La Flora - Arie Antiche Italiane

8/3/2019 La Flora - Arie Antiche Italiane

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LA FLORAVOLVMETERZQ.

INDICE - CONTENTS - INHALT

Note sui Compositori - Notes on the Composers -Noten betreffs der Komponisten p. VII - XI - XV

Note sulle Composizioni - Notes on the Compositions -Noten betreffs der Kompositionen

Translations - Dbertragungen . . . .p. VIII - XII - XVIp. XIXp . 3 -rascrizioni - Transcriptions - Transkriptionen


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Ordine del Volume TerzoNo." Pag. ,Ambito1. (}ulz'o Oaccz'nt': ..... :0, che felice giorno m __ m 3 1J , J r -

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Speranze 19~~'~J~/~2-r~.

2. Amor, eh'attendi 43. " Aur' amoros a 54. " Al fonte, a1 prato 65. Anont'mo:. '. . . ..... Care mie selve 76. An!on":o Oifra: La violetta 97. Andrea .Falcomert: ... Bella fanciulla 108. " Occhietti amati 119. " Bella porta di rubini., 1210. Vz'ncen,n'o Oales!arn': .. Ferma, Dorinda mia 1311. . F z' lz 'ppo Vz 't al : Pastorella 1412. .PranCBS(;O Oavallt': ... Vaghe stelle 1513. "14. " Sospiri di foco 2215. Antonio Vz va ld t' : . . Piango, gemo 2316. o di tua. m a n 26"

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17 . , - : t ~ J~).~/7r~Benedetto Marcello: .. 0, Signor, chi sara 30 ~ _.-18. ." Le pecorelle 3419. " Ohe inviolabile 3620. (J. .F . Hll"del.... . Dammi pace 38

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22. " Figlia mia, non pianger 5223. " Bcorta rea , . . 5424. " Sorge nel petto 5925. "26. " Un momento di contento 69

27 .IDUETTII

Claudz'o MOllteverdl:' ..... Ahi, sciocco mondo 74

28. " Interrotte speranze 76

29.

30. "

3 1. " Alma mia, dove;i!

32. Antonio Oifra: . . . . . . . . Del mio 801.. ------ - 85

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. 33. .l?'ilippo' Vita It": . . . S ' lSI' t 86 {-,. . .. e 0 SI, scos a .-.----------- .------------ :iJ~~~~~~ J / < r : : ~34.

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42.A' . S" non'tmo: . . . . . .. 1, S1, mio cor :.. 110

43. Francesoo Ilurante: .... Fiero, acerbo destin 118

" Son io, barbara donna 12744.

45. (J. ff. Illinde!: Ingannata Romilda 13226584


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XIX

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(Translations

LA FLORA III.Ubertragungen

I. 0, che felice glorno1. Oh what a happy dayt Oh what a joyful return ani-mates the already expired heart IWhat tenderness do Inotfeet, oh my light, oh my life, oh my endless joy I2. Now my Beloved returns and adorns these shores.Here she merrily bestows her fair glances which Iadmire.Fair eyes, dear eyes, clearer than the sunl3. Now I feel no pain in my breast, only joy. My clear,beautiful, shining star returns, the sun returns, the airreturns, she, who heals me, returns.4. The God, who sets hearts on fire, now fills my lifewith sweet hours. Cupid, who had deprived me of it, now

gives me back the beautiful face, my heart, my Beloved, mycomfort, my hope.o

1. 0 welch ghicklicher Tag! 0 welche Irohllche Wieder-kunft belebt das schon erloschene Herz, Wie viel Ziirtlich-keil fuhle ich, 0 mein Licht, 0 mein Lehen, 0 meine unend-Iiche Freude I2. Jetzt kehrt meine Geliebte zuruck und schrnuckt dieseUfer. Hier schickt sie froh ihren schonen Blick, den ich be-wundere, umher. Schone Augen, liebe Augen, klarer als dieSonne I3. Jetzt Iuhle ich in meiner Brust keinen Schmerz, nurFreude. Meln klarer, schcner.Jeuchtcnder Stern kehrt wieder,die Sonne kehrt wieder, die Luft kehrt wieder, sic, die illicitheilt, kehrt wieder.4. Der Gott, der die Hcrzen entflammt, gibt jetzt meinem

Leben sfisse Stun den. Amor, der es mir genommen hatte,schenkt mir jetzt das schone Antlitz wieder, mein Herz, nieineGeliebte, meinen Trost, meine Hoffnung.2. Amor, cll'attend!

1. Cupid, why do you walt, what are you doing? Arise,why do you not take up your arrows? Revenge, Cupidl Cu-pid, shoot your arrows at the heart that haughtily despisesyour kingdom.

2. Mighty Cupid, gracious Cupid I People will say, evenif they arc scorched and on fire, that this cruel one, who iseager for pain and tears; scorns lovers.

3. Jupiter sends lightning from high heaven. The archerof Delos lets arrows rain; may the golden arrow be adornedwith laurels; for it is mightier than any other,

1. Amor warum wartest du, Arnor, was machst du? Auf,warum nimmst du nicht endlich deine Pfeile? Hache, AmortAmor, schiess dcine Pfeile ab gegen das Herz, das hoch-mutig dein Reich veracbtet.

2. l\liichtiger Amor, gefUlliger Amorl Die Leutc, wenn sicauch vcrsengt und cntflammt sind, werden sagen, dass dicseGrausarne, die nach Schmerzen und Tranen begierig ist, dieLiebenden verhohnt,

3. Yom hohen Himmel sendet Jupiter Blitze. ncr Bogen-schutze aus Delos Iasst Pfcile regnen ; mage der goldenePfeil mit Lorbeern geschrnuckt werden: denn der ist milch-tiger als jeder andere.3. Aur' amorosn

1. Loving little breeze, that gently stirs on a beautifulmorning, while the dawn risesl Oh stir at every houri2. Free us at last from the glow that burns the hill andthe plain to ashes, and let the heart recover in your strength.3. Let a' day arise for us more tranquil than any formerone, so that every spirit may revive again on these shores,because of youl

1. Liebesvolles Luftchen, das sanft am schonen ~Iorgen\....ht, wahrend die Morgenrote sich erhebt, Ach weh - zujeder Stundel2. Befrei uns endlich von der Glut, die den Berg und dieEbene zu Asche verbrennt, und mach, dass das Herz (lurchdeine Kraft aufatmel3. Lass uns einen Tag erstehen, der ruhiger ware als jeeiner zuvor, so dass jeder Geist durch dich an diesen Uiemwiederauflebt.

4. Al fonte, al prato1. To the spring, to the meadow, to the wood, to the 1. An die QueUe, auf die Wiese, ill den Wald, in denshade, to the fresh breeze that disperses the beat, hasten, Schatten, in die frische Brise, die die Hitze vertreibt, eil, 0oh shepherd I Let h im who is thirsty, let him who is weary, Hirtl Ein jeder, der durstet, ein jeder, der mude ist, ruherest! slch ausl2. L~t but'edoftl flee, let sorrow flee, that laughter and 2. Dass die Langeweile Iliehe, dass der Schmerz Ilielie,joy, only bl!lo\;cd of Cupid, m ay remain' with us on happy dass wilhrend der frohen Tage nur Lachen lind Frcude, dieduys, thilt eomplalnts and quarrels may never be heard. Amor nlleln mng, mit uns wellcn, dass 1111111 nie Klagcn undStreit here!


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3. Let but sweet song of the lovely birds sound in evernew notes over the green garment of the little trees, whileEcho answers the waves..1 . And while the cicada, as well ns it can, in husky toneslures hither sweet sleep that tempers the heal, we, quitesoftly, join in.

. 3. Aber, dass susser Gesang der lieblichen Vogel fiber dasgrune Gewnnd der Bfiurnchen in immer neucn Tonen er-schalle, wahrcnd Echo den Wellen antwortet.

4. Vnd wfihrend die Zikade, so r:ut sic kann, in heiset"enToncn den sussen Schlaf, tier die Hitzc mildert, hellJcilocktstimmen wit" ganz lelse mit eln. '5. Core mle selve

My dear woods, adleti,take these last sighs, until my coldshadow, freed from the unjust, cruel iron, returns to yourbeloved shades; for he cannot roam, innocent, in painful hell,neither can he stand despairing and suffering among theblessed. Oh, Mirtillo, Mirtillo, truly, it was a sorrowful daywhen Isaw you for the first time, when Ipleased you forthe first time. As my life was far dearer to you than yourown, your life ought not to serve only as the cause of mydeath.

Meine lieben Wiilder, ade, nehrnt diose letzlcn Svufzcr-, bismein kalter Schatten, von dern ungercchtcn grnusamon Eisenbefreil, zu eurcn geliebten Schatlcn zuriickkehrt; denn un-schuldig kann er nicht in der schrnerzvollen 11611e umhel'-irren, auch kann er nieht verzweifelt und leidend unterSeligen stehen. 0 Mirtillo, Mlrtillo, wahrlich war es ein elen-der Tag, da ieh dich zorn ersten Mal sah, da ich dir zurnersten Mal geflel, Da mein Leben dir vicl l ieber war als dasdeine, so mirsste dein Leben doch nieht allcin dazu dienen,Ursache meines Todes zu sein,

6. La violetta1. The violet, that opens in the grass, in the morning,

say - is it not sheer scent, quite light and beautiful?2. Certainly, it smells sweet and fills the breast with joywith its beautiful colours.3. Lovely red, lovely white, you are the ornament ofApril in the morning breezes. Always lovelier; what will,however, become of you at last?

1. Das Veilchen, das am Morgen iro Gras sich neu offnet,sag', isl es nicht ganz Duft, ganz leicht und schon,2. Doch gewiss, sanIt duftet es und erfullt mit seinenschonen Farben die Brust mit Freude.

3. Liebliches Rot, lieblichcs Weiss, du hist der Schmuckdes Aprils in dcn Morgenlflften. Irumer liehlicher; was wirdaber am Ende werden?7. Bella fanC!lnlla

1. Fair maiden with the rosy face, you have taken myIrcedom, Take pity on my grave suffering. Fair maid, do notlet me diel

2. Oh little maiden with the laughing eyes, you, who sobrightly show your fair beams, put an end at last to mygrave suffering, oh little maid, do not let me die!3. Oh little one with the beautiful mouth, from which a

sea of sweetness flows. Oh do not refuse help to my suffer-ing, oh little one, do not let me die! .4. Oh fair damsel with the beautiful eyebrows, underwhich two stars kill my heart. Feel pain for my grave suf-fering, oh little damsel, do not let medie I .

