TZKY N R U Pa Cello Concerto No.1 in C, Hob. VIIb/1 … - Cello ConCerto no.1 in C, Hob. Viib/1 1...

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HAYDN - CELLO CONCERTO NO.1 IN C, Hob. VIIb/1 1 Moderato 8:51 2 Adagio 7:50 3 Allegro molto 6:19 WRANITZKY - CELLO CONCERTO IN C, Op. 27 4 Allegro maestoso 11:18 5 Adagio ma non troppo 7:25 6 Rondò (Allegro molto) 4:20 HAYDN - CELLO CONCERTO NO. 2 IN D, Hob. VIIb/2 7 Allegro moderato 13:22 8 Adagio 5:03 9 Rondò (Allegro) 5:00 Musicmedia Edizioni Musicali Srl - Largo Isabella d’Aragona, 1- Milano - Tel.+39 0258321153 Fax.+39 0258305166 - www.musicmedia.it CATEGORY: Cello and Orchestra Concerto. 1CD - 8 pages Booklet (Italian/English). New Concerto Classics packaging. Poster inside. MAJOR HIGHLIGHTS: Two of the greatest masterpieces for cello, together with a contemporaneous rarity. COVER IMAGE: Gianluca Corona, Composizione con peonia e conchiglie - 2014, oil on canvas glued on panel, cm 20x50 (Galleria Salamon). INTRODUCTION: Although more than 8 concerts for cello and orchestra are ascribed to Haydn, only two seem to be almost definitely ascribable to the Austrian composer: one in C major and the other in D major (in Van Hoboken’s theme catalog they are Hob. VIIb/1, composed between 1761 and 1765, and Hob. VIIb/2 – opera # 101 - dated 1783). They have become common repertoire, and are generally considered among the most interesting after Vivaldi’s (and among the finest of the 18th century anyway), marking the passage between the Baroque and the Classic period. The latter has become a must for the world’s greatest cellists: from Rostropovich to Fournier and Yo-Yo Ma. This recording ends with a far less known concert, especially among Mediterranean audiences. It’s by Moravian composer Pavel Vranický, whose name was later Germanized in Paul Wranitzky (Nová Říše, Moravia, 1756 – Vienna, 1808). History often dispenses fame or oblivion without any apparent reason. In fact Wranitzky, who today has to be reintroduced to the public, in his times was greatly appraised not just by the Habsburgs but by his colleague musicians as well: first of all Haydn himself, but also Mozart and Beethoven. Wranitzky, in fact, directed Beethoven’s 1st Symphony at the start of the new century: the 1800’s. Some critics believe his more than 50 string quartets to be even better than Mozart’s, while his Symphonies (about forty of which are still available today) can match Haydn’s with no sense of inferiority. 2015 CONCERTO PMusicmedia Orchestra di Padova e del Veneto Enrico Bronzi, cello and conductor F. J. HAYDN Cello Concertos Nos. 1 & 2 P. WRANITZKY Cello Concerto www.concertoclassics.it F.J. HAYDN - P . WRANITZKY DUE OUT: APRIL 2015 TITLE: F. J. HAYDN: Cello Concertos No.1 in C major Hob. VIIb/1, No.2 in D major Hob. VIIb/2 P . WRANITZKY: Cello Concerto Op. 27 in C major ARTISTS: Orchestra di Padova e del Veneto Enrico Bronzi, cello and conductor RECORDING: April 2013 - Auditorium Pollini (Padova, Italy). Cerrato Brothers, RedDress Recording Studio 1 CD CONCERTO 2081, NEW RELEASE FRANZ JOSEPH HAYDN - PAUL WRANITZKY DUE OUT: APRIL 2015 RECORDING PROGRAM: (Total time: 69:32) Orchestra di Padova e del Veneto Enrico Bronzi, cello and conductor F. J. HAYDN Cello Concertos Nos. 1 & 2 P. WRANITZKY Cello Concerto in C, Op. 27

Transcript of TZKY N R U Pa Cello Concerto No.1 in C, Hob. VIIb/1 … - Cello ConCerto no.1 in C, Hob. Viib/1 1...

