harmonium study method.pdf

289
Mother Sai Publications Bhajan Canto Devozionale Har Har monium - Advanced Method monium - Advanced Method

Transcript of harmonium study method.pdf

Page 1: harmonium study method.pdf

M o t h e r S a iP u b l i c a t i o n s

B h a j a nCanto Devozionale

HarHar monium - Advanced Methodmonium - Advanced Method

Page 2: harmonium study method.pdf
Page 3: harmonium study method.pdf

Miei Cari,la musica è il suono dell’Amore.

La preghiera che senti nel cuore ti avvicina a Dio.La felicità si trova nell’unità, non nella dualità.I discepoli si riuniscono ai piedi del Maestro

che dà loro protezione come un grande albero di bahnyan. Solo i vasi vuoti possono essere riempiti.

Solo le menti umili e anelanti possono essere illuminate. Quando la mente cessa di agitarsi il Sé comincia

ad illuminare il sentiero. L’ego è una limitazione e trascina l’uomo nelle tenebre. I raggi del sole splendono attraverso la coppa di cristallo. L’onniscienza pervade il potere intelligente dell’uomo. L’abbandono totale a Dio vi guida alla dimora divina. Perdendo l’io individuale, si raggiunge l’Io universale.

Vi benedicoSShhrr&& SSaatthhyyaa SS<<&& BB<<bb<<

Page 4: harmonium study method.pdf

Offering with utmost humility at Thy Lotus Feet of our most Beloved Lord in hope of obtaining

complete awareness; as He declares... "Singing the name of God is the highest form of worship."

4Rev. 1.0

Page 5: harmonium study method.pdf

INDEX

INTRODUCTION Pag. 15

BBHHAAJJAANN Pag. 31AbbreviationBh Bhagav<nDe Dev&Ga GaneshaGu GuruKÅ Krishn<N< N<r<yenaR< R<m<Sd Sarva DharmaSh Shiva

1 C2 A1 Alakha NiraÒjana Bhava Bhaya BhaÒjana2 C2 A2 All<h All<h Karo Puk<r3 C2 A3 All<h N<ma Bhajo Bhajore Bhajo (T)4 C2 A4 All<h Tuma Ho $shvara Tuma Ho5 C2 A5 Amb< Bhav<n& Shiva Shambhu Kum<r<6 C2 A6 Amb< Mandahasa Vadan& Manohar& S<& Jaga Janan&7 C2 A7 Ambik< Tanay< Gaj<nan<8 C2 A8 >nanda S<gar< Mural&dhar< (T)9 C2 A9 An<tha Bandho S<& Prabho

10 C2 A11 Antara Jyoti Jal<o S<&11 C2 A10 Antar Jyoti Namo Param<tma Jyoti Namo12 C17 B7 AntaraËga S<& An<tha N<th< S<&13 C2 A12 Antary<m& S<& Mur<r&14 C2 B1 >o Mah< Bh\tta LiËga15 C2 B2 >o Py<re Nayana Ham<re S<& Ham<re >o16 C2 A13 Aravinda Locana >rata Jan<van< 17 C16 A11 Ayodhy< Shirom<ni Dasharatha R<ma18 C12 B9 Ayodhy< V<s& R<ma Hai Dv<rak< Men >ye19 C2 B3 Ayodhy< V<s& R<ma R<ma R<ma Dasharatha Nandana R<ma20 C2 B4 BaÁ< Cita Cora VÅnd<vana Sanc<r<21 C17 B8 B<la Gop<l< (S<&)22 C2 B5 B<la Gop<l Jai Jai S<& Shy<m23 C2 B6 BeÁ< P<ra Karo Mere S<&24 C2 B7 Bhagav<n Bhagav<n Patita P<vana R<m25 C2 B8 Bhaja Mana Govinda Gop<la26 C2 B9 Bhajo Mana R<ma Krishn< Jaya Bolo27 C2 B10 Bhajana Karo Manav< Govinda Hare28 C17 B9 Bhajare R<ma CaraÉ Satatam Bhajare R<ma CaraÉ29 C2 B11 Bhajo Bhajo R<m Sathya S<& R<m30 C3 A1 Bhajo Bhajo ViÃÃhala P<ÉÁuraËga ViÃÃhala31 C3 A2 Bhajo Ghana Shy<ma Bhajo Mural& Gop<la Bhajo32 C3 A3 Bhajo Ghanashy<ma Bhajo S&t< R<ma Bhajo Sathya S<& R<m33 C17 B10 Bhajo Mana N<r<yaÉa N<r<yaÉa N<r<yaÉa34 C3 A4 Bhajo Mana R<m35 C3 A5 Bhajo R<dhe Govinda Bhajo Shy<ma Gop<l (T)36 C3 A6 Bhajore Bh<& S<& R<m37 C17 B11 Bhajo S&t< R<m Bhajo R<dhe Shy<m38 C3 A8 Bhasma Bh\shit<Ëga S<& Chandra Shekhar< (T)39 C18 B12 Bhasma Vibh\shit< Bhav<n& ShaËkara40 C3 A9 Bhava Bhaya HaraÉ< Vandita CharaÉ<41 C3 A10 Bhol< BhaÉÁ<r& B<b< Shiva Shiva Shiva S<& B<b<

5Rev. 1.0

N<SdSdSdDe Ga ShDeGaKÅBh GuBh DeBh GuBhBh R<ShBhN<R<R<R<KÅKÅKÅBh SdBhKÅKÅ R<KÅR<R<KÅKÅKÅ R<N<R<KÅBh R<KÅ R<ShShKÅ N<Sh

Page 6: harmonium study method.pdf

42 C3 A11 Bhola N<tha Hare Jagad&sh<43 C3 A12 Bolo Bolo Sab Mil Bolo Om NamaÔ Shiv<y<44 C3 A13 Bolo Jai Jai K<r Bolo Jai Jai K<r45 C3 A14 Bolo N<r<yaÉa Jai Jai ViÃÃhal<46 C3 B1 Bolo R<m S<& R<m Sathya S<& R<m47 C3 B2 Chandra Shekhar<ya NamaÔ Om48 C3 B3 CharaÉa Kamala Bandho S<&n<tha Ke CharaÉa Kamala Bandho49 C3 B4 Chitta Chor< Mural& V<l<50 C3 B5 Chitta Chora Yashod< Ke B<l Navan&ta Chora Gop<l51 C3 B6 Àam Àam Àam Àam Àamaru Baje52 C3 B7 D<nava BhaÒjana R<ma S<& Shy<mala Komala R<m53/54 C4 A4 Day<bhir<ma J<nak& R<m< = C14 B1155 C3 B8 Day< Karo Bhagav<n Krip< Karo Bhagav<n56 C3 B9 Day< Karo Bhagav<n ShaËkara Day< Karo Bhagav<n (S<&)57 C4 A1 Day< Karo He Day<nidhe He Bhagav<n58 C4 A2 Day< Karo Shiva GaËg< Dh<r&59 C4 A3 Day< S<gar< KaruÉ< Kar<60 C4 A5 Deva Devottama D&na Samrakshak<61 C4 A8 Devak& Tanay< Day< Nidhe62 C4 A6 Dev& Bhav<n& M< He S<& Bhav<n& M<63 C4 A7 Dev& S<& M< Dev& Sarasvat& M<64 C4 A9 Dhanya Ho $shvaramb<65 C10 B6 Dhimita Dhimita Dhim Dhimita Dhimita Dhim N<che Bhol< N<th (Om)66 C4 A10 D&na B<ndhav< Shr& S<& Dev<67 C4 A11 D&na Day<l< Hari Parama Day<l<68 C4 B1 D&na Dukhiyon Ke T<raÉa K<raÉa69 C4 B2 D&n< N<tha ShaËkar<70 C4 B3 Durge Durge Durge Jai Jai M<71 C4 B4 Eka B<r Ksham< Karo S<& Mere B<b< Shr& Sathya S<&72 C4 B5 Gajamukha Gajamukha GaÉan<th<73 C4 B6 Gaj<nan< Gaj<nan<74 C4 B7 Gaj<nan< He Shubh<nan<75 C4 B8 Gajavadan< GaÉan<th< Gajavadan< D&n<haraÉ<76 C4 B9 Gajavadan< GaÉan<tha N<th<77 C17 A7 GaÉan<tha GaÉan<th<78 C4 B10 GaÉesha CharaÉam Parama P<vanam Sathya S<& N<m Gaj<nanam79 C4 B11 GaÉesha SharaÉam SharaÉam GaÉesh<80 C5 A1 GaËga JaÃ<dhara Gaur& ShaËkara Girij< Mana RamaÉ<81 C5 A2 GaruÁ< V<hana N<r<yaÉ<82 C5 A3 Gaur& GaÉesh Um< GaÉesh83 C5 A4 Gaur& Nandana Bala Gaj<nan<84 C5 A5 Gaur& Nandana Gaj<nan<85 C5 A6 Ghana Shy<m< Sundar<86 C12 B10 Giridhara Gop<l< He Giridhara Gop<l< He Giridhara Gop<l< (He)87 C5 A7 Giridhara Govinda Gop<l< Ghana Shy<ma Nandal<l< (T)88 C5 A8 Giridh<r& L<l Shy<ma Gop<l89 C5 A9 Giridh<r& He Nandal<l<90 C18 B4 Giridh<r& Mur<r& Govinda91 C5 A10 Gop<l< Gop<l< Devak& Nandana Gop<l<92 C5 A11 Gop<la Gop<la N<cho Gop<l<93 C18 B5 Gop<la Gop<la R<dhe Nandal<l<94 C5 A14 Gop<l Gop<l95 C5 A12 Gop<la R<dh< Lol<96 C5 A13 Gop<la R<dhe Krishn< Govinda Govinda Gop<l97 C18 B6 Govinda Bolo Gop<la Bolo98 C5 B1 Govinda Gop<la He Nandal<l< (T)99 C5 B2 Govinda Gop<la Prabhu Giridh<r&

100 C17 A10 Govinda Govinda101 C18 B7 Govinda Govinda G<yiye Bhajo R<dhe Gop<la Krishn< G<yiye (T)102 C5 B3 Govinda Hare Gop<la Hare He Gop& Gop< B<l<

6Rev. 1.0

ShShBhKÅ N<Bh R<ShBhKÅKÅShR<R<BhShBhShBhBhKÅDeBh DeBhShBhKÅBhShDeBhGaGaGaGaGaGaGaGaShN<GaGaGaKÅKÅKÅKÅKÅKÅKÅKÅKÅKÅKÅKÅKÅKÅKÅKÅKÅKÅ

Page 7: harmonium study method.pdf

103 C5 B4 Govinda Jai Jai Gop<la Jai Jai104 C5 B5 Govinda Krishn< Jai Gop<la Krishn< Jai (T)105 C5 B6 Govinda Krishn< ViÃÃhale VeÉu Gop<la Krishn< ViÃÃhale106 C5 B8 Govind< M<dhav< Gop<l< Keshav<107 C5 B7 Govinda M<dhav< Gop<la Keshav<108 C5 B9 Govinda Murahari M<dhav< (Hari) (T)109 C5 B10 Govinda N<r<yaÉa Gop<la N<r<yaÉ<110 C17 A9 Govinda R<dhe Govinda R<dhe Govinda Govinda Gop<la R<dhe111 C5 B11 Guru B<b< Guru B<b<112 C6 A1 Guru Dev< Guru Dev<113 C5 B12 Guru Dev Guru Dev114 C6 A2 Guru Dev< Jaya Dev< S<& Dev< Day<may<115 C6 A3 Gurudev< SharaÉam Dev<116 C6 A4 Gurudev<ya Namo Namo117 C6 A5 Guru N<nak J& K& Jai Jai K<r118 C6 A6 Guru Vara N<m P<vana N<m119 C6 A7 Guru V<yur Pura Shr& Hari Krishn< N<r<yaÉa Gop<l120 C17 B6 Hara Hara GaËge Hara Hara GaËge121 C6 A8 Hara Hara Hara Hara Bhol< N<th (Om)122 C6 A9 Hara Hara Hara Hara Mah<dev<123 C6 A10 Hara Hara Hara Hara Nam<mi ShaËkara Bhaja Mana S<& R<m124 C6 A11 Hara Hara ShaËkara S<mba Sad< Shiva $sh< Mahesh<125 C6 A12 Hara Shiva ShaËkara Shash<Ëka Shekhara126 C6 A13 Hare Krishn< Hare Krishn< Krishn< Krishn< Hare Hare127 C6 B1 Hare Krishn< Hare R<m< Hare Hare Hare Hare128 C6 B2 Hare Mur<re S<& R<m Hare Mur<re R<m129 C18 B8 Hari Bolo Hare R<ma N<m130 C18 B9 Hari Hara Bol Hari Hara Bol131 C6 B3 Hari Hari Bolo R<dhe Krishn< Bolo132 C18 B10 Hari Hari Govinda Hari Hari Bola133 C18 B11 Hari Hari Hari Hari SmaraÉa Karo134 C6 B4 Hari Hari N<r<yaÉ<135 C17 B1 Hari Hari Om Shiva ShaËkara Om136 C6 B5 Hari N<ma Sumira Hari N<ma Sumira Hari N<ma Sumira Bhajore137 C6 B6 Hari N<r<yaÉ< Hari N<r<yaÉ< Hari N<r<yaÉ< Bhajo Re138 C6 B7 Hari Om Hari Om Hari Om N<r<yaÉ<139 C6 B9 Hari Om NamaÔ Shiv<ya140 C6 B10 Hari Om NamaÔ Shiv<y<141 C6 B8 Hari Om NamaÔ Shiv<ya142 C7 A1 Hari Om Namo Shiva Shakti Namo143 C7 A2 Hari Om Tat Sat NamaÔ Shiv<y<144 C7 A3 He D&na Day<lu S<& R<m< R<m145 C7 A4 He GaÉan<tha Gaj<nan<146 C7 A5 He Giridhara Gop<l< He Giridhara Gop<l< He Giridhara Gop<l<147 C7 A6 He M<dhav< He Madhus\dan<148 C7 A7 He Nanda Nanda Gop<l< >nanda Nanda Gop<l<149 C7 A8 He Nir<k<r& All<h He Avat<r& Prabhu R<m150 C7 A9 He Parth& Pur&sh< Prash<nti V<s< Sadguru S<& R<m151 C7 A10 He R<m Bhagav<n152 C13 A2 He S<& Jagan N<th<153 C7 A11 He Shiva ShaËkara Nam<m& ShaËkara Shiva ShaËkara Shambho154 C7 A12 $shvar<mb< Priya Tanay< S<& N<r<yaÉ<155 C7 B1 Jagad<shraya Shr& Raghu R<m<156 C7 B3 Jagad&sha Hare He Shiva Shambho157 C7 B2 Jagad&sha Hare Jaya Ho158 C7 B4 Jagad&shvari Day< Karo M< (T)159 C7 B8 Jagadoddh<rin& M<t< Durg< Jagadoddh<rin& M<160 C16 A1 Jagame Sarvam VishÉu Mayam161 C8 A14 Janan& S<& Dev& Day< M<yi162 C7 B5 Jaganm<te Jaga Janan&

7Rev. 1.0

KÅKÅKÅKÅKÅKÅKÅKÅBh GuGuGuGuGuGuSdGuKÅShShShShShShKÅ R<KÅ R<KÅ SdBh KÅ R<KÅKÅKÅKÅKÅ N<ShShBh N<ShShShShShShR<GaKÅKÅKÅSdGu R<R<BhShBhR<BhSdBhDeGuBhDe

Page 8: harmonium study method.pdf

163 C7 B6 Jagat P<lan< Jagan Mohan<164 C7 B7 Jagat Uddh<raÉa Parth& Vih<raÉa165 C8 B1 Jaya Dev& Bhav<n& M<166 C7 B9 Jai Durg< Lakshm& Sarasvat& S<& Jaganm<th<167 C8 B2 Jaya Gop<la Jaya Gop<l<168 C8 B3 Jaya Guru Jaya Guru S<& R<ma169 C8 B4 Jaya Guru Omk<r< Jaya Jaya Sadguru Omk<r< Om170 C7 B10 Jai Hari Bolo Jai S&t< R<m Gop& Gop<la Bhajo R<dhe Shy<m (T)171 C7 B11 Jai Hari Krishna Jai Hari Krishna Govardhana Giridh<r&172 C8 B5 Jaya Jagad&sha Hare Jaya Govinda Hare173 C8 A1 Jai Jai Bhav<n& M< Ambe Bhav<n& M< (T)174 C8 B6 Jaya Jaya Girij< B<la Gaj<nana175 C8 A2 Jai Jai Gop<l<176 C16 A3 Jaya Jaya Govinda Jaya Nandal<l<177 C8 A3 Jai Jai Gurudev< Shr& S<& Mah<dev<178 C8 A4 Jai Jai Jai GaÉan<yak< Jai Jai Vighna Vin<shak<179 C8 B7 Jaya Jaya Jaya He Gaj<nan<180 C8 B8 Jaya Jaya Jaya Ho S<& N<th<181 C8 A5 Jai Jai Jai Jai GaÉapat& Dev<182 C8 A6 Jai Jai Jai Manamohan< Jai Jai Jai Madhus\dan<183 C8 A7 Jai Jai Jai N<r<yaÉ<184 C16 A4 Jaya Jaya Krishn< Yadunandan<185 C8 A8 Jai Jai Prabhu Giridh<r& NaÃavara Nandal<l<186 C8 A9 Jaya Jaya Sadguru S<& Sad< Shiv<187 C8 A10 Jai Jai S<& M< He S<& Sarasvat& M<188 C16 A5 Jaya Jaya S<& Namo Jaya Shubha D<y& Namo189 C8 A11 Jai Jai Vaishnav& Dev& M< Jai Jai Vaishnav& Dev& M<190 C16 A6 Jaya Lambodara P<hi M<m191 C8 B9 Jaya M< Jaya M< Day< Karo S<& M<192 C16 A7 Jaya M< Jaya M< Jagad&shvar& S<& M<193 C8 A13 Jai S<& R<m Jai S<& R<m194 C16 A2 Jai S<& R<m Jai S<& R<m195 C8 B10 Jaya S<& ShaËkara Jaya AbhayaËkara196 C16 A8 Jai Santosh& M< Jai Jai S<& M<197 C16 A9 Jaya Vallabha GaÉan<yak<198 C9 A1 Kab Loge Khabar More R<m199 C9 A2 K<l<t&t<y< Siddhi R\p<y< Yogishvar<ya Namo200 C9 A3 Keshav< M<dhav< Jaya Dev< Madhus\dan<201 C9 A4 KoÃi PraÉ<m Shata KoÃi PraÉ<m202 C16 A10 Krishna Kanhaiy< Krishna Kanhaiy<203 C9 A5 Krishna Krishna Govinda Krishna Gop<la B<la Krishn<204 C8 A12 Krishn< M<dhav< Govind< Gop<l<205 C16 B1 Krishn< M<dhav< M<dhav< Krishn<206 C9 A6 Krishn< Mur<r& Bhava Bhaya H<r& He Giridh<r& Gop<l207 C9 A7 Krishn< R<m< Govinda N<r<yaÉ<208 C9 A8 Ksh&rabdhi Shayana N<r<yaÉ<209 C9 A9 Lambodar< GaÉan<tha Gaj<nana210 C9 A10 Lambodar< He Vighneshvar<211 C9 A11 Lambodar< Jaya Gaj<nan<212 C16 B3 Mana Mandira Men >vo S<&213 C9 A12 M<dhav< Gop<l<214 C9 A13 M<dhav< Mohana Shy<ma Gop<l<215 C9 A14 Madhura Madhura Mural& Ghana Shy<m<216 C9 B1 Madhus\dan< He Mural& Dhar<217 C9 B2 Madhuvana Ke Mural& B<l<218 C16 B2 Madhuvana Mural& Shy<ma Mur<r&219 C9 B3 Madhuvana Sanch<r& Shy<ma Mur<r&220 C9 B4 Mah<dev< Shiva Shambho ShaËkara221 C9 B5 Mah< Ganapathe N<mostute222 C9 B6 Mana Eka B<ra Hari Bol

8Rev. 1.0

KÅBhBh DeDeKÅBh GuGuKÅ R<KÅKÅBh DeDeKÅKÅGuGaGaBhGaKÅKÅ N<KÅKÅShBh DeBh KÅDeGaDeDeBhBhShDeGaR<ShKÅBhKÅKÅKÅKÅKÅKÅN<GaGaGaBhKÅKÅKÅKÅKÅKÅKÅShGaGu

Page 9: harmonium study method.pdf

223 C9 B7 Mana Mohan< Mural& Dhar<224 C9 B8 Mana Mohan< Nandal<l225 C9 B9 M<nasa Bhajare Guru CharaÉam226 C16 B4 Manuv< Bolo Jai S&t< R<m Bolo227 C9 B10 MaËgala D<yaka He GaÉan<th<228 C9 B11 M<taËga Vadan< >nanda Sadan<229 C9 B12 M&ta Smita Sundara Mukh<ravind< N<cho Nandal<l< Nandal<l<230 C9 B13 Mohana Raghu R<m<231 C10 A1 Mrityum Jay<ya NamaÔ Om232 C10 A2 Mukunda Mur<r& Mur<r& Gop<l233 C16 B5 Mural& Dhara Mukunda Mur<r&234 C10 A3 Mural& Gana Lol< Nanda Gopa B<l<235 C10 A4 Mural& Krishn< Mukunda Krishn< Mohana Krishn< Krishn< Krishn<236 C10 A5 N<che TribhaËg< Krishn< Mur<r&237 C3 A7 N<cho He NaÃar<j Shiva Shambho238 C10 A6 NamaÔ P<rvat& Pataye Hara Hara239 C10 A7 Namo Namo NaÃar<ja Namo Hara JaÃ< J\Ãadhara Shambho240 C10 A8 Nanda Gop<l Nanda Gop<l241 C10 A10 Nandal<l< Nandal<l< Day< Karo Bhagav<n242 C10 A11 Nandal<l< Yadu Nandal<l<243 C10 A9 Nand< Nandana Hari Govinda Gop<l<244 C16 B6 N<r<yaÉ< Bhaja N<r<yaÉ N<r<yaÉ Bhaja N<r<yaÉ N<r<yaÉ245 C16 B9 N<r<yaÉam Bhajo N<r<yaÉam246 C10 A12 N<r<yaÉ< Hari N<ma Bhajo Re N<r<yaÉ< Veda P<r<yaÉ<247 C16 B7 N<r<yaÉ< Hari N<r<yaÉ<248 C16 B8 N<r<yaÉ< Hari N<r<yaÉ< Hari N<r<yaÉ< Veda P<r<yaÉ<249 C10 A13 NaÃar<j< Nam<m& ShaËkar<250 C10 A14 NaÃar<j< NaÃar<j< NarÃhana Sundara NaÃar<j<251 C10 B1 Navan&ta Chora B<la Gop<l252 C10 B2 Nity<nandam Sacchid<nandam253 C10 B3 O Bhagav<n O Bhagav<n Araja Suno Mere S<& Bhagav<n254 C10 B4 O Bhagav<n O Bhagav<n O Bhagav<n S<& B<b< Bhagav<n255 C10 B5 Om Dhim Dhim Dhim Dhim NaÃana Shiv<256 C10 B7 Om NamaÔ Shiv<ya Shiv<ya NamaÔ Om Om NamaÔ Shiv<ya Shiv<ya NamaÔ Om257 C10 B8 Om NamaÔ Shiv<ya Shiv<ya NamaÔ Om258 C10 B9 Om Namo Bhagavate V<sudevaya (T)259 C10 B10 Om Shiva Shambho Jaya Shiva Shambho260 C10 B11 Om Shiv<y< Om Shiv<y< Shambho ShaËkara Om Shiv<y<261 C16 B10 Om Shr& R<m Jai R<m Jai Jai R<m262 C16 B11 P<ÉÁuraËga ViÃÃhale Hari N<r<yaÉa Hari N<r<yaÉa Govinda263 C16 B12 P<ÉÁuraËga ViÃÃhala Jai P<ÉÁari N<tha ViÃÃhal<264 C17 A1 Pannaga Shayan< K<li Avat<r<265 C11 A1 P<ra Karo Uddh<ra Karo Prabhu Parth& Pur& Bhagav<n266 C17 A3 Parth& Pur&sh< S<& Deva267 C17 A2 Parth& Pur& S<& Gop<la B<l<268 C11 A2 Parth& Pur&sha Prash<nti V<s< S<& Mur<r& (He)269 C11 A3 P<rvat& Nandana Gaj<nan<270 C11 A4 Pashupati Tanay< B<la Gaj<nan<271 C11 A5 Patita P<vana R<m Parth& Pur&shvara R<m272 C17 A4 PraÉam<m& Shr& Durge S<& N<r<yaÉ&273 C11 A6 PraÉava Svar\pa Hari Om S<&274 C11 A7 Prash<nti Nilay< R<m He Parth& Pur& Bhagav<n (He)275 C11 A8 Pratah Smaranam Shr& Guru CharaÉam276 C11 A9 Prathama Vandan< Gaur& Nandana277 C11 A12 Prema M<y& S<& M< JÒ<na M<y& S<& M<278 C11 A10 Prema Mudita Mana Se Kaho R<ma R<ma R<m279 C11 A11 Prema Se Bolo Eka B<r S<& R<m280 C17 A5 Prema Se G<o P<vana N<m281 C11 B1 PuÉy< N<m Pavitra N<m R<ma N<m S<& R<m (T)282 C11 B2 R<dh< M<dhav< Gop<lan<

9Rev. 1.0

KÅKÅGuR<GaGaKÅR<ShKÅKÅKÅKÅKÅShDe ShShKÅKÅKÅKÅN<N<N<N<N< ShShShKÅN<BhBhShShShKÅShShR<KÅ N<KÅBhBh SdBhBh KÅBh R<GaGaR<DeBhBh R<GuGaBhR<R<R<KÅ R<KÅ

Page 10: harmonium study method.pdf

283 C17 A6 R<dh< Raman< N<r<yaÉ< Veda Bharan< N<r<yaÉ<284 C11 B3 R<dhe Govinda Gop<l< Jaya Govinda R<dhe Gop<l<285 C11 B4 R<dhe Govinda Jai Jai R<dhe Gop<la286 C11 B5 R<dhe Govinda KrishÉ< Mur<r& (T)287 C11 B6 R<dhe R<dhe R<dhe R<dhe Govind<288 C11 B7 R<ghava Sundara R<ma Ragh\ Vara289 C10 B10 Raghupate R<ghava R<j< R<ma290 C11 B9 Raghupate Shr& R<ma Chandr< R<ghav< Day<nidhe291 C11 B8 Raghuv&ra RaÉadh&ra R<ma R<ma R<m292 C11 B11 R<j< R<jeshvar& Jagan Mohin&293 C12 A1 Raksh< Karo Bhagav<n Sathya S<& Bhagav<n294 C12 A3 R<ma Hare S<& Krishn< Hare Sarva Dharma Priya S<& Hare295 C12 A4 R<ma Krishn< Govinda N<r<yaÉa Keshava296 C12 A5 R<ma Krishna Prabhu T\ Jaya R<m Jaya R<m297 C12 A6 R<ma Rah&ma Ko Bhajane V<le Tere Puj<r& B<b<298 C12 A2 R<m R<m Bhajo Mana Hare Hare299 C12 A7 R<ma R<ma R<m Raghu Nandana He Ghana Shy<m (Shr&)300 C12 A8 R<ma R<ma S<& R<ma301 C12 A9 R<ma Sumira Mana R<ma Sumira Mana302 C12 A10 R<sa Vilol< Nandal<l<303 C12 A11 Sad< Nirantara Hari GuÉa G<o304 C12 A12 Sadguru Brahm< San<tana He305 C12 B1 Sah<r< Do Bhagav<n306 C12 B2 S<& Avat<ra Yuga Avat<r<307 C17 B3 S<& B<b< Bolo S<& B<b< Bolo308 C12 B3 S<& B<b< G&ta Sudha Madhuram Madhuram Anandam309 C12 B4 S<& B<b< PraÉ<m (Sathya)310 C12 B5 S<& B<b< Ter< N<m Sathya S<& B<b< Ter< N<m311 C12 B6 S<& Bhajana Bin< Sukha Sh<nti Nah&n312 C12 B7 S<& Gaj<nana Vin<yak<313 C13 A1 S<& He J&van J&van Sathya S<&314 C12 B8 S<& Ham<r< Ham S<& Ke Ais< Prema Ham<r<315 C13 B11 Shaila Gir&shvara Um< Maheshvar< K<sh& Vishveshvara Sad< Shiv<316 C13 A3 S<& Mah<dev< (Sathya)317 C17 B2 S<& N<ma H& Madhuram S<& R\pa H& Madhuram318 C13 A4 N<r<yaÉa Hari Om Hari Om Hari Om (Hari)319 C13 A5 S<& N<r<yaÉa N<r<yaÉa320 C13 A6 S<& N<tha Bhagav<n S<& N<tha Bhagav<n321 C13 A7 S<& N<th< D&n< N<th< Brahma R\pa Sadguru322 C13 A8 S<& Om S<& Om S<& Om323 C13 A9 S<& Prema De Sh<nti De >nanda De B<b< Prema De324 C13 A12 S<& R<m< He Ghana Shy<m<325 C13 A10 S<& R<m S<& R<m326 C13 A11 S<& R<m S<& Shy<m Mere S<& R<m (T)327 C13 A13 S<& S<& Svarana Karo328 C13 B1 S<& Shy<m< He Ghana Shy<m<329 C17 B5 S<& Shy<m S<& Shy<m S<& Gop<la330 C13 B2 SaËkaÃa Haran< Shr& S<& R<mana331 C13 B3 Sarva Dharma Priya Dev<332 C13 B4 Sathya Dharma Sh<nti Prema Saba Ko D&jo (T)333 C13 B5 Sathya Dharma Sh<nti Prema Svar\p< Prash<nti Nil<y< Dev<334 C13 B10 Sathyam JÒ<nam Anantam Brahm<335 C13 B6 Sathya N<r<yaÉa Govinda M<dhav< S<& N<r<yaÉa Govinda Keshava (T)336 C13 B7 Sathya S<& SmaraÉam SmaraÉam Parth& S<& SmaraÉam337 C13 B8 Sathya San<tana Nitya NiraÒjana Bhakta Par<yana N<r<yaÉa338 C13 B9 Sathya Svar\pin& M< S<& Prema Svar\pin& M<339 C13 B12 Shambho Mah<dev< Shiva Shambho Mah<dev<340 C14 A5 Shambho Mur<re ShaËkara Mur<re341 C14 A1 Shambho ShaËkara Dev<342 C14 A2 Shambho ShaËkar< Shiva Shambho ShaËkar<