1. Schones l\Iiidchen mit dern rosigen Gesicht, die du mirmcine Freiheit genornmen hast. Erbarme dich meines ern-stcn Lcidens. Schnncs Mildehen, lass mich uicht sterbcn I2. 0 kleines Mildehen mit den lachenden Augen, die duso Ieuchtend deine schorien Strahlen zelgst, mach nun end-lich meinem ernsten Leiden ein Endc, 0, kleines Mfidcben,

lass mieh nicht sterbenl3. 0 du Kleine mit dem schon en Mund, aus dern ein Meervon Sussigkelt entspringt. Ach verweigerc nicht meiricm Lei-den die Hilfe, 0 du Kleine, lass mich nicht sterbenl4. 0 kleines Friiulein mit den schoncn Augenbr'auen, un-ter denen zwci Sterne mir das Herz toten. Ffihle Schmerzenbei meinern grossen Leiden, 0 kleines Fraulein, lass michnicht sterben I

8. Ocehiettl amatl1. Beloved eyes that make me burn, why are you nowso cruel? May your radiance, flames of the heart, shinebrightly and frill of joyl2. Blood-red mouth, oh wonderfull You have pearls and

rubies as boundaries ..When will you say, laughingly andgently: Oh my Beloved, I, too, burn?3. If I do not long for you, my joy, if I do not suffer,then let me die quickly. But if Ihonour you, my Beloved,then transform your severity. to pity.

1. Gcliebte Augen, die ihr mich enflammt, warum seidihr jetzt so grausarn? Dass euer Glanz, des Herzens Flam-men, heitcr und voll Freude leuchten mogel2. Blutroter Mund, 0welch Wunder; du hast als Grenzen

Perlen und Rubine, wann wirst du lachcndund mild sagen:0, Olein Geliebtcr, auch ich brenne?S. Wenn ich rnich nieht nach dir, meine Freude, sehne,wenn ich nicht lei de, Iass mich dann schnell sterbcn. Wennich dieh aber verehre, 0 meine Geliebte, dann vcrwandledeine Hiirte in Mitleidl9. BeDoporta di rabinl

1. Beautiful gate of rubles, that opens a path for gentlespeech, that reveals shining pearls, during rare laughter. Youexhale the "gentle air of love, that alleviates my suffering.1. Schones Tor aus Ruhlnen, das der sanften Sprnchceincn Weg offnet, das wahrend des seltenen Lachens leuchtende Perlen offenbarL Du atmest die sanfte Luft der Lielxaus, Linderung meiner Leiden,


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r'"\, mning Cupid enclosed in you lhe sweetest delights.in you the sign of peace, laughter, kisses nnd fondThrough you he triumphs and reigns and teacheshe II radlant conqueror..nrruing fresh' rose, moist sweet lip bearing the mannaph-it on its beautiful crimson, do not speak, but laughsilent, lel our kisses be the words.

XXI2. In dicb schloss der listlge Amor die susseslcn Wonnen

ein. Lcgtc in dich dns Zdehen des Friedens, Luchcn, l\ilsselind liche Wortc. Durch dich Ieiert er 'I'rlurnphc und herrscht.und lchrt dich cine strnhlcnde Si('J.{l'lin scin.

3. llclxcmlc Irlschc Hose, Icuchte silsse I.ippl', di(' du dieManna des Geistes auf dcm schonen Purpurrot tragst, sprichnieht, sondern Inch lind schwcig, unscrc Kilssc scion (lie \\'orte

10. Ferma, Dorinda mta-st, my Dorinda, oh arrest your foot; tarry, changenoughts, turn your steps! Return, oh my Dorinda,fair nymph, you, my fair sun. Arrest your swift fool,-est, turn your eyes, oh cruel lady, turn your stepsr faithful, though sad loverl

Halt, meine Dorinda, ach halt dcincn Fuss un, hall, linden~deinen Gedanken, wcnde deinc Schrittel Ach, kchr zuruck,meinc Dorinda, kchr zurnck, du schone Nymphe, du mcineschone Sonne. Halt deinen schnellcn Fuss an, halt, still,wende deine Augen, Gruusame, wendc deine Schritte zu dci-nem ebenso treuen wie betriibten Gcliebten I '

11. Pastorelln.itUe shepherdess, where are you hidden, whither do'e? Alas, what ure you doing? Return, answer at least,II me the reason why you depart. Arrest your steps,flee, you cannot wish to let me dielf you depart, who will help me; if you go away, whonnfort me? What will become of my life, that is miser-nd lonely without you? Do not go away, oh Phyllis,Io not escape in such hastel)h cruel one, who will ever love you again, if you do.tcem me? Who will languish under your Iair beams,scorn me'? Flee then; one day, full of remorse, you

'eep fur this resolve Io

1. Kleine Hirtin, \\'0 hast du dich versteckt, wo Iliehstdu hin? Ach, was machst du? Kehr zuruck, antwortc wenig-stens und sag' den Grund, warum du fortgehst, Halt dcinenSchritt an, niche nicht, du kannst mich niehl sterhcn las-sen wollen!2. Wenn du scheidest, wer hillt mir dann; wenn du fort-gehst, wer trostet mich dnnn? Was wird aus meinem Leben.werden, das ohne dich elend und verlasscn ist? Geh nichlfort, 0 Phyllis, warte, entfliehe nicht in solcher Eilel

3. () Grausame, wer wird dich je wicder lieben, wcnn dumich nichl schfitzt? Wer wird vor dcinen schonen Strahlenschmachten, wenn du mich verachtest? Fliehc nur; einesTagcs wirst du vall Heue dies en Entschluss hewcinen I

12.Vaghe stellearming stars, bcautiful lights, do not sleep! Reveal the~ radiance of your beautiful eyes, let Cupid shoot his's into this bosom, beautiful shining glances, oh openlights. Charming stars, etc,

Rcizende Sterne, schone Lichter, schlaft niehl! Offnet denheiteren Glanz curer schonen Augen, lasst in diesen meinenBusen Amor seine Pfeile abschiessen, schone leuchtendeBlicke, ach, bffnet eure Lichter. Reizende Sterne, etc.

13. Speranzeopes that would fain flatter, vanish from my bosom,at deceive me I Oh no, arrest your flight, I"will live, Ilive hopefully and take comfortlhear the heart that tells me: suffer, suffer in your lovelday changing fate will heal your pain Ih yes, remain in my breast, I will keep you, hopes, andyou in fetters I

Hoffnungen, die ihr: gern schmeicheln wollt, verschwin-det aus meinem Busen, betrugt mich nicht l Ach nein, halteteuren Flug auf, ich will leben, ich will hoffend leben undmieh trosten I

leh hore das Herz, das mir sagt: Leide, leide in derLiebel Eines Tages wird das weehselnde Schicksal deinenSchmerz heilenlAch, ja, bleibt in meiner Brust, ich halte euch zuruck,ihr Hoffnungen, und ich lege euch in Fesseln I

14. Sosplri dl locoYe ardent sighs that set the air on fire, hover aroundBeloved and tell her a little "about my cruel pain, ye

.- sighs!

._Ye lig,l\t breezes, that bear my pain. f i : y to the- breast

.1\y Iklol"t'd .nd ss,y thsl 1 die in ~e'roUs suffering. :y eIt breezes!

1. Ihr Ieurigen Seutzer, die ihr die Lufl in Flammen setzt,fliegt leicht um melne Geliebtc und erzjihlt ihr ein wcnigvon meineu schweren Scbrnerzen, ibr feurlgen Seufzerl

2. Ihr Ieichten Lurte, die ibr rneinen Schrnerz hurt, fliegtzu der Brust melner Geliebten nod sagt, dass ich sterbe inschweren Leiden, ihr Ieichten Lufte:

I weep, I lament, I :; igb. and I suffer, Oh, the wound isclosed in my heart I only demand, for the pe-ace of myeast, that a more violent pain may kill me. I weep, etc.

,Ich welne, ich klage,ich scufze und ich lei de. 0, die

'Wun"de lst in meinem Herzen verschlossen. lch verlange nurfiir den Frieden meiner Brust, dass ein noch stiirkerer Schmerztnieh tote. Ieh weine, etc.


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XXH16. 0 di taa mnnr"\ / Either open the veln of my arm with your hand, or else

comfort my dying with II I-(Iancel Wilh such n reward, thissoul glides uwuy from the light of day without sorrow,Either open, etc,

Olfne mlr cutweder die Adcr des Armes mil rlclru-r- l lunrtodor trostc mll cincm Blick mcin Slcrhen l Mil snlcher (;nacleenlgleilet dlesc Serle ohne Scluncrz von dell Slrahlen drsTuges, Offil l ' mir, etc.

17.0, Signor, ehl saraOh God, who will pnss there where You hnve set UJl Your 0 (;oll, wer wird rlorthin gelangC'n, wo ihr ('1I1'CII sl'ligell

blessed seat? \\'ho will enjoy the sublime repose which will Silz errlchtet hnbt? Wer wirel die crhnbi-nc lluhe gellil'ss!'ll.be grunted him as a reward on lour holy hill? die ihm auf eurem hoiligcn Berg als Lohn xu 'rei I worden

kunn?

18. Le peeorelleThe little sheep in the green Iields provide him with

sweet milk and soft wool, and they obey his signs.Die Schfiflein auf den grfmen Feldern gchcn ihrn die sfrssc

Milch und die weichc Wolle, und sic gehorchen scinenZeichen.

10. Che Inviolabile. '" He who inviolably keeps faith and is not led astray

by his neighbour and does not gain unfair profit from hismoney, neither stretches out his nvariclous hand Ior gills,by which he might become an oppressor or the innocent.

.,. Ocr unverletat die Treue hfIlt und sich von seineu.Nlichsten nicht bercden lflsst, unci nicht von se inem (;elt'ungerechte Ausbeutc erntet, und auch nichl die geizigc HanrffIr (;al>rn hinreicht, durch die er ein Untcr-drt ick er der Cnsehuldigen werden karin.

20. Damml pace(;jve me pence, beloved face, and your Iuther will have

}J (':1cv. That your scorn 1lI1l)' be soltcned by the puln IDem'in Illy heart. (ave me peace, etc,

Schenk mir den Frieden, geliehtcs Antlitz, und dcin Vatewird Frieden hckonuucn. Duss dcinc Vcruchtuug von dellSchmerz, den ich im Hcrzcn hege, gcrnildert wcrclc, Schcnlmir den Frieden, ell'.

21. Deb! LasclatemiOh let me keep the enemy, if ye rob me of my Beloved,

ye kine! stars, - Ior pity's sake! And then Iwill be free tohate this enemy, if he cannot be my lover. Oh lct me, etc.

Ach, ihr Ircuudlichen Sterne, lnsst mich den Feind at;Mltlcid hehaltcn, wcnn ihr mir den Gcliebten ger-aubt huh:Und dann werde ich r l icsen Fcind, wenn er mlr - nicht (;(liehtcr scin kann, frei hassen kiinnen. Ach, ihr Irc und licheSterne, etc,

22. Figlia mia, non pJanger~Iy daughter, do not weep, no, only let your tears now

when Iurn dead and do nol see them, my daughter, etc, Meine Tochter, weine nicht, nein, lass erst d ann r le lrTrfmen rinncn, wenn ich gestorben bin unci es nicht schmeine Tochter, etc.

23. Scortn rcaBad guidance b~' blind Cupid leads a soul into ruin. And

that heart, that does not know how to light, is wretched.Bad guidance, etc.

Die bose Fiihrung des blindcn .-\1110rs leilet cine Secins Vcrderben. Und das Herz, das nicht immer 7.1.1 k,illlpflversteht, ist elend, Die bose Fuhrung, etc,

24. Sorge nel pettoA certain joyful idea rises in the breast, promising fair

. peace to the heart. It will be the satisfaction of gathering thepalm of our desire after grout tribulation. A certain joy, etc.