Page 1: TZKY N R U Pa Cello Concerto No.1 in C, Hob. VIIb/1 … - Cello ConCerto no.1 in C, Hob. Viib/1 1 7Moderato 8:51 2 8Adagio 7:50 3 Allegro molto 6:19 Wranitzky - Cello ConCerto in C,

Haydn - Cello ConCerto no.1 in C, Hob. Viib/1 1 Moderato 8:512 Adagio 7:503 Allegro molto 6:19

Wranitzky - Cello ConCerto in C, op. 27 4 Allegro maestoso 11:185 Adagio ma non troppo 7:256 Rondò (Allegro molto) 4:20

Haydn - Cello ConCerto no. 2 in d, Hob. Viib/2 7 Allegro moderato 13:228 Adagio 5:039 Rondò (Allegro) 5:00

Musicmedia edizioni Musicali Srl - Largo Isabella d’Aragona, 1- Milano - Tel.+39 0258321153 Fax.+39 0258305166 - www.musicmedia.it

• Category: Cello and Orchestra Concerto. 1CD - 8 pages Booklet (Italian/English). New Concerto Classics packaging. Poster inside.

• Major HigHligHtS: Two of the greatest masterpieces for cello, together with

a contemporaneous rarity.

• CoVer iMage: Gianluca Corona, Composizione con peonia e conchiglie - 2014,

oil on canvas glued on panel, cm 20x50 (Galleria Salamon).

introdUCtion:Although more than 8 concerts for cello and orchestra are ascribed to Haydn, only two seem to be almost definitely ascribable to the Austrian composer: one in C major and the other in D major (in Van Hoboken’s theme catalog they are Hob. VIIb/1, composed between 1761 and 1765, and Hob. VIIb/2 – opera # 101 - dated 1783). They have become common repertoire, and are generally considered among the most interesting after Vivaldi’s (and among the finest of the 18th century anyway), marking the passage between the Baroque and the Classic period. The latter has become a must for the world’s greatest cellists: from Rostropovich to Fournier and Yo-Yo Ma. This recording ends with a far less known concert, especially among Mediterranean audiences. It’s by Moravian composer Pavel Vranický, whose name was later Germanized in Paul Wranitzky (Nová Říše, Moravia, 1756 – Vienna, 1808). History often dispenses fame or oblivion without any apparent reason. In fact Wranitzky, who today has to be reintroduced to the public, in his times was greatly appraised not just by the Habsburgs but by his colleague musicians as well: first of all Haydn himself, but also Mozart and Beethoven. Wranitzky, in fact, directed Beethoven’s 1st Symphony at the start of the new century: the 1800’s. Some critics believe his more than 50 string quartets to be even better than Mozart’s, while his Symphonies (about forty of which are still available today) can match Haydn’s with no sense of inferiority.

2015 CONCERTOP Musicmedia

Marco Sollini, piano

PERGOLESI ’S FORTUNE AUThENTIc ANd SPURIOUS wORkSFOR kEybOARd

Orchestra di Padova e del Veneto Enrico Bronzi, cello and conductor

F. J. Haydn Cello Concertos nos. 1 & 2

P. WranitzkyCello Concerto

www.concertoclassics.it

F.j. Haydn - P. WranitzkydUe oUt: aPril 2015

title:F. J. HAYDN: Cello Concertos No.1 in C major Hob. VIIb/1, No.2 in D major Hob. VIIb/2 P. WRANITzkY: Cello Concerto Op. 27 in C major

artiStS:Orchestra di Padova e del VenetoEnrico Bronzi, cello and conductor

reCording:April 2013 - Auditorium Pollini (Padova, Italy). Cerrato Brothers, RedDress Recording Studio

1 Cd ConCerto 2081, neW releaSe Franz joSePH Haydn - PaUl WranitzkydUe oUt: aPril 2015

reCording PrograM:(total time: 69:32)

2015 CONCERTO Manufactured and printed in Italy

TOTal TimE: 69:32

P Musicmedia Edizioni MusicaliCD 2081 2081

Orchestra di Padova e del Veneto Enrico Bronzi, cello and conductor

CREDITSProduction for Concerto: Andrea Maria Panzutiartistic Direction: Enrico Bronzi Recording, editing, mastering and sound engineer: Cerrato Brothers, RedDress Recording Studio - www.reddress.itDate of recording: April 2013 - Auditorium Pollini, Padova. instruments: Vincenzo Panormo cello from 1775. Cover image: Gianluca Corona, Composizione con peonia e conchiglie - 2014, oil on canvas glued on panel, cm 20x50 (Galleria Salamon)Booklet notes: Andrea Nigromontano Translated by: Alberto Pirovano artwork: Fabio Troiani

Un ringraziamento particolare al Maestro Reinhard Goebel. Special thanks to Master Reinhard Goebel.Grazie al Maestro Corona e alla Galleria Salamon, che ci hanno aiutato in questa iniziativa.Very grateful to Mr. Corona and to the Salamon Art Gallery, who have supported in this effort.