10Rev. 1.0

N<KÅKÅKÅKÅR<R<R<R<DeBhSdKÅ R<SdBhR<R<Bh R<R<KÅBhGuBhBhBhBhBhBh SdBhGaBhBh SdDe ShBhBhBhBhBhBhBhBhR<BhBhBh GuKÅKÅBhSdBhBh SdBhBhBh KÅ N<Bh DeShShShShSh

Page 11: harmonium study method.pdf

343 C14 A3 Shambho Shiva ShaËkar<344 C14 A4 Shambhu Kum<r< Gaur& Tanaya345 C14 A6 ShaËkara Sad< Shiva Candra Shekhar< (T)346 C14 A7 ShaËkara ShaËkara ShaËkar<347 C17 A8 ShaËkara ShaËkara ShaËkara ShaËkara Shambho ShaËkara348 C14 A8 ShaËkara Shiva ShaËkara Shiva ShaËkara Shambho349 C14 A10 SharaÉam SharaÉam S<&sha SharaÉam350 C14 A9 SharaÉam SharaÉam P<hi Gaj<nanam351 C14 A11 ShirÁ& Ke S<& Parth& Ke B<b<352 C14 A12 ShirÁ& S<& Dv<rak< M<& Prash<nti V<s& S<& R<m353 C14 B1 ShirÁ& S<& Parth& S<& Hamako D&jo354 C15 B6 S&t< R<ma Shr& Raghu R<ma355 C16 B2 Shiva Hara He Hara Shiva He356 C14 B2 Shiva Maheshvar< Shiva Maheshvar< Shiva Maheshvar< S<& R<m357 C14 B3 Shiva Om Shiva Om Shiva Om S<& Om358 C14 B4 Shiva Shambho Shambho Shiva Shambho Mah<dev<359 C14 B5 Shambho Mah<dev< (Shiva)360 C14 B7 Shiva ShaËkara Shashi Shekhara361 C14 B6 Shiva ShaËkara Shiva ShaËkara Shiva ShaËkara R\pa Maheshvara S<&362 C14 B8 Shiva Shiva Shambho Hara Hara Shambho S<& Shambho ShaËkara363 C14 B9 Shiva Shiva Shambho T<ÉÁava Priyakara364 C14 B10 Shiva Shiva ShaËkara Hara Parameshvara365 C15 A1 Shiva Shiva Shiva Shiva Shiv<ya NamaÔ Om366 C15 A2 Shiva Shiva Shiv<ya NamaÔ Om367 C15 A3 Shiv<ya NamaÔ Shiva Shiv<ya NamaÔ Shiva368 C15 A4 Shiv<ya Parameshvar<ya Candrashekhar<ya NamaÔ Om369 C15 A5 Shr& GaÉesha Shr& GaÉesha Shr& GaÉesha P<hi M<m (T)370 C15 A6 Shr& GaÉesha Vin<yak<371 C15 A7 Shr& Hari Bol Shr& Hari Bol Mukunda M<dhav< Hari Hari Bol372 C15 A8 Shr& Hari Jaya Hari Nanda Mukunda Hari373 C15 A9 Shr& Kare Krip< Kare Kshem<m Kare S<&shvare (T)374 C15 A10 Shr& Lakshm& Ramana N<r<yaÉa375 C15 A11 Shr& Niv<s< Govinda Shr& VeËkaÃeshva Govinda376 C15 A12 Shr& Raghunandana Dasharatha Nandana377 C15 B1 Shr& R<ma CharaÉam Shr& R<ma CharaÉam Shr& R<ma CharaÉam Bhaje378 C15 B2 Shr& R<m< Jaya R<m<379 C15 B3 Shr& S<& N<tha Guru Govinda380 C15 B6 SubrahmaÉyam SubrahmaÉyam ShaÉmukh<n<th< SubrahmaÉyam381 C15 B4 Shukl<mbara Dhara GaÉapati Mantram382 C15 B7 Sundara Shy<ma Mur<r& S<&383 C15 B8 Sundara Vadan< Sarasija Nayana384 C15 B9 Sundara Vadan& SuguÉa Manohar&385 C15 B10 Kal< Vat& Amba Sarasvat&386 C18 A1 Tere Siv< Prabhu Koy& Nah&n 387 C18 A3 Tuma Ho Shy<ma R<ma Rah&m388 C18 A2 Tu Mere Sv<m& Antaray<m&389 C18 A4 Vahe Guru Vahe Guru Vahe Guru J& Bolo390 C18 A5 Vans&dhara Kanhaiy< Ghana Shy<ma Sundar<391 C18 A6 Vighna Vin<shaka GaÉan<th<392 C18 A7 Vighna Vin<shaka Vin<yak<393 C18 A8 Vin<yak< Vighna N<shak<394 C18 A10 Vin<yak< Vin<yak<395 C18 A9 Vin<yak< Vin<yak<396 C18 A11 ViÃÃhal< Hari ViÃÃhal<397 C18 A12 ViÃÃhal< Jai ViÃÃhal< P<ÉÁuraËga ViÃÃhal<398 C18 B1 Yadunandana Yashod< B<la399 C18 B2 Yuga Avat<ra S<& R<ma400 C18 B3 Yuga Yuga Ke Avat<r<

APPENDIX AND EXERCISES Pag. 239

11Rev. 1.0

GaShShShShShBh GuGaBhBhBhR<ShShShShShShShShShShShShShShGaGaKÅKÅ N<ShDe N<KÅR<R<R<KÅShGaKÅBhDeDeShSdBhGuKÅGaGaGaGaGaKÅ N<KÅKÅBh R<Bh Sd

Page 12: harmonium study method.pdf

Rev. 1.0

12

THEK

EYBO

ARD

C

D

E

F

G

A

B

C

D

E

FG

A

B

CD

EF

GA

B

CD

E

C#

D#

E#F#

G

#

A#

B#

C#

D#

E#F#

G

#

A#

B#

C#

D#

E

#F#

G

#

A#

B#

C#

D

#

Db

Eb

Fb

GbAb

B

bCb

D b

E

b

Fb

Gb

Ab

Bb

CbDb

E

b F b

Gb

Ab

Bb

Cb

Db

Eb

Fb

b=

flat

:

half

a t

one

belo

w t

he o

rigi

nal

note

#=sh

arp

: ha

lf a

ton

e ab

ove

the

orig

inal

not

e

N.B

. A

s yo

u ca

n se

e, E

can

als

o be

cal

led

Fb,

F (

E#)

, B

(Cb)

and

C(B

#) e

tc,

but

they

are

all

the

sam

e ke

ys.

The

sam

e no

te m

ay b

e ca

lled

in d

iffe

rent

way

s ac

cord

ing

to t

he s

cale

in

whi

ch t

he c

hord

is

base

don

, ke

epin

g ea

ch n

ote

on i

ts c

orre

ct g

rade

. T

here

fore

whe

n yo

u co

me

acro

ss f

or i

nsta

nce

a B

# it

sho

uld

be

cons

ider

ed a

s a

norm

al C

.

Page 13: harmonium study method.pdf

13Rev. 1.0

INTRODUCTIONWhat is a chord?

It is a combination of three or more notes played simultaneously within a tonal context. In popularmusic, it is used to embellish and sustain the melody.The fundamental chords may be major, minor, diminished or augmented.The musical logic underlying the construction of a chord entails the knowledge of the principles of har-mony, which, if examined in detail here, would destroy the spontaneity of this “practical handbook”.Anyone wishing to study this topic in more detail should read a book on modern harmonization, on salein the best music shops.

How does this method work?This method was conceived to simplify the learning method of how to accompany Bhajans, and it isaimed at both beginners and those who already have some knowledge of the use of chords.In general, anyone beginning to accompany Bhajans invests great energy in learning each individualBhajan without realising that many of them use the same harmonic sequences, that is, the same chordsorganized in a different way and often in another key.

What is a “chord sequence”?A “chord sequence” is the harmonic structure of a musical accompaniment, and is independent of thekey in which it is played. It has its own specific character, and may be compared, in cooking, with adish made up of a number of different ingredients.

The chord sequence is based on the notes of the scaleJust as the stairs that we walk on consist of steps, the musical scale consists of “steps” or notes;e.g. of notes of the diatonic scale in the key of C Major.

By convention, the chords in a sequence, following the criterion of Berkley School (the most importantacademy of modern music in the USA), are formed on the notes of a diatonic major scale (by way ofexample, the scale of C just mentioned is a diatonic major scale).

If we know how to distinguish between a “russian salad” and “coleslaw”, we will not have to rememberthe ingredients every time; in the same way, we will know that under that type of melody, a particular“chord sequence” will be used.This method consists of learning thoroughly the different chord sequences in all of the keys, in order todevelop, over time, the ability to accompany Bhajans without having to follow the book, using the sensi-tivity acquired through practice.Learning a chord sequence means knowing the chords that it consists of in at least five keys; this requi-res a little effort in memorizing, but will enable playing many Bhajans at a stroke.For example:The chords of: Bolo Nârâyana Jai Jai Vitthalâ are the same as those used in:

C D E F G A B

I II III IV V VI VII

Page 14: harmonium study method.pdf

Furthermore, many chord sequences differ by only one chord, so the work done to learn one sequencewill help to make the learning of others easier.

ONCE THE BASIC SEQUENCES HAVE BEEN LEARNT IN ALL KEYSIT IS POSSIBLE TO ACCOMPANY nearly all the BHAJANS.

(see the appendix and exercises)

For example, let us take the Bhajans mentioned above. They can be played with the same three chords:C, F, and G, which are the Ist, IVth and Vth chords, respectively, in the diatonic scale of C Major.It is possible to play all of the Bhajans mentioned above with the chords of C, F and G, but in manycases, the melody is too high or too low, and we find that we need to play the chords in another key. If we were playing in the key of D Major, the chords would be D, G and A; the chords are different, butthe structure of the sequence would be unchanged insofar as these chords are formed on the Ist, IVth andVth notes of the relative scale, in this case, of D Major.

The chords of C, F and G (in the key of C) transposed to other keys are:

Ist note IVth note Vth note of the Major scaleDb Gb Ab in the key of Db D G A in the key of D Eb Ab Bb in the key of EbE A B in the key of EF Bb C in the key of F F# B C# in the key of F#G C D in the key of GAb Db Eb in the key of AbA D E in the key of A Bb Eb F in the key of Bb B E F# in the key of B

…but they belong to the same harmonic structure, that is, to the Ist, IVth, Vth notes of the (diatonic)major scale .This sequence is called: “I, IV, V”.A good knowledge of the major scales will enable identifying the relative chords of the different keysmore easily.

14Rev. 1.0

Ayodhyâ Vâsî Râm Bhajo Ghanashyâma Bhajo Sîtâ Râma Bhajo Mana Nârâyana Nârâyana Nârâyana Bhajo Mana RâmBhajore Bhâî Sâî RâmChitta Chorâ Muralî VâlâDam Dam Dam Dam Damaru BajeEka Bâr Kshamâ Karo Sâî Gajânanâ GajânanâGajavadanâ Gananâthâ Gajavadanâ Dînâ NatâGiridhara Gopâlâ He Giridhara Gopâlâ (He) Giridhârî Murârî GovindaGopâla Gopâla Râdhe NandalâlâGopâla Râdhâ LolâGovinda Bolo Gopâla BoloHara Shiva Shankara Shashânka ShekharaHari Hari Om Shiva Shankara OmHari Nâma Sumira Hari Nâma Sumira He Mâdhavâ He MadhusûdanâHe Nanda Nanda Gopâlâ Ânanda Nanda GopâlâHe Shiva Shankara Namâmî Shankara Jagadoddhârinî Mâtâ Durgâ Jai Jai Bhavânî Mâ Ambe Bhavânî Mâ Jai Jai Jai Jai Ganapatî DevâJaya Jaya Girijâ Bâla Gajânana

Kab Loge Khabar More RâmKrishnâ Murârî Bhava Bhaya Hârî Mîta Smita Sundara Mukhâravindâ Nanda Gopâl Nanda GopâlNandâ Nandana Hari Govinda GopâlâNârâyanâ Hari Nârâyanâ Hari Nârâyanâ VedaPârâyanâ Nârâyanam Bhajo NârâyanamNatarâjâ Namâmî ShankarâNavanîta Chora Bâla GopâlPâra Karo Uddhâra Karo Punyâ Nâm Pavitra Nâm Râma Nâm Sâî RâmRâdhâ Mâdhavâ GopâlanâRâm Râm Bhajo Mana Hare HareRâma Râma Sâî RâmaSâî Bâbâ BoloSarva Dharma Priya DevâSathya Svarûpinî Mâ Sâî Prema Svarûpinî Mâ Sathyam Jnânam Anantam BrahmâShivâya Namah Shiva Shivâya Namah Shiva Shuklâmbara Dhara Ganapati Mantram Subrahmanyam Subrahmanyam Sundara Vadanî Suguna ManoharîVinâyakâ Vinâyakâ (Vigna)

Page 15: harmonium study method.pdf

It is a good idea to memorize the following Major scales

Notes of the Major scale: I II III IV V VI VII

Key of C = C D E F G A B (no accidentals in the key signature)

Key of C# = C# D# E# F# G# A# B# (7 sharps (#) in the key signature)

Key of Db = Db Eb F Gb Ab Bb C (5 flats (b) in the key signature)

Key of D = D E F# G A B C# (2 sharps (#) in the key signature)

Key of Eb = Eb F G Ab Bb C D (3 flats (b) in the key signature)

Key of E = E F# G# A B C# D# (4 sharps (#) in the key signature)

Key of F = F G A Bb C D E (1 flat (b) in the key signature)

Key of F# = F# G# A# B C# D# E# (6 sharps (#) in the key signature)

Key of Gb = Gb Ab Bb Cb Db Eb F (6 flats (b) in the key signature)

Key of G = G A B C D E F# (1 sharp (#) in the key signature)

Key of Ab = Ab Bb C Db Eb F G (4 flats (b) in the key signature)

Key of A = A B C# D E F# G# (3 sharps (#) in the key signature)

Key of Bb = Bb C D Eb F G A (2 flats (b) in the key signature)

Key of B = B C# D# E F# G# A# (5 sharps (#) in the key signature)

N.B. The key of C# is only used in the minor, and the keys of D#, G# and A# are never used, as thesimpler, corresponding keys of Eb, Ab and Bb are used in preference.

ScalesIn order to develop a technique that gives the ability to provide a good accompaniment, by alternatingchords, melodies and embellishing phrases (in the Indian style), it is necessary to practice the scale in allkeys to acquire a certain mastery.The scales should be played in two octaves, up and down.When practicing this exercise, it is essential to use a metronome.In the beginning, the metronome should be adjusted to a tempo appropriate for your technical abilities, andif possible, even a little slower.The scales should be played accenting the notes one by one in time with the metronome. Once a clean andhomogeneous sound and rhythm have been achieved, the tempo of the metronome can be increased by twobeats per minute (BPM).

N.B. In western music, there are many other scales a part from the Major scale eg. Minor, melodicminor scale, harmonic minor scale, diminished scale etc. In this context, we will consider the Majorscale as the main scale in which to develop the technique. According to Indian culture, each Bhajan’stune is based on a pre-defined melody called ‘Raga’, and unlike our major scale, very often, the RISINGand the FALLING of the scale are different. There are more than 600 Ragas and we would need a sepa-rate method for them alone. Once one has developed a certain mastery over the major scales, it would be a good exercise to try andidentify the Raga of the Bhajan and play it with the correct fingering.

15Rev. 1.0

Page 16: harmonium study method.pdf

16Rev. 1.0

C D E F G A B C D E F G A B C

E# B# E# B#

D E G A B D E G A B D

C majorC major

C# majorC# major

D majorD major

Fingering

F G C D F G C D

Eb majorEb major

3

1

2 3 4

1

3

1

2 32 42

1

2

31 2 3 41 31 2 32 42 1 5

3

1 2 3

4

1

3

1 2 32

4

2 1 5

3

12

3 4

1

3

1 2

3

2

4

21

3

C# D# F# G# A# C# D# F# G# A# C #

F# C# F# C#

E b Ab Bb E b Ab Bb Eb

Page 17: harmonium study method.pdf

17Rev. 1.0

E A B E A B E

F G A C D E F G A C D E F

E majorE major

F majorF major

B E# B E#

G A B C D E G A B C D E G

F# majorF# major

G majorG major

2

2 3

11

4

2

2 33

1

3

1 5

4

12

4

1 31 22

4

21 3

3

1

2 3 4

1

3

1

23 24 2

1

2

31 2 3

4

1 31 2 32

4

2 1

4

2 3 4 2 33 3 4F# G# C# D# F# G# C# D#

Bb3

Bb3

F# G# A# C# D# F# G# A# C # D# F#

F# F#5

Page 18: harmonium study method.pdf

18Rev. 1.0

C F G C F G

A B D E A B D E A

C D F G A C D F G A

Bb Eb Bb Eb Bb

Ab majorAb major

A majorA major

Bb majorBb major

B E B E B

B majorB major

3

1 2

3 4

1

3

2

323 2

1

2

3

1 2

3 4

1

3

1 2

3

2

4

2 1 5

3

1 2 3

4

1

3

1 2 32

4

2 1

2

3

1

2 3 4

1

3

1

2 32 42

1 5

1Ab Bb Db Eb Ab Bb Db Eb Ab

C# F# G# C# F# G#

C# D# F# G# A# C# D# F# G# A#

Page 19: harmonium study method.pdf

Notation in the bookAs mentioned, a sequence is based, by convention, on the notes of a major scale and the notation isrepresented using UPPERCASE and lowercase Roman numerals:I ii II iii III IV v V vi VI vii VIIThe UPPERCASE Roman numerals represent the seven notes of the major scale …E.g. in the key of C:

…and the lower case numerals: the “black keys”, the 5 semitones that are not included in the scale.E.g. in the key of C:

In the key of C, the notes that give their name to the chords (the roots), together with their corre-sponding position in the scale, are as follows:I ii II iii III IV v V vi VI vii VIIC Db D Eb E F F# G Ab A Bb B

In all of the other keys, the sequences are:

I ii II iii III IV v V vi VI vii VII

C# D D# E F F# G G# A A# B C

Db D Eb E F Gb G Ab A Bb B C

D Eb E F F# G Ab A Bb B C C#

Eb E F Gb G Ab A Bb B C Db D

E F F# G G# A A# B C C# D D#

F Gb G Ab A Bb B C Db D Eb E

F# G G# A A# B C C# D D# E F

Gb G Ab A Bb B C Db D Eb E F

G Ab A Bb B C C# D D# E F F#

Ab A Bb B C Db D Eb E F Gb G

A Bb B C C# D D# E F F# G G#

Bb B C Db D Eb E F Gb G Ab A

B C C# D D# E F F# G G# A A

19Rev. 1.0

C D E F G A B

I II III IV V VI VII

C# D# F# G# A# B

ii iii v vi vii

Page 20: harmonium study method.pdf

Let us look at a practical example:E.g. Sâî Bhajana Binâ

311 C12 B6

(2) S<& Bhajana Bin< Sukha Sh<nti Nah&n (1)I(5) (( V IV I) V I

(2) Hari N<ma Bin< >nanda Nah&n (1)IV I

(1) Prema Bhakti Bin< Uddh<ra Nah&n (1)vii IV I

(1) Guru Sev< Bin< Nirv<Éa Nah&n (1)V I V IV I

As you will see throughout the book, this type of notation can be found under each Bhajan, replacing thechords that we are used to reading in the equivalent book of chords.As mentioned above, they represent the notes of the scale on which the chords are formed.Let us suppose that we are playing in the key of C Major:the chords used are: C F G and Bb.In the case of the key that we are playing in (C Major), the chords are as follows:

I ii II iii III IV v V vi VI vii VIIC ** ** ** ** F ** G ** ** Bb **The structure of this sequence is made up of the following notes of the scale:I/ IV/ V/ viiIf we wanted to play the sequence “I/IV/V/vii” in the key of A Major, the chords and the actual noteswould be:I ii II iii III IV v V vi VI vii VIIA ** ** ** ** D ** E ** ** G **

Other examples of notes applied to a given key:

e.g. in the scale of F Major

e.g. in the scale of G Major .

G A B C D E

I II III IV V VI

ii iii v vi vii VII

F#

20Rev. 1.0

F G A C D E

I II III V VI VII

ii iii IV v vi vii

Bb

A C

Page 21: harmonium study method.pdf

The type of chord:Beside the notes that represent the chords of the sequence, we can find the same symbols that define thenature of the chord.

E.g.

9 C2 A9

(2) An<tha Bandho S<& Prabho (2)Im(5) (V

(2) Apar<dha Ksham< Karo S<& Prabho (1)I V m IV° (V) Im

(1) An<tha Bandho S<& Prabho ---Im V

Learn to recognize the chordsAs mentioned above, a chord is made up of a group of notes, and the type of chord is given by thedistance in semitones between them.o In the beginning, the easiest way to build a chord is to count the semitones:

COMPOSITION OF THE CHORDS USED IN THIS BOOK

T y p e o f c h o r d n o t a t i o n s e m i t o n e s

m a j o r X X 0 / 4 / 7m i n o r X X m 0 / 3 / 74 t h X X 4 0 / 5 / 7m i n o r 4 t h X X m 4 0 / 3 / 5 / 7a u g m e n t e d 5 t h X X 5 # 0 / 4 / 8d i m i n i s h e d 5 t h X X 5 b 0 / 4 / 6d i m i n i s h e d X X ° 0 / 3 / 6m a j o r 6 t h X X 6 0 / 4 / 7 / 9m i n o r 6 t h X X m 6 0 / 3 / 7 / 9m a j o r 7 t h X X 7 0 / 4 / 7 / 1 0m i n o r 7 t h X X m 7 0 / 3 / 7 / 1 0m a j o r 7 t h m a j o r X X 7 + 0 / 4 / 7 / 1 1m i n o r 7 t h m a j o r X X m 7 + 0 / 3 / 7 / 1 1m a j o r 9 t h X X 9 0 / 4 / 7 / 1 4m i n o r 9 t h X X m 9 0 / 3 / 7 / 1 4

D R O N E S X X ( 5 ) 0 / 7

” X X m ( 5 ) 0 / 7

21Rev. 1.0

Page 22: harmonium study method.pdf

How to use this bookIn order to simplify identification of the chords, the symbols currently used in the notation of popularmusic have been adopted and, although it is not essential to know them in order to use this book, it isadvisable to study the table on the previous page.Every symbol is written at the point of the Bhajan in which the chord is played.

369 C15 A5 T

(2) Shr& GaÉesha Shr& GaÉesha Shr& GaÉesha P<hi M<m (2)Im(5) (Vm) vii Im

(2) Jaya GaÉesha Jaya GaÉesha Jaya GaÉesha Raksh< M<m (2)(iii) v i i Im

(2) Shr& GaÉesha P<hi M<m Jaya GaÉesha Raksh< M<m (2)vii Im vii Im

(2) Jaya GaÉesha Jaya GaÉesha Jaya GaÉesha Raksh< M<m (2)vii (vi) Im)

22Rev. 1.0

Bhajan progressive number

Cassette progressive number

Side and track number.

The fifths (for beginners).Many Bhajans may be accompanied by simply playing two fixed notes throu-ghout. Bhajans marked by the symbol OM may be accompanied just by playingthe drone carrying (5) at its side while the bracketed note can be omitted.

Triple time.Bhajans to be played in triple timeare marked by the symbol "T".

Brackets.Bracketed chords or notes may be omitted in order tofacilitate the player's ease.

Repetitions.Bhajans have an antiphonal structure: the public responds repeating the soloist 's verse and each line can be repea-ted and varied.Bhajans are normally sung twice or seldomly thrice and repetitions are always faster to increase the intensity.The bracketed number indicates how many times the corresponding line is repeated by the soloist.Repetitions written on the left hand side refer to the first time the Bhajan is sung, while on the right side you willfind instructions for the second time. When bracketed numbers are two or more divided by + (example (1+2)), themelody or the rhythm of the corresponding line will be varied, while words and chords will remain unchanged.Three lines (---) show that the relevant line will not be repeated at that point of the Bhajan.We emphasize that repetitions written in this book refer to the cassettes, but still represent good guidelines for anyplayer and should therefore not be taken as a 'must' . The repetition principle should be aesthetic and emotional, andafter many years of practice, a Bhajan leader knows and feels, judging from the moment's intensity, whether torepeat a line or to proceed to the next.

Gm Bbm

Beside the the pictures "lady" and "gent" arequoted middle tonality usually performed forbha jan . In th i s case Im respond to Gm for"lady" tone and to Bbm for "gent".

Page 23: harmonium study method.pdf

Harmonic continuityIn general, when one must change chords, it is better to play the notes of the first chord nearest to thenotes of the second or following chord, in order to make playing easier, and to obtain a better harmoniceffect and continiuty.E.g. C -GThe notes that make up the chord of C Major are (in order) C – E – G,those that make up the chord of G Major are (in order) G – B – D.To obtain harmonic continuity, we will play:C - E - G E - G - C G - C - EB - D - G D - G - B G - B - D,

choosing the most appropriate inversion.

InversionsThe notes that make up a chord can be played in a different order. The flavor of the chord changes, butits nature remains unaltered.E.g. : Dm Dm Root position = D F A Dm 1st inversion = F A D

I III V III V I

Dm 2nd inversion = A D F

V I III

The fingeringThe use of all five fingers makes the passage from one chord to another easier, and it is therefore usefulto adopt the most comfortable fingering.(To note down the fingering, count from the thumb, which corresponds to 1, up to 5, which correspondsto the little finger).E.g. : from Em to Am

Em = E G B Am = E A C

1 2 4 1 3 5

When we come across two chords like those just mentioned, which have some notes in common, it is agood idea to keep the common notes (in this case E) stationary ie. not to remove our finger from E whilechanging the others; this allows maintaining better harmonic continuity.

23Rev. 1.0

or or

thumbfore finger

little fingerthumbmiddle finger

ring finger

Page 24: harmonium study method.pdf

Ragas and chord sequences

Ragas may be considered a bit like our scales, and for each raga, the same chord sequence can be used.Below, we present the chord sequences that can be played, depending on the main Raga used in theBhajan.

Raga Kalaasri

Sequence I vii IV

rising scale: SA GA PA DHA ni SAC E G A Bb C

falling scale: SA ni DHA PA GA RE SAC Bb A G E D C

E.g. Bhajan:

1. Devi Sai Maa (63)2. Jaya Maa Jaya Maa Daya Karo Sai Maa (191)3. Sambho Sankara Deva (341)4. Amba Manda Hasa Vadani (ó) - MA (F)5. Man Mandira Me Awo Sai (212) - MA (F)

Raga Shivarajini

Sequence Im I V

rising scale: SA RE ga PA DHA SA ga RE GA SAC D D# G A C D# D E C

falling scale: SA DHA PA GA RE SAC A G E D C

E.g. Bhajan:

1. Hari Narayana ( 137)2. Jagat Palana Jagan Mohana (163)3. Nandalala Nandalala Daya Karo Bhagawan (241)

24Rev. 1.0

Page 25: harmonium study method.pdf

Raga Bheelavala

Sequence I IV V

rising scale: SA RE GA MA PA DHA NI SAC D E F G A B C

falling scale: SA NI DHA PA MA GA RE SAC B A G F E D C

E.g. Bhajan:

1. Jaya Guru Omkaram (169)2. Gauri Ganesh Uma Ganesh (82)3 Punya Nam Pavitra Nam (281)4 Sri Rama Rama Ram Raghu Nandana He Ghana Shyam (299) - ni (A#)5 Bolo Narayana Jaya Jaya Vitthala (45)6 Janani Sai Devi Daya Mai (161)7 He Nanda Nanda Gopala (148)8. Eka Bar Kshama Karo Sai (71)9. Rama Rama Sai Rama (300)10. Mana Eka Baar Hari Bol (222)

Raga Bhoopali

Sequence I IV V

rising scale: SA RE GA PA DHA SAC D E G A C

falling scale: SA DHA PA GA RE SAC A G E D C

E.g. Bhajan:

1. Giridhara Gopala (86)2. Jaya Jagadisha Hare (172)3. Sri Rama Caranam (377)4. Namah Parvati Pataye Hara Hara (238)5. Sankara Sada Siva Candra Sekhara (345)6. Hara Hara Hara Hara Namami Sankara (123)7. Mohana Raghu Rama (230)8. Pasupathi Tanaya (270)9. Ayodhya Vasi Rama Ram Ram (19)

25Rev. 1.0

Page 26: harmonium study method.pdf

Replacing the chordsThe choice of chords for a melody is a question of personal taste, given that there are no fixed rules;this should spur anyone coming to this world of music to develop their own sensitivity in the choice ofchords, trying to respect the culture from which the Bhajans were taken, and above all, to ensure thatthe replacement chord does not come into conflict with the melody.At this point, it should be emphasized that the choice of one chord in place of another can easily disturbthe emotion that a melody transmits.In choosing chords, the primary aim is to maintain the spirit of the Bhajan in its original form, althoughharmonic embellishments closer to our culture have occasionally been used.Where possible, an alternative harmony has been provided where, for example, the phrase of the Bhajanis repeated.