In del' Brust entstehl cine gewisse freudigc V' orstclluidie dem Herzcn schcne lluhe versprlcht. Es wird die Bcfrdigung scln, nach grosser Not die 1':lIl11e unseres BegchreZlI pllucken. In del' Brust, etc.

25, Ama, flosplraHe loves and -sighs, but it cannot offend you; he glows Er liebt und seufzt, abel' dlch darf's nlcht krflnken,

with love, but not for you. Hc suffers, but he asks me for glflht VOl' Liebe, abel' nieht fflr dich. Er leidet, ab eer cr vi :COlllrort and peace. He loves, etc. rnich urn Trost und Frieden. Er liebt, etc.


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xx 1116. 0 di tua man

Either open the veln of my urm with your hand, or elsecomfort my dying with II glancel With such n reward, thissoul glides uway Irom the light of day without sorrow,Either open, ell',

011'0(' mlr cutwcdcr die Adcr des Armes rult (ldn('I' Ilnn:odor troste mil clncm Blick mcin Sterbeu! Mil solcht'r (inH

17. 0, Signor, chi saraOh (;od, who will pass there where lUU have set up YOUI'blessed seat '1 Who will enjoy the sublime repose which will

be granted him as a reward 011 YOUI' holy hill'?o (iot], wei' wird rlorthln gdnngl'n, wo ih r cu re u selig(';Sill errlchtet hnbl? \\'eI' wird die crhubonc Itub o gl'lliL'ss('I:

die ihm auf eurem hciligcn Berg als Lohn zu Tell wernerkllnn?

18. Le pecorelleThe little sheep in the green Ilelds provide him with

sweet milk and soft wool, and they obey his signs.Die Schii.l1ein auf den grimen Feldern gebcn ih m dio SltSS

Milch und die weiche Wolle, und sic gehorchen seine:Zeichen,

m, Cbe Inviolabile.... He who inviolably keeps faith and is not led astray

by his neighbour and does not gain unfair profit from hismuncy, neither stretches out his avaricious hand tor gills,by which he might become an oppressor of the innocent.

... Del' unverlctzt die Trcue halt und sich von seinerNftchsten nicht bereden 1:"lsst, lint! nicht von selnem (ielungcrechtc Ausbeute crntet, lind auch nichl die geizige Hanfilr Galien hinreicht, durch die er ein Untcrdr-ircker der Urschuldigen werden karin.

20. Damllli pace(;ive me pence, beloved face, and your father will have Schenk mir den Frieden, geliehles Antlitz, lind dcln Yntt

pence. That your scorn I I IUY be softened by the pain I hear wird Frlcdcn bckounucn. Dass dcluc Vcrachtung von de!in Illy heart. Give me pence, etc. Scluuerz, den ich im Herzcn hege, gcrnildcrt wcrde, Schon

rnir den Frieden, etc.

21. Deb! LasclatemiOh let me keep the enemy, if yc rob me of my Beloved,

ye kind stars, - 1"01' pity's snke l And then I will be free tohate this enemy, it' he cannot be my lover. Oh let me, etc.Ach, Ihr Ircundlichcn Sterne, lnsst mich den Feind at

Mltlcid hchaltcn, wcnn ihr mir den Gelicblen gerauht huhUnd dann werrle ich diesen Fcind, wenn er mil' nicht (ilicbtcr scin knrm, frci hassen kormcn . Ach, lhr IrcundlicheSterne, etc,

22. Figlia mia, non planger)Iy daughter, do not weep, no, only let your tears flow

when I ur n dead and do not sec them, my daughter, etc,Meine Tochter, weine nicht, nein, lass erst clann rlcl r

Trfinen rinncn, wenn ich geslorben bin undes nicht sohmelne Tochter, ctc.23. Scorta rea

Bad guidance by blind Cupid leads a soul into ruin, Andthat heart, that does not know how to light, is wretched,Bad guidance, etc.

Die bose Fuhrung des hlinden Arnors leitet cine Secins Yerdcrben. Und das Herz, das nicht imrncr zu knmpLversteht, is! elend, Die bose Ffrhrung, etc,

24. Sorge nel pettoA certain joyful idea rises in the breast, promising fair

, peace to the heart. It will be the satisfaction of gathering thepal IIIof our desire after greut trilmlntion. A certain joy, etc,

In derBrust cntstcht cine gewlsse Ireudige Vorstcllurdic dern Herzen schcne Huhe vcrsprlcht. Es wird die Bcfrdlgung scin, nuch grosser :-;-ot die Palme unseres Bcgchrezu pflucken. In der Brust, etc.

25, Ama, sosplraHe loves and :sighs" but it cannot offend you; he glows Er liebt lind seufzt, aber dich dare's nicht kranken,

with love, but not for you. He suffers, but he asks me for gluht VOl' Liebe, aber nicht fi"lr dich, Er leidet, abel' er vi tcomfort and peace. He loves, etc. mich urn Trost und Frieden, Er liebt, ctc.


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28. Un Plomcnto di contentoXXIII

One moment of content renders all tears, that were shed0. faithful lover, sweet. Love is wont to draw balsam for'erlng out of paln.and to heal him whom it first wounded.~ moment, etc.

Ein Augcnblick der Hefriedigung macht cincm treuenLiebenden aile Trfinen, die er vergoss, suss.Die Liebe pflegt fill" die Leiden aus den! Scluncrz Ha lsarnzu ziehen, und wen sic erst verwundet zu heilcn. Ein Au-genblick, etc.

A 27. Ahl, sclocco mondoAch t6richte, blinde Welt, ach grausames Schicksnl, dasdu rnich zum Verrnlttler meines Todes machst.28. Interrotte speranze

Destroyed hopes, eternal fidelity, flames and mighty ar- Zerstorte Hoffnungen, ewige Treue, Flammen und mach-vs in a weak heart, to feed a cruel fire only with sighs, tige Pfcile in einem schwachen Herzen, cine grnusame Glutd to conceal suffering if others see it, to follow, with un- nur mit Seufzern zu nahren, und sein Leiden verstecken,tain, fugitive feet, the traces turned towards R voluntary wenn es andere sehen, mit unslchcrern fllkhtigen Fuss den'or, to lose, in the sown seed, fruit as well as blossom, Spuren Zll Iolgcn, die gegen eincn Irelwllligcn lrrturn ge-d the hoped-for reward for great desire, to make one wendet sind, von der gestreutcn Saat sowohl Frucht alsince the only law of one's thoughts, and to let a chaste Blfite und den erhofflen Lohn fill' grosses Verlangcn zu ver-11 check a desire, to weep for years and years - all this, lieren, einen Blick ZllJ1l einzigen Gesetz der Gedanken unducl woman, that I send you as great sheaves or bitter, einen keuschen Willen zur Hinderung des Begchrcn s zu-r-ible torments, will be your trophies and my funeral pyre. machen, und Jahre hindurch zu weinen: dies allcs, grausarueFrau, das ich euch als elncn grossen Strauss hitterer, Iur-cht-barer Lelden sende, werden eure Tr'ophlien und mcin Schci-

terhnulcn sein.

Oh foolish, blind world, oh cruel fate, that you make meinstrument of my own deathl

,--'\,\ j

o< /

29. In un llmpido rioOne day my sweet enemy looked into a clear stream andid, sighing: Oh my faithful one, it is no wonder that souch ar-dour should make your face like ashes and yourcart like flame.oo

n'J

In einen klnren Fluss hlickte eines Tages meine sisseFeindin und sagte seufzend: 0 rnein Treuer, es ist kein \Yun-del', wenn du bei so vieIFeuer ein Gesicht aus Asche hastund ein Herz aus Flammen.30. FanclulleUa rUrosetta

1. Little stubborn maiden who scorns and laughs at love.:e and fire seem a game to you, with which you tormentouls and hearts.2. These sighs, which you see coming from my burningosom, they are, alas, but too true messengers of my death.3. Then, when you have seen me dead, I know already"at you will weep. Where will you be able to find so truelover?

1. Kleines widerspenstiges Miillchen, das llber die Liebespottet und lacht. Eis und Feuer scheinen dir ein Spiel. \\"0-mit du die Seelen lind Herzen plagst.2. Diese Seufzer, die du aus meinem Ilammenden Buse nkornmen siehst, ach, das sind nul' allzu wahre Boten me i-nes Todes.3. Dann, wenn du mlch tot gesehcn hast, weiss ich schon,duss du weinen wlrst, Wo wirst du cinen so treuen Ge-lieb-ten wie mlch linden kOnnen?

31. Alma mia, dove ten' val .1. My Beloved, whither are you going? 1\1yBeloved, fromvhom do you flee? From one who worships your fair beams.ut wounded his heart.1. Arrest your step, oh my heart, oh my life; I will die

efore you; alas, determined to depart, the heart flees no5S than the root.3. Weep, aching eyes, weep, she departs. Ye unhappy_,les, without the beams or her beauty ye are now extin-tished.4. Thus one heard a shepherd weeping at the bitter part-.g, and every nymph in Sorga and in Durenza turned pale.

1. Meine Geliebte, wo gehst du hin? ;\leine Geliebte, VOl'wem llichst du? VOl' einem, del' deine schunen Strah lcn an-betet, die seln Herz verwundeten.2. Halt deinen Schritt an, 0, mein Herz, 0, mein Leven,ich will \,01 dir sterhen, ach, entsrhlossen Zll scheidenfluchtet das Herz nieht mindel' als del' Fuss.3. Weinet, sehrnerzende Augen, wcinet, sic geht fort.. IhrUngltrcklichen, jctzt seld ihr ohne die Strahlen ihrer Scho-heit erloschen.4. So harte man eincn Hirten beim bitteren Abschiedwelnen, und jede Nymphe in Sorga und in Durenza erbleichte.

' 32. Del mfo Sol'

1. The hall" of my sun is all curls, not fair hut brown,._.!r cheeks arc two red roses, her two lips are like rubies. . 1. Die Haare .meiner Sonne sind gelockt, nieht blondsondern braun, die Wangen sind zwei rote Rosen, die zweiLippen sind klcine Rublne,


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(XIV2. But from the day I first saw her, and until now, Iound no peaceful hour, because Cupid did not send themallest spark of love into that bosom.S. When I, poor wretch, fell in love, I heard tell that helid not make others sad, and that his fire was only laughterind jest, and that he was born of a goddess.

2. Abet" von dem Tag an, da ich sie sah, und bis jetzt,fand ich keine ruhlge Stunde, weil Amor auch nicht denkleinsten Funken von Liebe in diesen Busen sandte.S. Ich Armer, da ieh entflarnmt ward, hortc ich sagen,dass er andere nicht betriibte, und dass seln Feller nurLachen und Scherz war, und


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38. Mlodllettoxxv

Elena: My delight, Ilive in you, Ibreathe In you, youwill be my joy, you will live in my bosom. 1 am your love,your life, I dedicate my soul to you, 1 give you my heart,etc."Menelao: ~ly breath, I live In you, etc.

Elena: Meine \\'onne, in dlr lcbe ieb, in dir atmo lch, duwirst meine Freude sein, du wirst in meinem Busen leben,Ich bin dein Schatz, dein Leben, ich weibe dir meinc Seele,ich sehenke dir mein Herz, etc.1\Ienelao: Mein Atem, in dir lebe ieh, etc.