Gianluca Corona è nato a Milano nel 1969. Dopo essersi diplomato in pittura all’Accademia di Belle Arti di Brera, a Milano, nel 1994 diventa allievo di Mario Donizetti. Pittore, disegnatore, ritrattista, privilegia, nelle sue opere, soggetti di natura morta e di figura in genere, sempre con particolare attenzione all’uso delle tecniche e alla scelta dei materiali. Vive e lavora a Milano. Gianluca Corona was born in Milan (Italy) in 1969. He earned his diploma in painting at the Accademia di Belle Arti di Brera, Milan. In 1994, he became a student of the painter Mario Donizetti. As painter, drawing and portrait artist, his work primarily features still lives and figure painting, paying particular attention to pictorial technique and the selection of materials used. He lives and works in Milan.

F. J. Haydn Cello Concertos nos. 1 & 2

P. WranitzkyCello Concerto in C, Op. 27

l’Orchestra di Padova e del Veneto si è costituita nell’ot-tobre 1966 e nel corso di quasi cinquant’anni di attività si è affermata come una delle principali orchestre da camera italiane nelle più prestigiose sedi concertistiche in italia e all’estero. l’Orchestra è formata sulla base dell’or-ganico del sinfonismo “classico”. Peter maag – il grande interprete mozartiano – ne è stato il direttore principale dal 1983 al 2001. alla direzione artistica si sono succe-duti Claudio Scimone, Bruno Giuranna, Guido Turchi, mario Brunello (direttore musicale, 2002-2003), Filippo Juvarra (Premio della Critica musicale italiana “Franco abbiati” 2002). Dall’agosto 2014 il direttore artistico è Clive Britton.Nella sua lunga vita artistica l’Orchestra annovera colla-borazioni con i nomi più insigni del concertismo internazio-nale tra i quali si ricordano S. accardo, P. anderszewski, m. argerich, V. ashkenazy, J. Barbirolli, Y. Bashmet, R. Buchbinder, m. Campanella, G. Carmignola, R. Chailly, C. Desderi, G. Gavazzeni, R. Goebel, N. Gutman, Z. Hamar, a. Hewitt, C. Hogwood, l. Kavakos, T. Koopman, a. lonquich, R. lupu, m. maisky, V. mullova, a.S. mutter, m. Perahia, i. Perlman, m. Quarta, J.P. Rampal, S. Richter, m. Rostropovich, H. Shelley, J. Starker, R. Stoltzman, H. Szeryng, U. Ughi, S. Vegh, K. Zimerman. l’Orchestra realizza circa 120 concerti l’anno, con una propria stagione a Padova, concerti nella regio-ne Veneto, in italia per le maggiori Società di concerto e Festival e tournée all’estero. a partire dal 1987 ha intra-preso una vastissima attività discografica realizzando oltre cinquanta incisioni per le più importanti etichette.

Founded in October 1966, in forty years of activity Orchestra di Padova e del Veneto has established itself as one of the principal italian chamber orchestras with an optimum reputation both at home and abroad. The com-position of the Orchestra is based on the complement of the “classic” symphony orchestra. The eminent mozartian Peter maag was principal conductor of the Orchestra from 1983 to 2001. artistic Directors have been, in suc-cession, Claudio Scimone, Bruno Giuranna, Guido Turchi, mario Brunello (2002-2003). Filippo Juvarra (that was awarded the “Franco abbiati” italian music Critics Prize in 2002). Clive Britton is currently artistic Director of the Orchestra. During its long artistic existence the Orchestra has collaborated with celebrated international concert artists, including: accardo, anderszewski, argerich, ashkenazy, Barbirolli, Bashmet, Bream, Buchbinder, Campanella, Carmignola, Chailly, Desderi, Gavazzeni, Goebel, Gutman, Hamar, Hewitt, Hogwood, Kavakos, Koopman, lonquich, lupu, maisky, melles, mullova, mutter, Nanut, Perahia, Perlman, Quarta, Rampal, Richter, Rostropovich, Santi, Shelley, Starker, Stoltzman, Szeryng, Ughi, Vegh, Zehetmair, Zimerman. The Orchestra gives around 120 concerts every year, with a season in Padua and concerts in the Veneto Region as well as for leading Concert Societies and Festivals in italy and during tours abroad. Since 1987 the Orchestra has embarked on a large-scale recording activity with over fifty recordings for various major labels.