E.g.: Bhajan No. 368 -

Shiv<ya Parameshvar<ya Chandrashekhar<ya NamaÔ OmIm IV V IV (V) IV V Im

(or) Im vi (II) V Im

E.g.: Bhajan No. 115- Cassette 6 - Side A - Piece 3

Gurudev< S h araÉam Dev<Im I°(* ) Im (* = (or) II)

(or) ( v i ) I V Im

In this Bhajan, the last two lines have the same melody, but the chords are played in a different order.We cannot say that the chords played in the first phrase are more correct that those in the second, orvice versa, but that the tensions that exist between the chords and melody are different.

Many chords differ from each other by only one note and may be interchanged.

Major key exampleIIm = IVIIIm = VIV = VIm. (not always)

Minor key exampleIVm = viVm = viiIVm = vii. (not always)

26Rev. 1.0

Page 27: harmonium study method.pdf

Practical suggestions:Positioning the bodyThis must be fluid and without any contractions.The hand is parallel to the forearm, and it is the position of the back that determines the inclination.The hand should also be loose, (for anyone used to using a computer) as though it were resting on themouse.The fingers go down onto the “hammer” keys, touching them as much as possible with the top of thephalanges and not with the fleshy part of the fingertip.At first (in order to get used to it), it is useful to emphasize the movement of the fingers, almost tostrike the key.When you do not have the instrument in front of you, a useful exercise is to keep the hand resting on asurface and, without moving it, to strike the surface hard with each finger.Initially, exercising in front of a mirror will help to correct any defects in the position of the body.

Finger movementWhen playing scales or melodic passages, the thumb passes under the hand for upward movements(right).In downward movements (left), it is the second, third and fourth fingers that pass over the thumb.

The bellowsThese are not only an accessory for pumping air into the harmonium, but influence the whole expressionof the sound. It is therefore a good idea to give as much consideration to the keyboard as to the bellows.Note: They mustn’t be used as a way of keeping timing or beat, but rather to increase or decrease har-monic effect when pumped more or less respectively.

• Passion and desire are the first ingredients for studying music.• Any limit can be overcome with practice.• It is better to study a little every day than a lot occasionally.• If you are a beginner, it is a good idea to choose the Bhajans that have fewer chords.• In order to be able to play the different chord changes, you should practice the individual changesuntil they become automatic, after which you can try to accompany the part of the Bhajan that containsthat chord change.• Do not write the names of the notes on the keys. At first, it is better to use the keyboard diagram in thebook; identifying the notes will become automatic with time.

ConclusionIt is useful to remember that the repetitive work of developing technique should be considered, no moreand no less, as an exercise of meditation, and, before getting ready to study, it is a good idea to offer theresults to God.Haste and expectations of rapid results only slow down the development of the technical possibilities.Long live enthusiasm and the love of music!

27Rev. 1.0

Page 28: harmonium study method.pdf

28Rev. 1.0

Page 29: harmonium study method.pdf

29Rev. 1.0

B h a j a n

Page 30: harmonium study method.pdf

30Rev. 1.0

Page 31: harmonium study method.pdf

1 C2 A1 Dm Fm

(2) Alakha NiraÒjana Bhava Bhaya BhaÒjana N<r<yaÉ N<r<yaÉ (2)Im(5) (vii Vm Im

(2) N<r<yaÉ N<r<yaÉ N<r<yaÉ Shiva N < r < y a É (2)vii Im vii Im) (vi vii Im)

2 C2 A2 Dm Fm

(2) All<h All<h Karo Puk<r (2)Im vi Im

(1+1) Sarva Dharma K& Jai Jai K<r (1)vi I V m v i i Im

(2) Sathya S<& K& Jai Jai K<r (1)vi (IVm) vii Im

(1) R<ma Krishna K& Jai Jai K<r (1)vi IVm vii Im

--- All<h All<h Karo Puk<r (1)vi Im

(1) Yeshu Pit< K& Jai Jai K<r (1)vi (IVm) vii Im

(1) Mah<v&ra K& Jai Jai K<r (1)vi (IVm) vii Im

(2) Guru N<nak K& Jai Jai K<r (1)vi (IVm) vii Im

--- Om Jai Jai K<r (2)vii Im

--- Guru N<nak K& Jai Jai K<r (1)vi (IVm) vii Im

(1) Zor<shÃra K& Jai Jai K<r (1)vi IVm vii Im

(1) Sab Santon K& Jai Jai K<r (2+1+1)vi (IVm) vii Im

(2) Om Jai Jai K<r ---vii I m

(1+1) Sab Santon K& Jai Jai K<r ---vi (IVm) vii Im

37

Page 32: harmonium study method.pdf

3 C2 A3 Dm Fm T

(2) All<h N < m a B h a j o Bhajore BhajoIm(5) (vi Im

Maula N < m a Bhajo Bhajore Bhajo (1)(V vi V Im

(2) N<naka Yeshu Mah<v&ra N<ma Bhajo (1)(vi) V Im

(2) Shr& Buddha D e v a B h a j o Bhajore Bhajo(vi Im V Im) V Im

ShirÁ& S<& B<b< Bhajo Bhajore Bhajo (1)V (vi V) Im

(2) Shr& Raghu R<ma Bhajo Govinda Krishna Bhajo (1)II (iii) Im

(1) Shird& S<& B < b < Bhajo Bhajore Bhajo (1)V (vi V) Im

(1) Sathya S<& B < b < Bhajo Bhajore Bhajo (1)V (vi V) Im

38

Page 33: harmonium study method.pdf

4 C2 A4 Em Gm

(2) All<h Tuma Ho $shvara Tuma Ho (1)Im vi Im

(1) Tumh& Ho R<ma Rah&m (S<&) (1)vii vi

(1) S<& Tumh& Ho R<ma Rah&m (1)v i i vi I m

(2) Mere R<m Mere R<m R<ma Rah&m (1)Im (vi) vii

(1) Mere R<m Mere R<m R<ma Rah&m (1)vi vii (Vm) Im

(1) Mere R<m Mere R<m R<ma Rah&m (1)vii Im vi Im

(2) Yeshu Tuma Ho N<naka Tuma Ho (2)v i i I m

(1) Zor<shÃra Bh& Ho Mah<v&ra Tuma Ho (1)vii Im

(1) Gautama Buddha Kar&m (1)vii vi

(1) S<& Gautama Buddha Kar&m (1)v i i vi Im

(1) Mere R<m Mere R<m R<ma Rah&m (2)Im (vi) vii

(1) Mere R<m Mere R<m R<ma Rah&m (1)vi vii (Vm) Im

(1) Mere R<m Mere R<m R<ma Rah&m (1)vii Vm vi Im

39

Page 34: harmonium study method.pdf

5 C2 A5 F#m Am

(2)Amb< Bhav<n& Shiva Shambhu Kum<r< (2)Im(5) (vii Im (vi)

(2) Shr& GaÉan<th< Sh<nt<k<r< (1)(Im

(2) Pur<Éa Purush< Sathya S<&n<th< (1)Vm v i

--- Sathya S<&n<th< (1)vi

--- Pur<Éa Purush< Sathya S<&n<th< (1)vii v i

(2) PraÉava Svar\p< P a r t h & s h < (2)V v i ( v i i ) Im

(or) vii (Vm) v i ( v i i ) Im)

6 C2 A6 D F

(2) Amb< Mandahasa Vadan& Manohar& S<& Jaga Janan& (1)I(5) (IV I vii IV I

(2) M<t< M<t< M<t< Jaga Janan& (1)( vi I V I)

(1+1) Jaga Janan& Shubha K<rin& ---vii IV I

(2) Sathya S<& Jagan M<t< ---I V I

(2) Sathya S<& Jagan M<t< ---vii I)

40

Page 35: harmonium study method.pdf

7 C2 A7 C# E

(2) Ambik< Tanay< Gaj<nan< (1)I(5) (V) I

(2) Gajavadan< GaÉan<tha Gaj<nan< (1)IV (V) I

(2) P<hi GaÉesh< Vin<yak< (1)V I

(1) Ambik< Tanay< Gaj<nan< ---(V) I

(2) Tribhuvana P<laka MaËgala D<yak< (1)IV (V) I

(2) Vidy< Buddhi Siddhi P r a d < y a k < (1)I V vii (II) I

(1) S<& GaÉesh< Vin<yak< (1)IV (V) I

(2) S<& GaÉesh< Vin<yak< (2)V I)

8 C2 A8 Cm Ebm T

(2) >nanda S<gar< Mural&dhar< (2)Im(5) (vii Im

(2) M&r< Prabhu R<dhe Shy<ma VeÉugop<l< (1)vii (vi vii) Im

(1) >nanda S<gar< Mural&dhar< (1)vii Im

(2) Nanda Yashod< >nanda Kishor< (1)Im

(1) Jai Jai Gokula B<l< Jai VeÉugop<l< (1)vii vi (vii) Im

(1) Jai Jai Gokula B<l< Jai S<& Gop<l< (1)vi vii Im)

41

Page 36: harmonium study method.pdf

9 C2 A9 Abm Bm

(2) An<tha Bandho S<& Prabho (2)Im(5) (V

(2) Apar<dha Ksham< Karo S<& Prabho (1)I V m IV° (V) Im

(1) An<tha Bandho S<& Prabho ---Im V

(1) Apar<dha Ksham< Karo S<& Prabho ---I V m IV° (V) Im

(2) J&va Y<tr< Men S<th Raho (1)vi I

(2) Prema Bhakti Hamako D&jo (Nity<) (2)V Im

(2) Hridaya Mandir Se Mat J<o (2)Im vi IVm V

(1) S<& Mandir J<o ---V

(1) B<b< Mandir J<o ---V

(1) Hridaya Mandir Se Mat J<o ---Im vi IVm V

(2) CharaÉa Amrita Sev< D&jo Prabho (2)IVm IV° V Im)

10 C2 A11 Bb Db

(2) Antara J y o t i Jal<o S<& (1)I(5) V II (I5b I

(2) Brahm< San<tani Day< Karo (1)I5b I

(2) Day< Karo He P\rÉa Jyotirmaya (1)II I

(2) Shiva Shaktimay& Krip< Karo (1)V I

(2) D&na Day<may& Patita P<van& (1)V II I

(2) S<& Jagajanan& Day< Karo (2)V II I))

42

Page 37: harmonium study method.pdf

11 C2 A10 D F

(2) Antar Jyoti Namo Param<tma Jyoti Namo (2)I(5) (IV V I

(2) AkhanÁa Jyoti Namo Mama J&vana Jyoti Namo (2)V (IIm V) I

(2) Antary<m& Namo Jaya Sadguru S<& Namo (2)V I V V I )

12 C17 B7 C#m Em

(2) AntaraËga S<& An<tha N<th< S<& (1)Im(5) (IV vii Im

(2) D&na Bandhu S<& KaruÉa Sindhu S<& (1)I vii Im

(1) AntaraËga S<& An<tha N<th< S<& (1)IV vii Im

(2) R<ma Krishna Shiva Shakti Prema R\pa S<& (1)IV

(2) Yuga Avat<ra B<b< Shr& Sathya S<& (1)IV ( vii) Im

(or) IV iii vii IV)

43

Page 38: harmonium study method.pdf

13 C2 A12 Cm Ebm

(2) A n t a r y < m & S<& Mur<r& (2)Im(5) (vii vi Im

(2) D&na Dukhiyon Ke Tuma Hitak<r& (1)vi vii Im

(1) Antary<m& S<& Mur<r& (1)vi vii Im

(1) S<& N<ma K& Mahim< Dh<r& (1)vi vii Im

(1+1) Mahim< Dh<r& (1+1)Im

(1) S<& N<ma K& Mahim< Dh<r& (1)vi vii Im

(2) Bhava S<gara Se P<ra Ut<r& (2)vii vi Im

(2) S<& R<m S<& R<m S<& R<m G<o (2)(vi) Im)

14 C2 B1 F# A

(2) >o Mah< Bh\tta LiËga (2)I5

(2) >tm< Svar\pa K< LiËga (2)

(2) Mah< S<& Shiva LiËga (2)

15 C2 B2 Em Gm

(2) >o Py<re Nayana Ham<re S<& Ham<re >o (1)Im(5) vii vi vii Im

(2) Tuma Bina Ko& Nah&n Rakhav<le (1)vii

(2) Tuma Bina Kaun Sah<re (2)vi vii Im

(2) Tuma Bina Kaun Sah<re >o S<& Py<re (2)(vii) vi vii Im

44

Page 39: harmonium study method.pdf

16 C2 A13 C#m Em

(2) Aravinda Lochana >rata Jan<van< (1)Im V Im

(2) S<& N<r<yaÉ< Sathya N<r<yaÉ< (1)vi vii Im

(1) Aravinda Lochana >rata Jan<van< ---vii Im V Im

(2) $shvaramba Nandana Dosha Niv<raÉ< (1)iii vii Im iii

(2) Parama NiraÒjana He Shubh<nan< (2)vi vii Im

17 C16 A11 A C

(2) Ayodhy< Shirom<ni Dasharatha R<ma (1)I IV III I

(1) S<keta Ranjana Kaivalya Dhama (1)IV III I

(1) S<keta Ranjana Kaivalya Dhama (1)IV V I

(1) Ayodhy< Shirom<ni Dasharatha R<ma ---IV III I

(1) Niraja LochaÉa S<& N<r<yaÉa (1)I V IV

(1) Bandha Vimochana Bhakta Par<yaÉa (1)(I) V IV I

(1) Niraja LochaÉa S<& N<r<yaÉa ---I V IV

(1) Banda Vimochana Bhakta Par<yaÉa ---(I) V IV I

(1) Pr<Éa Sak<mere Prabhu S<& R < m a (1)V I (IV) III

(1) Pr<Éa Sak<mere Prabhu S<& R<ma ---I V I IV

(1) S<keta Ranjana Kaivalya Dhama (1)IV III I

45

Page 40: harmonium study method.pdf

18 C12 B9 E G

(2) Ayodhy< V<s& R<m He Dv<rak< Me >ye (1)I(5) (vi I

(2) Dv<rak< V<s& Shy<m He Shird& Me >ye (1)(IV) vi I

(2) Shird& V<s& Shy<m He Parth& Sathya S<& (1)IV I

(2) Bolo R<m S<& R<m Bolo Sathya S<& R<m (1)(iiv I)

--- Bolo R<m R<m R<m Bolo Shy<m Shy<m Shy<m (ad libitum)IV I (iii) IV I)

19 C2 B3 G Bb

(2) Ayodhy< V<s& R<m R<m R<m Dasharatha Nandana R<m (1)I(5) (IV V I

(2) Patita P<vana J<nak& J&vana S&t< Mohana R<m (1)(V) I (IV) V I

(2) Ayodhy< V<s& R<m R<m R<m Dasharatha Nandana R<m (2)I V

(2) Patita P<vana J<nak& J&vana S&t< Mohana R<m (2)I V IV V I)

20 C2 B4 C Eb

(2) BaÁ< Chitta Chora Vrind<vana Sanch<r< (1)I(5) (IV I (vii)

(2) Gop<l< Gop<l< He Mural& Gop<l< (1)I vii I

(2) Govardhanodh<ra Gop<la B<l< (1)IV I

(2) Gop& Manohara R<dhe Gop<l< (2)vii IV I)

46

Page 41: harmonium study method.pdf

47

21 C17 B8 Am C

(1+1) B<la G o p < l < (S<&) (1)vii (Vm) Im

(2) Devak& Nandana G o p < l < (1)vii iii Im (Vm)

(1+1) B<la G o p < l < (S<&) (1)vii (Vm) Im

(1) V<sudeva Nandana Gop<l< (1)iii vii Im

(1) Yashod< Nandana G o p < l < (1)Vm iii vii Vm

(1) Vasudeva Nandana G o p < l < ---Im Vm Im

(1) Yashod< Nandana G o p < l < ---Vm iii vii Vm

(2) Nanda G o p < l < >nanda Gop<l< (1)Im (Vm Im) vii Im

(2) S<& Gop<l< S<& B<la G o p < l < (2)iii Im vii (Vm) Im

22 C2 B5 A C

(2) B<la Gop<l Jai Jai S<& Shy<m (1)I IV V I

(2) Prema Bharo Dil Men Ham<re S<& R<m (1)V IV V I

(2) Ham<re S<& R<m BaÁe Py<re S<& R<m (1)I V vii I

(1) Prema Bharo Dil Men Ham<re S<& R<m (1)V I IV V I

(2) Ham Bhakton Ke Tuma Ek S<& R<m (1)V I V IV I

(2) Tumh<re Jagat Men BaÁ< Py<r< Py<r< N<ma (1)V I V IV I

(2) SaËga Raho Haradam Ham<re S<& R<m (1)IV vii I

(2) SaËga Raho Ham<re S<& R<m (S<&) (2)IV V I

Page 42: harmonium study method.pdf

48

23 C2 B6 Dm Fm

(2) BeÁ< P<ra Karo Mere S<& (1)Im(5) (IVm Vm Im

(2) Uddh<ra Karo Mere B<b< (1)(vi Im)

(1) BeÁ< P<ra Karo Mere S<& (1)IVm Vm Im

(2) All<h $shvara S<& B<b< (1)vii Im vii

(2) Shird& B<b< Parth& B<b< (2)Im vii Vm

(2) Raham Nazara Karo S<& B<b< (2)ii Im

(2) Day< Karo S<& Krip< Karo (2)Vm I m vii Im)

24 C2 B7 B D

(2) Bhagav<n Bhagav<n Patita P<vana R<m (1)I(5) (I5b I

(1) S<& Patita P<vana R<m (1)(II) I5b I

(2) Day< Karo Day< Karo Day< Karo Bhagav<n (2)V I (II I)

(2) Patita P<vana R<m (S<&) (2)(II) I5b I

(2) D&na Day<lu Parama Krip<lu (1)(VIm) I

(1) Raksh< Karo Bhagav<n (S<&) (1)(II) I5b I

(1) S<& Krip< Karo Bhagav<n (1)(II) I5b I)

Page 43: harmonium study method.pdf

25 C2 B8 D F

(2) Bhaja Mana Govinda Gop<la (2)I(5) (V I

(2) Govinda Gop<la Gop<la (1)IV I

(1) Bhaja Mana Govinda Gop<la (1)(IV) V I

(2) Govinda Bolo Hari Gop<la Bolo (1)V I

(2) Govinda Bolo Hari Gop<la Bolo (1)I I I

(2) Govinda Gop<la Gop<la (2)I V I)

26 C2 B9 Em Gm

(2) Bhaja Mana R<ma Krishna Jaya Bolo (1)Im(5) vii Im

(2) R<ma Krishna Jaya S<& Krishna Jaya (1)(vii Im

(2) R<ma Krishna Jaya Bolo (Bhaja Mana) (1)vi vii Im

(2) Raghukula Bh\shaÉa R<ma R<m R<m (1)Im

(2) R<dh< M<dhava Shy<ma Shy<m Shy<m (1)vii

(2) Hare R<m Hare R<m Hare Krishna Hare R<m (2)Im vi vii Im)

49

Page 44: harmonium study method.pdf

27 C2 B10 C#m Em

(2) Bhajana Karo Manav< Govinda Hare (1)Im vii (Vm) Im

(2) Govinda Mur<r& Gop<la Mur<r& (1)I IV iii

(1) Bhajana Karo Manav< Govinda Hare (1)Im vii (Vm) Im

(2) Mathur< N<th< He Giridh<r& (1)(vii) (Im)

(2) R<dh< M<dhava He Giridh<r& (1)vii (Vm) iii

(2) R<dh< M<dhava He Giridh<r& (2)Im (Vm vii Im

28 C17 B9 Eb F#

(2) B h a j a r e R<ma CharaÉ Satakam Bhajare R<ma CharaÉ (1)IV I IV I IV

(2) Bhajare J<nak& J&vana R<mam (1)vii I IV

(2) Bhajare R<ma Bhadra Chala R<mam (1)I vii IV I

(2) Bhajare P<vana T<raka N<mam ---I IV I iii

(1) Bhajare Shr& R<ma R<meti R<mam (1)I iii vii I

(1) Bhajare S<& R<ma R<meti R<mam (1)i i i vii I

50

Page 45: harmonium study method.pdf

29 C2 B11 Gm Bbm

(2) Bhajo Bhajo R<m Sathya S<& R<m (1)Im(5) (vii I m

(2) Bhajo Bhajo Shy<m S<& GhaÉashy<m (1)IVm vii Im

(1) Bhajo Bhajo R<m Sathya S<& R<m (1)vii Im

(2) Kaliyuga Ke Avat<r (1)vii I m

(2) Jagadodh<r< S<& Bhagav<n (2)Im IVm vii

(2) Patita P<vana S<& R<m (1)vi IVm vii Im

(2) Patita P<vana S<& R<m (2)IVm vii Im)

30 C3 A1 Dm Fm

(2) Bhajo Bhajo ViÃÃhal< P<ÉÁuraËga ViÃÃhal< (2)Im(5) (vii Im

(2) PaÉÁar&n<tha P<ÉÁuraËga Bhajomana ViÃÃhal< (1)vii Im

(1) Bhajo Bhajo ViÃÃhal< P<ÉÁuraËga ViÃÃhal< (1)vii I m

(2) Parth&shvar< S<& N<tha ViÃÃhal< (1)Im

(2) Parameshvar< Sathya S<& ViÃÃhal< (1)vii

(2) Rakhum<& ViÃÃhal< RaËga S<& ViÃÃhal< (2)Im v i i Im)

51

Page 46: harmonium study method.pdf

31 C3 A2 Cm Ebm

(2) Bhajo Ghana Shy<ma Bhajo Mural& Gop<la Bhajo (2)I(5)

(2) Nanda Ke L<la Bhajo R<dhe (2)vii IV I

(1) Bhajo Ghana Shy<ma Bhajo Mural& Gop<la Bhajo ---(vii Vm) IV I

(2) Giridh<r& Gop<la Mathur< N<tha (2)IV5

--- Mathur< N<tha (1)

(2) Kamala Nayana He Kaivalya Dh<ma (2)vii IV (vi) I

32 C3 A3 D F

(2) Bhajo Ghanashy<ma Bhajo S&t< R<ma Bhajo Sathya S<& R<m (2)I(5) (V I)

(2) Bhajo Ghanashy<ma Bhajo R<dhe R<dhe Shy<ma Bhajo (2)(IV I

(2) Mural& Manohara S<& Ghanashy<m (2)V I

(1) M<t< Pit< Guru Deva Brahma VishÉu Mah<deva (1)(V I)

(2) M<t< Pit< Guru Deva Sathya S<& Mah<deva (2)IV (V) I

(2) Mural& Manohara S<& Ghanashy<m (2)V I)

52

Page 47: harmonium study method.pdf

33 C17 B10 E G

(2) Bhajo Mana N<r<yaÉa N<r<yaÉa N<r<yaÉa (1)I(5) (V (I) IV I

(1) Bhajo Mana N<r<yaÉa N<r<yaÉa N<r<yaÉa (1)V I

(1) Lakshm& N<r<yaÉa N<r<yaÉa N<r<yaÉa (1)V (I) IV I

(2) Shr&man N<r<yaÉa N<r<yaÉa N < r < y a É a ---V IV I

(1) Parth& N<r<yaÉa N<r<yaÉa N<r<yaÉa ---V (I) IV I

(1) Sathya N<r<yaÉa N<r<yaÉa N < r < y a É a (1)V (IV) I

--- Parth& N<r<yaÉa N<r<yaÉa N<r<yaÉa (1)V (I) IV I

--- S<& N<r<yaÉa N<r<yaÉa N<r<yaÉa (1)V (I) IV I

--- Sathya N<r<yaÉa N<r<yaÉa N < r < y a É a (1)V IV I

(1) Lakshm& N<r<yaÉa N<r<yaÉa N<r<yaÉa ---V (I) IV I

(1) Badr& N<r<yaÉa N<r<yaÉa N<r<yaÉa (1)V (I) IV I

--- Lakshm& N<r<yaÉa N<r<yaÉa N<r<yaÉa (1)V (I) IV I

--- Shird& N<r<yaÉa N<r<yaÉa N<r<yaÉa (1)V (I) IV I)

53

Page 48: harmonium study method.pdf

34 C3 A4 A C

(1) Jai Jai P<ÉÁuraËga Shr& RaËga Bhajo Mana R<m ---I(5) (IV I V I

(1) (Jai) Bhajo Mana R<m Bhajo Mana R<ma (1)V I V

(1) P<ÉÁuraËga Shr& RaËga Bhajo Mana R<m (Jai Jai) (1)IV I V I

(1+1) Bhajo Mana Govinda Bhajo Mana Mukunda (1)V (IV) I IV V

(1) Bhajo Mana Ananda Bhajo S<& R<m (1)IV I V

(1) P<ÉÁuraËga Shr& RaËga Bhajo Mana R<m (Jai Jai) (1)IV I V I

(1+1) Bhajo Mana Keshava Bhajo Mana M<dhava (1)V (IV) I IV V

(1) Bhajo Mana Y<dava Bhajo S<& R<m (1)IV I V

(2) P<ÉÁuraËga Shr& RaËga Bhajo Mana R<m (Jai Jai) (1)IV I V I)

35 C3 A5 C Eb T

(2) Bhajo R<dhe Govinda Bhajo Shy<ma Gop<l (1)I(5) (vii I

(2) Shy<ma Gop<la Bhajo Mural& Gop<l (1)IV V I

(1) Bhajo R<dhe Govinda Bhajo Shy<ma Gop<l (1)vii IV I

(2) Keshava Narahar& Shy<ma Gop<l (1+1)(IV) I

(2) M<dhava Murahara Mural& Gop<l (2)IV (V) I)

54

Page 49: harmonium study method.pdf

36 C3 A6 A C

(2) Bhajore Bh<& S<& R<m (1)I(5)

(2) Parth& Purish< S<& R<m (1)IV V I

(1) Bhajore Bh<& S<& R<m (1)

(2) Dv<rak< M<& S<& R<m (1)I V IV

(1) Sad< Sukha D<& S<& R<m (1)V I

(1) Dv<rak< M<& S<& R<m (1)I V IV

(1) Sad< Sukha D<& S<& R<m (1)V I

(1) Shird& Purish< S<& R<m (1)IV V I

(1) Puttaparth& Purish< S<& R<m (1)IV V I

37 C17 B11 C Eb

(2) Bhajo S&t< R<m Bhajo R<dhe Shy<m (2)I(5)

(2) Govinda Gop<la S<& Hare R<m (1)(IV V I

(1) Bhajo S&t< R<m Bhajo R<dhe Shy<m (1)I

(2) Keshava M<dhava R<dh< Vallabha (1)I5b7+ I

(1) Varada N<r<yaÉa Nayanabhir<ma (1)v° V I

(1) Varada N<r<yaÉa Nayanabhir<ma (1)v° V I

(2) Govinda Gop<la S<& Hare R<m (2)IV V I)

55

Page 50: harmonium study method.pdf

38 C3 A8 A C T

(2) Bhasma Bh\shit<Ëga S<& Chandra Shekhar< (1)I(5) (viim6 I

(2) Bhala Netra Sh\la Dh<r& S<& ShaËkar< (1)I ii I ii

(1) Bhasma Bh\shit<Ëga S<& Chandra Shekhar< (1)I viim6 I

(2) S<ma Gh<na Priyakar< S<& ShaËkar< (1)viim6 V° I

(2) Hara Hara Hara Shiva Shambho Natana Shekhar< (1)viim I

(2) Parth& V<sa S<& Deva S<& ShaËkar< (1)V° I

(2) S<& ShaËkar< Sathya S<& ShaËkar< (2)ii viim I)

39 C18 B12 C Eb

(2) Bhasma Vibh\shit< Bhav<n& ShaËkara (2)I(5) (ii I

(2) Bhava Bhaya N<shaka Bhol< ShaËkara (2)ii I

(1) Bhasma Vibh\shit< Bhav<n& ShaËkara (1)ii I

(2) Hara Hara ShaËkara Samba Shiva (2)vi I

(2) Hara Hara ShaËkara S<& Shiva (2)ii I

(2+2+2)Om NamaÔ Shiv<ya Shiv<ya NamaÔ Om (1+1+1)ii I)

56

Page 51: harmonium study method.pdf

40 C3 A9 Dm Fm

(2) Bhava Bhaya HaraÉ< Vandita CharaÉ< (2)Im(5) vii (vi) Im

(1) Jaya R<dh< Jaya M<dhav< S<& (1)ii Im (V)

(1) Jaya R<dh< Jaya M<dhav< (1)ii (vi) Im

(2) MaËgala CharaÉ< Kalimala D a h a n < (1)Im vi vii

(2) N<r<yaÉ< Keshav< (S<&) (1)Im IV vi vii

(1) Jaya R<dh< Jaya M<dhav< S<& (1)ii (viim) Im (viim)