39. BlmBut. In pace1. Remain here now in peace, my sweet life, for I depart, 1. Bleibe nunmehr in Frieden hier zuruck, meln SlIssesdepart. I will leave you my heart as a pledge for my soul. Leben, denn ich reise, ieh reise von dir. Ich lasse dir


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XXVI44. Son 10, barbara donna

It is I, cruel woman, unfaithful Clorl, I am he who wasonce the beloved object of your thought, he who often fol-lowed you happily to the wood, to the meadow, to the river.Db painful memory! He, to whom you said: Sit down amongthese plants, on this grass, mirror yourself in this river, andyou will see the image of my idol!;

'"Ich bin es, grausame Frau, untreue Clori, jener bin ic'der einst der geliehte Gegcnstand deiner Gedanken war, jeneder dir oft glflcktieh in den Wakl folgle, auf die Wiese, rden Fluss, 0 schrnerzliche Erlnnerung, [crier, dern du SrItest: setze elich unter diose Pflanzen, au f dicsen ltasespiegele dich in rliesem Pluss und du wirst das Bild mein.Abgottes sehen!

45. Ingannata Romilda!Xerxes: Deceived Romilda, here, read, then say if you

must love Arsamene!Romilda: Iread! Xerxes: You are not indignant? Homil-

da: To whom docs he write? Xerxes: To' his dear Atalanta;you surely know that Ido not lie. Romilda: Oh torment,do not kill me! Xerxes: What will you do? Homildn: I willcontinue to live, weeping.

Xerxes: Will you love him, though he always betraysyou - even though he betrayed you proudly- wiII you love him?Romilda: I will love him; cruel fate wishes it, I willlove him!

Xerxes: Betrogene Homilda, hier, lest, sagt dann, ob ilArsamcne Iieben musst lRomilda: Ich lese! Xerxes: Ihr empurl.euch nieht? n

milda: An wen schrclht er? Xerxes: An seine liebe Alalanlihr wisst schon, dass lch nicht lOge. l~olJlilda: () Qual, t6mich niehl!

Xerxes: Was werdct ihr tun'? Hornllda : Ich werrle w.nend wciterlebcn.Xerxes: \\'erdet lhr ihn lichen? Und doch vcrrlct

cuch iuimcr, wenn CI' auch stolz hetrog ; wedet ihr ihn lieben?Romilda: Ieh werde ihn lieben, das grausame Schickswill es so, ich werde ihn lieben!


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1. 0, C,HE FELICE.GIORNOAndante Giulio Caccini (ca. 1 5 5Q _ - tEil8)

1

fl mp 1 " .-. . . . . . ..tJ 1 . ,0, ch e fe !" gior - not 0, che lie to -. .~- IL.-. ce - rl -2. Ec - co'l mio ben ri - - tor - na e que ~ste ri - - ve a -

3. Hor ben prov' io nel pet - to non do - lor, rna di -4. Dolcehor' mia vi - ta ren - de que l 'Dio ch'i co - - ri ac -fl . .tJ ~ :: vf r . II~. II. i : : ; ~r t.

I I I Ifl I ,..f- " " " " : .U tor rav - vi - vail - g f a I ' 1 ,no cor spen - - o.dor - na. Ec - co - ne lie - - - - - - - to il gi - - ro.let - to. Tor - na la ' chia - - - - - - ra e bel - - la,cen - de. A- mor, che l'ha - - - - - - - vea tol - - to,() I . , IJ II~ : ',e. .. I

1.:L.. . . . I ,fl I I ,tJ 1 . .. - , .~ JQuan-ta dol - cez-za __ sen - to, 0, mia lu - ee,o,mia VI - - ta, 0,del bel guar - do ch'io__ mi- 1'0. Oc-chi bel - li.oc-chi ca - - ri, oc - -mia ri -I I I - cen-te . stel- lao Tor":nail sol, torna l'au - - ra, tor - -hor mi ren - de il bel__ vol - to, il mio cor, il mio be - - ne, ilfl I I I .. L ..1 1 IeJ I .... c... I' '-II' mf. 1c.J I e.~., -. I

.. ~

11 ,p - ~ ~ ~,. . . . . . ~tJ mia gio I iain-fi - ni ta, ' 0, ~ gio '! . f ni tal- nna - - lam- I - -- chi del__ sol pin chia - ri, oc - chi del sol pin_chia - rio- na chi_'_ mi re - stau - ra, tor - na chi mi re - stall ' - ra.- mio con - for-toe spe - ne , i1 mio con - - for-to e_ spe - ne.t.. , I _l " . : . t . - , _-V' : : : : : :e. -6 ; : ll~ e. ,'V , , ~.. " -.,- 11.- ~ (~#.' ! ' ' ' "~ - - ' _I.. .

-, .- . , I" " I :T- . i.- ..,.!Edited by Knud JeppesenCOilYright 1949 b]' Wilhelm Hansen, Copenhagen .26684 lI".


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2. AMO.R,CH'ATTENDIGiulio Ciccini (ca 1550~i618

I Allegro (1fI .f -u1. o I. 1 i? SU , chc IA - mor, ch'at - ten - di, A - mor, che fa - non2. A:. 'mor .pos - sen - te, A - mor cor - te - se, di - ra Ia3. DaIl' al - to cia - 10 ful- mi - na Gio - ve, l'ar - cier di

() 1 I

eJ ~ -6 PI r 0 -6 ."~ , ~, TI~ -it ~ ~ uf ~ I. .1 ~fl I I I ~ .I,t.l pren d i 1 det I- gli stra-Ii 0 - rna - "? A - mor, ven - - - ta, A -rnor, sa -.gell - te pur ar - se e o pre.- se, quel- la cru - de - - Ie, ehe di que -De - 10 sa - et - te pio - ve, rna 10 stral d'o - - ro s'or- ni dal -fl I I IeJ. ~ - z ; .u u - lf~ ."~ o U I. . . , . ...,. . . . , .. .. I I

/ ,/

,/! If' l i : iI - - I I !PIIIv ch'al I 1, I , Iet - ta quel cor, - te - ro sde-gna'1 tuo im - pe - ro quel cor chal-re - Ie va- ga e di pian - ti, seher-nia gli a - man - ti, va - gae di10 - ro, c h e di pos - san - za o-gni al-tro a - van - za, c h e di p o s -fl I . I I I ..eJ 11 ,. ~ . - . . . . : : = V~I ulTIr -0 - c : ; -e- r.. .I, - -..::l' II

lf'l " I I

tJ t c - ro sde-gna'l tuo im - pe - ro!pian - ti, seher-nia gli a - man - t i .san - za o - gni al-tro a - van - za.fl I. ;tJ n- t--~ ,.!.,L 11 - - 0 - ~ ~ .U U1 ti- t "f I.. .- ~Edited by Knud JeppesenC!lJ>.Yrlght 1949 by Wllhelm HAnsen, Coptonhagen 26584


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3. AU R' AMOROSA, Andante Giulio Caccini (ca. 1550 -1618fI 1Rp - - - - - - -

tJ 1 . Aur' '~ ehe dol - I- IDO - ro - - - - sa, ce - mell - te2. Sgom- bra - ne oh - ma - - - - i l'ar - dor ch'in - ce - ne -3 . A ~ pri - ne un gior - - - - no, vie piu che mai tran -r . . JI

~ . -u- lU I " 1 .-uc u< mp I..1 I

fI - --...e) ~.~ I. bel . I . . . . . . . ~Spl -' -. - rl .a 1 mat - till men - - - - tre sor - ge l'au -ri - - - Bce il mon-te e'l pia - noe fa ch'al tuo va -qui! - - - 10, S 1 ehs o-gni spir - "t o tua mer - ce ray -fl I I J I ' J I 1

prtJ ~ I r i r I I I~ I I.I T 1

!fl --'- m f I I.tJ h > 1 deh, r. ,r .1 d h -.... 11- spir' o- ra, splr 0 - gm o-ra, e ,10 - - - re re - spi-ri il co - re, re - - - - - - spi -ri ilvi - - - ve . in que-ste ri - ve, in que-a t efl J , 1 j.:tJ ~ ~ , } , f -~ e .- Jlle;. : ( S r . . .f I I

I . ' -6 J -' IfI

. .tJ gni 0 - - - ratco . - - - reiri - - - vel Il I 1 I I 'e) l ' = r i u. } . - - . - - ! I I n r r , r it) . I I(

1 U. . .'Edited by Knud Jeppesen .Copyr!t;ht 1949 b7 Wilhelm. H&IISen, Copell~n 26584

f:.. .


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6 4. AL ~ONTE, AL PRATOAllegro Giulio Caccini (ca. 1550- 1618)fl mf: I L I I -.

tJ 1 . Al fon-te, al pra to, al . bo-SCb,aI' . om .bra, al fre - seo fia - to,2. Fug-_ga la no - ia, fug-gail id o - 1 0 - re, .sol ri - so e gio - ia,3 . Ma ~dolce can .o di va- ghi tic - eel - Ii pe'l ver - de m an - to4 . E men-tre al let ta . quan- to ., te la ci let taplU puo - - ca - -fl 1 ItJ " ! f t i - 11 ~ ~ c. U I'~ ~ I~ -6 ~ -5.. .

II I I, \ I ' 1 ) ~ L J I_ ! _ i ! \ ~ I : , : _ ,

!fl I I ,

I

t.J ch'il cal - do sgo~ - bra, pa - stor cior - re - .te, . cia-scun ch'ha se - te,sol ca. - ro A - rno - re, no - sco sog - gior - n i , ne lie - ti gior - ni,de -gli ar- bu - scel - Ii ri - suo - ni sem - pre con nuo - ve tern - pre,con ro - che no - te il son - no dol - ce . ch'el cal - do mol - cefl I I II

tJ c.. -e- ~ c.. -e- t II~. U f r t '~ ~e-.. . .I :? L IJ ! I

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fl J - -V 11 h" stan - co it - pos' II u fian co, I. h" stan I co Iia-scun c e - eia-scun c e -non s'o- da rna - i . que - re - leo la - i, non s'o - da rna - imen-tre ch'a - l'on - de Ec - co ri - spon - de, men- t re ch'a - l'on - dee noi pian pia - no con lei can tia - mo, e noi pian pia - nofl I .I I ll~ U c.. .-6 y '-'I II '- u f" " ) -e-'.I. . . I I I . .

I_

) V.4 ppfl I

U. ri - pos' 11il fian - co!qu~ - re- Ie 0 la - . ,1.Ec - co' ri - spon - de.con lei can - tia - mo._ f ! I , . " r . , I~U v~ o li c.. ~ti-. '.~ J c. . I v v t ~ll q t t .~I""""'-1' . .. I J - ~Edited by Knud Jeppesen .Copyright 1949 by Wilhelm Hansen, Copenhagen .26584.


