremolo (Hu-she)
( )226
(poco a poco meno tremolo) sempre
3 5
cresc.
S.
cl
bsn
hn
tne
(senza sord.)
v.l
cresc.
va
cresc.
27
fl
240~ 108 ~ 48
ob
bcl
tpt
vib
hp
v.2
vc
S.
~ 108 ~ 48
( ) lontano
cl
bsn
hn
tne
pf
v.l
va
Jukka Tiensuu:
Hehkuu (2014) Stereophonic Music for Sheng and Ensemble
Instrumentation:
Sheng solo
flute oboe
clarinet in Bb bass clarinet
bassoon horn in F
trumpet in C trombone
vibraphone harp piano
violin 1 violin 2
viola cello
duration ca. 20'
Jukka Tiensuu: Hehkuu (2014)
Stereophonic music for Sheng and Ensemble
Setup: For stereophonic effect, the distance between the instruments should be as great as feasible (except piano, harp and vibraphone, which form a "trio" in the middle, close to the back end of the stage):
tne piano harp vibraphone bcl bsn tpt horn oboe cl fl vla vc v.1 Sheng v.2 conductor Notation General: (Tempi) in parenthesis indicate a "passing" or "momentary" tempo (like in the middle of accel./rall.). Accidentals are used as in the traditional notation: they apply till the end of the bar and any accidental, including a micro-tonal one, cancels the previous accidental. Accidentals are occasionally repeated for clarity and to facilitate reading. Rhythms are played exactly as written (important for the many passages based on complimentary rhythms). All trills should be played as fast as possible. On mordents ( ) play 4-5 notes whenever possible. Dynamics for the harp and for the harmonics of the piano are written louder (action notation) than for the rest of the ensemble (result notation), aiming at a better dynamic balance between the instruments. Glissandi: The glissandi are played continuously during the indicated time (not portamento), although some expression through change of speed is encouraged. Note stems without heads in the middle of a glissando are for orientation only. A small stemless note head at the end of a glissando indicates the (approximate) ending pitch only and is not to be articulated separately. s.v. senza vibrato l.v. Let (strings or metal bars) vibrate, do not damp. l.v. ends at ord. or at a written pause. ─ tenuto, play note to the full written length (only, no accent is intended). o diminuendo al niente, continue the diminuendo until the sound disappears completely. Do not try to
"refresh" or re-attack the sound just to reach the notated ending point, if the sound happens to die away gracefully already before.
x z u t A quarter-tone sharp and flat, and a sixth-tone (difference between harmonic and ET minor 7ths) sharp and flat, respectively.
bars 129-139: molto vibrato. Almost like small glissandi up & down. All players preferably at the same (2-3 Hz) speed.
bars 114-127 and 168-176: all sfp should be equally loud (dynamic balance between the instruments). Specific: Harp's E and B are tuned a quarter-tone flat (except for the top and bottom octaves as they are not used). In the score the pitches for the quarter-tones (x z zf) are indicated, but the harp part is notated "as played" (# n f).
Piano Everything is played without pedal. Diamond-shape note heads indicate harmonics. They are always written at the sounding pitch. (When played on
the piano: Before the perfomance, mark the needed harmonic nods accurately on the bass strings with e.g. narrow strips of masking tape. To play, press down the indicated key with the left hand while touching the string on the indicated harmonic nod with the right hand. About ⅓ of a second after the hammer has hit the string, quickly lift your finger from the string. Timing is crucial, when pursuing for a harmonic sound as brilliant as possible, while minimizing the (non-wanted) sound of the string's fundamental. Hehkuu was commissioned by Ensemble intercontemporain
Top Related