(1) Jaya R<dh< Jaya M<dhav< (1)ii vi Im

(or) Im

41 C3 A10 Cm Ebm

(2) Bhol< BhaÉÁ<r& B<b< Shiva Shiva Shiva S<& B<b< (1)I(5) (V°) ii (V°) I

(2) An<tha Rakshaka D&na Day<la Patita P<vana S<& B<b< (1)IVm I IVm ii I

(1) Bhol< BhaÉÁ<r& B<b< Shiva Shiva Shiva S<& B<b< (1)(V°) ii (V°) I

(2) Yogeshvara S<& Mur<r& Yogeshvara He Tripur<r& (1)I ii V I II° I

(2) Nity<nand< Brahm<nand< Prem<nand< S<& B<b< (2)vi I* (ii) I IVm (V°) I)

(or) *= IVm

57

Page 52: harmonium study method.pdf

42 C3 A11 Cm Ebm

(2) Bhol< N<tha Hare Jagad&sh< (1)Im(5) (IVm Im

(2) S<&leshvara Hara Um< Mahesh< (1)Im vii vi V ( vi) Im

(1) Bhol< N<tha Hare Jagad&sh< (1)Im vi Im

(2) Bhava Bhaya H<r& He Tripur<r& (1)vi Im

(2) Shiva GaËg< Dhara S<& Mur<r& (1)vi vii Im

(1) Bhol< N<th Bhol< N<th (1)Im vii

(1) S<& N<th S<& N<th (1)IVm Im

(1) Bhol< N<th Bhol< N<th (1)Im Vm

(1) S<& N<th S<& N<th (1)vi vii Im)

43 C3 A12 Gm Bm

(2) Bolo Bolo Sab Mil Bolo Om NamaÔ Shiv<y< (2)Im(5) (vii Im) (vii Im

(2) Om NamaÔ Shiv<ya Om NamaÔ Shiv<y< (1)vi vii Im

(1) Bolo Bolo Sab Mil Bolo Om NamaÔ Shiv<y< (1)(vii Im) vii Im

(1) J \ à a j a à < Men GaËg< Dh<r& (1)Im (vi) vii

(1) Trish\la Dh<r& Àamar\ Baj<ve (1)Im vi vii Im

(1) Àama Àama Àama Àama Àamar\ Baj< (1)Im (vi) vii

(1) G\nja UÃh< Om NamaÔ Shiv<y< (2)vi IVm v i i Im

(1) Om NamaÔ Shiv<y< (1)(vi Im)

(1) Om NamaÔ Shiv<y< (1)vii

(2) Hari Om NamaÔ S h i v < y < (2)Im v i vii Im)

58

Page 53: harmonium study method.pdf

44 C3 A13 E G

(2) Bolo Jai Jai K<r Bolo Jai Jai K<r (1)I(5) (V

(2) Bolo Jai Jai K<r S<& B<b<k& (1)IV I

(2) Patita P<van< He Ghanashy<m< (1)IV I

(or) IV iii I(2) S<& Gop<la He Ghanashy<m< (1)

IV I(or) iii I(2) Prema Bhagav<n S<& Bhagav<n (1)

IV I

(1+1) S<& R<m S<& R<m (1+1)IV I)

45 C3 A14 D F

(2) Bolo N<r<yaÉ< Jai Jai ViÃÃhal< (1)I(5) (V I

(2) S<& N<r<yaÉ< RaËga RaËga ViÃÃhal< (1)V I V

(1) Bolo N<r<yaÉa Jai Jai ViÃÃhal< (1)I V I

(2) Govinda ViÃÃhal< Rakum<& ViÃÃhal< (1)I

(2) Gop<la ViÃÃhal< P<ÉÁuraËga ViÃÃhal< (1)IV I

(2) Shr& RaËga ViÃÃhal< S<& RaËga ViÃÃhal< (2)V (IV) I)

59

Page 54: harmonium study method.pdf

46 C3 B1 C Eb

(2) Bolo R<m S<& R<m Sathya S<& R<m (1)I(5) (Im V

(2) Sathya N<m S<& N<m Hari K< N<m (1)I V I

(2) Shr& Hari Hari Om Hari N<r<yaÉa (1)V I

(2) Bhaja Manuv< T\ Sathya N<r<yaÉa (1)V Im V Im

(2) Shird& R<m He Ghanashy<m Sathya S<& R<m (1)I v° V

(2) Sathya N<m S<& R<m Hari K< N<m (2)I V I)

47 C3 B2 Am Cm

(2) Chandra Shekhar<ya NamaÔ Om (2)Im (IVm Im)

(2) GaËg< Dhar<ya NamaÔ Om (2)vi ii Im

(1) Chandra Shekhar<ya NamaÔ Om ---(IVm Im)

(1) GaËg< Dhar<ya NamaÔ Om ---IVm ii Im

(2) Om NamaÔ Shiv<ya NamaÔ Om (2)IVm Im

(2) Hara Hara Har<ya NamaÔ Om (2)ii viim Im

--- Om NamaÔ Shiv<ya NamaÔ Om (2)IVm Im

--- Hara Hara Har<ya NamaÔ Om (1)ii (viim) Im

(2) Shiva Shiva Shiv<ya NamaÔ Om (2)viim Im

(2) S<&shvar<ya NamaÔ Om (Sathya) (2)ii viim Im

--- Om NamaÔ Shiv<ya NamaÔ Om (1)IVm Im

--- Hara Hara Har<ya NamaÔ Om (1)ii viim Im

--- Shiva Shiva Shiv<ya NamaÔ Om (2)viim Im

--- S<&shvar<ya NamaÔ Om (Sathya) (2)ii viim Im

60

Page 55: harmonium study method.pdf

48 C3 B3 Dm Fm

(2) CharaÉa Kamala Bandho S<&n<tha Ke CharaÉa Kamala Bandho (2)Im(5) (vii

(2) CharaÉa Kamala Bandho S<&n<tha Ke CharaÉa Kamala Bandho (2)Im (Vm) SIb Im

(2) Jotrish<vantho Piy< CharaÉ<mrita J&vana Me P<ve Anando (1)Im IVm vi vii

(1) J&vana Me P<ve Anando (1)IVm vi vii

--- Jotrish<vantho Piy< CharaÉ<mrita J&vana Me P<ve Anando (1)Im IVm vi vii

--- J&vana Me P<ve Anando (1)IVm vi vii)

49 C3 B4 G Bb

(2) Chitta Chor< Mural& V<l< (2)I(5) (V I

(2) Nandal<l< Nanda Gop<l< (1)IV V I

(2) Nandal<l< Nandal<l< (1)V I

(2) Brind<vana Shy<ma Gop<l< (1)IV I

(2) Mathura Vraja Gokula B<l< (1)IV I

(2) Mana Mohana Madana Gop<l< (1)(IV) V I

(2) Nandal<l< Nandal<l< (2)IV V I

(2) Mana Mohana Madana Gop<l< (1)(IV) V I

(2) Nandal<l< Nanda Gop<l< (1)IV V I

(2) Nandal<l< Nandal<l< (2+2)V I)

61

Page 56: harmonium study method.pdf

50 C3 B5 Em Gm

(2) Chitta Chor< Yashod< Ke B<l Navan&ta Chora G o p < lV (IVm VIm V) Im

(1) Gop<l Gop<l G o p < l Govardhana Dhara Gop<lV ( I V m V) Im

(1) Chitta Chora Yashod< Ke B<l Navan&ta Chora Gop<lV Im

(1) Gop<l Gop<l G o p < l Govardhana Dhara Gop<lV ( I V m V) Im

(1) Gop<l Gop<l Gop<l G o p < l Govardhana Dhara Gop<l(iii) V ( I V m V) Im

(or) vii V Im

(2) Chitta Chora Yashod< Ke B<l Navan&ta Chora Gop<lV Im

(1) Navan&ta Chora Gop<lIm

51 C3 B6 Cm Ebm

(2) Àam Àam Àam Àam Àamaru Baje (1)I(5) (V I

(1) Bhol< N<tha Shiva Shambho Bhaje (Hara) (1)V I

(1) Hara S<& N<tha Shiva Shambho Bhaje (1)V I

(2) Ghana Ghana Ghana Ghana GhaÉÃ< Baje (1)I V (IV)

(1) Gaur& N<tha Shiva Shambho Bhaje (Hara) (1)I V I

(1) Hara S<& N<tha Shiva Shambho Bhaje (1)V I )

62

Page 57: harmonium study method.pdf

52 C3 B7 Dm Fm

(2) D<nava BhaÒjana R<ma S<& Shy<mala Komala R<m (2)Im(5) (vii (Vm) V I m

(2) He R<ma R<ma Jaya R<ma S<& R<ma R<ma R<m (1)I Im Vm Im

(1) D<nava BhaÒjana R<ma S<& Shy<mala Komala R<m (1)vii Vm Im

(2) Dasharatha Nandana R<ma S<& Day< S<gara R<m (1)I (IV) vii IV IVm I

(2) D&non Ke Prabhu R<ma S<& R<ma R<ma R<m (He) (2)I Im vii Im)

53/54 C4 A4 = C14 B11 D F

(2) Day<bhir<m< J<nak& R<m< (2)I(5) (IV

(2) Madhura Manohara Prabhu S<& R<m< (2)vii IV V I

(2) >tmar<m< Nayanabhir<m< (2)I I V

(2) KodaÉÁa R<m< PaÃÃ<bhir<m< (2)V I

(2) Raghupati R<ghava R<j<r<m< (1)V I

--- R<j<r<m< (1)V I

--- Raghupati R<ghava R<j<r<m< (1)V I

(2) Madhura Manohara Prabhu S<& R<m< (2)vii IV V I)

63

Page 58: harmonium study method.pdf

55 C3 B8 Am Cm

(2) Day< Karo Bhagav<n Krip< Karo Bhagav<n (2)Im IVm v i i Im

(2) Day< Karo Bhagav<n Krip< Karo Bhagav<n (1)vii V

(2) Bhagav<n Bhagav<n (2)iii IV Vm

(2) He S<& N<tha Bhagav<n (2)( Im) vi vii

(2) He Krip< Nidhe Bhagav<n (2)vi vii Im

56 C3 B9 C#m Em

(2) Day< Karo Bhagav<n ShaËkara Day< Karo Bhagav<n (S<&) (1)Im(5) ii Im ii Im

(1) Trinetra Dh<r& Trish\la Dh<r& GaËg< Dh<r& Day< Karo (1)vi vii Im vi vii Im

(1) Day< Karo Bhagav<n ShaËkara Day< Karo Bhagav<n (S<&) (1)ii Im ii Im

(1) P<rvat& RamaÉ< Pannaga Bh\shaÉa N&lakaÉÃh< Day< Karo (1)vi vii Im

(1) Day< Karo Bhagav<n ShaËkara Day< Karo Bhagav<n (1)ii Im ii Im

(1) Chandra Shekhara Chandra Kal<dhara Vibh\ti Sundara Day< Karo (2)vi iii Im

64

Page 59: harmonium study method.pdf

57 C4 A1 Am Cm

(2) Day< Karo He Day<nidhe He Bhagav<n (1)Im ii VIm vi iii ii Im

(2) Tana Mana Dhana Sab CharaÉa Tumh<re (1)i i Im VII ii Im

(1) Day< Karo He Day<nidhe He Bhagav<n (1)Im ii VIm vi iii ii Im

(2) >di Ananta Hari A v i n < s h & (1)Im (ii) Im

--- Hari A v i n < s h & (1)(ii) Im

--- >di Ananta Hari A v i n < s h & (1)(ii) Im

(2) Sad< Nirantara GhaÃa GhaÃa V<s& (1)Vm iii VI Vm

(1) D&na Day<l< Sad< Krip<l< (1)vi Vm (vi Vm) Im

(2) D&na D a y < l < Sad< Krip<l< (Sai) (1)ii Im ii Im

58 C4 A2 Em Gm

(2) Day< Karo Shiva GaËg< Dh<r& (1)Im(5) (vii I m

(2) Krip< Karo Shiva He Tripur<r& (1)vi vii Im

(1) Day< Karo Shiva GaËg< Dh<r& (1)vii Im

(2) N<ma Madhura Shubha MaËgalak<r& (1)(vi vii Im)

(2) Alakha NiraÒjana Trish\ladh<r& (1)vii Im

(2) Day< Karo Kripa Karo Rak¥< Karo Bhol< BhanÁ<r& (2)(vi Im vii Im))

65

Page 60: harmonium study method.pdf

59 C4 A3 C E

(2) Day< S<gar< KaruÉ< Kar< (1)I(5) (II I

(2) Jagad&shvar< S<&shvar< (1)V I II I

(1) Day< S<gar< KaruÉ< Kar< (1)II I

(2) Bhuvaneshvar< Akhileshvar< (1)I II

(1+1) GuÉa Gambh&r< S<&shvar< (1+1)I II I)

60 C4 A5 Bb D

(2) Deva Devottama D&na Samrakshak< (1)V I V I

(2) Dev<dhidev< Day<may< (1)V I I5b I

(1) Shr& S<& Dev< Krip< M<y< (1)II I

(1) Shr& S<& Deva Krip< M<y< ---II I V I

(2) Path&thoddh<r< P<pa Vidur< (1)V I II I

(2) Parth&vih<ra Parameshvar< (1)V I I5b I

(2) Bhasmodbhavakara Bhava Bhaya N<shak< (1)II I

(1) Shr& S<& Dev< Krip< M<y< (1)II I

(1) Shr& S<& Dev< Krip< M<y< (1)II V I

66

Page 61: harmonium study method.pdf

61 C4 A8 Ab B

(2) Devak& Tanay< Day< Nidhe (1)V I V I

(2) Day< Nidhe Krip< Nidhe (1)V I

(1+1) Darshana D&jo Devadev< (1)(II) V I

(2) Darshana D&jo S<& Dev< (1)(II) V I

(2) Darshana D&jo S<& Dev< (1)I5b I

(2) D&n< N<th< S<& N<th< (2)IV V I

62 C4 A6 Am Cm

(2) Dev& Bhav<n& M< He S<& Bhav<n& M< (1)Im vii Im

(1+1) Day< Karo S<& M< Krip< Karo S<& M< (1+1)v i vii Im

(1) Jaya M< Jaya M< Jaya Dev& Bhav<n& M< (1)vii vi v i i Im

(1) Jaya M< Jaya M< Jaya S<& Bhav<n& M< (1)vii vi vii Im

(2) Jaya Parth& Niv<sin& M< Jaya S<& Bhav<n& M< (2)v i iii (vii) Im

67

Page 62: harmonium study method.pdf

63 C4 A7 A C

(2) Dev& S<& M< Dev& Sarasvat& M< (1)I IV (vii IV) I

(2) Durg< Bhav<n& M< K<l& Kap<lini M< (1)I7 (vii Vm I)

--- K<l& Kap<lini M< (1)I7 I

--- Durg< Bhav<n& M< K<l& Kap<lini M< (1)I7 (vii Vm I)

(2) Jagadodh<riÉi M< (1)IV (vii) I

(1) S<& Day< Karo M< (1)(I7 I)

(1) Sathya S<& Day< Karo M< (1)I (I7 I )

64 C4 A9 Gm Bbm

(2) Dhanya Ho $shv<ramb< (2)Im(5) ((IVm) Im

(2) Jaga Ko D&jo B<la B<b< (2)ii5b Im

(2) Dhanya Ho Dhanya Ho (2)(vi vii Im)

(1) Kaliyuga Men Avat<ra Liye (2)Im

(1) Sakala Chara Chara Ke Bhagav<n (2)ii viim iii IVm

(1) Kaliyuga Men Avat<ra Liye ---Im (vi vii Im)

(1) Sakala Chara Chara Ke Bhagav<n ---ii viim iii IVm

(2) Jagadodh<r< S<& N<r<yaÉa (2)Im

(2) Dhanya Ho Dhanya Ho (2)(vi Im)

--- Dhanya Ho $shvar<mb< (2)(vi vii Im)

--- Dhanya Ho $shvar<mb< (2)ii (iii) IVm)

68

Page 63: harmonium study method.pdf

65 C10 B6 Dm Fm

(2) Dhimita Dhimita Dhim Dhimita Dhimita Dhim N<che Bhol< N<th (Om) (1)Im(5) (IVm vi vii Im

(1) N<che Bhol< N<th (1)(vi Im)

(1) N<che Bhol< N<th (1)(vi Im)

(1) N<che Bhol< N<th (1)vii (IVm vii)

(1) N<che Bhol< N<th (1)Im

(1) Om Dhimita Dhimita Dhim Dhimita Dhimita Dhim N<che Bhol< N<th (1)vii vi vii Im

(1) MridaËg< Bole Shiva Shiva Shiva Om (1)(vii Im)

(1) Àamar\ B o l e Hara Hara Hara Om (1)iii vi vii Im (vi vii) Im

(1) MridaËg< Bole Shiva Shiva Shiva Om (1)Im

(1) Àamar\ Bole Hara Hara Hara Om (1)Vm Im

(1) V&É< Bole S<& R<m S<& R<m (1)(vi) vii Im

(1) N<che Bhol< N<th (1)(vi Im)

(1) N<che Bhol< N<th (1)iii (IVm Im)

(1) N<che Bhol< N<th (1)vii

(1) N<che Bhol< N<th (1)Im)

69

Page 64: harmonium study method.pdf

66 C4 A10 Abm Bm

(2) D&na B<ndhav< Shr& S<& Dev< (1)Im(5) (vi V Im

(2) Day< S<gar< Dev< Adhidev< (1)I IV (vii) (Im) or I

(1) D&na B<ndhav< Shr& S<& Dev< (1)Im v i V Im

(2) P<hi Prabho S<&shvar< (1)IV Im

(2) Deh& Vibho Jagad&shvar< (1)Im vi V

,

(2) SharaÉam Prabho Sathya S<& Dev< (1)V Im (IV Im))

67 C4 A11 C Eb

(2) D&na Day<l< Hari Parama Day<l< (2)I(5) ( I4 IV I

(2) R<dh< RamaÉa Hari Govinda Gop<l< (1)V I (IV) V I

(1) D&na Day<l< Hari Parama Day<l< ---I4 IV I

(2) Madhura Manohara Krishna Gop<l< (1)IV vii I

(or) IV I

(2) R<dh< RamaÉa Hari Govinda Gop<l< (2)V IV V I

(2) M&r< Ke Prabhu Giridhara B<l< (2)(Vm) IV I

(2) Vrind<vana Ghana Madana Gop<l< (1)V I (IV) V I)

70

Page 65: harmonium study method.pdf

68 C4 B1 C#m Em

(2) D&na Dukhiyon Ke T<raÉa K<raÉa (1)Im V Im

(2) T\ Hai $sh< Masih< O S<& B<b< (1)(iii) vii Im

(1) D&na Dukhiyon Ke T<raÉa K<raÉa (1)V Im

(2) Dharma Uddh<raÉa Bhakta Par<yaÉa (1)vii Im

(2) >di N<r<yaÉa S<& (1)Im vii

(2) Alakha NiraÒjana Bhava Bhaya BhaÒjana (1)Im vii (Vm) Im

(1) Parth& N<r<yaÉa S<& (1)Im vii

(1) Parth& N<r<yaÉa S<& (1)Im vii I m

69 C4 B2 E G

(2) D&n< N<tha ShaËkar< (1)I (vii) I)

(2) KaruÉ< S<gara ShaËkar< (1)I vii

(2) Parth& Pur&shvara ShaËkar< (1)I vii i i I

(or) I vii IV I(2) Bhol< N<th< Kail<sav<s< (1)

(vii4) I

(2) Parth& Pur&shvara He Paramesh< (1)IV I

(2) S<&shvara Dev < (Sathya) (2)(vii I)

71

Page 66: harmonium study method.pdf

70 C4 B3 Em Gm

(2) Durge Durge Durge Jai Jai M< (1)Im(5) (vii vi vii Im

(2) Durge Durge Durge S<& M< (1)vii vi vii Im

(1) KaruÉ< S<gari M< (1)(Vm Im)

(1) K<l& Kap<lini M< (1)(vi Im)

(2) Jagadodh<riÉi M< (1)vii

(or) Vm(1) Amb< Durge Jai Jai M< (1)

iii vii Im

(1) Amb< Durge S<& M< (1)v i vii Im)

71 C4 B4 E G

(2) Eka B<r Ksham< Karo S<& Mere B<b< Shr& Sathya S<& (1)I V I

(2) Shird& Ke S<& Ter& Dv<rak< M<y& ---IV V

(2) Parth& Ke S<& Ter& Y<d Mujhe Aayi ---V I

(2) Ksham< M\rti S<& B<b< Prema M\rti Sathya S<& (2)V IV I

(1) Eka B<r Ksham< Karo S<& Mere B<b< Shr& Sathya S<& (1)V I

--- Shird& Ke S<& Ter& Dv<rak< M<y& (1)IV V

--- Parth& Ke S<& Ter& Y<d Mujhe Aayi (1)V I

--- Ksham< M\rti S<& B<b< Prema M\rti Sathya S<& (2)V (IV V) I

72

Page 67: harmonium study method.pdf

72 C4 B5 A C

(2) Gajamukha Gajamukha GaÉan<th< (1)I(5) (vii

(2) Sura Muni Vandita GuÉa Sh&l< (1)I iii

(1) Gajamukha Gajamukha GaÉan<th< ---I (vii)

(1) Gajamukha Gajamukha GaÉan<th< (1)I Im

(1) Gajamukha Gajamukha GaÉan<th< ---I Im

(1) Sura Muni Vandita GuÉa Sh&l< (1)(I) V

(1) Gajamukha Gajamukha GaÉan<th< (1)Im (I) V

(2) Sura Muni Vandita GuÉa Sh&l< (2)I iii)

73 C4 B6 A C

(2) Gaj<nan< Gaj<nan< (1)V I V I

(2) Prathama P\jana GaÉar<y< (1)I IV

(1) Gaj<nan< Gaj<nan< (1)V I V I

(2) Prathama Pr<rthan< Shr& GaÉar<y< (1)V IV I

(2) Lambodhar< GaÉar<y< (2)I IV

73

Page 68: harmonium study method.pdf

74 C4 B7 F#m Am

(2) Gaj<nan< He Shubh<nan< (2)Im(5) ((vi V I)

(2) Gaur& Manohara Priya Nandan< (2)(VII° V

(1) Gaj<nan< He Shubh<nan< (1)Im

(2) Pashupati Tanaya G a j < n a n < (2)V vii V

--- He Ga j < n a n < (1)vii V

(2) Parama NiraÒjana Shubh<nan< (He) (2)Im vi V Im (vi)

--- Pashupati Tanaya G a j < n a n < (1)vii V

--- He Ga j < n a n < (1)vii V

--- Pashupati Tanaya G a j < n a n < (1)vii V

--- Parama NiraÒjana Shubh<nan< (He) (2)Im vi V Im)

75 C4 B8 D F

(2) Gajavadan< GaÉan<th< Gajavadan< [D&n<n<th<] (1)I(5) (IV I V (IV) I

(2) Siddhi [D<t<] Shiva Tanay< (1)V I

(2) Buddhi Prad<yaka Gaj<nan< (1)IV V I

(2) P<rvat& Nandana Bhava Bhaya BhaÒjana (1)I V I IV

(2) Yuga Yuga Vandita Jaya Shr& GaÉesh< (2)I IV V I)

N.B.: * = (in the tape) D&n<haraÉa** = (in the tape) V&d<t<

74

*

**

Page 69: harmonium study method.pdf

76 C4 B9 F# A

(2) Gajavadan< GaÉan<th< N<th< (1)I V

(2) Gaur& Vara Tanaya GuÉ<lay< (1)I V I

(1) Gajavadan< GaÉan<th< N < t h < (1)I VIm I V

(2) Vidy< D<yaka Buddhi Prad<yak< (1)IV I

(2) Siddhi Vin<yaka He Shubha D<yak< (2)VIm (V) I

77 C17 A7 Abm Bm

(2) GaÉan<th< GaÉan<th< (1)Im ii Im

(2) M\¥hika V<hana Jaya GaÉan<th< (1)ii Im

(2) SharaÉam SharaÉam Gaj<nan< (1)(vi) ii Im

(1) GaÉan<th< GaÉan<th< (1)ii Im

(1) Siddhi Vin<yaka GaÉan<th< (1)vi vii Im

(1) Mukti Prad<yaka GaÉan<th< (1)ii (viim) I m

(1) Siddhi Vin<yaka GaÉan<th< (1)vi vii Im

(1) Mukti Prad<yaka GaÉan<th< (1)ii (viim) I m

(2) Jagadodh<r< Jaya GaÉan<th< (1)ii Im

(2) SharaÉam SharaÉam Gaj<nan< (2)(vi) ii Im

75

Page 70: harmonium study method.pdf

78 C4 B10 Fm Am

(2) GaÉesha SharaÉam Parama P<vanam Sathya S<& N<m Gaj<nanam (1)Im(5) (V5 I5

(2) Nityam Smaranam Parama P<vanam Sathya S<& N<m Gaj<nanam (1)Vm vii IV vii iii vi Im

(1+1) Sadguru CharaÉam Parama P<vanam Sathya S<& N<m Gaj<nanam (1+1)vii Im (vii Im) vi v i i

(2) Bhava Bhaya HaraÉam Parama P<vanam Sathya S<& N<m Gaj<nanam (2)Vm vii (IV vii) iii vi Im)

79 C4 B11 D F

(1) GaÉesha SharaÉam SharaÉam GaÉesh< (1)I(5) (V I

(1) GaÉesha SharaÉam SharaÉam GaÉesh< (1)V

(1) GaÉesha SharaÉam SharaÉam GaÉesh< (1)I (V I)

(1) GaÉesha SharaÉam SharaÉam GaÉesh< (1)V I

(1) S<&sha SharaÉam SharaÉam S<&sh< (1)V I

(1) S<&sha SharaÉam SharaÉam S<&sh< (1)V

(1) S<&sha SharaÉam SharaÉam S<&sh< (1)I (VIm I)

(1) S<&sha SharaÉam SharaÉam S<&sh< (1)IIm V I)

76

Page 71: harmonium study method.pdf

80 C5 A1 Dm Fm

(2) GaËga JaÃ<dhara Gaur& ShaËkara Girij< Mana RamaÉ< (1)Im(5) (V Im vii V Im

(1) Mrityum Jaya Mah<deva Maheshvara MaËgala Shubha CharaÉ< (Jaya) (1)V Im vii V Im

(2) Nand& V<han< N<ga Bh\shaÉ< (1)I IV

(1) Nirupama GuÉa Sadan< (S<&) (1)vii V

(or) vii Im(2) NaÃana Manohara N & l a k a É Ã h a Hari (2)

Im vi IVm IV°

(1) N&raja Dala Nayan< (S<&) (1)Im V Im)

81 C5 A2 Dm Fm

(2) GaruÁa V<han< N<r<yaÉ< (2)viim(5) I (ii I

(2) He Sesha Shayan< N < r < y a É < (1)( IVm) I (ii I)

(1) GaruÁa V<han< N<r<yaÉ< (1)viim I ii° I

(1) Shr& Lakshm& RamaÉ< N<r<yaÉ< (1)IVm I

(1) Shr& Lakshm& RamaÉ< N<r<yaÉ< (1)IVm (ii) I

(2) Hari Om Hari Om N<r<yaÉ< (2)IVm I i i° I)

N.B.: * = (or) vi

77

*

*

*

Page 72: harmonium study method.pdf

82 C5 A3 Dm Fm

(2) Gaur& GaÉesh Um< GaÉesh (1)I(5) ((VIm)

(2) P<rvat& Nandana Shr& GaÉesh (1)V I V I

(2) SharaÉam GaÉesh SharaÉam GaÉesh (1)I IV V

(1+1) Shiva Nandana GaÉapat& GaÉesh (1+1)V I)

83 C5 A4 Em Gm

(1) Gaur& Nandana B<la Gaj<nan< (1)Im(5) (vii Im

(1) Gaur& Nandana S<& Gaj<nan< ---vii Im

(2) Gajavadan< GaÉan<tha Gaj<nan< (1)vii Im

(1) Gaur& Nandana S<& Gaj<nan< (1)vii Im

(2) Mah< GaÉapat& S<& Gaj<nan< (1)vi Im

(2) Gaj<nan< S<& Gaj<nan< (2)vi vii Im)

84 C5 A5 B D

(2) Gaur& Nandana Gaj<nan< (1)V5 I5

(2) Girij< Nandana NiraÒjan< (He) (1)

(1) Gaur& Nandana Gaj<nan< ---

(2) P<rvat& Nandana Shubh<nan< (1)

(1+1) P<hi Prabho M<m P<hi Prasann< (1+1)V vi I V

78

Page 73: harmonium study method.pdf

85 C5 A6 G Bb

(2) Ghana Shy<m< Sundar< (1)I V I

(2) Bans& Dhara He Krishna Kanhaiy< ---I V

(1) T\mh& Mere M< B<p Bhaiy< ---V (IV V) I

(1) Ghana Shy<m< Sundar< ---V I

(2) Devak& Tanay< He Nandal<l< (1)IV (I IV)

(2) D&na B<ndhav< Dv<rak< N<th< (1)V (IV V)

(2) R<dh< Hridaya Niv<s< Hare Krishn< (1)I (VIm) V

(2) Madhusudan< Mural&dhar< (1)I I V

(2) Parth&shvar< Sathya S<&shvar< (2)I IV V I

86 C12 B10 A C

(2) Giridhara Gop<l< He Giridhara Gop<l< Hey Giridhara Gop<l< (He) (1)I(5) (V I (IV V I )

(2) M&r< Ke Prabhu Giridhara N<gara (1)IV I

(2) S\rad<sa Ke Shy<ma Manohara (2)(IV I)

(2) Bhakton Ke Sathya S<& Manohara (2)IV V I )

