USICISTI cadeliJ~e Tou[r ~DFossati...e "Carte da decifrare" introdotta da un accenno alla suite n.1...

12
Supporting Information Wani et al. 10.1073/pnas.1011665108 SI Materials and Methods Cell Culture, Cloning, and Stimulation Conditions. NIH 3T3 broblasts. NIH 3T3 cells were cultured in a complete medium of DMEM High Glucose (Invitrogen) supplemented with 10% FCS (Invi- trogen) and 1% penicillin and streptomycin (Invitrogen). Cells were starved for 16 h in serum-free media and stimulated with PDGF-BB (20 ng/mL) at 37 °C for the time points indicated in each experiment. The zero time point was collected in the absence of PDGF-BB. Cloning procedures for WT and Cys124Ser myr-Akt2 and transfection of NIH 3T3 cells. Human WT myr-Akt2 gene (obtained through Addgene; Plasmid repository no. 9016) in pcDNA3 vector was subcloned into pEF6/V5-His TOPO vector using pEF6/V5-His TOPO TA expres- sion kit (Invitrogen). This construct was further used to create Cys124Ser mutation by site-directed mutagenesis (SDM kit, Stra- tagene) according to the manufacturers protocol and using the following primers: forward 5-CATGGACTACAAGTCTGGCT- CCCCCAGTG-3and reverse 5-CACTGGGGGAGCCAGACT- TGTAGTCCATG-3. These constructs were transfected in NIH 3T3 cells using a standard Lipofectamine 2000-based procedure (Invitrogen), and the transfectants were selected with blasticidin (6 μg/mL). Similar procedures were followed to generate and transfect in NIH 3T3 cells the Cys297Ser and Cys311Ser myr-Akt2 mutants, and WT myr-Akt1 and Ser122Cys myr-Akt1. Host plasmids and primers used to generate the mutations are summarized in Table S1. C2C12 cells. C2C12 myoblasts were cultured in a complete medium of DMEM High Glucose (Invitrogen) supplemented with 10% FBS (Invitrogen) and 1% penicillin and streptomycin (Invitrogen). C2C12 myoblasts were then induced to differentiate into myotubes by changing the proliferation medium to DMEM with 2% FBS for 4 d. Myotubes were starved overnight in serum-free DMEM and were stimulated next day with PDGF (20 ng/mL), insulin (200 nM), or TNF-α (10 ng/mL) for 30 min. After stimulation, cells were lysed with lysis buffer [50 mM Hepes, 150 mM NaCl, 1 mM EDTA, 1 mM EGTA, 10% glycerol, 1% Triton X-100, 25 mM NaF, 10 μM ZnCl 2 , protease, and phosphatase inhibitor tablets (Roche), pH 7.5] supplemented with catalase (200 U/mL). The resultant lysates were incubated on ice for 30 min followed by centrifugation at 10,000 × g for 10 min to obtain cell free extracts. Similar experiments were conducted in the undifferentiated C2C12 myoblasts. Akt2 was immunoprecipitated, and kinase as- says were performed as described below (Kinase Assays, Kinase assay using immunoprecipitated Akt proteins). Transfection of 293-T cells and retroviral infection of Akt2 knockout MEFs. 293-T cells were cultured in DMEM High Glucose (Invitrogen) media supplemented with 10% FBS (Invitrogen) on 10-cm culture dishes. Transfection was carried out after the cells were approxi- mately 3040% conuent. Briey, 18 μL FuGENE-6 was added to antibiotics and serum-free DMEM so as to have a nal volume of 250 μL after addition of DNA. Six micrograms of DNA (pMIGR constructs of murine WT myc-Akt2 and Cys124Ser myc-Akt2; Table S1) were added to the tube, and the mixture of FuGENE-6/ DNA was allowed to incubate for 20 min at room temperature. Medium from 293-T cells was aspirated, and 5 mL fresh anti- biotics-free DMEM containing 10% FBS was added to the cells. The mixture of DNA/FuGENE-6 was gradually dropped on the cells. Fresh medium (3 to 4 mL) was added to the 293-T cells the following day. After 36 h, viral supernatant was harvested and ltered through a 0.45-μm syringe lter. For subsequent infection, polybrene (Santa Cruz) was added at a concentration of 8 μg/mL to the ltered supernatant. For infection, Akt2 