Koyunbaba - Freevietguitar2.free.fr/Score/NuocNgoai/Carlo Domeniconi/Koyunbaba.pdf · 2 1 4...
19
2 1 4 Koyunbaba, p.1 8 2 8 3 3 3 1 8 3 3 3 Fine Moderato Koyunbaba Suite für Gitarre (op. 19) I Carlo Domeniconi 1985 (SCORDATUR) 8 (REAL)
Transcript of Koyunbaba - Freevietguitar2.free.fr/Score/NuocNgoai/Carlo Domeniconi/Koyunbaba.pdf · 2 1 4...
2 1
4Koyunbaba, p.1
8
2
8
3 3 3
1
8
3 3 3 Fine
Moderato
KoyunbabaSuite für Gitarre (op. 19)
I Carlo Domeniconi1985
(SCORDATUR)
8
(REAL)
2 3 2 3
Koyunbaba, p.2
8
8
42
8
8
1 2
2
8
X 2 22 V 2 morendo
Koyunbaba, p.3
8
dal segno al Fine
22
8
32 3 2
3 3
8
3 3 3
3V
8
3
33
8
Koyunbaba, p.4
8
2 22
2 2 2
8
2VII
4p
3
2
8
2 3
3arm. 19
8
3 x
Fine
8
Mosso II
22
Koyunbaba, p.5
8
d.s. al Fine
22
8
2 2
8
21
8
2
8
3
Koyunbaba, p.6
8
3 3 3 3
8
V
8
V VII
8
4
2
8
CantabileIII
2
a m i pKoyunbaba, p.7
a m i p
8
2 2 2 2
8
arm.12 2 22
8
3 3 3 3 3 3
8
32
3 3
8
Koyunbaba, p.8
8
p
8
8
8
8
Koyunbaba, p.9
8
p p
5
p p
8p p p p
4p p
5
8
pp
8
2
p
V
p
8
Koyunbaba, p.10
8
2 2
8
2 2
8
8
rip. A B
B
2 p p 2 p p
8
A
pm.d.
m.s.
i m
3
a a a
33
Koyunbaba, p.11
8
rubato.3
3
accelerando
i p
VIII
i p
8
8
i p
VII
i p
8
V
i p
8
3
Koyunbaba, p.12
8
3morendo
33
3
8
3
3
3
8
rubato rall.
3
8
3accelerando
a tempo
3 33
8
a tempo rubato3
3 3 3 3 3
Koyunbaba, p.13
3
8
D.C. -A B
33 3 3
3 3
8
3
p
3
p
3 33 3
8
2 3 2 3 2 3 2 3 2 3 2 3
8
B
2 3 3 2 2 3 2 2 2 3 2 3
8
APresto IV
2 3 2
Koyunbaba, p.141
8
D
8
D.C. A BC
4 4 4 4 4 4
8
4 4 4 4 4 4
8
4 4
8
poi
21
21
21
21
21
21
11
Koyunbaba, p.15
21
8
G H
12
12
12
22
22
22
8
45
8
D.C. A B C
F
D
12
12
p p p pp p p p
8
D.C. A B E
12
12
12
12
12
12
8
poi
poi
21
21
21
21
21
2
Koyunbaba, p.161
8
2rip. A B E F
21
21
21
21
21
21
8
1
21
21
21
21
21
21
8
21
21
21
21
22
22
8
rip. G H
21
21
21
21
21
21
8
2 3 3 2 2 3 2 2 2 3 2
Koyunbaba, p.171
8
3 x
come sopra come sopra c. s. c. s. c. s. c. s.
8
4
D.C. A B
come sopra come sopra come sopra come sopra
8
4
arm. 5
65
4
come sopra come sopra come sopra come sopra
8
4
come sopra come sopra come sopra come sopra
8 arm. 7rasgueado
65
4
Pak, Tae-yun (HiTEL ID: thilbong)1995. 10. 21. Saturday
3 3 3
Koyunbaba, p.18
8
3 3 3
1
8
2 1
8
1 2 2
8
Moderato (Tempo I)
2 3 2 3 2 3 2 3 2 3 2 3
8
rip. E F
Koyunbaba, p.19
8
* Anmerkung zu Seite 5 und Seite 14
ossia:
8
8
8
8
not
But I suggest to tune the guitar
so you can keep the three lower strings.
(’scordatura’). Therefore I basically took the usual tuning
The upper system gives the sounding pitch. The lower system shows the fingerings
8
sondern
zu stimmen.
8
genommen (so bleiben die 3 Bass-Saiten gleich).
Es empfiehlt sich aber, die Gitarre nicht
8
Dafür habe ich als Basis die normale Stimmung
Das obere System ist die reale Tonhöhe, das untere eine Griffschrift (Scordatur).
Pak, Tae-yun (HiTEL ID: thilbong)1995. 10. 21. Saturday
![Diana, Amore e Veneredennis.homelinuxserver.org/ · [Violin II] [Violin I] 8 3 Allegro 8 3 8 ˙ 3 8 ˙ 3 8 ˙ 3 8 3 ˛ p p ˛ 6. Recitativo In van mi tenti re ter lo ar res ten non](https://static.fdocumenti.com/doc/165x107/5e46f7175a5b5a46e72ecc13/diana-amore-e-violin-ii-violin-i-8-3-allegro-8-3-8-3-8-3-8-3-8-3-.jpg)