79

Page 74: harmonium study method.pdf

87 C5 A7 A C T

(2) Giridhara Govinda Gop<la Ghana Shy<ma Nandal<la (1)I V I IV IVm I

(2) Mana Mohan< Madhusudan< He M<dhav< (1)IVm6 IV° I

(1) Giridhara Govinda Gop<la Ghana Shy<ma Nandal<la ---V I IV IVm I

(2) Damodhar< Jan<rdhan< Mural& Dhar< Mana Mohan< (2)V I IVm IV° I

(2) Namo S<& N<r<yaÉ<ya Namo Sathya N<r<yaÉ<ya (2)IVm IV° I

(2) Namo S<& N<r<yaÉ<ya (2)IVm6 IV° I

88 C5 A8 C Eb

(2) Giridh<r& L<l Shy<ma Gop<l (1)I (IV) V

(2) NaÃavara L<l Madana Gop<l (1)V (IIm V) I

(2) Mathur< N<th< Krishna Gop<l (1)IV V I

(2) Shr& Madhusudana Mural& Gop<l (1)V (I5b) I

(2) Yashod< Ke B<l Nanda Gop<l (1)IV V I

(2) $shvar<mba Priya S<& Gop<l (1)V (IIm) I

80

Page 75: harmonium study method.pdf

89 C5 A9 F# A

(2) Giridh<r& He Nandal<l< (1)I (vii I)

(2) Yashod< Ke B<l< Tribhuvana P<l< (1)IV vii I

(2) Jagadodh<r< Gokula B<l< (2)(IV) V I

(2) R<dh< Lol< Munijana P<l< (2)IV vii I

(2) Parth& Vih<r< S<& Gop<l< (2)I IV I (vii)

90 C18 B4 D F

(2) Giridh<r& Mur<r& Govind< (1)I(5) (IV I V I

(2) Ghanashy<ma Mur<r& Gop<l< (1)V I

(1) Giridh<r& Mur<r& Govind< (1)IV I V I

(2) S<& Krishna Mur<r& Govind< (1)(IV) I

(2) Sathya S<& Mur<r& Gop<l< (2)IV I V I)

81

Page 76: harmonium study method.pdf

91 C5 A10 C# E

(1) Gop < l < Gop<l< Devak& Nandana Gop<l< ---V(5) (I (VI) V (VI) I V I

(2) Gop<l< Gop<l< ---I V

(1) V<sudeva Nandana Gop<l< ---VI I V I

(1) Devak& Nandana Gop<l< ---VI I V I

(1) Gop<l< Gop<l< (2)V I (VI) V

(1) Devak& Nandana Gop<l< (1)VI I V I

(1) V<sudeva Nandana Gop<l< (1)VI I V I

(1) Gop<l< Gop<l< ---V I (VI) V

(1) Devak& Nandana Gop<l< (1)VI I V I

(2) Gop<l< Gop<l< (2)I V

(1) V<sudeva Nandana Gop<l< ---VI I V I

(1) Devak& Nandana Gop<l< (1)VI I V I

--- V<sudeva Nandana Gop<l< (1)VI I V I

--- Devak& Nandana Gop<l< (1)VI I V I

--- V<sudeva Nandana Gop<l< (1)VI I V I)

82

Page 77: harmonium study method.pdf

92 C5 A11 Em Gm

(2) Gop<la Gop<la N<cho Gop<l< (2)Im(5) (vii Im vii

(1) N<cho Gop<l< ---Im vii

(2) N<cho N<cho S<& Nandal<l< (2)vi vii Im

(2) Rumajhuma Rumajhuma N<cho Gop<l< (2)vii Im

(or) vii IVm vi vii Im

(2) N<cho N<cho S<& Nandal<l< (2)vi vii Im)

93 C18 B5 F Ab

(2) Gop<la Gop<la R<dhe Nandal<l< (2)I(5) (V I)

(2) Govinda Gop<l< R<dhe Nandal<l< (1)V I

(1) Gop<la Gop<la R<dhe Nandal<l< (1)IV I (V I)

--- R<dhe Nandal<l< (1)V I

--- Gop<la Gop<la R<dhe Nandal<l< (1)IV I (IV V I)

(2) Brind<vana Sanch<ra R<dhe Nandal<l< ---IV V I

(2) Mural& Manohara R<dhe Nandal<l< (2)V (IV) I)

83

Page 78: harmonium study method.pdf

94 C5 A14 A C

(2) Gop<l Gop<l (2)Im

(2) V r i n d < v a n < Gop<l (2)vi (vii) Im

(2) Nanda Nanda >nanda Govinda Gop<l (2)IVm Im ii Im

(1) Gop<l Gop<l (1)Im

(2) Govardhanodhara Gop<la B<l (2)IVm iii Im IVm

(2) Gop< Gop& Janodh<r& He Nanda L<l (2)ii viim iii IVm

(2) Nitya Nanda >nanda He S<& Gop<l (2)Im i i Im ii Im

95 C5 A12 C Eb

(2) Gop<l< R<dh< Lol< ---I(5) ((IV I)

--- Gop<l< Nanda L<l< (1)(IV I)

(2) Mural& Lol< Nanda L<l< (S<&) (1)IV I V I

(1) Gop<l< Nanda L<l< ---(IV I)

(2) Keshava M<dhava Jan<rdhan< (1)I V

(2) Vanam<l< Brind<vana B<l< (1)I IV V I

(2) Mural& Lol< Nanda L<l< (S<&) (2)V I )

84

Page 79: harmonium study method.pdf

96 C5 A13 C Eb

(2) Gop<la R<dhe Krishna Govinda Govinda Gop<l (1)I(5) (V I

(2) Gop<l Gop<l Gop<l (1)IV (V) I

(1) Gop<la R<dhe Krishna Govinda Govinda Gop<l (1)V I

(1) Govinda Govinda Gop<la R<dhe Krishna (1)I

(1) Govinda Govinda Gop<la S<& Krishna (1)IV (vii) I

(1) Govinda Govinda Gop<l (1)IV I

(2) Govinda Govinda Gop<l (S<&) (2)IV V I)

97 C18 B6 C Eb

(2) Govinda Bolo Gop<la Bolo (2)I IV I V

(2) Mukunda M<dhava Shy<ma Bolo (1)V I

--- Hari Shy<ma Bolo (1)V I

--- Mukunda M<dhava Shy<ma Bolo (1)V I

(2) Krishna Bolo Krishna Bolo (2)V I

(2) Vrind<vana Dv<rak< Krishna Bolo (2)IV V I

(2) Krishna Bolo Krishna Bolo (2)I IV V

(2) Sathya R<j< R<ma Dhara Krishna Bolo (2)V I

85

Page 80: harmonium study method.pdf

98 C5 B1 B D T

(2) Govinda Gop<la He Nandal<l< (2)I(5) (V vii (IV) I

(2) R<dhe Gop<l< Gop& Gop<l< (Jaya) (2)vii I

(2) M&r< Ke N<tha Prabhu Mural& Gop<l< (2)IV vii IV V I

(2) Govardhanodhara G o p < l a B<l< (2)(V) V vii (IV) I

(2) R<dhe Gop<la Gop& Gop<l< (Jaya) (2)vii I)

99 C5 B2 Dm Fm

(2) Govinda Gop<la Prabhu Giridh<r& (1)Im(5) (vii Im

(2) Govinda Gop<la Hridaya Vih<r& (1)vii (vi vii)

(1) Govinda Gop<la Prabhu Giridh<r& (1)Im (vi) vii Im

(2) Nanda Kum<r< Navan&ta Chor< (1)Im vii

(1) Parth& Vih<r< BaÁ< Chitta Chor< (1)Im vi vii Im

(1) Hridaya Vih<r< BaÁ< Chitta Chor< (1)vi IVm vii I m)

86

Page 81: harmonium study method.pdf

100 C17 A10 D F

(2) Govinda Govinda (1)I(5) (V

(2) Mukunda M<dhava Govinda (1)I V I

(2) Gop<la Hari Gop<la (1)I V

(2) Mukunda M<dhava Govinda (1)I V I

--- Jai Jai Govinda Jai Jai Gop<la (2)V I V I

--- Jai Jai Govinda Jai Jai Gop<la (2)V I

--- Jai Jai Govinda Jai Jai Gop<la (5)V I V I)

101 C18 B7 E G T

(2) Govinda Govinda G<yiye Bhajo R<dhe Gop<la Krishna G<yiye (1)I (VIm) V (IV) I IV (V) I

(2) Mural& Manohara G<yiye Bhajo Nanda Ke L<la Prabhu G<yiye (2)(VIm) V (IV) I I V (V) I

(2) Giridh<r& Giridh<r& G<yiye M<& M&r< Ke N<tha Prabhu G<yiye (2)II I (VIm) V I

(1) Giridh<r& Giridh<r& G<yiye M<& M&r< Ke N<tha Prabhu G<yiye (2)IV I (VIm) V I

87

Page 82: harmonium study method.pdf

102 C5 B3 Dm Fm

(2) Govinda Hare Gop<la Hare He Gop& Gopa B<l< (2)Im(5) ((vi) V IV

(2) Govinda Hare Gop<la Hare He Mural& G<na Lol< (1)Im iii vi iii vii Im

(2) Govinda Hare Gop<la Hare He R<dh< RamaÉa Lol< (1)I IVm (IV)

(2) Govinda Hare Gop<la Hare He Nanda Gopa B<l< (2)I iii vii (vi) V Im)

103 C5 B4 Bb C#

(2) Govinda Jai Jai Gop<la Jai Jai (2)I

(2) R<dh< RamaÉa Hari Govinda Jai Jai (1)I5b I

(1) Govinda Jai Jai Gop<la Jai Jai (1)I

(2) Govinda Jai Jai Gop<la Jai Jai (2) I5b I

(2) Govinda Jai Jai Gop<la Jai Jai (2)II

(2) Govinda Jai Jai Gop<la Jai Jai (2)I V I

(2) R<dh< RamaÉa Hari Govinda Jai Jai (2)V IV I

(2) R<dh< RamaÉa Hari Govinda Jai Jai (2)I5b I

88

Page 83: harmonium study method.pdf

104 C5 B5 F Ab T

(2) Govinda Krishna Jai Gop<la Krishna JaiI(5) (V I

Gop<la B<la B<la R<dh< Krishna Jai (1)V I

(2) Krishna Jai Krishna Jai Krishna JaiV I

Krishna Krishna Krishna Krishna Jai ---V I

(2) Gop&ka M<l< Hari Py<r& M<& M&r< Mana Vih<r&V

Madana Mohana Mural& Dh<r& Krishna Jai (1)I V I

(1) Krishna Jai Krishna Jai Krishna JaiV I

Krishna Krishna Krishna Krishna Jai (1)V I

(1) Krishna Jai R<m< Krishna Jai R<dh< Krishna Jai B<laV VIm V

Krishna Krishna Krishna Krishna Jai (1)I

(2) Krishna Jai Krishna Jai Krishna Jai Krishna JaiV I

Krishna Krishna Krishna Krishna Jai (1)V I)

105 C5 B6 Dm Fm

(2) Govinda Krishna ViÃÃhale VeÉu Gop<la Krishna ViÃÃhale (1)Im iii vi V

(2) RaËga RaËga ViÃÃhale Shr& PaÉÁuraËga ViÃÃhale (Shr&) (1)Im (vi Im) vi vii Im

(2) Govinda Krishna ViÃÃhale VeÉu Gop<la Krishna ViÃÃhale (1)Im vi ivm V

(2) RaËga RaËga ViÃÃhale Shr& PaÉÁuraËga ViÃÃhale (Shr&) (1)Im (vi Im) vi vii Im

89

Page 84: harmonium study method.pdf

106 C5 B8 Am Cm

(2) Govinda M<dhav< Gop<la Keshav< (1)Im(5) (vi v i i Im

(2) Govinda M<dhav< Gop<la Keshav< (1)vi Im

(1) Govinda M<dhav< Gop<la Keshav< (1)vi vii Im

(1+1) Krishn< Krishn< S<& Krishn< (1)(vi v i i ) Im (vi) vii

(2) Krishn< Krishn< Gop<la (1)vi IVm vii Im

(2) Gokula B<l< S<& Raman< (1)IV v i Im

(2) Mana Mohan< Madhu S\dan< Jaya M<dhav< Jaya Keshav< (1)IV iii vii Im)

107 C5 B7 A C

(2) Govinda M<dhava Gop<la Keshav< (1)I(5) ((II V) I

(2) Jaya Nanda Mukund< Shy<ma Govind< S<& Gop<l< (1)(II I II (V) I

(1) Govinda M<dhava Gop<la Keshav< ---II I

(2) Giridh<r& Giridh<r& Jaya S<& Gop<l< (1)V II I II I

(2) Ghana Shy<ma Shy<ma Shy<ma Jaya Jaya S<& Gop<l< (2)V I V I (II) V I)

90

Page 85: harmonium study method.pdf

108 C5 B9 A C T

(2) Govinda Murahari M<dhav< (Hari) (2)V(5) (Im

(2) Govinda Gop<la Keshav< (1)I IV I

(1) Govinda Murahari M<dhav< (1)V Im

(2) Jan<rdhan< S<& Parth& Vih<r& (1)I

(2) Govardhanodh<r& M<dhav< (S<&) (1)IV I

(2) M<dhav< Keshav< Hari N<r<yaÉ< (1)I IV I V)

109 C5 B10 Dm Fm

(2) Govinda N<r<yaÉa Gop<la N<r<yaÉ< (1)Im(5) ((vi) IVm (vii) Im

(2) Govinda Govinda N<r<yaÉ< (1)(vi Im

(2) Govinda Gop<la N<r<yaÉ< (1)vii

(2) Govinda Govinda N<r<yaÉ< (1)Im

(2) Govinda Gop<la N<r<yaÉ< (S<&) (2)vii vi Im)

91

Page 86: harmonium study method.pdf

110 C17 A9 Em Gm

(2) Govinda R<dhe Govinda R<dhe Govinda Govinda Gop<la R<dhe (1)Im(5) ((vi) vii Vm Im

(2) VeÉu Vilol< Hridaya Gop<la Govinda Govinda Gop<la R<dhe (1)(iii) vii (Im) Vm (vii) Im

(2) Govinda R<dhe Govinda R<dhe Govinda Govinda G o p < l a R<dhe (1)((vi) vii iii vii (vi vii) Im

(2) Bhakta Vatsala Bhagavata Priya Govinda Govinda Gop<la R<dhe (2)(iii) vii (Im) Vm (vii) Im)

111 C5 B11 C Eb

(2) Guru B<b< Guru B<b< (1)I(5) (V

(2) CharaÉa Namostute Guru B<b< (1)V I V I

(2) Vidy< D<yaka Guru B<b< (1)(Vm) I

(1) Sh<nta Svar\p< Guru B<b< (1)I V

(1) Prash<nta Svar\p< Guru B<b< ---I V

(2) Guruvara Guruvara Guru B<b< (Jai) (2)V I V I )

92

Page 87: harmonium study method.pdf

112 C6 A1 Dm Fm

(2) Guru Dev< Guru Dev< (1)Im vi (V) V

(2) Guruvayur Mura Hari Dev< (1)V Im

(2) Hari N<r<yaÉa Sathya N<r<yaÉ< (2)I IV I

(2) SharaÉam SharaÉam S<& Dev< (2)V Im

113 C5 B12 Dm Fm

(2) Guru Dev Guru Dev (1)Im vii

(1) He Sathya S<& Sadgurudev (1)I m vi V

(1) SharaÉam SharaÉam Guru SharaÉam (1)Im

(1) SharaÉam SharaÉam Brahm< SharaÉam (1)vii (Vm vii)

(1) SharaÉam SharaÉam VishÉu SharaÉam (1)Im (vi vii Im)

(1) SharaÉam SharaÉam Shiva SharaÉam (1)vii I m

(1) Guru Dev Guru Dev (1)Im vii

(1) He Sathya S<& Sadgurudev (1)V vi Im

(1) Om NamaÔ Shiv<ya Shiv<ya NamaÔ Om (1)Im

(1) Om NamaÔ Shiv<ya Shiv<ya NamaÔ Om (1)Vm vii Vm

(1) Om NamaÔ Shiv<ya Shiv<ya NamaÔ Om (1)Im (vi Im)

(1) Om NamaÔ Shiv<ya Shiv<ya NamaÔ Om (2)Vm vii Im

93

Page 88: harmonium study method.pdf

114 C6 A2 Am Cm

(2) Guru Dev< [Jaya] Dev< S<& Dev< Day<may< (2)Im I V m vii Im vi ( IVm) vii I m

(2) Vibh\ti Sundara Shesh<nka Shekhara (1)Im

(1+1) S<& ShaËkara Day< Karo (1+1)Im vi v i i iii (@ = (or) Im)

(1) Guru Dev< [Jaya] Dev< S<& Dev< Day<may< (1)Im I V m vii Im vi (IVm) vii I m

(2) Gokula Nandana S<& Gop<l< (1)vii (vi vii)

(2) Raghukula Bh\shaÉa S<& R<m< (1)IVm vii Im

(1+1) [Prema Jan<rdana] Day< Karo (1+1)Im vi vii iii (@ = or Im)

N.B.: * = (or) Priya** = (or) He Madan<nthaka

115 C6 A3 Cm Ebm

(2) Gurudev< S h araÉam Dev< (2)Im(5) (I° Im (* = (or) II)

(2) P<hi Prabho SharaÉam Dev< (2)I° Im

(2) Gurudev< SharaÉam Dev< (2)( v i ) I V Im

(2) Sundara R\pa Shr& S<& Dev< (2)I V Im

(2) SharaÉam SharaÉam Sadguru Dev< (2)( v i ) IV Im)

94

*

@

@

*

*

**

Page 89: harmonium study method.pdf

116 C6 A4 G Bb

(2) Gurudev<ya Namo Namo (1)V I V I

(1) He Parameshvara Namo Namo (1)(IV) V (I) I

(1) Gurudev<ya Namo Namo (1)V I V I

(1+1) Omk<r<ya Namo Namo (1+1)II7 (I) I

(1) Parth& Pur&shvara Namo Namo(Putta) (1)V I

(1) Jagad&shvar<ya Namo Namo (1)V I

(2) Prash<nti $shvara Namo Namo (2)V I V I

95

Page 90: harmonium study method.pdf

117 C6 A5 C Eb

(1) Guru N<nak J& K& Jai Jai K<r (1)I(5) (V I

(1) Jo Bole So Hoye Nih<l (1)V I

(1) All<h S<& Lelo Sal<m (1)I IV V

(1) Maul< S<& Lelo Sal<m (1)I IV V

(1+1) Sal<m Sal<m L<khon Sal<m (1)V I V I

(2) Yeshu Pit< Prabhu S<& R<m (1)(vii V I)

(2) Buddha Zor<shÃra Mah<v&ra N<m (1)V I V I

(1) Sal<m Sal<m L<khon Sal<m (1)I IV V

(1) S<& Lelo Sal<m (1)IV V

(1) Sal<m Sal<m L<khon Sal<m (1)V I V I

(1) Sal<m Sal<m Mer< Sal<m (1)V I)

118 C6 A6 Abm Bm

(2) Guru Vara N<m P<vana N<m (1)Im vii Im

(2) Sadguru N<m Guru N<nak N<m (1)vii Im

(2) Guru Vara N<m P<vana N<m (1)(iii) Im vii IV (@ = (or) Im)

(2) Sadguru S<& B<b< N<m (1)IV Im vii Im

--- Jai Guru Sadguru N<nak N<m Jai Bolo S<& B<b< N<m (2)vii iii vii Im

--- Jai Bolo S<& B<b< N<m (1)iii vii Im

96

@

Page 91: harmonium study method.pdf

119 C6 A7 G Bb

(2) Guru V<yur Pura Shr& Hari Krishna N<r<yaÉa Gop<l (1)I(5) (V I IV V I

(1) Mukunda M<dhava Mural& Dh<r& N<r<yaÉa Gop<l (1)(IV I) V I

(2) N<r<yaÉa Gop<l S<& N<r<yaÉa Gop<l (1)I (V I)

(2) N<r<yaÉa Gop<l S<& N<r<yaÉa Gop<l (1)V (V5b) I V I

(1) Govardhana Giridh<r& Mur<r& N<r<yaÉa Gop<l (1)V I IV V I

(1) Mukunda M<dhava Mural& Dh<r& N<r<yaÉa Gop<l (1)I (IV I) V I)

120 C17 B6 Em Gm

(2) Hara Hara GaËge Hara Hara GaËge (2)Im v i vii Im

(2) He NaÃar<j< He Shivar<j< Hara Hara Hara Hara GaËge (1)vi Im vi (vii) Im

(1+1) Hara Hara GaËge Hara Hara GaËge (1)vi vii Im

(2) NaÃana S h e k h a r < He Shiva Sundara (1)vii Im (vii) v i i Im

(2) Hara Hara Hara Hara GaËge (1)vi (IVm) vii (vi) Im

(1+1) Hara Hara GaËge Hara Hara GaËge (1)v i vii Im

(2) ShaËkara Shiva ShaËkara Shiva ShaËkara ShaËkara S<& (ad libitum)(vi) V Im

97

Page 92: harmonium study method.pdf

121 C6 A8 Am Cm

(1) Hara Hara Hara Hara Bhol< N<th (Om) (1)V Im

(1) Hara Hara Hara Hara S<& N<th (1)V Im

(1) Shiva Shiva Shambho Kail<sa N<th (1)Im vi V

(1) Shiva Shiva Shambho He Vishvan<th (1)Im vi V

(1) Hara Hara Hara Hara Bhol< N<th (Om) (1)V Im

(1) Hara Hara Hara Hara S<& N<th (1)V Im

(1) Shiva Shiva Shambho Kail<sa N<th (1)Im vi V

(1) Shiva Shiva Shambho He Vishvan<tha (1)Im v i V

122 C6 A9 Dm Fm

(2) Hara Hara Hara Hara Mah<dev< (1)Im(5) ( (vi Im)

(2) Shiva Shiva Shiva Shiva Sad<shiv< (1)V (vii V)

(2) Hara Hara Hara Hara Mah<dev< (Om) (1)Im (vii Im) V Im

(1) Om Namo Namo NamaÔ Shiv<y< (1)IVm Im

(2) Brahm< VishÉu Sur<chit<ya Om Namo Namo NamaÔ Shiv<ya (2)Im (III I) IVm (ii i) V7

(2) Um< GaÉesha SharavaÉa Sevit< Om Namo Namo NamaÔ Shiv<y< (2)V (vii) Im V Im

(1) Om Namo Namo NamaÔ Shiv<y< (2)IVm (IV°) Im)

98

Page 93: harmonium study method.pdf

123 C6 A10 A C

(2) Hara Hara Hara Hara Nam<mi ShaËkara Bhaja Mana S<& R<m (2)I(5) (VIm I) V I

(2) Hara Hara Shiva Shiva Sad<shiv< Bhaja Mana S<& R<m (2)(VIm) V I

(1) Hara Hara Shiva Shiva Sad<shiv< Bhaja Mana S<& R<m (2)I V I)

124 C6 A11 Abm Bm

(2) Hara Hara ShaËkara S<mba Sad< Shiva $sh< Mahesh< (1)Im (vi) vii Im vi vii Im

(2) TaÉÁava Priyakara Chandra Kal< Dhara $sh< Mahesh< (1)(vi vii Im) vi vii Im

(2) Amb< Suta Lambodara Vandita $sh< Mahesh< (1)vii vi Im vi (vii) Im

(2) [ViËdhya Him<chala Tunga] Niv<shita $sh< Mahesh< (1)IV I m (iii) vii Im

N.B.: * = (or) Tunga Him<chala Shringa

99

*

Page 94: harmonium study method.pdf

125 C6 A12 E G

(2) Hara Shiva ShaËkara Shash<Ëka ShekharaIV I(5) ((IV) I

Hara Bam Hara Bam Bam Bam Bolo (2)IV I (IV I)

(2) Bhava BhayaËkara Girij< ShaËkaraV

Dimi Dimi Dimitaka NarÃana Khelo (2)I (IV) V I

(2) Hara Shiva ShaËkara Shash<Ëka ShekharaI

Hara Bam Hara Bam Bam Bam Bolo (1)V (IV V) I

--- Hara Bam Hara Bam Bam Bam Bolo (1)V (IV V) I

(2) Bhava BhayaËkara Girij< ShaËkaraV

Dimi Dimi Dimitaka NarÃana Khelo (2)I (IV) V I)

126 C6 A13 Dm Fm

(2) Hare Krishn< Hare Krishn< Krishn< Krishn< Hare HareI(5) (V

Hare R<m< Hare R<m< R<m< R<m< Hare Hare (1)I V I V I

(2) Hare Krishn< Hare Krishn< Krishn< Krishn< Hare Hare(IV IIm) V

Hare R<m< Hare R<m< R<m< R<m< Hare Hare (2)IV I V I)

100

Page 95: harmonium study method.pdf

127 C6 B1 Cm Ebm

(2) Hare Krishn< Hare R<m< Hare Hare Hare Hare (1)Im(5) (V Im

(2) Hare Hare Hare Hare (1)I IV V I

(2) Krishn< R<m< R<m< Krishn< Hare Hare (Jai) (1)V ( I V) I

(2) Govinda Krishn< Gop<la Krishn< (1)V I

(2) Govinda Krishn< Gop<la Krishn< (1)V I

--- Gop<la Krishn< (1)V I

--- Govinda Krishn< Gop<la Krishn< (1)V I

(2) R<dhe Krishn< R<dhe Krishn< Hare Hare (Jai) (2)V ( I I I ) I)

128 C6 B2 D Fm

(2) Hare Mur<re S<& R<m Hare Mur<re R<m (1)I(5) (IVm I (ii I)

(2) Parama SumaËgala S<& R<m Parama SumaËgala R<m (He) (1)IVm I ii I (ii I)

(2) $shvara All<h Tere N<m Saba Tuma Ho Bhagav<n (1)I IVm (ii) I

(2) Parama SumaËgala S<& R<m Parama SumaËgala R<m (He) (2)IVm I ii I (ii I))

101

Page 96: harmonium study method.pdf

129 C18 B8 F# A

(2) Hari Bolo Hare R<ma N<m (2)Im i i i ° Im

(2) Hari Bolo Hare Krishn< N<m (1)i i i ° Im

(2) Hari Bolo Sathya S<& R<m (1)Vm

(2) Hari Bolo Hare R<ma N<m (2)Im i i i ° I m

130 C18 B9 C#m Em

(2) Hari Hara Bol Hari Hara Bol (2)Im IVm vii iii

(2) Mukunda M<dhava Govinda Bol (1)vii (vi) iii

(2) Keshava Bol M<dhava Bol (2)Im IVm vii iii

(2) Mukunda M<dhava Govinda Bol (2)vii (vi) iii

131 C6 B3 Cm Ebm

(2) Hari Hari Bolo R<dhe Krishn< Bolo (2)Im(5) ((vi) vii Im

(2) R<dhe Krishn< R<dhe Krishn< Prema S<& Bolo (1)vi Vm Im

--- Prema S<& Bolo (2)Vm Im

(1) Hari Hari Bolo R<dhe Krishn< Bolo (1)(vi) vii I m

(2) S&t< R<ma Bolo Shird& S<& Bolo (1)V m I m

(2) Megha Shy<ma Bolo Sathya S<& Bolo (1)v i i Vm Im

--- Sathya S<& Bolo (2)Vm Im

--- Nidhe Shy<m Bolo Sathya S<& Bolo (1)v i i Vm Im

(2) S<& Krishn< S<& Krishn< S<& Krishn< Bolo (2)vi Vm I m)

102

Page 97: harmonium study method.pdf

132 C18 B10 C Eb

(2) Hari Hari Govinda Hari Hari Bol (2)IVm I IVm I

(2) Parth& Purish< PaÉÁuraËga (2)IVm I V I

(2) PanÁ<ri N<th< Hari Hari (2)V I

(2) Parama Day<la PanÁ<r& S<& (2)(IVm I )

(2) Param<nanda Hari Hari (2)I I V ° I

--- Hari Hari Govinda Hari Hari Bol (2)IVm I IVm I

133 C18 B11 Bm Dm

(2) Hari Hari Hari Hari SmaraÉa Karo (1)IVm IV° Im

(1+1) Hari CharaÉa Kamala Dhy<na Karo (1)Im vi V

(1) Hari Hari Hari Hari SmaraÉa Karo (1)IVm IV° I m

(2) Mur<li M<dhava Sev< Karo (1)Im I V m V

(2) Murahara Giridh<r& Bhajana Karo (S<&) (2)Im V IVm Im

103

Page 98: harmonium study method.pdf

134 C6 B4 Bm Dm

(2) Hari Hari N<r<yaÉ< (1)Im(5) (I° I m

(2) Hari Govinda N<r<yaÉ< (1)I° I m

(2) Hari Gop<la N<r<yaÉ< (1)I° I m

(2) Shr& Hari N<r<yaÉ< (1)iii IV Im

(1) Hari Hari N<r<yaÉ< (1)II Im

(2) Hrish&kesh< N<r<yaÉ< (1)iii IV Im

(2) Parthish< N<r<yaÉ< (2)iii II Im)

135 C17 B1 E G

(1) Hari Hari Om Shiva ShaËkara Om (1)I (IV V I)

(1) N<r<yaÉa Hari Om (1)(IV) V

(1) N<r<yaÉa Hari Om (1)IV V I

(1) Keshava He Shiva M < d h a v a He (1)I (IV V I)

(1) N<r<yaÉa Hari Om (1)IV V

(1) N < r < y a É a Hari Om (1)IV V I

(1) Param<tm< Antary<m& (1)I IV (I IV)