knockout mouse embryonic broblasts (MEFs) were cultured in DMEM High Glucose (Invitrogen) supplemented with 10% FBS (Invitrogen) on 10-cm culture dishes. Once 4050% conuent, medium was aspi- rated and replaced with the viral supernatant/polybrene mixture enough to cover the cells. Four to ve h later fresh DMEM was added to feed the cells. A second round of infection of the MEFs was carried out using viral supernatant collected 48 h after trans- fection of 293-T. Infection efciencies were assessed by Western detection of Akt2 expression. Conjugating antibodies to protein A-Sepharose beads. Isoform-specic Akt1, Akt2 antibodies (Cell Signaling nos. 2967, 3063), and V5 epitope antibody (Invitrogen) were conjugated to protein A- Sepharose beads using standard protocols. Briey, 50 μL antibody was incubated with protein A-Sepharose beads (Zymed) on a nutator for 2 h at room temperature. After incubation the beads were sedimented at 2,000 rpm for 2 min, and the supernatant was discarded. The beads were washed twice with 1 mL sodium borate solution (0.2 M, pH 9.0) and then incubated with 1 mL freshly prepared dimethyl pimelimidate solution (5 mg/mL) on a nutator for 25 min at room temperature. After incubation, the beads were washed twice with 1 mL monoethanolamine solution (0.2 M, pH 8.0) and twice with 1× PBS. Finally, the beads were resuspended in 200 μL sterile PBS and stored at 4 °C. Cross-linked slurry (1020 μL) was typically added to 100 μg cell lysates for immunopre- cipitation in all experiments. Induction of oxidation in NIH 3T3 cells. For exogenous treatment with H 2 O 2 , the NIH 3T3 cells were serum starved overnight. The following day cells were treated with H 2 O 2 (100 μM, 500 μM, and 1,000 μM) for 30 min at 37 °C before PDGF-BB stimulation (20 ng/mL, 10 min). For endogenous increase in H 2 O 2 through catalase inhibition, NIH 3T3 cells were treated overnight with 10 mM 3-AT (3-amino-1,2,4 triazole; Sigma) in serum-free media and stimulated the following day with PDGF-BB (20 ng/mL, 10 min). Lysates from both experiments were normalized, and Akt1 and Akt2 proteins were immunoprecipitated using cross-linked Akt1 and Akt2 antibodies. Similar experiments were carried out to assess sensitivity of WT myr-Akt1 and Ser122Cys myr-Akt1 proteins to oxidation from lysates of PDGF-stimulated (20 ng/ mL, 10 min) and 3-AT (10 mM) treated NIH 3T3 transfectants using V5 antibody cross-linked to protein A-Sepharose. The ki- nase activity of immunoprecipitated Akt1 and Akt2 proteins was further assayed as described below under (Kinase Assays, Kinase assay using immunoprecipitated Akt proteins). Additionally, the lysates from 3-ATtreated cells were probed for expression of catalase using anti-catalase antibody (Santa Cruz). Treatment of NIH 3T3 Cells with Antioxidative Reagents. Conuent NIH 3T3 cells were subjected to overnight serum-starvation in the presence of different concentrations of the mitochondrial elec- tron transport chain (ETC) inhibitor rotenone (Sigma; 120 μM) and the antioxidant N-acetyl cysteine (Sigma; 5 and 20 mM). After addition of N-acetyl cysteine to the media, pH was read- justed to 7.5 before starving the cells. NOX inhibitor, VAS-2870 (5 μM; Enzo Life Sciences) and the antioxidant PEG-catalase (2501,000 U/mL; Sigma) were added to the serum-starved NIH 3T3 cells 2 h before PDGF stimulation (20 ng/mL). Akt2 was immunoprecipitated from the normalized lysates and assayed for activity using GSK-3α/β substrate as described below (Kinase Assays, Kinase assay using immunoprecipitated Akt proteins). Assessment of PDGF-Induced Oxidation of Cellular Proteome. Relative quantication of ROS in response to PDGF-BB stimulation of NIH 3T3 cells. Subconuent NIH 3T3 cells cultured in 60-mm dishes were serum Wani et al. www.pnas.org/cgi/content/short/1011665108 1 of 12