www.opvorchestra.it

Violoncellista e direttore d’orchestra, è nato a Parma nel 1973. Fondatore del Trio di Parma nel 1990, ha suonato nelle più importanti sale da concerto d’Europa, USa, Sud america ed australia. Con tale formazione si è imposto nei concorsi internazionali di Firenze, melbourne, lione e monaco di Baviera, ricevendo peraltro il “Premio abbiati” della critica musicale italiana. Dal 2001, in seguito alle affermazioni al Concorso Rostropovich di Parigi e al Paulo Cello Competition di Helsinki, dove riceve anche il Premio per la migliore esecuzione del concerto di Dvorak con la Filarmonica di Helsinki, inizia una intensa attività solistica. Suona come solista sotto la guida di C.abbado, C.Eschenbach, P.Berglund, F.Bruggen, K.Penderecki, Tan Dun, R. Goebel. Ha seguito le lezioni di direzione d’orchestra di Jorma Panula ed è direttore ospite di numerosi complessi italiani, tra cui Orchestra mozart (su invito di Claudio abbado), Orchestra di Padova e del Veneto, Virtuosi italiani, Filarmonica marchigiana, Sinfonica della Val d’ao-sta e Sinfonica abruzzese. Tra le sue registrazioni disco-grafiche, oltre alla vasta produzione col Trio di Parma, vi sono tutti i concerti di Boccherini (Brilliant Classics), i concerti di C.P.E.Bach (amadeus), un disco monografico su Nino Rota, le Sonate di Geminiani (Concerto) e l’integrale delle Suites di Bach (Fregoli music) che è stata al secondo posto della top ten degli album di musica classica di iTunes music Store. Enrico Bronzi suona un violoncello Vincenzo Panormo del 1775.

Born in Parma in 1973, Enrico Bronzi is the cellist of the Trio di Parma, with whom he has carried on an intense concert activity since 1990 appearing in the most important Concert Halls of Europe, the United States, South america and australia. The group has also successfully competed in a number of international competitions in Florence, melbourne and munich, and has received the “Premio abbiati” from italian musical critics. Since 2001, Bronzi has coupled his chamber group activity with an active career as soloist, which after having won a prize in the Rostropovich Competition in Paris culminated with an international award: first prize in the Paulo Cello Competition of Helsinki, he also received the Special Prize dedicated to R. Sommer for the best performance of Dvorak’s Concerto with the Helsinki Philarmonic. Since then he has also been asked to play as a soloist in the most important festivals and with orchestras throughout Northern Europe. He has performed as soloist under the direction of C. abbado, V. Delman, C. Eschenbach, P. Berglund, F. Bruggen, K. Penderecki. He has been taught Orchestra Direction by Jorma Panula and has appeared as guest director with several italian groups. He, also in collaboration with the Trio di Trieste and maureen Jones, carries out an intense activity teaching in various schools, taking on dozens of musicians that often receive internatio-nal awards and recognition. He has been a professor at the Universität mozarteum in Salzburg since 2007. The cello Enrico Bronzi plays is a Vincenzo Panormo cello from 1775.

www.enricobronzi.com

ORCHESTRA DI PADOVA E DEL VENETO ENRICO BRONZI

Visit our new website www.concertoclassics.it

Orchestra di Padova e del VenetoEnrico Bronzi, cello and conductor

FRaNZ JOSEPH HaYDN Cello Concerto No.1 in C, Hob. VIIb/1

1 Moderato 8:51

2 Adagio 7:50

3 Allegro molto 6:19

PaUl WRaNiTZKY Cello Concerto in C, Op. 27

4 Allegro maestoso 11:18

5 Adagio ma non troppo 7:25

6 Rondò (Allegro molto) 4:20

FRaNZ JOSEPH HaYDN JOSEPH HaYDN Cello Concerto No.2 in D, Hob. VIIb/2

7 Allegro moderato 13:22

8 Adagio 5:03

9 Rondò (Allegro) 5:00

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Digipack Haydn Wranitzky OK.indd 1 22/01/15 16.50