(1) N<r<yaÉa Hari Om (1)IV I

(1) N<r<yaÉa Hari Om (1)IV V

(2) N < r < y a É a Hari Om (S<&) (2)IV V I

104

Page 99: harmonium study method.pdf

136 C6 B5 Ab B

(2) Hari N<ma Sumira Hari N<ma Sumira Hari N<ma Sumira Bhajore (2)I V IV I V I

(2) Tribhuvana N<yaka Saba Sukha D < y a k a (2)V I V I

(2) Vinat& Sah<yaka N<ma Japo Re (2)V I

137 C6 B6 Ab B

(2) Hari N<r<yaÉ< Hari N<r<yaÉ< Hari N<r<yaÉ< Bhajo Re (1)I(5) (VI° I

(2) Hari N<r<yaÉ< S<& N<r<yaÉ< Hari N < r < y a É < Bhajo Re ---v i IVm I V m6 V I

(1) Shy<ma Sundar< Madana Gop<l< (1)(IVm) I

(1) Sacchid<nand< S<& Gop<l< (1)(IVm) I

(1) Shy<ma Sundar< M<dana Gop<l< ---(IVm) I

(1) Sacchid<nand< S<& Gop<l< ---(IVm) I

(1) Gop<lan< [S<&] Gop<lan< [S<&] Gop<lan< Bhajo Re (1)(Im I)

(1) Hari N<r<yaÉ< S<& N<r<yaÉ< Hari N < r < y a É < Bhajo Re (2)v i Im iii V Im)

N.B.: * = (or) Gopi

105

* *

Page 100: harmonium study method.pdf

138 C6 B7 F# Am

(2) Hari Om Hari Om Hari Om N<r<yaÉ< (2)Vm Im V m vii Im

(2) Hari Om Hari Om Hari Om N<r<yaÉ< (1)(IIm) I Vm (Im) vii I V Im

(1) Hari Om Hari Om Hari Om N<r<yaÉ< (1)Vm Im V m vii Im

(2) Sh<nta K < r < BhujaËga S h a y a n < Padman<bh< N<r<yaÉ< (1)vii IV Im IV Vm vi Vm vi IV Im

(2) Lakshm& Raman< Kamala Nayan< S<& N<th< N<r<yaÉ< (2)Vm Im IV

(2) Hari Om Hari Om Hari Om N<r<yaÉ< (2)(IIm) vi Vm (Im) vii I V Im

139 C6 B9 C#m Em

(2) Hari Om NamaÔ Shiv<ya (1)Im v i i Im

(2) Hari Om NamaÔ Shiv<ya (1)iii (vi) vi i Im

(2) Hari Om Hari Om Hari Om NamaÔ Shiv<ya (1)vi iii vii I m

(2) Hari Om Hari Om Hari Om NamaÔ Shiv<ya (2)vii Im vi vii Im

106

Page 101: harmonium study method.pdf

140 C6 B10 Bm Dm

(3) Hari Om NamaÔ Shiv<y< (2)Im (vii vi Im)

(2) Shiva Shiva Hara Hara Parth& Purish< S<& ShaËkara Hari Om (2)IVm (vi i) Im

(2) S<& ShaËkara Hari Om (2)(V) Im

(2) S<& ShaËkara Hari Om (2)Im (vi V Im)

(2) Shiva Shiva Hara Hara Parth& Purisha S<& ShaËkara Hari Om (1)(iii) (vi Im)

(1) S<& ShaËkara Hari Om (2)iii Im

(2) S<& ShaËkara Hari Om (2)Im (vi V Im)

141 C6 B8 C#m Em

(2) Hari Om NamaÔ Shiv<ya (1)Im vii Im

(2) Shiva Shiva ShaËkara Hara Parameshvara S<&shvar<ya NamaÔ Om (2)vi I m

(2) Shiva Shiva ShaËkara Hara Parameshvara S<&shvar<ya NamaÔ Om (2)IVm Im

(or) IVm (iii) vii (vi) Im

107

Page 102: harmonium study method.pdf

142 C7 A1 F Ab

(2) Hari Om Namo Shiva Shakti Namo (2)I(5) (V I

(2) Jaya Sadguru Shr& Sathya S<& Namo (2)IV I

(1) Hari Om Namo Shiva Shakti Namo (1)V I

(2) Hari Om Namo S&t< R<ma Namo (1)V I

--- S&t< R<ma Namo (1)V I

--- Hari Om Namo S&t< R<ma Namo (1)V I

(2) Jaya Sadguru Shr& Sathya S<& Namo (2)V I

(2) Hari Om Namo R<dhe Shy<ma Namo (1)(VIm) I

--- R<dhe Shy<ma Namo (1)(VIm) I

--- Hari Om Namo R<dhe Shy<ma Namo (1)(VIm) I

(2) Jaya Sadguru Shr& Sathya Sai Namo (2)V IV I)

108

Page 103: harmonium study method.pdf

143 C7 A2 B D

(2) Hari Om Tat Sat NamaÔ Shiv<y< (1)I(5) (ii I

(1+1) S<& Om Tat Sat NamaÔ Shiv<y< ---I V m (ii) I

(2) Shiva Shiva Shiv<ya NamaÔ Shiv<y< (1)IVm I

--- S<& Om Tat Sat NamaÔ Shiv<y< (1)I V m I

(1) Hari Om Tat Sat NamaÔ Shiv<y< ---IVm I

(1+1) Hari Om Tat Sat NamaÔ Shiv<y< (1)ii I

--- NamaÔ Shiv<y< (1)ii I

--- Hari Om Tat Sat NamaÔ Shiv<y< (1)ii° I

(2) S<& Om Tat Sat NamaÔ Shiv<y< (1)iii (vi) I

(2) Shiva Shiva Shiv<ya NamaÔ Shiv<y< (1)IVm I

(1+1) Hari Om Tat Sat NamaÔ Shiv<y< (1+1)IVm (ii) I)

109

Page 104: harmonium study method.pdf

144 C7 A3 Am Cm

(2) He D&na Day<lu S<& R<ma R<m (1+1)Im vi Im

(2) Parama Krip<lu S<& R<ma R<m (He) (1)vi ii Im

(1) S<& R<ma R<ma R<ma R<m (1)IVm (vii) Im

(1) S<& R<ma R<ma R<ma R<m (1)iii ii Im

(1+1) He Patita P<vana S<& R<ma R<m (1+1)(V) Im IVm Im

(2) Bhakta Vatsala S<& R<ma R<m (He) (1)Im vi ii Im

(1) S<& R<ma R<ma R<ma R<m (1)IVm (vii) Im

(1) S<& R<ma R<ma R<ma R<m (2)vi ii Im

145 C7 A4 Abm Bm

(2) He GaÉan<tha Gaj<nan< (1)I viim I IVm

(2) He Ramb< G a j < n a n < (1)I vi I

(1) He GaÉan<tha Gaj<nan< (1)I viim I IVm

(2) Gaur& Nandana Gaj<nan< Gaj<nan< He Gaj<nan< (1)viim I IVm I

(2) He Siddhi Vin<yaka Gaj<nan< (2)IVm ii I IVm

110

Page 105: harmonium study method.pdf

146 C7 A5 C#m Em

(2) He Giridhara Gop<l< He Giridhara Gop<l< He Giridhara Gop<l<Im I V vii Im vi V Im

(2) M<dhava Murahara Madhura Manohara Giridhara Gop<l<(vi vii) V Im

(solo) Nanda Kum<r< Sundara K < r < VÅnd<vana Sanch<r<I IV I (Im) IV

Mural& Lol< Muni Jana P<l< Giridhara Gop<l<Im v° V IV° Im

(2) He Giridhara Gop<l< He Giridhara Gop<l< He Giridhara Gop<l<IVm vii Im vi V Im

Oh Giridhara Gop<l< M< Giridhara Gop<l< Priya Giridhara Gop<l<Im I V m vii Im V Im

(solo) Kaustubha H<r< Mauktik< D h < r < R<dh< Hriday<I IV I (Im)

Vih<r< Bhaktodh<r< B<la Gop<l< Giridhara Gop<l<IV IVm Im v° V Im

(2) He Giridhara Gop<l< He Giridhara Gop<l< He Giridhara Gop<l<IVm vii Im vi V Im

(solo) Goparip<l< Gop& Lol< Goparip<l< Gop& Lol< Govardhana Giridh<r<IV° Im IV° Im v° V

Nanda Kum<r< Navan&ta C h o r < VÅndavana V i h < r <I IV I (Im) IV Im

Yashod< B<l< Yadu Kula Lol< Giridhara Gop<l<v° V Im

(2) He Giridhara Gop<l< He Giridhara Gop<l< He Giridhara Gop<l<IVm vii Im vi V Im

(1) M<dhava Murahara Madhura Manohara Giridhara Gop<l<V Im

(2) He Giridhara Gop<l<I IV° Im

111

Page 106: harmonium study method.pdf

147 C7 A6 E G

(2) He M<dhav< He Madhus\dan< (1)V(5) (I V I

(2) Damodhar< He Mural& Dhar< (1)V IV I V

(1) He M<dhav< He Madhus\dan< (1)V IV V I

(2) Mana Mohan< He Yadu Nandan< (1)V I IV V

(2) D&navan< Bhava Bhaya BhaÒjan< (2)V (I) (IV V I))

148 C7 A7 Dm Fm

(2) He Nanda Nanda Gop<l< >nanda Nanda Gop<l< (1)I(5) (V I

(2) He Nanda Nanda Gop<l< >nanda Nanda Gop<l< (1)IV I

(2) He Nanda Nanda >nanda Nanda Yadu Nanda Nanda Gop<l< (1)IV I V I)

149 C7 A8 Cm Ebm

(2) He Nir<k<r& All<h He Avat<r& Prabhu R<m (1)Im IVm (vi) vii Im

(2) Janam Janam Mere S<th Raho Tum Sathya S<& Bhagav<n ---Im (vi Im) IVm vii V

(1) He Nir<k<r& All<h He A v a t < r & Prabhu R<m ---Im vi (iii) vii Im

(2) N<nak Yeshu Buddha Mah<v&ra (2)vii (vi) Im

(1) Sab Hai S<& Bhagav<n (1)vi V Im

(or) Im vi Im

(2) Janam Janam Mere S<th Raho Tum Sathya S<& Bhagav<n (2)Im (vi Im) IVm vii Im

112

Page 107: harmonium study method.pdf

150 C7 A9 C# E

(2) He Parth& Pur&sh< Prash<nti V<s< Sadguru S<& R<m (1)I(5) ((vi) I (vii I

(1) Sadguru S<& R < m (He) (1) (1) Sadguru S<& R<m (He) (1)I (vii) I I vii I

(1) Hare R<m Hare R<m Hare R<m Hare R<m ---ii I

(1) Hare R < m Hare R<m ---IV ii I

(2) He An<tha N<th< D&na Bandho Sadguru S<& R<m (1)(vi I) vii I

(1) Sadguru S<& R < m (He) (1) (1) Sadguru S<& R<m (He) (1)I (vii) I IVm (IV°) I

(1) Hare R<m Hare R<m Hare R<m Hare R<m (1)ii I

(1) Hare R < m Hare R<m (2)IV ii I)

151 C7 A10 Dm Fm

(2) He R<m Bhagav<n He KaruÉ< Sindhu R<m He D&na Bandhu S<& R<m ---Im(5) (V I vi (Im vi) vii Im

--- He R<m Bhagav<n (1)Im vii

--- He KaruÉ< Sindhu R<m (1)I vi

--- He D&na Bandhu S<& R<m (1)(Im v i ) vii Im

(2) Bhakta Prem& Ko KaruÉ< Karo (2)I IV I

(2) Krip< Karo Raghu R<m (Mujhe) (2)IV (vii) I

(2) He J<nak& J&vana R<m (1)v i vii

(1) He Parth& Pur&shvara R<m (1)I vi

(2) He D&na Bandhu S<& R<m (1)(Im) IVm V Im)

113

Page 108: harmonium study method.pdf

152 C13 A2 D F

(2) He S<& Jagan N<th< He S<& Jagan N<th< He S<& Jagan N<th< (1)I(5) (V IV I V I

(2) D&na Bandhu S<& N<th< KaruÉ< Sindhu Jagan N<th< (1)IV V I

(2) He S<& Jagan N<th< He S<& Jagan N<th< (1)V (IIm V) I

(2) He ShirÁ& Jagan N<th< PuÃÃaparth& Jagan N<th< He S<& Jagan N<th< (2)V IV I V I)

153 C7 A11 D F

(2) He Shiva ShaËkara Nam<m& ShaËkara Shiva ShaËkara Shambho (1)I(5) (IV I V I

(2) He Girij<pati Bhav<n& ShaËkara (1)IV I

(1) Shiva ShaËkara Shambho (1)I

(1) S<& Shiva ShaËkara Shambho (1)I V

(2) S<& Shiva ShaËkara Shambho (1)IV V I)

154 C7 A12 B D

(2) $shvar<mb< Priya Tanay< S<& N<r<yaÉ< (1)I viim I

(2) S<& N<r<yaÉ< Sathya N<r<yaÉ< (1)IV ii I

(2) Kaliyuga Men Avat<ra Liye (1)IV (viim IV)

(2+2) KaÉa KaÉa Men Ter< N<m (2+1)IV ii IV

114

Page 109: harmonium study method.pdf

155 C7 B1 B D

(2) Jagad<shraya Shr& Raghu R<m< (1)I(5) (v V I

(1) J a g a doddh<r< S&t< R<m< (1)I (v I) V

(1) J a g a doddh<r< S<& R<m< ---I (v I) V

(1) Jagad<shraya Shr& Raghu R<m< (1)I (v) V I

(2) Parama P<vana T<raka N < m < (1)I v I

(1) Shr& R<m< Shata KoÃ& PraÉ<m< (1)v I

(2) S<& R<m< KoÃ& PraÉ<m< (1)v I

(2) SharaÉam SharaÉam >tm<r<m< (1)I V I)

156 C7 B3 B D

(2) Jagad&sha Hare He Shiva Shambho (1)V Im V

(2) Sambha Shiva Hara S<& Shiva (1)IVm V Im

(2) He Tripur<r& Bhava Bhaya Hari (2)Im V

(2) Parth& Pur&shvara Shiva Shambho (He) (2)II Im V

(2) Sambha Shiva Hara S<& Shiva (2)IVm V Im

115

Page 110: harmonium study method.pdf

157 C7 B2 C#m Em

(2) Jagad&sha Hare Jaya Ho (1)Im(5) (vii Im)

(1) Jagadoddh<r< Jaya Jaya Ho (1)(I° (vii) I m

(or) vi (vii) I m(1) Jagad&sha Hare Jaya Ho (1)

Im (vii I m)

(1) All<h Yeshu N<nak S<& (1)(vi) vii Im

(1) Antary<m& Buddha Mah<v&ra (1)(vi) vii Im

(1) Zor<shÃra Sarva Dharma Priya Dev< (1)I° Im

(1) Sh<nti Niv<s< Sathya S<& Dev< (1)Im (I° Im)

(1) Prash<nti Niv<s< Sathya S<& Dev< (1)Im (I° Im)

(1) Jaya Ho Jaya Ho (1)vii (vi) Im

(1) Jaya Ho Jaya Ho (1)I° Im

(1) Jaya Ho Jaya Ho ---vii Im

(1) Jaya Ho Jaya Ho ---VII (I°) Im

158 C7 B4 D F T

(2) Jagad&shvari Day< Karo M< (1)I(5) (IV I vii

(2) Shiva ShaËkar& Krip< Karo M< (1)I Vm I

(2) S<&shvar& Raksh< Karo M< (1)vi I

(2) Parth&shvar& Day< Karo M< (PuÃÃa) (1)I IV I vii

(2) Shiva ShaËkar& Krip< Karo M< (2)Vm I vii I)

116

Page 111: harmonium study method.pdf

159 C7 B8 A C

(2) Jagadoddh<rin& M<t< Durg< Jagadoddh<rin& M< (1)I(5) (V IV IV I V I

(2) J<go J<go M< J<go J<go M< J<go J<go M< Janan& (1)V I

(2) Jaya Durg< Dev& RaÉa ChanÁ& Dev& He Shiva RamaÉ< J<go M< (1)V (IV V ) I

(2) He S h iva RamaÉ< J<go M< (1)I (V I)

(2) J<go Jagadoddh<rin& M< (2)V I)

160 C16 A1 Am Cm

(2) Jagame Sarvam VishÉu Mayam (1)Im(6)

(1) Sadguru Shr& Sathya S<& Mayam (1)Im(6) (v°) V

(2) Sadguru Shr& Sathya S<& Mayam (1)Im(6) II V I m(6)

(1) Omk<ra R<dh< Mayam (1)Im(6) (IV Im(6))

(1) Om Shiva Shakti Mayam (1)Im(6) v° V7

(1) Omk<ra R<dh< Mayama ---Im(6) (IV Im(6))

(1) Om Shiva Shakti Mayam ---Im(6) (v°) V7

(2) Prema Mayam S<& N<ma Mayam (1)Im(6) (vi) v° V7

(2) PraÉav< K<r< Brahma Mayam (2)Im(6) (V)

117

Page 112: harmonium study method.pdf

161 C8 A14 G Bb

(2) Janan& S<& Dev& Day< M<yi (1)I IV (V) I

(2) Janan& M< Krip<lin& M< (1)V (IV) I

(1) Tuma Ho Prema Svar\pin& M< (1)I V V V I m

(1) Tuma Ho Prema Svar\pin& M< (1)VIm IV V I V

(1) Day< Karo Sathya S<& M< (1)(I) IV V VIm

(1) Day< Karo Sathya S<& M< ---VIm IV V IV

(1+1) Janan& Prema S<& M< (1+1)IV V I

162 C7 B5 F#m Am

(2) Jaganm<te Jaga Janan& (1)Im(6)

(2) Jaya Jagadambe Dev& Bhav<n& (1)V IV V

(1) Jaganm<te Jaga Janan& (1)I m(6)

(1) Dev& Sarasvat& Durg< Lakshm& (1)(IVm6) I m(6) I vim6

(1) Dev& Sarasvat& Durg< Lakshm& ---Im Im(6) I Im6

(2) M a h i s h < s u r a Samh<riÉ& M<t< (2)I m(6) ( (IV) vim6 Im(6))

118

Page 113: harmonium study method.pdf

163 C7 B6 Abm Bm

(2) Jagat P<lan< Jagan Mohan< (1)Im V Im

(2) Sundara S<& Gop<lan< ---I Im6 (iii°)

(1) Munijana Sevita Madhus\dan< ---Im6 (iii°) V

(1) Munijana Sevita Madhus\dan< ---Im6 IV (iii) V I

(1) Jagat P<lan< Jagan Mohan< ---(vi V ) Im

(2) Keshav< Govinda Jan<rdhan< (1)IV

(2) Shr& Dhar< M<dhav< Damodhar< (1)Im (IV Im)

(2) Achyutanand< N<r<yaÉ< (1)Im vi V

(1) Shr& S<& Krishn< N<r<yaÉ< (1)V7 Im

(1) Shr& S<& Krishn< N<r<yaÉ< (1)Im IV Im iii

(1) Munijana Sevita Madhus\dan< (1)Im6 (iii°) V

(1) Munijana Sevita Madhus\dan< ---Im6 (iii°) V7 Im

119

Page 114: harmonium study method.pdf

164 C7 B7 B D

(2) Jagat Uddh<raÉa Parth& Vih<raÉa (1)I(5) ( V I

(2) Prabhu Tuma Ho MaËgala Dh<m (1)I V

(2) Jai S<& R<m Jai S<& R<m (1)V I V I

(2) P<pa Vimochana Bhava Bhaya BhaÒjana (1)(IV) V I

(1+1) Sundara Nayanabhir<m (1)II I

(1) Prabhu Tuma Ho MaËgala Dh<m (1)I V

(2) Jai S<& R<m Jai S<& R<m (2)V I V I)

165 C8 B1 A C

(2) Jaya Dev& Bhav<n& M< (1)I V I

(2) Jaya S<& Bhav<n& M< (1)V I

(1) Jaya Dev& Bhav<n& M< (1)V I

(2) J a g a d & s h v a r & S<& M< Parameshvar& S<& M< (1)V I Vm IV I

(2) Jaya S<& Bhav<n& M< Jaya Parth& Niv<sin& M< (1)V (IV V) I

(2) Jaya S<& Bhav<n& M< Jaya Parth& Niv<sin& M< (1)Vm IV I

120

Page 115: harmonium study method.pdf

166 C7 B9 D F

(2) Jai Durg< Lakshm& Sarasvat& S<& Jaganm<th< (1)I(5) (VIm V I

(2) S<& Jaganm<th< M<m P<hi Jaganm<th< (1)IV I V

(2) S<& Jaganm<th< M<m P<hi Jaganm<th< (2)V I)

167 C8 B2 Ab B

(2) Jaya Gop<l< Jaya Gop<l< (1)V Im (vi Im)

(2) Jaya S<& Govinda Gop<l< (Bolo) (1)(vi) vii Im

(1) Jaya Gop<l< Jaya Gop<l< (1)V Im (vi Im)

(2) Chinm<yanand< He S<& Gop<l< (1)vii IV7 vm

(2) Nity<nand< R\pa S<& Gop<l< (1)Im vi vii Im

(2) Jaya S<& Govinda Gop<l< (Bolo) (2)(vi) vii Im

121

Page 116: harmonium study method.pdf

168 C8 B3 Gm Bbm

(2) Jaya Guru Jaya Guru S<& R<ma (1)Im(5)

(2) Jagadguru Sathya S<& R<m (1)(vii Im

(1) Jaya Guru Jaya Guru S<& R<ma (1)Im (vi vii Im)

(1) Brahma VishÉu Shiva S<& R<m (1)Im (vi Im)

(1) Parabrahma R\pa S<& R<m (1)vii (Vm) Im

(1) Brahma VishÉu Shiva S<& R<m (1)Im vi (vii Im)

(1) Parabrahma R\pa S<& R<m (1)Vm vii IVm Im

(2) M<t< Pit< Guru S<& R<m (2)vii Vm Im

(2) Jagadguru Sathya S<& R<m (1)vii Im)

169 C8 B4 F Ab

(2) Jaya Guru Omk<r< Jaya Jaya Sadguru Omk<r< Om (1)I(5) (V I

(2) Brahm< VishÉu Sad<shiv< (1)I (vii)

(2) Hara Hara Hara Hara Mah<dev< (Om) (2)V I V I)

122

Page 117: harmonium study method.pdf

170 C7 B10 E G T

(2) Jai Hari Bolo Jai S&t< R<m Gop& Gop<la Bhajo R<dhe Shy<m (1)I(5) (V IV I

(2) Hare R<m R<m R<m Ghanashy<m Shy<m Shy<m (1)IV I

(2) Shr& Raghunandana Shr& R<m< Dasharathe Jaya Raghu R<m< (1)I (VIm) V

(2) Nanda Kishora Navan&ta Chora Vrind<van< Govinda L<l< (1)I V I V V I

(2) Hare R<m R<m R<m Ghanashy<m Shy<m Shy<m (2)IV I)

171 C7 B11 E G

(2) Jai Hari Krishna Jai Hari Krishna G o v a r d h a n a Giridh<r& (2)V I V I (VIm) V I

(1+1) R<dh< Mohana R<dh< J&vana (1+1)IV I

(2) MaÒjula KuÒja V i h < r & (Jaya) (2)V (IV) V I

172 C8 B5 A C

(2) Jaya Jagad&sha Hare Jaya Govinda Hare (1)I(5) (V

(2) Nityananda Brahm<nanda Jaya Gop<la Hare (1)I IV I (V) V I

(2) AruÉ<chala Shiva Om Trish\la Dh<r& Shiva Om (2)V I

(2) Hari N<r<yaÉa Om S<& N<r<yaÉa Om (1)V (IV V) I

(2) Jaya Dev& Bh<rat& Vidy< D<yin& Annap\rÉ< M<t< Om (2)IV I V I) vi viii

123

Page 118: harmonium study method.pdf

173 C8 A1 A C T

(2) Jai Jai Bhav<n& M< Ambe Bhav<n& M< (1)I(5) (V I

(2) Ambe Bhav<n& M< S<& Bhav<n& M< (1)IV I

(1) Jai Jai Bhav<n& M< Ambe Bhav<n& M< (1)V I

(2) ShirÁ& Niv<s& M< Parth& Niv<s& M< (1)I (IV) V (IV)

(2) >tma Niv<s& M< Ambe Bhav<n& M< (2)IV V I)

174 C8 B6 F Ab

(2) Jaya Jaya Girij< B<la Gaj<nana (1)I(5) (V I

(2) Jaya Shiva ShaËkara P<rvat& Nandana (1)I V

(1) Jaya Jaya Girij< B<la Gaj<nana (1)I V I

(2) Vighna Vin<shaka Vijaya Gaj<nana (1)V I

(2) Sharavana Sevita Sumukha Gaj<nana (1)I V

(2) Tava Pada CharaÉam SharaÉam Gaj<nana (2)I (IV) V I)

124

Page 119: harmonium study method.pdf

175 C8 A2 D F

(2) Jai Jai Gop<l< (1)I(5) (V I

(2) S<& Gop<l< R<dhe Gop<l< (1)Vm vii (IV) I

(1) Jai Jai Gop<l< (1)IV V I

(2) He Nanda L<l< Gop& Lol< Gokula B<l< (2)IV I

(2) Vrind<vana G o p < l < (1)V I (V) I (vii)

(2) S<& Gop<l< R<dhe Gop<l< (2)I vii (IV) I)

176 C16 A3 Ab B

(2) Jaya Jaya Govinda Jaya Nandal<l< (1)I viim V° I

(2) Mural& Lol< R<sa Vilol< (1)IVm I

(2) Tribhuvana Parip<la D&na Day<l< (1)IVm I

(1) Jaya Jaya Govinda Jaya Nandal<l< (1)viim I

(2) S\rad<sa Prabhu KaruÉ< S<gara ---IVm III IVm

(2) M&r< Ke Prabhu Giridhara N<gara ---ii (V°) I IVm

(2) Bhakta Sakh< Bhagav<n Gop<l< ---IVm ii I

125

Page 120: harmonium study method.pdf

177 C8 A3 Am Cm

(2) Jai Jai Gurudev< Shr& S<& Mah<dev< ( 2 )Im(5) (vii Im) vii vi Im

(2) Jai Jai Gurudev< Shr& S<& Mah<dev< ( 1 )vi vii (vi) Im

(1) Jai Jai Gurudev< Shr& S<& Mah<dev< ( 1 )IVm vii Im

(2) Brahm< VishÉu Maheshvar< S<& Mah < d e v < ( 1 )vii vi vii Im

(2) M<t< Pit< Gurudev< Shr& S<& Mah<dev< ( 2 )iii vii vi vii Im)

178 C8 A4 Cm Ebm

(1) Jai Jai Jai GaÉan<yak< Jai Jai Vighna Vin<shak< (1)Im(5) (IVm vii (vi) Im

(1) Jai Shubha MaËgala D<yak< Vidy< Buddhi Prad<yak< (1)IVm vii (vi) Im

(1) Gajavadan< Gauri Nandana (1)Im

(1) Gajavadan< Gauri Nandana (1)vi Im

(2) GaËg< Dhara Shiva Shambho Nandana (2)vii (vi) Im)

126

Page 121: harmonium study method.pdf

179 C8 B7 Bm Dm

(2) Jaya Jaya Jaya He Gaj<nan< (1)Im(5) (vii Im

(2) Gaj<nan< He Gajavadan< (1)vi vii Im

(1) Jaya Jaya Jaya He Gaj<nan< (1)vii Im

(1+1) P<rvat& Nandana Gaj<nan< (1)vii Im

(2) Pashupat& Tanay< Gaj<nan< (1)vii IVm vi Im

(2) Ad& P\j< Deva Gaj<nan< (2)iii vii Im)

180 C8 B8 D F

(2) Jaya Jaya Jaya Ho S<& N<th< (2)I5 V5

(2) Jaya Jaya Jaya Ho Jagann<th< (1)V5 I5

(1) Jaya Jaya Jaya Ho S<& N<th< (1)I5 V5

(2) Jaya Jaya Jaya Ho ShirÁ& Pur&shvar< (1)V5

(2) Jaya Jaya Jaya Ho Parth& Pur&shvar< (1)V5

(2) Jaya Jaya Jaya Ho Sathya S<&shvar< (1)I5 V 5

(1) Jaya Jaya Jaya Ho Jagad&shvar< (1)V5b V5 I5

(2) Jaya Jaya Jaya Ho S<&shvar< (2)V5 I5

127

Page 122: harmonium study method.pdf

181 C8 A5 D F

(2) Jai Jai Jai Jai GaÉapat& Dev< (1)V I (V I)

(2) Jai Jai Jai Jai GaÉapat& Dev< (1)IV I (IV) V

(1) Jai Jai Jai Jai GaÉapat& Dev< (1)V I (V I)

(1) M<t< P<rvat& Pit< Mah< Dev< ---V I V IV

(1) M<t< P<rvat& Pit< Mah< Dev< ---IV I V

(1) Jai Jai Jai Jai GaÉapat& Dev< ---V I (V I)

(2) Gaj<nan< Gaj<nan< (1)IV V

(2) Gaj<nan< He GaÉapat& Dev< (1)I (V I)

(2) Gaj<nan< He GaÉapat& Dev< (1)V (I V) I (V I)

182 C8 A6 Cm Em

(2) Jai Jai Jai Manamohan< Jai Jai Jai Madhus\dan< (2)Im(5) (vii Vm Im

(1) M<dhav< Keshav< (1)Im

(1) M<dhav< Keshav< (1)vi Im5

(2) Gop<l< Gop<lan< (S<&) (2)vii (vi) Im)