Transcript of USICISTI cadeliJ~e Tou[r ~DFossati...e "Carte da decifrare" introdotta da un accenno alla suite n.1...

  • &USICA

    USICISTI

    cadeliJ~e Tou[r ~D FossatiMilano, Teatro degli Arcimboldi 9/11/2011 FRANCESCA BONAFINI

    Prendendo a prestito un verso della sua bellissima

    "Settembre", a Fossati si potrebbe dire: benvenuto anche il

    tuo nome fra le future nostalgie. Perche questa

    Decadancing tour, iniziato con un concerto in anteprima a

    Milano il 9 novembre, e l'ultimo della sua lunga storia

    musicale. Fossati ha infatti dichiarato di voler abbandonare

    il palcoscenico e la discografia ("ma non la musica - ha

    precisato - la musica non si lascia").

    Questo addio si staglia come attestato di coerenza di un

    musicista che, oltre a regalarci quarantanni di canzoni di

    altissima qualita, ha saputo coltivare anche il silenzio, e

    l'intelligenza di prendere parola solo quando c'e veramente

    qualche cosa da dire.

    Quello che manca al mondo e un poco di silenzio canta

    Fossati nel nuovo album: come non essere d'accordo?

    Eppure da lui ci piacerebbe poterci non accomiatare mai,

    non e da lui - sempre cos1 misurato e intenso - che

    vorremmo un silenzio a venire.

    Massimo rispetto per questa scelta, anche se sara difficile

    farsene una ragione per chi si sente come quei viaggiatori

    viaggianti de "I treni a vapore", per i quali ogni motivo e

    buono per partire e un concerto di Fossati e uno dei motivi

    per cui vale davvero la pena mettersi in strada, perche un

    concerto di Fossati - cos1 come ogni suo album - e di per

    se stesso un viaggio.

    Stavolta si comincia da "Viaggiatori d'occidente", brano del

    1984, e dal quel viaggiatore d'occidente per eccellenza che

    fu Marco Polo: una breve lettura a lui ispirata, a sipario

    chiuso, poi si parte. Due ore e mezza di musica, ventisei

    canzoni che raccontano solo un poco il percorso

    quarantennale del musicista genovese, cammino seminato

    di piccole meraviglie che a volerle portare in scena tutte

    non basterebbe una notte intera.

    Da sempre accompagnato da musicisti talentuosi, alcuni

    dei quali ormai immancabili sia in studio che nei live, sana

    con lui nel Decadancing tour Pietro Cantarelli (produzione

    artistica e arrangiamenti, pianoforte, tastiere, Hammond,

    chitarre elettriche, fisarmonica, voce), Claudio Fossati

    (batteria e percussioni), Riccardo Galardini (chitarre

    acustiche, nylon, elettriche, mandola), Fabrizio Barale

    (chitarre elettriche e acustiche, voce), Max Gelsi (basso

    elettrico e acustico) e Martina Marchiori (violoncello,

    fisarmonica, organetto, tastiere, percussioni). E un ritorno

    particolarmente felice quello della violoncellista Marchiori -

    che gia aveva affiancato Fossati nei concerti de Ladisciplina deLIa terra nel 2000 - per il colore che ilvioloncello da alle canzoni in questi nuovi arrangiamenti di

    Cantarelli.

    Molti i momenti emozionanti: quel piccolo capolavoro che

    e "Carte da decifrare" introdotta da un accenno alla suite

    n.1 per violoncello di Bach; il duetto con la chitarra di

    Galardini - con Fossati al pianoforte - in "Mio fratello che

    guardi il mondo"; i nuovi bellissimi arrangiamenti di "E di

    nuovo cambio casa" e "Chi guarda Genova" (ed e alla sua

    Genova devastata dall'alluvione che Fossati rivolge il primo

    pensiero in uno dei pochi interventi parlati; pochi ma

    coinvolgenti, e in qualche caso giocosi e divertiti). Si

    spazia da canzoni di impegno civile come "Cara

    democrazia" e "Ho sognato una strada", alla storia irachena

    di "Stella benigna" (e dall'album Macrame anche la

    stupenda "L'orologio americano", con l'intervento di

    Mercedes Martini, voce recitante), da "La crisi" (brano del

    '79 eppure co51 attuale) a "Di tanto amore", sempre del '79

    ma suonato per la prima volta dal vivo solo nel 2008

    durante il tour di Musica moderna, e ora ripreso in questa

    nuovo viaggio.

    Con "Lindbergh" (altro viaggiatore 0, per meglio dire,

    volatore) alle parole e la voglio fare tutta questa strada,

    fino al punta esatto in cui si spegne ecco comparire sullo

    sfondo la fotografia di una strada assolata che scende al

    mare, foto scelta da Fossati come copertina di

    Decadancing.Non mancano brani diventati ormai classici come "C'e

    tempo" (boato del pubblico al solo accenno), "Il bacio

    sulla bocca", "La costruzione di un amore" e molti altri che

    sarebbe un peccato anticipare in questa sede. Illungo tour

    passera per moltissime citta italiane e si concludera a fine

    febbraio (tutte le date sul sito www.ivanofossati.com).Il

    consiglio e quello di non perdere l'occasione, perche,

    proprio come dice Fossati in "Una notte in Italia", e tutta

    musica leggera, cos1 leggera che ci fa sognare.

    Page 1Titles&USICA cadeliJ~e Tou[r ~D Fossati Milano, Teatro degli Arcimboldi 9/11/2011 FRANCESCA BONAFINI