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5. CARE MIE SELVE(Poesia: Gio. Batt. Guarini)

lrI/argo Anon irno (ca. 1Et J p' J I. .tJ I I ~Oa- r,e mie sel - ve.ad - di - 0, ri-ee - ve - te quest' ul- ti - mi SIt JtJ ~ ~ ~p.

fj I -- l IV U u fill-ehe,seiol-ta I - I I -spi - ri, da fer- 1'0 in ~giu - st'e eru - do, tor - ni la .mia freet J I 1 IU '-J U . - ~ -.._. r~ u

fI L .t > t ~ , ~om-bra. al - le vostr' .om - bre a-rna - te, ch e nel pe - no - som- fer - not J 1- - - . . . . I

t tJ ~ I I I r i r u ~ "U"fI . . . . _ _ - " " - - - ~ I

fi _l . -c V " . : t I ~non puo gir ill-no ~ cen- e! fI I_ t J ~

Istar fra be - a r 11- ti, di- spe-rat'__ edo-Ien6 pu oI' - -. _ 110, I

1!dited by Knud Jeppesen(;o~yri, .ht 1949 by Wilhelm Hansen, Copenh&&,enIt

26584


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8

r, p , I ' 'I I l l "~ , .", .. , '1 d : ' I,te. 0, Mir - til - 10 " Mil: - til - 10 , "ben fu m i - se -ro 1 1 che prlatI vi -

fl I I I I I I ,tJ f'; ~ ~ - ~ uPI L I..

I I , -fl_ I I m 1 1tJ di, e' l dl ~ pria_ t i p i a ~ equi. p' rh, r vi - ta m i - a "che 01 c e a plU ea- ra a tefl J I 'I I ' ItJ ~ - r ~ ~~- q-6L.. ~ -6< mf I..

I

fl 1 I _l I I

tJ ! r t " co - s1. r Iche la tua vi - a aa-aa - i, pur non do-vri - a per a l -A I ' IItJ u u, I;J . " t:; . ~ ~f.-I .

I - 1T-

f

fl l I

tJ tri esser I - IJ- . _ _ . . . . . . . . . Utua vi - ta, __ che per es-ser ca-gion del- la m ia mor - - te..fl,

) t.l -6 -4IIL..,'" ,-6 c . . . . . . . . . : . . , . . . . c . . . -6 . : = : I~::,~r:, ~-e-I .. ' '. ,-" f( .\ ~

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LA VIOLETTA(Poeala: Gabricllo Chlabrora)

A t cir (1584 162

!'1l. Al!tgro n ~ ) o 1 r a . -tJ 1! ch'en l'her ! I ILa , vi - 0 - let - ta su - bet - ta a - pre al mat -

2. 81 : cer '- ta - men - te, cbc dol - ce - men - te el - la ne'3 . Y . : ' l . - ga ros - seg - gia, va - ga bian - cheg - gia tm l'au - re() 1 1 I 1 I

tJ c .. ~ I ~ ~ Ip ,..I

!() \ / ,tJ 1 r . I vel- - lao l ) " , ein 11 0 - - - - - - 1, non co - saspi - ra 0- - - - do- - - .ri e n'em- pie il pet - torna - tu - - - - ti - - - - 11e pre - gio d~ - pri - Iefl I J c. . _ , , ~ '-'I " 1 U' u u-. ~ Ifl \ ( 1. -.tJ ' I .1 - - belut - ta 0 - do - ro - sa, tut - ta leg - gia - - - - dra e -di bel di - let - to coi bei de suoi co - 10 -vie pill gell - ti - I e , rna che di - ve - - - - ne al fi -fl ' I I I

tJ b~ I II. r I' r I r u c. . '"'I 'I,..I ~

fl \ / . . Pl? 1 / .IV la, J . I I l ,I, " bel la?ut - ta leg - gla -' - - drae - -ri, coi bei de suoi co - - - - 1 0 - - - ri one, rna che di - ve - - - ne al fi - - - ne?fl I I I. tJ u c .. - - . . . : . 1 -r I 1 1pp ,.I . I I ~Edited by Knud JeppesenCopyright 1949 by Wilbrlm Hansen, Copenha,;ell .26584


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10 7. BELLA FANCIULLAAllegretto Andrea Falconieri(ca~' 1600)11 f I

~ 1. Bel -la fan - ciul - ia dal vi - so I .1 ehe nthai pri ' .;o - sa - to, va - to2. 0 fan-ciul - let - ta da gl'oe-chi ri den ti, ehe

,lu

"

- - Sl - een - ti3. 0 par-go - let - ta dal - Ia bel - la boc - ea, on - de tra - boc - ea4 . 0 don-ze l - let - ta del - Ie ci - glia bel - Ie, dove due stel - Ie an -fl I I I J f-6 c. . .fl I l. . .v di 'mia ' 'r . de, hab-bi pie ta de al rnio . . vt UIi-er - ta ., - - - gra - ve mar - 1 - re,mo-stri i tuoi bei ra - i, pon' fi -neho. - rna - ial mio gra - ve mar - ti - re,di dol- cez-zaun ' rna - re, deh non ne - ga - re a - i - ta al mio mar - ti - re,ci - da -n o il mio co - re, hab -bi do - 1 0 - real mio gra - ve mar - ti - re,fl I I I I I I ,tJ II r t.I v~ U v~ V v~ lU, I I..

U . - I ((tJ , ~. .v b~l - ia fan-eiul - la, non mi far' mo - ri - - ~e,

0 fan -ciul- let - ta, non mi far mo - ri - - re,0 par - go - let - ta, non mi far rno - ri - - re,0 don - zel - let - ta, non m i far mo - ri - - re,_f l I I I I I I I

tJ :Iu ' -e- U pI .t n/ 'n 0..

( .

(l~((

(((1t p l L I

0-II.tJ .r !I ~ J "bel - la fan-ciul- la, non mi far rno - ri - - ref

0 fan-ciul- let - ta, non m i far rno . ri - - ref0 par - go - let - ta, non mi far rno - ri - - ref0 don - zel - let - ta, non m i far rno - ri - - reffl

,.tJ ., " "-:- -.~ =r-: ,-,


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8. OCCHIETTI AMATIAllegretto Andrea Falconier i (ca. 1600:Il m" , I I

tJ 1. Oe- ehiet - tia t ' che Iri'in - de te, pcr - ehe ' .- rna - 1, - cen - spie -2. - Boe - ca ver - mi - glia ch'hai per con - fi - ni, 0 me - r R -3 . S'io non Ian - gui - sco per te, mia gio - ia, s'io non pa -

f) . . J mf"!6 . . . . . -6. - l! -~ ~. ~., , I o

Ifl , , ,tJ I '. I T Tta - ti 0 - mai pm Sle - te? Splen- dan' se - re - ni 0vi - glia, per . lee ru - bi - ni, quan - do ri - den - te,ti -seo io to .sto muo - ia, rna s'io t'ho - n o - ro,it . . . . . J o -6. q ~ ; ~~ : : : : : ~ . ~. -6'

I ~ ~ >-.. . 0f) . .0

tJ di o gio - ia I, I. I, _, I - ni di gioIe - lll, splen-dan' se - re - ia pie - niquan -do cle - men - te, quan - do ri - den - te, quan - do ele - men - te0, mio .te .so - ro, rna s'io t'ho - no - ro, 0, mio te - s o - ro,

f) . o . . . .V 11 G o c. ~. . . . " , 0 ..~ ~ ~ -6 ,. . I , I I r,;.ff) . , - - - :.;::; -

tJ ~ ., G . ! jvo - stri splen - do - ri, fiam - - - - - - m e dei co - - rl.di - rai: ben mi - 0, i - - - - - - - oar - do anch'i - - o?call-gia inpie - ta - de tua fe - ri - ta - - de!fl I r . . J G o 11I f. T IIIdited by Knud JeppesenCopyright 1949 by Wilhelm Hansen, Copenhar;en 26684


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12 9. BELLA PORTA DIRUBINI

IAllegretto \j .,fl P l 1 1 - - :--.... - '.. . .

t J 1 . Bel - . ' f a ~or - ta di ru- bi - ni, ch'a - p~'il var'- co ill -dol - . . t CI ac -cen - I,2. In te chiu - seA - mor sa- ga - ce i' dol- cis - si - mi di - let - ti,3. Vez - zo-set - tae fre - sca ro - sa, hu - rn i - det - to e dol - ce Ia - bro,

fl i. I . !.tJ I I ! ' . ! I ' u . "! ~I- . ~ ~ . : I I ---=::.---'p. . . 1 1 I. . . .. .I 1 . . . ": . . .

Andrea Falconieri (ca 160;

I \ / , .ehe riei ri -;r pe.- re -po-seil se -gnoin te diclihaila . man-na" spi- ri -I I I

I. .'1.grr- m sco-pnpa - ce, ri - si,tuo - sa sul bel -, I

I 1per- eba-ci elis - si1

ri - In -. cen-ti.ca - ri det - ti.- rno ci - na-bro,I I I

11- i r1 1 1

- I I II

I - ' " - 6 J -

III mf 1 / !1 . . . . . 1 l 1 ,I P,.tJ T U ~ dol II i. I ,' mar-ti - ri, I.. . t n -'a = m o r - .c'au-ra spi-ri, re - rl - ge - no a mlel re -Ei per te . tri - on -fa e re-gna, vin-ci . . tri -ce ar - den - te in-se-gna, viri - ci -non par= lar; rna ri-die -ta - oi, sian gli ac-cen-ti i..no - stri ba- cit sian gli ac-_ 1 1 I , I I ,tJ I I ! ' .~ ~ ~ 'ir ~ II~ ~ - , - i f~ I- I . r . ."if. . . P. , ..-. . . .I 1 I I -.+ T +1 1

t

Ifl r. \/ I _j_

. . - - . IItJ , rio .a!rniei mar- ti ri oge - -- tri . ce ar'; den-te in-se . gna ..- cen - t i i no-stri ba - ei, .fl 1 -

t J 11.. i . . . . - - 4 1 , c . . : " , . : 1 ' , u . . . . . . . ~.:- .. : r : ; r r ' r i ' . .. " - U ' r : : - : r : : . : J ', . P - .f . J ." '- n - -. - " .. - ..I I 1 I 1 r r

Rdit~d by Knud JeppesenCop1right 1949 by Wilhelm Hansen, Copenhagen 26584


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J

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1 310. FE R MA, D ORI N DA MIALentof Vincenzio 'Calestani (ca. 1600)p

l_ f l I 1 ".tJ r 11 deh fer IiI de, fer- rna, gia pen-Fer-ma, Dorin-da mia, - rna pie - can -fI 1 I I ItJ } 11~ I . .. . j , ' IV --::: : : : : :--- tI ' O J ' 1 " l J 1 ~ I~~~~~t :_ : :I - - - - = = - - [p-9- .~ .~ . . I Y

f l I .. I. . .eJ ,-_ I' I, Eht [orna in~e-tro,mia Do- rin - da, '"sier, ri-volg" 1 pas - - - sit tor - na,f l

. e J r r q t~ :: :t~~ r " ti- ~ ~_umf.. I IfI p It.J 11 11 I, r r:r --.- . - "eh , N 'm - fa bel-l~ mio bel. sol, eh fer-rna ilpie ve-Io-ce,ehferma,ehposa,eh vol- gi,fItJ .l'r~ii~~ l....:i 0 1 . . . . . _ . . . . . . . . . . . . . a 11~ :-e- - p. I.