128

Page 123: harmonium study method.pdf

183 C8 A7 G Bb

(2) Jai Jai Jai N<r<yaÉ< (2)I (IV I)

(2) Govinda Gop<la N<r<yaÉ< (S<&) (2)IV V I

(1) Jai Jai Jai N<r<yaÉ< ---I (IV I)

(1) Govinda Gop<la N<r<yaÉ< (S<&) ---IV V I

(2) Mukunda M<dhava N<r<yaÉ< (2)VIm IV V VIm

(2) Shr& Krishn< Govinda N<r<yaÉ< (2)I (IV) V I

(1) N<r<yaÉ< Sathya N<r<yaÉ< (1)IV V I

(1) N<r<yaÉ< S<& N<r<yaÉ< (1)IV V I

184 C16 A4 D F

(2) Jaya Jaya Krishn< Yadunandan< (1)I(5) (IV V I

(2) Jaya Jaya Vrind<vana Chandan< (1)IV V I

(1) Jaya Jaya Krishn< Yadunandan< (1)IV V I

(2) Jaya Jaya Krishn< Manamohan< (1)V I (IV) V

(1) Jaya Jaya S<& Gop<lan< (1)V IV V I)

(2) Jaya Jaya S<& Gop<lan< (1)V (II I) V I)

129

Page 124: harmonium study method.pdf

185 C8 A8 Dm Fm

(2) Jai Jai Prabhu Giridh<r& NaÃavara Nandal<l< (1)Im IV vii I m

(2) He NaÃavara Nandal<l< He Giridhara Gop < l < (1)I IV vii iii I

(1) He NaÃavara Nandal<l< He Giridhara Gop<l< He Giridhara Gop<l< ---Im IVm (IV) vii Im IVm vii Im

(1) He Giridhara Gop<l< He Giridhara Gop<l< He Giridhara G o p < l < (2)IVm (IV) vii Im vi vii (V) Im

186 C8 A9 Ebm F#m

(2) Jaya Jaya Sadguru S<& Sad<shiv< (1)IV° I m

(2) Hara Hara ShaËkara Shambho Mah<dev< (1)(ii I m)

(1) Jaya Jaya Sadguru S<& Sad<shiv< (1)IV° I m

(2) N&lakanÃha S<& Bhasma Vibh\shit< (1)Im (IV°)

(2) Hara Hara ShaËkara Shambho Mah<dev< (2)i i I

130

Page 125: harmonium study method.pdf

187 C8 A10 C Eb

(2) Jai Jai S<& M< He S<& Sarasvat& M< (2)I vi (IVm) I

(2) V&É< Vadin& M< V i d y < D<yin& M< (1)I vi V IVm (VII°) V

(1) Jai Jai S<& M< He S<& Sarasvat& M< (1)I vi (IVm) I

(2) Mukti Pradayin& M< Shakti Prad<yin& M< (2)(IV) vii (vi) IVm (vi I)

(1) V&É< Vadin& M< V i d y < D<yin& M< (2)I vi V IVm (VII°) I

188 C16 A5 F# A

(2) Jaya Jaya S<& Namo Jaya Shubha D<y& Namo (2)I vi I V I

(2) Jaya Govinda Jaya Gop<la Jaya Mah<deva Namo (1)Vm I m (Vm Im)

(1) Jaya Jaya S<& Namo Jaya Shubha D<y& Namo (1)I ii I V I

(2) Abhaya Prad<t< Vishva Vidh<t< (2)IV V I

(1) Jagadoddh<ra Namo (1)(IV) V I

(2) Jaya ShirÁ&sha Jaya Parth&sha Jaya Paramesha Namo (2)Vm Im (Vm Im)

131

Page 126: harmonium study method.pdf

189 C8 A11 B D

(2) Jai Jai Vaishnav& Dev& M< Jai Jai Vaishnav& Dev& M< (1)I(5) (viim I

(2) Jaya M< Jaya M< Jaya M< S<& M< (1)ii (viim) I

(1) Jai Jai Vaishnav& Dev& M< Jai Jai Vaishnav& Dev& M< (1)viim I

(2) Sher< V<l& M< Jyot< V<l& M< (1)Im IVm (viim) Im

(2) Pah<Á< V<l& M< Jai Jaga Janan& S<& M< (1)iiim (viim) Im

(2) Jaya M< Jaya M< Jaya M< S<& M< (2)I ii (viim) I)

190 C16 A6 B D

(2) Jaya Lambodara P<hi M<m (1)I IV I

(2) Jagadamba Suta Raksh< M <m (1)IV vii I

(1) Jaya Lambodara P<hi M<m (1)I IV I

(2) Sharan<gata Raksh< M<m (1)IV V I

(2) He KaruÉ< Nidhe P<hi M<m (1)V I

(2) Shr& [GaÉan<yakam Raksh<] M<m (1)IV V I

(2) Nija Bhakti Mud<m Deh& M < m (2)IV vii I

N.B.: * = (or) Ganan<tha Samraksha

132

*

Page 127: harmonium study method.pdf

191 C8 B9 A C

(2) Jaya M< Jaya M< Day< Karo S<& M< (1)I IV I vii I

(2) Mukthi Prad<yin& Prema Prad<yin& Sh<nti Prad<yin& M< (1)vii I vii I

(2) Janan& M< Janan& Jaga Janan& S<& M< (1)vii IV vii I

(1) Day< Karo S<& M< Jaya M< (1)vii I

(1) Krip< Karo S<& M< (1)vii I

192 C16 A7 Abm Bm

(2) Jaya M< Jaya M< J a g a d & s h v a r & S<& M< (2)Im Vm Im vii v i Im

(2) J a g a d & s h v a r & M a h e s h v a r & S < & s h v a r & S < & M< (1)iii Im vii vi (vii) Im

(1) Jaya M< Jaya M< J a g a d & s h v a r & S<& M< (1)Vm Im IVm vii Im

(2) Jaya M< Jaya M< J a g a d & s h v a r & S<& M< (1)vi (vii) Im vii vi (vii) Im

(2) Jagad&shvar& Maheshvar& S < & s h v a r & S<& M< (1)vii Im vii vi (vii) Im

(2) Jagad&shvar& Maheshvar& S<&shvar& S<& M< (2)iii Im vii vi (vii) Im

133

Page 128: harmonium study method.pdf

193 C8 A13 Cm Ebm

(1) Jai S<& R<m Jai S<& R<m (1)Im

(1) Jai S<& R<m Jai Jai R<m (Bolo) (1)vii Im

(1) Bolo Jai S<& R<m Jai Jai R<m (1)Vm vii Vm

(1) An<tha Rakshak< S<& R<m (1)Vm iii I V

(1) >padb<ndhava S<& R<m (1)iii Im IV Vm

(1) An<tha Rakshak< S<& R<m (1)Vm iii I V

(1) >padb<ndhava S<& R<m (1)iii Im IV V m

(1) Jai S<& R<m Jai S<& R<m (1)Vm iii Vm

(1) Prema Svar\pa S<& R<m (1)Vm iii I V

(1) Prem<vat<r< S<& R<m (1)iii Im IV Vm

(1) Prema Svar\pa S<& R<m (1)Vm iii I V

(1) Prem<vat<r< S<& R<m (1)iii Im IV Vm

134

Page 129: harmonium study method.pdf

194 C16 A2 A C

(2) Jai S<& R<m Jai S<& R<m (2)I(5) (V I

(2) Prema Avat<ra S<& Avat<ra (2)V I

(1) Jai S<& R<m Jai S<& R<m (1)V I

(2) R<ma Avat<ra S<& Raghu R<m (2)V I

(2) Krishna Avat<ra S<& Ghanashy<m (2)V

(2) Shiva Avat<ra S<& Shiva R<m (2)I V I

(2) Sarva Avat<ra S<& Avat<ra (2)V I )

195 C8 B10 Ebm F#m

(2) Jai S<& ShaËkara Jaya AbhayaËkara (2)Im(5) (vii Im

(2) S<mba Sad<shiva Shiva Hara Hare Shiva Hara Hare Shiva Hara Hare (2)vii Im vii IVm vii vi vii Im

(1) Jai S<& ShaËkara Jaya AbhanyaËkara (1)vii Im

(1+1) Jaya GaËg< Dhara Jaya Bimb<dhara (1+1)Im vii

(2) Vy<ghr<mbara Dhara Shiva Hara Hare Shiva Hara Hare Shiva Hara Hare (2)iii IV (Im) vii IVm vii vi Im)

135

Page 130: harmonium study method.pdf

196 C16 A8 Bbm C#m

(2) Jai Santosh& M< Jai Jai S<& M< (1)Im ii Im

(2) Jai Santosh& M< Jai Jai S<& M< (1)Im ii iii IVm

(1) Jai Santosh& M< Jai Jai S<& M< (1)Im ii Im

(2) MaËgala Karin& M< S<& SaËkaÃa Harin& M< (1)IVm vii

(2) Triloka P<lin& M< S<& Trish\la Dharin& M< (2)IVm ii (iii) IVm

197 C16 A9 F Ab

(2) Jaya Vallabha GaÉan<yak< (2)I(5) (V I

(2) Jaya Guha Sodhara Shubha D<t< (1)V I

(2) Jaya He Ishvar& Nandan< (1)I V

(1) Jaya Vara D<yak< Namostute (1)I V I

(2) Jaya Parth&shvara Namostute (2)V I)

136

Page 131: harmonium study method.pdf

198 C9 A1 Ab B

(2) Kab Loge Khabar More R<m (1)I IV

(2) Mujhe Apn< Ban<lo Ghanashy<m (1)I IV V I

(2) S<& R<m S<& R<m (1)I V

(2) Ghanashy<m Ghanashy<m (1)V I

(1) S<& R<m R<m R<m S<& R<m (1)I V

(1) Ghanashy<m Shy<m Shy<m Ghanashy<m (1)V I

199 C9 A2 Ab B

(2) K < l < t & t < y a S i d d h i R\p < y a Yog i s h v a r < y a N a m o (1)I V IIIm (IV V) I

(2) Jagadvit<ya Vishvar\p<ya (1)IV (VIm)

(2) S<&shvar<ya Namo (Sathya) (1)V I

(1) Om NamaÔ Shiv<ya Shiv<ya NamaÔ Om (1)I (V I)

(1) Om NamaÔ Shiv<ya Shiv<ya NamaÔ Om (1)IV I

(1) Om NamaÔ Shiv<ya Shiv<ya NamaÔ Om (1)V I

(1) Om NamaÔ Shiv<ya Shiv<ya NamaÔ Om (1)(V) I

(1) Om NamaÔ Shiv<ya S h i v < ya NamaÔ Om (1)V IV V I

137

Page 132: harmonium study method.pdf

200 C9 A3 D F

(1+1) Keshav< M<dhav< Jaya Dev< Madhus\dan< (1+1)I(5) (V (IV) V I

(2) Netra Kamala Dala At&va Manohara (1)IV I

(2) Antary<m& Prabhu Parameshvara (1)(IVm) V (IV) I

(2) M<y< M<nusha Vesha L&l< Dhara (1)II I

(2) M<y< M<nusha Vesha L&l< Dhara (1)IV V I)

201 C9 A4 A C

(1) KoÃi PraÉ<m Shata KoÃi PraÉ<m (1)V I (II I

(1) He Dinan<tha S<& R<m (1)II (V) I

(1) He Dinan<tha S<& R<m (1)I (V)

(1) He Dinan<tha S<& R<m (1)II7 I

(1) KoÃi PraÉ<m Shata KoÃi PraÉ<m (1)V I II I

(1) He Dinan<tha S<& R<m ---II (V) I

(1) Tuma Ho Bhakton Ke Yuga Avat<r (1)II I

(1) Tuma Ho Nand< Nanda Ke L<l (1)II7 I

(1) Parth&pur& Ke S<& Gop<l (1)II I

(1) He Dinan<tha S<& R<m (1)II (V) I

(1) He Dinan<tha S<& R<m (1)I V

(1) He Dinan<tha S<& R<m (1)II I)

138

Page 133: harmonium study method.pdf

202 C16 A10 Gm Bbm

(2) Krishna Kanhaiy< Krishna Kanhaiy< (1)Im V

(2) NaÃavara Nanda Kumara Kanhaiy< (1)Im V Im

(1) Krishna Kanhaiy< Krishna Kanhaiy< ---Im (vi) V

(2) Vrind<vana Ke Bans& Adhariy< (1)Im (vii) IV Im

(2) R<dh< Manohara R<sa Rachaiy< (1)iii IV I

(1) Giridhara N<gara Shy<ma Kanhaiy< (1)Im vii IV (Im)

(2) Shr& Madhus\dana S<& Kanhaiy< (2)IV V I

203 C9 A5 C# Em

(2) Krishna Krishna Govinda Krishna Gop<la B<la Krishn< (1)Im(5) (vii vi vii Im

(2) Nanda Nandan< Bhakta Chandan< G<na Lola Krishn< (1)(iii) vi Im

(1) Krishna Krishna Govinda Krishna Gop<la B<la Krishn< (1)vii vi vii Im

(2) Sundara Vadan< Saroja Nayan< R<dh< Priya Krishn< (1)vi Im

(2) Y<dava Krishn< Yashod< Krishn< Sathya S<& Krishn< (2)Im vii (vi) Im vii (vi) V)

139

Page 134: harmonium study method.pdf

204 C8 A12 Em Gm

(2) Shr& Krishn< M<dhav< Govind< Gop<l< (1)Im(5) ((iii) vii vi vii Im

(2) Mathur< N<th< Madana Gop<l< (1)vi vii Im

(2) Nanda Mukund< Shy<ma Gop<l< (1)vii Im

(1) Krishna Hare Jai Krishna Hare Jai Hari Govinda Krishna Hare (1)Im vi vii

(2) Krishna Hare Jai Krishna Hare Jai Hari Govinda Krishna Hare (1)Im vii vi Im)

205 C16 B1 B D

(2) Krishna M<dhav< M<dhava Krishn< (1)I(5) (IVm

(2) Krishna M<dhav< S<& Hare (1)I vi (I) I

(2) Vrind<van< Sanch<r& Shy<ma Gop<l< (1)IV (vi) I

(2) Jaya Madhus\dana Jaya Nandal<l< (1)IV (IVm) I

(1) Jhulan< Jhule Mere S<& Nandal<l< (1)vi I)

(1) Jhulan< Jhule Mere S<& Nandal<l< (1)IVm vi I)

140

Page 135: harmonium study method.pdf

206 C9 A6 E G

(2) Krishna Mur<r& Bhava Bhaya H<r& He Giridh<r& Gop<l (1)I(5) (V I

(2) Parth& Vih<r& Hridaya Vih<r& Bhakta Sakh< Bhagav<n (1)V (IV) I

(1) Bhakta Sakh< Bhagav<n (1)I

(2) Bhakta Sakh< Bhagav<n (He) (2)V (IV) I)

207 C9 A7 D F

(2) Krishn< R<m< Govinda N<r<yaÉ< (1)I(5) ((vii) IV I

(2) M<dhav< Keshav< Hari N<r<yaÉa (1)I IV I vii

(1) Krishn< R<m< Govinda N<r<yaÉ< (1)I (vii) IV I

(1) Shr& VeÉu Gop<la Krishn< (1)vii I

(1) Shr& VeÉu Gop<la Krishn< (1)vii IV I

(2) M<dhav< Madhus\dan< N<r<yaÉ< (2)I (vii) IV I vii)

141

Page 136: harmonium study method.pdf

208 C9 A8 D F

(2) Ksh&rabdhi Shayan< N<r<yaÉ< (1)I(5) (vii IV I vii

(1) Shr& Lakshm& Raman< N<r<yaÉ< (1)I IV V I

(1) N<r<yaÉ< Hari N<r<yaÉ< (1)IV vii

(2) Narahari R\p< N<r<yaÉ< (2)IV V I

(1) VaikunÃha V < s < N<r<yaÉ< ---I vii IV I vii

(1) Vaideh& Mohana N<r<yaÉ< ---I IV V I

(1) N<r<yaÉ< Hari N<r<yaÉ< ---IV vii

(1) NaÃa Jana Parip<la N<r<yaÉ< ---IV V I)

209 C9 A9 E G

(2) Lambodar< GaÉan<tha G a j < n a n a (1)I(5) (vi5b vii vi I

(1+1) P<rvat& Nandana Shubh<nan< (1)V I vi V (or I)

(2) Pashupat& Tanay< Siddhi Vin<yaka (1)I vii I

(2) PraÉav<k<r< Shambho Nandana (1)IV I

(2) Parth& Pur&sha P<hi Gaj<nana (1)(vi5b) vii vi I

(1+1) He Shiva Nandana Shubh<nan< (1+1)V I vi V)

142

Page 137: harmonium study method.pdf

210 C9 A10 B D

(1) Lambodar< He Vighneshvar< (1)I(5) (V I

(2) Shiva Shambho Kum<r< Siddheshvar< (1)II V I

(1) Lambodar< He Vighneshvar< ---V I

(2) Ambik< Tanay< Omk<reshvara (1)II I II I

(1) He Ramba S<& ShirÁ&shvar< (1)V I

(1) He Ramba S<& Parth&shvar< (1)V I)

211 C9 A11 Am Cm

(2) Lambodar< Jaya Gaj<nan< (1)Im vi vii Im

(2) P<rvat& Nandana Parama Day<ghana (1)vii Vm Im

(1) Lambodar< Jaya Gaj<nan< (1)vi vii Im

(1) Bandha Vimochana Bhava Bhaya BhaÒjana (1)vi (iii vi) vii Im

(1) Bandha Vimochana Bhava Bhaya BhaÒjana ---vi vii vi vii Im

(2) PraÉava Svar\p< He Shiva Nandana (1)vii Vm (vi) vii Im

(1) P<hi Prabho M<m P<hi Gaj<nana (1)iii v i vii Im

(1) P<hi Prabho M<m P<hi Gaj<nana (1)(Vm) vi vii Im

143

Page 138: harmonium study method.pdf

212 C16 B3 A C

(2) Mana Mandira Men >vo S<& (1)I vii IV I

(2) S<& Bhagav<n Darsha Dikh<o (1)vii IV I

(2) Sad< Nirant<ra Bhajo S<& R<ma (1)I vii

(2) Giridhara N<gara NaÃavara Shy<ma (1)IV vii IV I

(2) S<& Bhagav<n Darsha Dikh<o (1)vii IV I

213 C9 A12 F# A

(2) M<dhav< Gop<l< (1)V I ( V I)

(2) Nanda Nandana Ghana Shy<ma Gop<l< (1)IV I

(1) M<dhav< Gop<l< (1)I ( IV V I)

(2) Shy<ma Sundara Vrind<vana Lol< (1)(V) I (VIm) V

(2) Mural& Manohara Giridhara B<l< (1)I IV V I

--- Jaya Hari Govinda S<& Gop<la (1)V I V I

--- Jaya Hari Govinda S<& Gop<la (1)V I

--- Jaya Hari Govinda S<& Gop<la (1)IV I V I

144

Page 139: harmonium study method.pdf

214 C9 A13 F#m Am

(2) M<dhava Mohana Shy<ma Gop<l< (1)(Im) IV (vii) Im IV

(2) Mural& Dhara M u k u n d a Gop<l< (1)vii (vi vii) Im

(2) Dv<para Yuga Me Krishna Gop<l< (1)V Im

(1) M&r< Ke Prabhu Giridhara B<l< (1)V Im

(1) M&r< Ke Prabhu Giridhara B<l< (1)V

(2) Shy<ma Manohara He Nandal<l< (1)Im IV (vii) Im IV

(2) Parth& Pur&shvara S<& Gop<l< (2)vii (Vm) Im

215 C9 A14 Em Gm

(2) Madhura Madhura Mural& Ghana Shy<m< (2)Im(5) (V

(1) Mathur<dhipate R<dhe Shy<m< (2)IV Im (V5# I)

(2) S\rad<sa Prabhu He Giridh<r& (2)I vi I

--- He Giridh<r& (1)vi I

(2) M&r< Ke Prabhu Hridaya Vih<r& (1)IV Im (V5#) I)

145

Page 140: harmonium study method.pdf

216 C9 B1 Am Cm

(2) Madhus\dan< He Mural& Dhar< (1)Im (vi) vii Im

(2) M<dhav< Keshav< Dev<dhidev< (1)vi (iii Im) vii Im

(1) Madhus\dan< He Mural& Dhar< (1)(vi) vii Im

(2) Mana Mohan< He N<r<yaÉ< (1)V IV (Im IV) V

--- N<r<yaÉ< S<& N<r<yaÉ< (1)Im V Im

--- Mana Mohan< He N<r<yaÉ< (1)V IV (Im IV) V

(2) Bhuvana Bharan< Vandita C h a r a n < (1)IV iii (vi) Im (V)

217 C9 B2 Dm Fm

(2) Madhuvana Ke Mural& B<l< (1)Im V

(2) N<cho N<cho N<cho Nanda L<l< (1)(V7) V Im

(2) Nanda L<l< Nanda L<l< (1)V Im V Im

(1) N<cho N<cho N<cho Nanda L<l< (1)IVm V Im

(1) Gop& Manohara Gop<la B<l< (1)(V7) I vii IV

(1) Parth& Pur&shvara He S<& L<l< (1)(V7) I vii IV

(2) N<cho N<cho N<cho Nanda L<l< (2)IVm V Im

146

Page 141: harmonium study method.pdf

218 C16 B2 Abm Bm

(2) Madhuvana Mural& Shy<ma Mur<r& (1)Im II Im

(2) S<variy< More R<sa Vih<r& (1)(v) II Im

(2) Gokula Nandana He Giridh<r& (1)Im II

(2) D&nana Ke Tuma Bhava Bhaya H<r& (1)IV V II Im

(2) D&nana Ke Tuma Bhava Bhaya H<r& (2)IV V V7 Im

219 C9 B3 E G

(2) Madhuvana Sanch<r& Shy<ma Mur<r& (1)I(5) ((IV) V I

(2) Shr& Madhus\dana Mural& Dh<r& (1)IV V I

(1) Madhuvana Sanch<r& Shy<ma Mur<r& (1)(IV) V I

(2) M<dhava Mohana Mayura Mukuta Dhara (1)II7 I

(2) Mathur< N<th< S<& Giridh<r& (2)IV V I)

147

Page 142: harmonium study method.pdf

220 C9 B4 E G

(2) Mah<dev< Shiva Shambho ShaËkara (1)I(5) (vii

(1) Maheshvar< Shiva Shambho ShaËkara (1)I vii

(1) Maheshvar< Shiva Shambho ShaËkara ---I IV I vii

(1) Mah<dev< Shiva Shambho ShaËkara (1)I vii

(2) Maul&shvara Shiva Shambho ShaËkara (1)I vii

(2) [Madan<nthaka] Shiva Shambho ShaËkara (1)I IV

(2) Mrityum Jay< Shiva Shambho ShaËkara (2)I vii)

N.B.: * = (or) Madana Sad<

221 C9 B5 F Ab

(2) Mah< Ganapathe Namostute (1)I(5) (V I

(1) MataËga Mukha Namostute (1)(VIm IV) I

(1) Mah< Ganapathe Namostute (1)V I

(1+1) Him<drij< Suta Namostute (1+1)I V I

(2) Omk<reshvara Namostute (S<&) (2)IV V I)

222 C9 B6 D F

(2) Mana Eka B<ra Hari Bol (1)I(5) (V I

(2) Hari Hari Bol Hari Bol (1)I V

(1) Mana Eka B<ra Hari Bol (1)V I

(2) Hari Pit< Hari M<t< (1)I IIIm

(2) Hari Guru JÒ<na D<t< (1)V I

(2) Chid<nanda R\pa Hari Patita P<vana Hari Eka B<ra Hari Bol (2)IV I V I)

148

*

Page 143: harmonium study method.pdf

223 C9 B7 C# E

(2) Mana Mohan< Mural& Dhar< (1)I(5) (V

(2) Madhura Madhura He Giridhara B<l< (1)I VIm I

(2) M<dhav< Madhus\dhan< (1)V I

(2) Hriday<nta RaËg< Shr& S<& RaËg< (1)IV I

(2) Shr& RaËga RaËg< PuÃÃ<parth& RaËg< (1)V I

(2) M<dhav< Madhus\dhan< (2)V I)

224 C9 B8 D F

(2) Mana Mohan< Nandal<l (1)I(5) (V I

(2) Mana Mohan< Madhus\dan< Vrind<van< Nandal<l (1)V I V I

(2) Mana Mohan< Nandal<l (1)IV vii I

(2) Vrind<van< Nandal<l (1)IV V I

(2) Mana Mohan< Madhus\dan< Vrind<van< Nandal<l (2)IV V I

149

Page 144: harmonium study method.pdf

225 C9 B9 D F

(2) M<nasa Bhajare Guru CharaÉam (1)I(5) (V IV

(2) Dustara Bhava S<gara TaraÉam (1)V I V I

(2) Guru Mah<r<j Guru Jai Jai (1)II7 I

(2) S<& N<tha Sadguru Jai Jai (Sathya) (1)V I V I

(1) Om NamaÔ Shiv<ya Om NamaÔ Shiv<yaI

Om NamaÔ Shivaya Shiv<ya NamaÔ Om (1)V I (IV) V

(1) AruÉ<chala Shiva AruÉ<chala ShivaI

AruÉ<chala Shiva AruÉ< Shivom (1)V I V

(2) Om k < r am B<b< Omk<ram B<b<vi vii I VIm I

Omk<ram B<b< Om Namo B<b< (2)V I IV V)

150

Page 145: harmonium study method.pdf

226 C16 B4 Am Cm

(2) Manuv< Bolo Jai S&t< R<m BoloV Im vi (IVm)

Jai R<dhe Shy<m Jai S<& R<m (1)vii Im vii I m

(2) Jai S&t< R<m Bolo Jai R<dhe Shy<m (1)vii Im

(2) Jai S&t< R<m Bolo Jai R<dhe Shy<m (1)vi Im

(2) Jai S&t< R<m Bolo Jai R<dhe Shy<m Jai S<& R<m (1)(vii) Vm ii Im

(2) Manuv< Bolo Jai S&t< R<m BoloV Im vi (IVm)

Jai R<dhe Shy<m Jai S<& R<m ---vii Im vii Im

--- Jai S&t< R<m Bolo Jai S<& R<m (ad libitum)vi Im

227 C9 B10 Abm Bm

(2) MaËgala D<yaka He GaÉan<th< (1)Im vii Im

(2) PraÉava Svar\pa Vighna Vin<sh< (1)vi vii (Vm) Im

(1) MaËgala D<yaka He GaÉan<th< ---vii (Vm) Im

(2) He Shiva Nandana P<hi Day<l< (1)IVm vii Im

(2) Parth& Pur&shvara Jagat Parip<l< (1)vii (Vm) Im

(2) PraÉava Svar\pa Vighna Vin<sh< (2)vi vii (Vm) Im

151

Page 146: harmonium study method.pdf

228 C9 B11 Dm Fm

(2) M<taËga Vadan< >nanda Sadan< (1)Im(5) (vi V Im

(2) M a h < d e v a Shiva Shambho Nandana (1)Im (vi) V

(1) M<taËga Vadan< >nanda Sadan< (1)Im vi Im

(1) M<ya Vin<shaka M\shika V<hana (1)II Im vi Im

(1) M<t< Maheshvar& Bhav<n& Nandana (1)vi (IVm) Im

--- Bhav<n& Nandana (1)IV° Im

(1) M<t< Maheshvar& Bhav<n& Nandana (1)vi (IVm IV°) Im

(1) M<ya Vin<shaka M\shika V<hana ---II Im vi Im

(1) M<t< Maheshvar& Bhav<n& Nandana ---vi (IVm V I)

(1+1) Mah< GaÉapathe MaËgala CharaÉ< (1+1)Im (v i ) (V) V

229 C9 B12 G Bb

(2) M&ta Smita Sundara Mukh<ravind< N<cho Nanda l < l < Nandal<l< (1)I(5) (V IV I V I

(1) N<cho Nandal<l< Nandal<l< (1)IV I

(1) N<cho Nandal<l< Nandal<l< (1)V I

(1) N<cho Nandal<l< Nandal<l< (1)V I

(1) M&r< Ke Prabhul<l< Nandal<l< (1)IV I

(1) M&r< Ke Prabhul<l< Nandal<l< (1)V I

(1) M&r< Ke Prabhul<l< Nandal<l< (1)V I

(1) N<cho Nandal<l< Nandal<l< (1)IV I)

152

Page 147: harmonium study method.pdf

230 C9 B13 Bb D

(1+1) Mohana Raghu R<m< (1+1)I(5) (IIIm VIm

(2) Ati Sundara Shr& R<m< (2)IV V I

(1) Mohana Raghu R<m< ---I IIIm VIm (I)

(1) Ati Sundara Shr& R<m< ---I (IV) V VIm IV

(2) M<ruti Sevita R<m< (2)IV I IV

(2) R<ma R<ma Jaya R<m< (1)I IV I

(1) R<ma R<ma Jaya R<m< (1)I IV

(2) Hari R<ma R<ma S<& R<m< (2)I (IV) V I)

231 C10 A1 A C

(2) Mrityum Jay<ya NamaÔ Om (1)I(5) (IV V I

(2) Triyambak<ya NamaÔ Om (1)V II V

(2) LiËgeshvar<ya NamaÔ Om (1)VIm II

(2) S<&shvar<ya NamaÔ Om (1)I V I

(1) Om NamaÔ Shiv<ya NamaÔ Om (1)IV V I

(1) Om NamaÔ Shiv<ya NamaÔ Om (1)V II V

(1) Om NamaÔ Shiv<ya NamaÔ Om (1)VIm (II)