I I I 4 I I ? J -f l m l v . . . 1 I I I 1 . 1.tJ _I_ 1 - 1 I r, I . r . 11 do-~1io Ivol-gi glbcehi, ern - del,vol - gl e pian - te al tuo fe - del quan-to - so a-man - telfI I1 1IV '~ t.o 1". -.. L."I~ I 111U r .. f l T J o I . I v..

I I 1 I U ...,E,lill'd by Knud JeppPltDl'( pyrlt;ht 1949 b'y Wilhelm HansPD, Coppnhll~pn 261584


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14 11. PAS TOR ELL A.leggt'ero Filippo Vitali (- ca. 1650)

lfl 1'Pl l ..L.. .q-.eJ -,'-I~ r , ,I 'I , 1 ill, do-ve f~g~gi oi - me, che fa ~ .?1. a -sto - rel-lao -ve ta - scon - 1.

2. Se tu par-ti e chi m'a - i - ta, se ten ' vai, chi mi con - so - Ia?3 . 0, de - le, chi pju i t'a- me , prez - zi?ru- roa - - ra, se me nonfl I I l r I .T.e .J pp~ f ' -- u v 1 '1 ~SI I.

1 ~

lfl .P . 1 _l I I. . .e .J , y Tor-mi.in 1,1, ri di ia gion -- che ."- die - tro, a lmen - spon - ea - per - ten'Che , del - la mia vi ta, sen - za te mi se raea - ra - - -Chi Ian gui - re a tuoi bei i , .' dira - ver - ra pm, se me -flU l1U_ :::.-- ~ H r II~ # 1 ~ ~:: p i 4fr.

I 1 I I I I I -

lf\ ..L e. . .tJ c; c : t Fer-mail pas fer-nfu.il pas - so, non _lug " . Iva - 1. - so, - gl - re, non vo -so - la? Non par- ti - re, non par - ti - re, 0 Fil- Ii,a - spet - ta, non fug-sprez - zi? Fug-gi pu - , re, fug- gi pu - re, uu di pen - ti - ta pian - ge -fI _I. 1 J 1 -~.t J # # -1(.;1 r . I ~ - ! q; r -," !I..

I I .

{

fl :P.P_l _l I. 1ftfJ. IItJ , ,I I ., .! - .,ler far - m i IDO - ,ri . re, ,. - non 'yo -Jer ..~_far - m i IDO - ri - ref. ' .gir con tan-ta frei - ta, ' .- non fug-gir con tan - 'ta fret - talrai que - sta pal" - ti - ta, pian-ge - rai 'que - sta par - ti - talfI " I I -_ .. - -~ . . - - ,. . .. - . - 'v ' . I r . 11., ., .- - "I "" ~':r", .- .~+- .-5 ,..&. r . , -" P.P I' .. ...~. . .... ,- ..~ . v U

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112. VAGH E' STE LLE, (Poesia: Aurelio Aurell)

Francesco Cavalli (1602 -167(All tt

Iflegre 0 , . . . . . . . ~~ . r ~ J 1 r-- - . . . . , 1 - - . . . .. 00 0

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00

tJ Va - - ' - - - gbe stel - le,__f\ _l_ . . . . . . . . - 1-"'" I..... 1-"'".. 0 0

0 0 .tJ 1, it: 'lJ Q I 11- 'lJ fl9- ..D. 1 1 I ( / J , I_ .>: - - -.. ., .' .1

Ifl J - '-. 0 . J :" '. . . . . . ~ __.". ci 11.- . , - T I _ . . . . . d . t~Iu - - - bel- Ie , __ non or- Inl - e ,__,J;uJ u J ;l - , . . . . . . . . . _ ,V < n o0 . . J - 11 I I ~ 1, '

1 . . - - ":h ". ~.. .~ - 1

fl v -.tJ , l' 11 - - __ 'lJ. In J I .1 ' I I :non dor- m i - te , __ - C l bel-Ie, va - ghcf\ , 1 'tJ 11 ~ 11 Q 'lJ ~ -& i -e- ,,'( ." .~,_-.".., .: n ~ - - - . .r-t:

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0 .t. J ~ IT ~: ' " IU. I I U c. T ' r "T7 11i9- .J:l.. t o / '. . I - = =fl I ,.tJ i ', b" I in t"a - so ia - e c 10 sc oc- c hi que - so nuof\. T , I .Il a , d . ~.Il n ;,

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j . 0..... ., , .< tJ r " 7 " ' r , I I I I 'T >:; " , .. I' < : - - ., ., " cresco

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SPERANZE(Poosia: Aurelio Aureli)

Francesco Cavalli (1602 - 1676)f l )J, ~ ~V I spe - ran- ze, voi,po - ran -Z6, t . - ~I't - - . . . , . _ .>: - - . .V ~ ~ I-&.P :..------: .p.. ~ ... o "_ . - - - .,

f l I , I J :I.. .tJ I J 1 , 1 I. I Ivoi, che sie - te WI - vez - ze a u - sm - gar,f l - - - I I I- . . . . .

Jv r IV. I 1 ' , ~ c .. t~~ -6 q r ~f.J _ . . "'.19- .'" -e- . I.I

fl : : : : : - . - - I. . .v - , I I I dalfl .. I I I L _l_ I I. . .e .J c .. - c .. r t u ~ r - r q - 6 1 - r - r -< .p. ~ ...-(iI- '"I . - - -~I -1 -fl . . "fl. I. .. .v. 80 ~ 1 10 m io par - ti - te - v i, c Ia l no m io par .. ti - te-vi, , I. I . narle - non m i sta-te a ingan -fl I I J t e " f I 1: ; -e- ':6 . 1 u-ej.r -e-."fI

_)__ ,.. I " o -e-. . 7T,I . I I

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. I I v U "0".,

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tJ ch e mi di - ce: sof - fri,I

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(poesia: Nicolo Minato) ',_ ._ "Andante Francesco .Cavalli (1602 - 1676)

~mp I '. " " T - : : - - . -. .

tJ. I , , I I1. So - spi - ri di fo ,. co, ohe lau - re in-fiam - rna - te, leg - gie - - ' -2. Au- ret - te leg- gie - re, chu - di - te ilmio duo -10, por - ta - - -_ /) I J ~. I I ' " I .1.. . .tJ , J p 11 I 11 rJ rJ. -6----.:----cII.I .

I 1 I ~

!fl - I~ L----- - . . . . .tJ '- .I I .ri vo - Ia - te in tor - no al mio be - ne- - - - - - - - -- - te ,- vi a vo - - - - - - - 10 a sen di cha-do - ro,fJ I J 51 -6 c; 1 1 1 v - u . "1 '?; - t- ~ I~ i '. .I">.. . .

I I

fl - I r p.. .tJ ,r . 1 ~ , . rI' . te gli una - spre nne pe - ne nar -ra - po - co. 0- Spi - rl, so -e di - te ch'io . mo- ro in ,do - glie se - ve - re, au-ret - te, au-f! I L . - r 1 1I

< u ~ mf , J I ' I T V , r r, II. . .r I

_ f l l I I m I .. . .u .,- ~ Ispi - ri 'di fo - co, so - spi - 'ri, so-spi - ri fo - - co!ret-te leg - gie - re, au-ret - te, au-ret - te leg- gie - - refI _fl I I 1":\., tJ..

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Larg Antonio Vivaldi (ca. 1680 - 1741)fl , -e-- ell . . . . .V

./"> > ~ ti;- _ L l ~ I~ h S 1 ; u C . b ---j.

" . j i . . >:p.. >::> If)..fl " \ I /-I ..

tJ v ' g / - ,v I .._ ,--II' U -~~ uPian ' I piango , mo, so - ~P}i- ro e pe - go,fl -e-- ~/ ClI ~ ItJ

H~ b~ H ~ b .I

_ - f ' - _ .fl. . f l . . t'?". _ . - - - - f L - f L . f l -. II'l .tJ .~ u - ~ u -~~. .I ~ge - mo, so - spi - ro e pe 0, 1a pia - garin-fl I I -e-

I, tJ . . . . - o b~ - '~~ti~ ,b~ -1'- h . . , _ . , _ . . f l - b , . . 1 -fI- .- - - -. I I I

Ifl It.J '-II' - 1 t : t ; U - I Ichiu - ,-- sa, .rin - chiu - sa e ne l cor, pian - go, ge - mo, so- spi -1"0 efl _0_ ' I LU

_~

I I . I - ~ u b~ . - . . f I - . p . . . , . ' ~ . , . . Ib~ . , . . . ~H . , '.. . I I----1J ,- , "I. ,. .tJ . . . . . . . . _~ ..u u . }f-"~~. fIIpe la pia rin-chiu , H e I- no , 0, - ga - sa , rlU - c lU - sa e_ lj I I I ItJ -. I~~ 1 ; _ . u h~ _ _ . .. _ . p . - - f I - . , _ 1 1 1 1 - Ih. 1ft..

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fl So - 10 chie -do per pa - ce del se-no, s o - 1 0 II I !ItJ p -e- q " l "iT :& ~ ~.~ # I f -&- I- 11 L - (11'- . , ft.. ~ .. (If . . . . . ' . . . . . . . . ' (

1

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-4 ~~op I l l fie - ro Im 'uc - ci - da, I ~om'uc - ci - da un -

' . . . . ' . . . . . . . , , '1 it.. ~....- -6- ~~.fie ,; ro ~ ;e:._ao - lor.

I I I

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16. 0 DI TUA MANI'l r

t.J ~ "f} r -~ ~~ ItJ t~'~lt.J' If t . - J . . . " .,< p ;:-._6 ; t;.;.;..> . :> .~ ,..- - - . > +- .:> . _ . - . - ~I .. . . .

": " -......J

Adagio Antonio. Vivaldi, (ca. 1680- 1741)

fl r p l ' , ~ l lf) ~i '-ll- r y0 tua man mi sv e - na, 0 di tua man miI" )

"r-- I , r j_ I

tJ II.. U . . . . . .' _ I.. -f} , ' l . ... .t.J " - y ~ '1' "1' II', tl~ ~'1 . . .Bve - na, o con un sguar 0 I mio morrr, I mio mo - rrr con - so - la,f} , ' L I r ' r--1 I It.J 1'1 , ' . , .. . '1 t: J) - - ~ ~ ; ; -I .

\ . , I - . . . . . . . . , J . . . . - -

fl I l l ,~ l lo d'.,., I tua m an m I . '-.U--ave - na, o r i" ,-di tua man mi sve - na, Io con un

" . ,

I I I\ ,

" :.1-' --:--,. "- ... 1 , ,- -:-. - . I

I'\. :

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~. t. ..._,,-___..... . . . . . : L : - v r ~ -Quest' al - rna . s~ z a pe - na c~n tal mer - ce - de , ai rai delIl I 1":\ I . . . . .(!) -r~ m J ~ ~

H1~, . . . . . . , - . , . - ~ _ 1 ' - _ . , _ -. ."; ~ -

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fl I . . . . .V r 0- , . . . _ _ Ila, COIl tal merce - de ai rai del di s'in- vo - la..'} , I I , I ~= .~t f. - t . - - J ~ u -J~ ~"tJ Vp > ', it=! ~ , . . . . . ,. r - - . . . . :> ... >~. ~ . . . . . - - .. .. . ~ . .I't t P .. .tJ r0 di tua man mi~ , ~ ---=- , , . . . . .I ..

v lj .t-.l . . . . . . - I U) ~ - . jl . . ; ,. . : - . . + * . ; . . : ;; . . ~-fJ-;'> . . ~~-.f . .~ . . . _ .

It I ~ I I ~ 1 " - LV - - . . . u . . . r f" - F ' r B v e - na, 0 di tua man mi ave - na, 0 con un sguardo i1mio morir, ilmio mo-f) I , I I ! I I

) t. l- -u ;:0.- . '1 L .. .. '1 ', I v-- .. - i, . ~- ~ -j ,... _ .... - - ... "- -- -, " , ' _ - - _ - _ ...... . . . I.I .I . . . - -I '. '.

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~l ~ ~ I. L _l ~ l ' "~ ~r""'''''''/'t- f1 I r t . ~ y yrir con-so - la, 0 1 ua man rm sve- na, 0 di tua man rni sve-na, o con unI'l I ! " " " ' I 1 J I _l I - - - - - - - - - If) 't

~- u I-~J._""''' . . . , - ~~c:=...J

~~~.:.. I It .."'J . . . . . . . I

I 'l I h ~ ltJ ., r r r -...- r II f/iI ._ 11 . ,. 'Isguar-do ilmio rno - rir, ilmio mo - rir con - so - Ia, 0 con unt J I r--- ~ _LtJ III ,l' tI II II III 11-. " 11 .. II~ ~ . f L - ? - . ~. . ~I .. - . . . . . .fl I " ~ ~ ~tJ ., ~ II ,-" r 4 'y r D' ~ II "sguardo ilmio mo-rir, ilmio morir, 0 con un sguardo ilmio rno-rir con - so - la!_ / ' l I I I I

I tJ r 'r . . )1 r r . . . r 11 i ,t~~, ~ 'l- . . _ >.,..;.> .L .. "-I IIIl ItJ

fl '- ~ ~ ......-::::;;-~ _( , . . . . . 1':'\IV

~~ II, IltJ . . . . " - - II _ , I I . . - 1< ,~ . r.-~~_ " _ "i : . . I;';"it~.;,...>~_;, . It " ' -I . . .. ~ ~ .

26584


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30

(Poesia: GiroJamoAscanio Giustinlani)SIGNOR, C,H I

.'Al leg rn

l'

()'\ 0 jo~- ) r 1 ___)-L...SARA2.Y~ '.,.. I 'e, h .r-, 0 ~(.;Benedetto Marcello (1686- 039)

fl J . I . r, - 1. .-.tJ ..., .. 0 , . Si gnor, - chiJi~ ~ . . . . . - I ~.1 L _lI .I .~} V . . W , '.~f

1 f ! : . " . . / - 1':_ ~~~-~- - - : : - - - . . . . . . - f I - .~. - - - . . . . . .

l\ ~..

fl J . I . ;;;---...,... . l PI ~ ~ l' ~ ..__ - - -, - , y , . r r ... rsa- ra ma-I, chi sa-ra ..ma-i, chi sa - ra, che giun - ger pos- sa co - lao

fl J . I . 1_ , . . . . . . , I _ l_ ~..-...tJ . . . '" ' _ _ - I . . . . . '"'p 'f '. p- ~ . - f l - ' : . _ -e.,J . . . . 11 , il- - . . . . ...

I ,, -. 1 1 J . I . I!!!!!!!!!! ! , . . . . . . _ltJ d o , r Y a , - - - -- ve a -ve - te pa-sta be - a - ta vo - strafl J . I . I .&I . - - - -.tJ L . . . . . J . . . .. r;:t i::'t t~ ~: ..yr_ r 7 ' r) .. .."'.,,;.:;.... ' ..:, . " .. : _ . , , ,'l- . . . . . - - ., .. - - - . .~ . .' .,. .' . . .-.'-..,.~ .' . _, I - - ... - . . . . . . . , ..Edited by Knud JeppesenC'opyrl r;ht 1949 by Wilhelm Hansen. Copenhaj! ;en. " 26584


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C )

,c- ~ y . . . . . . . . - If I, ?' . . . . . f L ~ . tt ~J I.

ffl ~ f , 1.tJ

Ohi - der 1~1-moY. I

go m-po - - -/L~ ~ 1---:----"" , ' . 1 \ .. .. : ; - . . . . . _- :-..I .tt. L.-.-J _ _ . . '~ . . . . . - '_ u~t., ;. _.1..f 1 ._1"_. I . . _ , . - . _ i I I _ 1 . 1 .- ~...

, I

l'1~ p~ .!!!!!!I l 1 1 _...--eJ . I v . I . r - . . . . . : . : . . - r- " - - , - - . so, ehe nel san - to vo - stro mon-te es - serJj~ ::;-__ ~ I.tJ' J' - -i . . . . . . . . . . . .< p.

~ .~ II - - . . . . . . . . ~\ t

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32

es-ser pas - sagli rner-ce - de, chi sa-ra, chi sa

llIpf) . u - " _ " j,. ."tJ -- [ r' r -" giun l a do - vena - i, chi sa-ra che - ger pos - sa co - a - ve -f) .u 1 j I' ,..-- 1

I tJ . . , I J "i ii i I - 'W p - -(*- -i--. -- - . . . . .u II - - II--- I

I __,.- - - - - _ ._ - - -_ .. -l~ 1 / - - r - ",f) . u ~ ~ /~/\/ ~

""tJ r r r r r T , rpo-sta la be - a - ta vo- stra se-de, chi 'goder Ial-rno ri - po - - - -fl u ..- r""'" ~r I I =I ' I I- -- - -tJ - . _ _ _ _ . . . 'I - til . . . lJ c : . r - > r r

< . . ~~f...~- - 11 - , --I'-.. - - - - - II ~"1t .. . . . . . . . .fl .u--l ' II lo a - /t~ -i-'\_ r" " .\ ,, "-tJ - - - r vo - stro\non-te es-ser pos r '-,.J - r- - so, che nelsan-to - sagli, es - ser pos-sa

~,

fl ~ _ : . _ _ j . . - i I I 1I tJ r J I r ": ' : - .'I W Ur ; , ;_ c~ : i, .. -~ ~ -. -; " -': ,

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33I " l . u p ~ '~ .~ ~ I'f) r r r r r . r , r r V,ce - de, chi sa - ra, che giun- ger pos-sa, chi go - der lal -mo ri - po - so ehe nel- I ' } . u , I

"f I I I ~

t. . . - , r--w . L . . _ J u L . . . _ J - . . P .1 /" z--: .J.1 . . . . - - -- I ,. I

f J . u ~ f.,f) r r -, . . . . . .san - to vo - stro mon - - - ' - - - - - - te, ' che nelf J . u I r\~ I I I I I ~lt- ," - , . r~--1' [ 1 I r

~~.p . t t t?- ~ -f- .1 ,. , . . ~ _ . _ - ~ ~.10 ,/ (V"~~l -' . u 1 - - _ i_ I. .

f) r


60/158

34

18. LE PECORELLE(Poesia: GirolamoAseanio Ghistiniani)

Largo Benedetto Marcello (1686- 1739).fl p ._tJ . . . . . . . ~ - ; . . -~ .- 7 -j -# ~ - t . . _ _g "Le pe co - rel Ie----. nfi ver- di cam - p}---'-"' ....._____...._/ }

I .tJ ~ - ' r J ~7. ~:[Yr . -" r rfI - -. .tV . . . . . , T . r - -- r - - - - - --- il dol - ce Iat - te, Ie Ia - ne mol - IifI

"tJ , - . . : I t .


61/158

fl I l ~. . .tJ . . - '----'"e da' suoi cen - ni pren - - do - no leg - gP,fl

I .. . . .tJ ~. .jj. . . , . . . . -t-: ~ . = 1 : -(I.< 111. 1 1 1 >..I . ~. iii' r--fj .tJ I ., . .___...- ., ~ v- " ~ - o : . . ...____: . . . . . . _ _ - - -da' suoi cen - ni pren - - do - no leg - ge,fl I I

I . J 'lIl. . . . . . . . - : : t- III . . -c l r~) I ~I 1 > . . . . ., r I .fl . J __?t lIP I-- e d i suoi cen - ni Ie pe - co - reI - Ie pren -fl , - , I I I- - . . .. . . .tJ -r j . j. r 'Ii v r p p.. . . :> - . _II . --fl 1':'\ . v r 7jT'''.- .~"'?T...:_ _7i~. I r 7"-~'" -0--- do- no leg - go, p r e n - do-no leg - - ge.fl I I I 1':'\, . . . -J i ~ . . . " r I LI V~~ . . . .V1-- - .

' . : " r , r I 26&84


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36

19. CHE: INVIOLABILE(Pcesla Girolamo Ascanio Giustiniani)

Allegro Benedetto Marcello (1686- 1739)r

!fj ~ _ ' , I ..tJ C he in - vi - la bi -Ie- -fj ~

e) ~ -e- ~f It- .;..I" l u l. . .~;; ..

'-l I , -, - ~ ~ . n , ~man - tien ~a f e , , , del suo pros-el-mo ,ne e in-gan- na-tofj uIe) 0&- Ir I "ij-' f n , iT< - - '" . . - "., It( . ,fj U ,-...,.tJ ! , - , ~e non rae - co - glie in-giu - sto lu - "cro dal suo da - na -

I" l u ' - " ,,

eJ, ~ ~I 'I ~,;-; - I _ " 0 - f ~1#F- f It:e- I I-u-Jr"< ... ", " ". It', _ ,I I.fj ~

tJ ,ro, n e a'f) ~

tJ -e- ~I,

- - -;

do- ni sten, -,de la-va jra rna- no, ond' e - gli deb - ba" I , ,I

.. -', _ '" -,1r - - -

- . - .. . . . . . . , ; ',,:'~ _ ,.- ..

Edited by Knud leppesenCopyrir;ht 1949 by Wilhelm Hansen, Copenha~lI. .26584


63/158

t J ~ l. . . II- I I I I ___JV Ide 1' ti far - si oppressor, de gli ill-no - ti far-lll-no-cell - - cen -ll~

IC ! . J r~ r

.~ , . _ . .

t r ~ .."U" -cr< 11 L ,,_ u, i.f t J ~ ':- -V .1 I I- - si, far - si, far - si, op-pres -tJ ~ J - JC ! . J I r ~ - , 1 I '1- ~ It r.. .t J ~ -- - -eJ I I Isor, far - - si, far - - si, far -hJt. I -I -, ItJ - - I I r . . . . . - . . . . . '-" ,- 11 -I ~ It L.tJ .It _ .,tJ 1 I- - si op-pres - sor.

. 1 ' 1 _ J t . - . . .ItJ I I I . . . . . . - - ~ . . . . . , I ""'1 .< - - - I> . _ 11I .

.. .~

26584


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88

20.DAMMI PACE(poesia: Agostino Piovene)

Allegro G. F. Hit nde! (1685-1759)fl I' - - _ifl , --.. , . . . . . . . . . .-.. ~ . .~ m p r : IIiI 1 . . , . . , 1 I r : .. II.... ., . . r . , . . . r - Ii - . - . . . . . . . s>. .-..- ~ . - _J . .

fl ~_~n~ -1 :J. ~ I- tJ I ~ r ' ~ . . ." f ! : ~ _ f b. 11- 6..

'. I t t .. r

fl I ~ - - - _i~ .~ IIJJ~ . . .t P r I ,- . . 1 1 PI~~~ l~ r ~ = = ut jI . p_ 1 1 -. I I I I

mfl I rp.~ 1.tJ , . . ._;;..-. ' Darn - mi pa - ce.ohfl I . u . . ~ ~ . . . . . '. I.. - ~ I:0 - 1. Iiiiiiiiii~ iiiiiiii__ f . , .. ~ ll" - tmpi'!y .-:J . . , . r l.'lJ'II -. . . . . - - . . . . . -.I ..

I 7t\I,

fl I . . . . . . . . 1 I '..1 _l.. . .tJ - - o.._.!.!/ , , r .1 , .vol ~ to a ~ rna ~ to~e a ~ v r a pa - ce I ge - ni - tor,fl 1- Vi J I I I '.J

c t. . 1 I II.~.l . . _ J ' 1 ["---'I' I' I V . >- >- >- >-.7'

(m alodia I ..-F . : : r .. _l .-

f

f) 1 I.t. J ~ - ~~ Igui-da un' al- maa nau - Ira - gar, gui-da un' al - mafl , .. I I .,I u r - _ ~ r--r . . . . iii .~ . . . . . - - - - til . . . I Il>- . = : : ::::- 1 f I J - L _ ~ - _ - ~. l. . ..

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81/158

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1 - . . . . - ' - I , I

~ I I It.J , . . . . . _ _ . . . . --...._;, s c o r - t a r e a d i c i e - - c o A- m o - r e gui- da un' al - rna. a-(i I j _l I ~ I J

@ _ ) - I~.~ I G - C I . . . C I I . . . _ t: . . - ... _ r: a. ~~'_ . ~ f L . . . '" L _ til ." . . ,.--I ,

!() , mp I.U - - - I ,nan-Ira - gar; scor-ta r e - a di cie-co A-(I, , I I I , I J I 1 I.J . . . I . . . .~~ I I I I ~ r ..e f 1J-_ I. .. .

I -6- I

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If} L I I L cresco

tV - , - ~ - v . . , _ v_ -, fJI -o-re gui- daun' al- maa nau - fra - gar,fl I . , IV . . ._:.... ..._.. .._ : r : . - - - c ; . . r r 1- " I - ~resc. ' . . ~ - , ,.

I I .

!f) , f \.t. J --.._; . . . . . . . . . . , - U ~gui-da un' 81 - rna a nau-fra - gar,~ , I : : : :> >- : : : :>=::-~eJ - ,. II . . . I . .. - . . . I i - - -> c ; . . - Iff I _l_ I. . ., - I I Ita6584

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~ "I . . . . - _. . , , , ,fl , I - - _]_I I I ~J r+ri J I 1.--.1 I -r:.,tJ I - I , I I I I I~ . . . ,. I I.... f'~ t , . .. k. , . . I ,

Ifl I I':\P, I i .r It.J , 11 . . . . ., IEd e m i - se - ro quel co - re ' che non sa. sem - pre pu, -f 'l ,_ I -~ ~ J: I I ItV b-.I I I -.. . 1'... Q a ~I -6 . . - IT'... ir. : . . , p - n h . . ., _t. ,.

- .= =i_=6 , -i

If ) I I I I _t ItJ I I I ~ 1 U . . . . . _ _ . .gnar, ed e m i - se - ro quel c o - re che non sa. sem-I " ! I , 1 I 1 , I I , ,lL ' - i T " - ; . .tJ ., j O _ _ . _ ;.' . . . I~ "1 1 . . r-r llj I " : : -I .c;- .. . . . .

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Ifl ItJ - - - ..!! ~ 4- - - . ....., -......+ - - - - - -f 1 I I ItJ 1 1 1 1 . a : : . . . . 05 I - III" ., . i ~I.

I - I I 1-

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I() I 1-t).--.:: . _ _ _ .__""'I -- -scor-ta rea di cie - - co A- mo-regui -() I J I - I I I ~tJ '-. I ~tIt I~ I . ..._ . . . . f J I J - ., - t1J_ ,.H. JI J s: r - _ - JIJ~G. I I_ I1 1 I I I mp.V


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fl I .' I I I I eresc.0

~ r r I ~ - - - : . : . . .re - a di c ie -co A - ID O - re gui- da un' alma a nau - fra - gar,() I I I I I I I

0

0

.-c~~ __~~ r- G r r r-T 'f;. - - . . . . rtJ ~. r . - z ; tITcrese., I I I..I I r T ['OJ'I '(:

1

fl . . _ . 0 - f.. . ItJ ..."4"V-' ., :::.?-I I

gui-da un' al - ID afl I . . . . , I I(!) ~, - :.- ., B . . - - c -w; ~ I r. fI

0. 0 ,'. _ .1 I T - I 1

1

fl I ..to . . . ~ .gonau- fra - gar.

;J ~ J J) I I ~ :::- ~ :::-:;Q 1 . J I I I0,t.J _ _ _ . . . u o I 1f >.-> >.- ~ >-I I Il~ "-00

00= - " I I . . . - - - - -

1fl .. " ~ ". ~j9- r- I 't \_ _ . : . 'n ;.' .... ;. I 1- r " 1 I0tJ - - J I o T I-I I . . . I I. . . It _ . . .. t0 ..

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I JI 'J.".-_J f 1 I J .I I 1--1

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I l (1 I 1 " 1 ,'';1 .~ > . ; L ? L ' : I,::' I _. . . . ;j' ~ 1 I-' ... . . . ._ '_ " f < . _J .,?r : . . ~ L _ ~. {

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5924. SORGE NEL PETTO(Poesia: Giacomo Rossi)

Adagio G. F. Handel (1685- 1759),,- - . . . . ,

/--1

, - -"=:r r>:

" !-,, /" .~,../ !-~,.,7 "~\ !

fl Jt :PU . .~ Sor-ge nel( ) J t I.U :: ::: '1 : 1 = : : . . . -j . , : J ~: ; : :p 1O .... .fL ~ . . ~ .-. . .

,I I I I(melodia )

') ' " 1 I. .Q) . . T r - 'fI' ~+., ~ '--' til' (J.pet - to cer-to di - let - to che bella c~ rna pro - rnet-~~ cor,n . u I. - IJ ~: ...J - 4 1 1 r f r _ . t # ! I r I !~+. .

T I I I

fl Jj. 1 , . . . _ I I L , . . _ . .tJ I _ - - W'. W' W r 'I!..- ~ Iche bel-Is cal - rna, che bel - Ill. cal - rna pro - met -te al cor, sor-ge nel~ u : I I I 0eJ . r 1 - 'W ~o I~ "'II 1. ... I T 1 1 ' I . . . . . I~ ' " . I

- I~;., T _ ' r , . . .tII::;7tl ~ ":.../ : - - - . . ! ! ' (JOpet-to_ cer-to di - let-to_ che 1- Ia cal- ma L pro-rnet-te al cor,1 Jt I 1 I

I 0 .0 0eJ r : . r ~r ~ . . i Tr~ - ,. -( 00 .I I I 1 I I I T

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60fl ~ . ' .tJ ~el'- la 1 r . ~ ... vche, cal- ma_ pro- met - te al cor. ' J . 11 J .r-l u : I I . ,". I..

'e J p. U III -i~ U f I. .I - z : . . c:..

fl ~ (.\ 1 1 f fT .tJ J )J Sa - ra . ilcon-fl ~ I I I , , _ I t \. _. . . . . . -r-1 I 1. ' : l '.eJ I I I p. I 1 -

~ I I ~ iI__t

_ 1 1 .- r . : . . m 'I . .. . , . . . . . 1 '1 '- :; "l,j.. .

!fl ~ ~ _l.. J ~- - - - . . I' 1'1'~'" ", r .ten - to, do - po gran sten - to eo-glier la pa - rna del no-s tro ar - dor, ,.fl ~ I I

~ ~~ ,_ i 1 rrr 1 1 ' I " ~ . "-41 . . . , 1 1 ' I ' ' ' ~ ; . , r1 . " . . I I 1

!) u I , . . . . .. . .tJ I T 1 ' i ! _ . . . = - = ' stro ar - dor.o-glier la .pal-ma del no - - -fl~ '1 " . . . . . I 1.tJ 'c.. 1 T . . oil r T 1 " ~ ~: ;~: "I i :I .~ -. - - - - -.. 1 :P _''fII-.f'-.

I I : ; ; : ~. (~Ilelodia Ifl ~ : p _l 'J .

4! ) . . . . . . I . d ior-ge. nel . pet - to cer-to .. . - let - toflu : , ,1 . . I , '. .. .. :...e. ~ iII-

_ .:t: ~:~f: . " ~: " . . . . . . . : ;_ ) ! ' . . , . f.. r :f*-. - - ! ' - - .. .....

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61fl ~ , .IV :~ " . ~ ~ . . 'v ..__.che bella m 8 0 pro .met - te al cor, ehe bel:: la cal . rna,1 1 . u 1 I ~t.J

~.: 1 : . ~ I , I '1

'" _ -' . f l . . , _ . . I I I I

1

1l . u r--t. l I I f ' > " I o ' I !. .t.J .,. '. lIP . . . r ~ - ......_che bel - 1 8 0 cal - rn a pro - met-te al cor, sorge ne1 pet-to __fl ~ I 1 I I , I.tJ r 'I - -lI~ q t s C D r : .. _ .11'- t I t . . . . - t I

) Jt() i :"_"'" . ~1 .. ~i~~r ~ ~. Vcer -to' . d i - let- to __ ' che el- 1 8 0 pro - met-te 8 0 1 lr,f l Jt I . I I . .~) r "f,-~ ~ - C I. . . . , I I I ,

1

1 .u - .~ I I r ~ " v'' 1 .u 1 e bel - la cal-rna. , pro-met- te 8 0 1 cor. J. )J 11_ L I.J r' '" III .. - a I . .c;. f I', I -Z;. . . . . . "'.fl .u ' a - .tJ ) j)' 0. u :J I .I . . I 1 \ . . , , _ . . . - _L'l I .~. . J I I I P " I I r , . , - , II II r ; : . . .. . . . t - ~ - ",1. iii 1 1 ' III . - : : : : ; "?;I.~

26584


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.2 5 .' AMA, .SQS P , I . : R A. (P ocsiB .:A n t~ nio M arch i) '.'

Andante, f I . ' . '~ 'I:I" .. ' ~ '" * ' '.,JJ'j. "'11 , 'Vr-"1: : .r--

G.F. Handel (1685-1759). . . . . . _ . . . . . . _. . ' . J r-I .,., " ' c f ; r_

f 'l ~# .. .,..,. ~ . fL . . ~ " . ~ I!:". f l :~ . ~ I'- f : . f: ~,. " f = f : . ~D~ ~ ~ ~ ~ . p . ~U

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pl' .' e .J < I f ' A- rna, 80- spi - ra,

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U m!, nOn 't i of - fen - de,fl ~ I " " . ~ " a - ,rna, so-: spi - ra,; . . .:..... , . . . _ _ . . _ .L -rna non tlO f - fen - de,. . . . .. . . . -

f 'l I l

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