(1) Om NamaÔ Shiv<ya NamaÔ Om (1)I V I)

153

Page 148: harmonium study method.pdf

232 C10 A2 Em Gm

(2) Mukunda Mur<r& Mur<r& Gop<l (1)Im(5) (Im6 Im

(2) Gop<la S<& He S<& Nandal<l (He) (1)vi IVm (vii) V7

(2) Prash<nti Niv<s& Niv<s& Nandal<l ---Im vi IVm V7

(1) He Antara >tmajyoti He Jyoti Nandal<l ---vi IVm vii V7

(2) Sathyam Shivam Shivam Sundaram (2)Im IVm V7

(2) He Sundara R\p< He S<& Nandal<l (2)vi IVm vii V7)

233 C16 B5 Dm Fm

(2) Mural& Dhara Mukunda Mur<r& (1)Im vi V Im

(2) Govardhana Giridh<r& Mur<r& (1)(V Im)

(1) M<y< N<Ãaka S\tra Dh<r& (1)I IV I

(3) M<y< N<Ãaka S\tra Dh<r& (1)vii I

(2) M<y< M<nusha Vesha Dh<r& (S<&) (1)I vii Im

--- S<& Mur<r& Sathya S<& Mur<r& (ad libitum)vii Im V Im

154

Page 149: harmonium study method.pdf

234 C10 A3 Gm Bm

(2) Mural& Gana Lol< Nanda Gopa B<l<Im vii IV iii

Ravo R a v o R<dh< L o l < R<dh< Lol< (1)IV iii vii IV vii IV

(1) Tret< Yugamuna S&t< Ramudai (1)I IV I

(1) Dv<pari Yugamuna R<dh< L o l u d a i (1)IV vii iii I

(1) G&tanu Trapina Tharaka Namudai (1)(Im) Vm Im Vm

(2) Yuga Yuga Manduna Thagu R\pa Dhariyayi (2)vii IV I

235 C10 A4 Dm Fm

(2) Mural& Krishn< Mukunda Krishn< Mohana Krishn< Krishn< Krishn< (1)Im(5) vi vii (Vm Im

(2) Gop& Krishn< Gop<la Krishn< Govardhana Dhara Krishn< Krishn< (1)(vi) vii (Vm) Im

(2) R<dh< Krishn< B<la Krishn< R<sa Vilol< Krishn< Krishn< (1)(vi) v i i ( Vm) Im

(2) ShirÁ& Krishn< Parth& Krishn< Shr& Sathya S<& Krishn< Krishn< (2)iii vii vi Im)

155

Page 150: harmonium study method.pdf

236 C10 A5 A C

(2) N<che TribhaËg< Krishna Mur<r& (2)I(5) (vii I

(2) Baje MridaËg< MaÒjula [Bher&] (1)Vm vii I

(1) N<che TribhaËg< Krishna Mur<r& (1)vii I

(2) KaruÉa AntaraËga Yuga Avat<r& (1)Vm I

(2) Shr& S<& RaËg< Bhava Bhaya H<r& (2)Vm (vii) I)

N.B.: * = (or) Devi

237 C3 A7 Bm Dm

(2) N<cho He NaÃar<j Shiva Shambho (1)Im vii Im

(1) N<cho Bhol< N<tha Shiva Shambho ---vii

(1) Hara Bhol< N<tha Shiva Shambho (1)vii

(2) Shiva Shambho Shiva Shambho (1+1)iii vii Im

(2) Àama Àama Àama Àama Àamaru B<je (1)vii (iii v i ) vii)

(2) S<& N<tha Shiva Shambho (Sathya) (2)vi vii Im

156

*

Page 151: harmonium study method.pdf

238 C10 A6 A C

(2) NamaÔ P<rvat& Pataye Hara Hara (2)I(5) (IV I

(2) Hara Hara ShaËkara M a h < d e v < (2)(VIm) V I

(1) NamaÔ P<rvat& Pataye Hara Hara ---IV I

(1) Hara Hara ShaËkara M a h < d e v < ---(VIm) V I

(2) Hara Hara Hara Hara M a h < d e v < (2)I V IV

(2) Om M a h < d e v < (1)V IV

(1) Hara Hara Hara Hara M a h < d e v < (1)I V IV

(2) Shiva Shiva Shiva Shiva Sad<shiv< (Om) (2)I IV V I

(1) Mah<dev< Sad<shiv< (1)(VIm) V I

(1) Sad<shiv< Mah<dev< (1)(VIm V I)

239 C10 A7 F# A

(2) Namo Namo NaÃar<ja Namo Hara JaÃ< J\Ãadhara Shambho (1)I(5) (vii I

(1) N a m o N a m o N a à a r < j a (1)(IV I)

(2) P<vana Brahm< Ch<r& (1)vii I

(2) D<nava Mana S a m h < r & (1)IV I

(2) Parth& Pur& Vih<r& (1)vii I

(2) Parama Day<ghana Shaur& (1)vii I

--- N amo Namo N a à a r < j < (1)IV I

--- Namo Namo NaÃar<j< (1)vii I

--- N amo Namo N a à a r < j < (2)IV I)

157

Page 152: harmonium study method.pdf

240 C10 A8 F Ab

(2) Nanda Gop<l Nanda Gop<l (2)I(5)

(2) Nanda Mukund< Shy<ma Gop<l (1)(IV I

(1) Nanda Gop<l Nanda Gop<l (1)I

(2) R<dh< M<dhava R<dhe Gop<l (1)I V

(2) Bhakta Uddh<ra Parth& Gop<l (1)I IV V I

(1) S<& Gop<l S<& Gop<l (1)V I

(1) S<& Gop<l Sathya S<& Gop<l (1)V I)

241 C10 A10 F# Am

(2) Nandal<l< Nandal<l< Day< Karo Bhagav<n (1)Im(5) (IV Im IV Im V Im

(2) Bhava S<gara Se P<ra Ut<ro (1)Im(6) IV Im(6)

(1) Krip< Karo Bhagav<n (1)Im(6) (I°) V7

(1) Day< Karo Bhagav<n ---Im(6) (I°) V7

(2) Tumhar& SharaÉa Bina An<tha He Ham (1)Im(6) vi V Im

(1) Day< Karo Bhagav<n (1)Im(6) IV

(1) Krip< Karo Bhagav<n (S<&) (1)Im(6) V Im)

158

Page 153: harmonium study method.pdf

242 C10 A11 F Ab

(2) Nandal<l< Yadu Nandal<l< (1)I(5) (V

(2) Vrind<vana Govinda L<l< (1)I V I

(2) R<dh< Lol< Nandal<l< (1)V

(2) R<dh< M<dhava Nandal<la (2)I V I)

243 C10 A9 C Eb

(2) Nand< Nandana Hari Govinda Gop<la (2)I(5) (IV

(2) Ghanashy<ma Mana Mohan< (1)I IV

(2) Ghanashy<ma Mana Mohan< (S<&) (1)I V I

(2) Gop& Lol< Gop<l< (1)IV I

(2) Gokula B<l< Gop<l< (1)IV V I

(2) He Nanda L<l< Gop<l< (1)V I

(1) Ghanashy<ma Mana Mohan< (1)I IV

(1) Ghanashy<ma Mana Mohan< (S<&) (1)I V I)

159

Page 154: harmonium study method.pdf

244 C16 B6 A C

(2) N<r<yaÉa Bhaja N<r<yaÉ N<r<yaÉ Bhaja N<r<yaÉ N<r<yaÉIm(5) (vi vii Im vii Im

(2) Tana Mana RaÒjana Bhava Bhaya BhaÒjana Asura NikhanÁana N<r<yaÉIm vii vi V

(1) N<r<yaÉa Bhaja N<r<yaÉ N<r<yaÉ Bhaja N<r<yaÉ N<r<yaÉIm vi vii Im vii Im

(1) Jab Jab P&Á< PaÁe Bhakta Par B<ra B<ra Avat<ra Kiy<vii Im vi vii Im

(2) P<pa MiÃ< Kar Dh&ra Dikh< Kar M<nava Ko Uddh<ra Kiy<iii IV4 IV Im

(2) KuÒja Vih<r& Krishna Mur<r& He Giridh<r& N<r<yaÉIm vii vi V

(1) N<r<yaa Bhaja N<r<yaÉ N<r<yaÉ Bhaja N<r<yaÉ N<r<yaÉIm vi vii Im vii Im

(1) Matsya K\rma V<r<ha Nar<hari V<mana Ko Avat<ra Kiy<vii Im vi v i i Im

(1) Parashur<ma Aur R<ma Krishna (Bana)Im i i i iii5b

(1) DushÃon Ko Samh<ra Kiy<Im IV Im

(1) He Avat<r& L&l< Dh<r& KuÒja Vih<r& N<r<yaÉIm vii vi V

(1) N<r<yaÉa Bhaja N<r<yaÉ N<r<yaÉ Bhaja N<r<yaÉ N<r<yaÉIm vi vii Im vii Im

(1) Bhajana Se Mana Ko Sajan Ban<kar Bhakti M<rga Dikhal< Diy<vii Im vi vii Im

(1) S<& Bhajana Se Bhava S<gara Ko T<ra Nabh& Sikhal< Diy<iii IV(4) IV Im

(1) Patithoddh<r& Parth& Vih<r& He Giridh<r& N<r<yaÉIm vii vi V

(1) Patithoddh<r& Parth& Vih<r& S<& Mur<r& N<r<yaÉIm vii vi V

(2) N<r<yaÉa Bhaja N<r<yaÉ N<r<yaÉ Bhaja N<r<yaÉ N<r<yaÉIm vi vii Im vii Im

(solo) N<r<yaÉ N<r<yaÉ N<r<yaÉ N<r<yaÉ N<r<yaÉ N<r<yaÉvii Im IVm Im IVm iii)

160

Page 155: harmonium study method.pdf

245 C16 B9 F# A

(1) N<r<yaÉam Bhajo N<r<yaÉam (1)I IV I

--- N<r<yaÉam Bhajo N<r<yaÉam (1)V

(1) N<r<yaÉam Hari N<r<yaÉam ---V

(1) N<r<yaÉam Prema N<r<yaÉam (1) I IV I

(1) Bhajo Mana N<r<yaÉam ---IV I

(1) Bhajo Mana Bhajo Mana N<r<yaÉam ---IV I

(1) N<r<yaÉam Bhajo N<r<yaÉam ---IV I

(1) N<r<yaÉam Bhajo N<r<yaÉam ---V

(2) N<r<yaÉam Prema N<r<yaÉam ---I IV I

(1) Bhajo Mana N<r<yaÉam ---IV I

161

Page 156: harmonium study method.pdf

246 C10 A12 G Bb

(2) N<r<yaÉa Hari N<ma Bhajo Re N<r<yaÉa Veda P<r<yaÉ< (1)I (V IV I) IV V I

(2) KaruÉ< BharaÉ< Bhava Bhaya HaraÉ< (1)IV I (V)

(2) P<vana CharaÉ< Patita Jan<vana (1)I V I (or VIm)

--- N<r<yaÉ< Hari N<r<yaÉ< (1)I IV V I

--- N<r<yaÉ< Hari N<r<yaÉ< (1)V

--- N<r<yaÉ< Hari N<r<yaÉ< (1)I IV V I

--- N<r<yaÉ< Hari N<r<yaÉ< (1)IV V I

--- N<r<yaÉ< Hari N<r<yaÉ< (1)V

--- N<r<yaÉ< Hari N<r<yaÉ< (1)I IV V I

247 C16 B7 C Eb

(2) N<r<yaÉ< Hari N<r<yaÉ< (2)I ii° I

(2) Nara Hari R\p< Namo N<r<yaÉa (1)VIm viim I

(1) N<r<yaÉa Hari N<r<yaÉa (1)ii° I

(2) N&raja Nayan< N&radhi Shayana (1)ii I

(2) N<rada Sannutha Namo N<r<yaÉa (2)VIm viim ii° I

248 C16 B8 F# A

(2) N<r<yaÉ< Hari N<r<yaÉ< Hari N<r<yaÉ< Veda P<r<yaÉ< (1)I(5) (V (IV V) I

(2) Shambho Mah<deva Shambho Mah<deva Shambho Mah<deva Sad<shiva (1)V (IV V) I)

162

Page 157: harmonium study method.pdf

249 C10 A13 E G

(2) N a à a r < j < N am <m & S h a Ë k a r a (1)I(5) (V I V I

(2) Shiva R<j< Shiva Shiva ShaËkara (1)V I

(1) N a à a r < j < N am<m & S h a Ë k a r a (1)V I V I

(2) ShirÁ& Pur&shvara Shiva ShaËkar< (1)V I

(2) Parth& Pur&shvara Parameshvar< (1)IV I

(2) Hridayeshvar< S<&shvar< (2)IV V I)

250 C10 A14 Gm Bbm

(2) NaÃar<j< NaÃar<j< NarÃhana Sundara NaÃar<j< (2)Im(5) (Vm vii Im

(2) Shiva R<j< Shiva R<j< Shiva K<mi Priya Shiva R<j< (2)Im (V Im V) IV (VI°) V

(2) Chidambaresh< NaÃar<j< (2)Im IV) V)

251 C10 B1 Bb Db

(2) Navan&ta Chora B<la Gop<l (1)I(5) (IV I

(2) Yashoda Nandana Krishna Gop<l (1)IV I

(1) S<& Gop<l Sathya S<& Gop<l (1)I IV I V

(1) S<& Gop<l Bhajo Mural& Gop<l (2)V I IV V I

(1) S<& Gop<l Sathya S<& Gop<l ---I IV I V

(1) S<& Gop<l Bhajo Mural& Gop<l ---V I IV V I)

163

Page 158: harmonium study method.pdf

252 C10 B2 Dm Fm

(2) Nity<nandam Sacchid<nandam (1)Im(5) ((vi Im)

(2) Hari Hari Hari Om N<r<yaÉ< (1)Vm Im vii Im

(2) N<r<yaÉ< S<& N<r<yaÉ< (1)IVm Vm Im

(2) Hari Hari Hari Om N<r<yaÉ< (1)vi vii Im

(2) Prema Svar\pa Prem<nand< (1)(vii Im)

(or) Vm v i Im(2) Prema Svar\p< Prem<nand< (1)

vii Im

(1) Hari Hari Hari Om N<r<yaÉ< (1)vi vii Im

(1) N<r<yaÉ< S<& N<r<yaÉ< (1)vii vi Im

(1) N<r<yaÉ< Sathya N<r<yaÉ< (1)vii vi Im

(2) Hari Hari Hari Om N<r<yaÉ< (2)vi vii Im)

253 C10 B3 C Eb

(2) O Bhagav<n O Bhagav<n Araja Suno Mere S<& Bhagav<n (1)I(5) (vii Vm I

(1) Araja Suno Mere B<b< Bhagav<n (1)vii IV vii I

(1) Parth& Pur& Ke Tuma Ho D<t< (1)IVm I

(1) Vrind<vana Ke Tuma Ho D<t< (1)IVm I

(1) Sab Bhakton Ke Mana Ko Bh<t< (1)IVm (V) I

(1+1) P<ra Ut<ro Naiy< Mor& (1+1)IVm V I

(2) S<& Ghanashy<ma S<& Ghanashy<ma (2)V IV I)

N.B.: * = (or) ii

164

*

*

*

*

Page 159: harmonium study method.pdf

254 C10 B4 C#m Em

(1) O Bhagav<n O Bhagav<n O Bhagav<n S<& B<b< Bhagav<nIm(5) (vii Im vii Vm Im vi vii Im

(1) O Bhagav<n O Bhagav<n O Bhagav<n Sathya S<& Bhagav<nVm Im vi vii Im vii Im

(1) O Bhagav<n O Bhagav<n O Bhagav<n S<& R<ma Bhagav<n(vii Im) vii Vm Im vii Im

(1) O Bhagav<n O Bhagav<n O Bhagav<n S<& Krishna Bhagav<nVm Im vi vii Im vii Im

(1) O Bhagav<n O Bhagav<n O Bhagav<n Shiva S<& Bhagav<n(vii Im) vii Vm Im vii Im

(1) O Bhagav<n O Bhagav<n O Bhagav<n S<& D<t< Bhagav<nVm Im vi vii Im vii Im

(1) Hara Bhagav<n Hara Bhagav<n Hara Bhagav<n Hara Hara Bhagav<nvii Vm Im vi vii Im

(1) Om Bhagav<n Om Bhagav<n Om Bhagav<n Tat Sat Bhagav<n(Vm Im) vi vii Vm vi vii Im

(1) Prema Bhagav<n Jyoti Bhagav<n >tm< Bhagav<n Param<tm< Bhagav<nvii Vm Im vi vii Im

(1) Nanda Bhagav<n >nanda Bhagav<n Nity<nanda Bhagav<n Brahm<nanda Bhagav<n(Vm Im) vi vii Im vii Im

(1) Ayodhy< Bhagav<n Dv<rak< Bhagav<n ShirÁ& Bhagav<n Shr& Parth& Bhagav<nvii Vm Im vi vii Im

(1) R<ma Bhagav<n R<ma Bhagav<n R<ma Bhagav<n Itu R<ma Bhagav<n(Vm Im) vi vii Im vii Im)

165

Page 160: harmonium study method.pdf

255 C10 B5 F# A

(2) Om Dhim Dhim Dhim Dhim NaÃana Shiv< (1)I(5) (VI I

(2) TaÉÁava Keli Vil<sa Shiv< (1)vii V I

(1) Om Dhim Dhim Dhim Dhim NaÃana Shiv< ---VI I

(2) L&l< M<nusha Vesha Shiv< (1)VI I

(1) Lingodbhavakara S<& Shiv< (1)vii VI I

(2) S<& Shiv< Hara B<la Shiv< (2)vii V I)

256 C10 B7 Dm Fm

(2) Om NamaÔ Shiv<ya Shiv<ya NamaÔ Om Om NamaÔ Shiv<ya Shiv<ya NamaÔ Om (1)Im(5) (V vi Im

(1) Hara Hara Mah<dev< Hara Hara Mah<dev< (1)vii vi vii Im

(1) Hara Hara Mah<dev< Hara Hara Mah<dev< ---vii vi Im

(1) Om NamaÔ Shiv<ya Shiv<ya NamaÔ Om Om NamaÔ Shiv<ya Shiv<ya NamaÔ Om (1)V vi Im

(2) Àama Àama Àama Àama Àamar\ B<je (1)Im (vi Im)

(2) Dhimitaka Dhimitaka MridaËga B<je (1)Im (vi Im)

(1) Hara Hara Mah<dev< Hara Hara Mah<dev< (1)vii vi vii Im

(1) Hara Hara Mah<dev< Hara Hara Mah<dev< (1)vii vi Im)

166

Page 161: harmonium study method.pdf

257 C10 B8 Em Gm

(2) Om NamaÔ Shiv<ya Shiv<ya NamaÔ Om (2)Im(5) (Vm Im

(2) Om NamaÔ Shiv<ya Shiv<ya NamaÔ Om (2)I Vm I

(1) Om NamaÔ Shiv<ya Shiv<ya NamaÔ Om (1)Im Vm Im

(2) Nand& V<han< NamaÔ Shiv<ya (2)I IV I

(2) NamaÔ Shiv<ya (2)I

(1) Nand& V<han< NamaÔ Shiv<ya (1)IV I

(2) R<dh< Lol< S<& NamaÔ Shiv<ya (2)IIm V I)

258 C10 B9 Cm Em T

(2) Om Namo Bhagavate V < s u d e v a y a (2)Im(5) (vii vi (vii) Im

(2) Om Namo Bhagavate V < s u d e v a y a (Hari) (1)vii vi (vii) Im

(1) Om Namo Bhagavate V < s u d e v a y a (1)vii vi (vii) Im

(2) Om NamaÔ Shivaya Om Namo N<r<yaÉ<ya (1)(iii) Vm (vii) Im

(2) Om NamaÔ Shivaya Om Namo N<r<yaÉ<ya (1)vii IV (vi) Im

(2) Om Namo Bhagavate V < s u d e v a y a (Hari) (2)vii vi vii Im)

167

Page 162: harmonium study method.pdf

259 C10 B10 F Ab

(2) Om Shiva Shambho Jaya Shiva Shambho (1)ii° I ii° I

(2) Bhava Bhaya H<r& He Tripur<r& (1)IVm I

(1) Om Shiva Shambho Jaya Shiva Shambho (1)ii° I ii° I

(2) He Girij<pati GaËg< Dh<r& (1)IVm IV° I

(2) Hara Hara Shambho He Shiva Shambho (2)viim (ii°) IVm

(2) Samb< Sad< Shiva S<& Maheshvara (2)I IVm ii I

260 C10 B11 G Bb

(2) Om Shiv<ya Om Shiv<ya (2)I(5) (V I

(2) Shambho ShaËkara Om Shiv<ya (2)V I

(1) Om Shiv<ya Om Shiv<y< ---V I

(1) Shambho ShaËkara Om Shiv<ya ---V I

(2) Shambho ShaËkara Om Shiv<ya (2)I V

(2) Shambho ShaËkara Om Shiv<ya (Om) (2)I V I)

168

Page 163: harmonium study method.pdf

261 C16 B10 D F

(2) Om Shr& R<m Jai R<m Jai Jai R<m (2)I(5) (IV I

(1) Om Shr& R<m Jai R<m Jai Jai R < m (1)IV I

(1) Om Shr& R<m Jai R<m Jai Jai R<m (1)IV I

(1) Om Shr& R<m Jai R<m Jai Jai R < m ---V vii I

(1) Om Shr& R<m Jai R<m Jai Jai R<m ---IV I

(1) Sit< R<m S&t< R<m S&t< R < m (1)IV vii IV I

(1) R<dhe Shy<m R<dhe Shy<m R<dhe Shy<m (2)IV V I)

262 C16 B11 F# A

(2) P<ÉÁuraËga ViÃÃhale Hari N<r<yaÉa Hari N < r < y a É a Govind< (1)I(5) (V I V II I V I

(2) P<ÉÁuraËga ViÃÃhale Hari N<r<yaÉa Hari N<r<yaÉa Govind< (1)II I II I V I

(2) P<ÉÁuraËga ViÃÃhale Hari N<r<yaÉa Hari N < r < y a É a Govind< (1)V I V II I V I

(2) S<& N < r < y a É a Govind< (2)II (I V) I)

169

Page 164: harmonium study method.pdf

263 C16 B12 D F

(2) P<ÉÁuraËga ViÃÃhal< Jai P<ÉÁari N<th< ViÃÃhal< (1)I(5) (V I

(2) P<ÉÁuraËga ViÃÃhal< Jai PuÉÁari K<ksh< ViÃÃhal< (1)IV V I

(1) P<ÉÁuraËga ViÃÃhal< Jai P<ÉÁari N<th< ViÃÃhal< (1)(v i i ) V I

(2) ViÃÃhal< Jai ViÃÃhal< Purandara ViÃÃhal< (1)IV I

(2) ViÃÃhal< Jai ViÃÃhal< Purandara ViÃÃhal< (1)vii IV I

(2) ViÃÃhal< Jai ViÃÃhal< Jai Rakumai ViÃÃhal< (2)IV (vii) V I)

264 C17 A1 Dm Fm

(2) Pannaga Shayan< K<li Avat<r< (1)Im vi Im

(2) N<r<yaÉ< Hari Om (1)iii Im V Im

(2) Parama NiraÒjana N&raja Nayan< (1)vi Im V

(2) S<&shvar<ya Hari Om (Sathya) (1)V7 Im

(2) Mukti Prad<yaka P<pa Vin<shaka (1)VII° vi V VII°

(1) Sathya San<tana Tuma Ho (1)V7 Im

(2) D&n< N<tha He Prabhu Parameshvara KaruÉ< S<gara Tuma Ho (1)V Im V7 Im

170

Page 165: harmonium study method.pdf

265 C11 A1 D F

(2) P<ra Karo U d d h < r a Karo Prabhu Parth& Pur& Bhagav<n (2)I(5) ( (V I) (IV I) V

(2) Hare R<m R<m R<m Ghana Shy<m Shy<m Shy<m He S<& N < t h a Bhagav<n (1)V (I I V) I

(2) D&na Day< K<r< KaruÉ< M\rti Kaliyuga Avat<r S<& Bhagav<n (1)I IV V

--- Kaliyuga Avat<r S<& Bhagav<n (1)IV V

--- D&na Day< K<r< KaruÉ< M\rti Kaliyuga Avat<r S<& Bhagav<n (1)I IV V

(1) All<h S<& Buddha Zor<shÃr< Yesh\ Kristu Bhagav<n (1)V I V I

(1) Yesh\ Kristu Bhagav<n (S<&) ---V (IV) I)

266 C17 A3 Fm Abm

(1+1) Parth& Pur&sh< S<& Deva (1)Im V

(1) Sthira Chara Vishva Vid<t< N<tha (1)Im V

(1) Sthira Chara Vishva Vid<t< N < t h a (1)V Im V Im

(1+1) D&na Day<la An<tha N<tha (2)V Im

(1+1) Bhagav<n S<& He Trata (1+1)Im V

(1) Sthira Chara Vishva Vid<t< N<tha ---Im V

(1) Sthira Chara Vishva Vid<t< N < t h a (come finale)V Im V Im)

171

Page 166: harmonium study method.pdf

267 C17 A2 B D

(2) Parth& Pur& S<& Gop<la B<l< (2)I(5) (V I

(2) ShirÁ& Pur& S<& Gop<la B<l< (1)V I II7 I

(1) Parth& Pur& S<& Gop<la B<l< (1)V I

(2) M&r< Ke Prabhu Giridhara Gop<l< (1)II7 I

(2) S<ma G<na Priya S<& Gop<l< (2)V I)

268 C11 A2 Fm Am

(2) Parth& Pur&sha Prash<nti V<s< S<& Mur<r& (He) (1)Im IVm V Im

(2) S<& Mur<r& S<& Mur<r& S<& Mur<r& S < & Mur<r& ---V Im V (IVm V) Im

(1) Parth& Pur&sha Prash<nti V<s< S<& Mur<r& ---V Im

(2) He Hrish&kesha Hridaya Niv<s< Hridaya Niv<s< (1)I vi V Im

(2) S<& Mur<r& S<& Mur<r& S<& Mur<r& S<& Mur<r& (1)V Im V Im

172

Page 167: harmonium study method.pdf

269 C11 A3 D F

(2) P<rvat& Nandana Gaj<nan< (1)I(5) (V I

(2) Pashupati Nandana NiraÒjan< (1)V I

(1) P<rvat& Nandana Gaj<nan< (1)V I

(2) P<hi Prabho Mam P<hi Prasann< (1)(VIm) V I

(2) Girij< Nandana Shubh<nan< (2)V (IV V) I)

270 C11 A4 B D

(2) Pashupati Tanay< B<la Gaj<nana (2)(IV) I(5) (V7

(1) Tuma Ho Vighna Vin<sha GaÉesh< (1)V I VIm

(1) Tuma Ho Vighna Vin<sh< (1)V I

(2) He Shiva Nandana P<hi Gaj<nana (1)I IV

(2) Vidy< Buddhi Prad<t< (1)I IV V I

(2) MaËgala Kara He MaËgala Kara He (1)I IV I V

(1) Sundara S<& GaÉesh< GaÉesh< (1)V I VIm

(1) Sundara P<hi GaÉesh< (1)V I)

173

Page 168: harmonium study method.pdf

271 C11 A5 F#m Am

(2) Patita P<vana R<m Parth& Pur&shvara R<m (2)Im(5) (vii Im IVm vii Im

(2) P<vana N<m T<raka N<m P<pa Vimochana R<m (1)vii vi vii Im

(2) D<nava BhaÒjana R<m Dasharatha Nandana R<m (1)vii iii vii Im

(2) P<vana N<m T<raka N<m P<pa Vimochana R<m (2)vii vi vii Im)

272 C17 A4 B D

(2) PraÉam<m& Shr& D u r g e S<& N<r<yaÉ& (1)I(5) (IVm I (ii) I

(2) Jaya Jagadambe Dev& B h a v < n & (1)IVm I

(1) PraÉam<m& Shr& D u r g e S<& N<r<yaÉ& (1)III I ii I

(2) Jaya Mahish<sura Samh<riÉ& (1)Im V

(2) Mah< M<y< DuÔkhah<riÉ& (2)III I)

174

Page 169: harmonium study method.pdf

273 C11 A6 C# E

(2) PraÉava Svar\pa Hari Om S<& (1)I(5) (II I V

(2) N<r<yaÉa Hari Om ---I (I5b I)

(2) Sathya S<&shvar<ya Hari Om ---V vi° V

(2) Y<dav<ya M<dhav<ya Govind<ya NamaÔ Om (1)I ( ii I II7 I)

(2) Param<tma Rup<ya Hari Om (1)II7 vi I

(1) Hari Om Hari Om ---vi I

(1) Hari Om S<& Om (1)vi I

(1) Sathya S<&shvar<ya Hari Om (1)V vi I)

274 C11 A7 D F

(2) He Prash<nti Nilay< R<m He Parth& Pur& Bhagav<n (2)I(5) (IV I

(2) Ahalyoddh<raka R<m He Dasharathe Raghur<m (1)IV V I

(2) Shr& R<m Jaya R<m (2)vii IV I

(2) Shr& R<m R<m R<m Jaya R<m (2)(V IV I)

(2) S<& R<m R<m R<m S<& R<m (2)IV V I)

175

Page 170: harmonium study method.pdf

275 C11 A8 Ab B

(2) Pratah Smaranam Shr& Guru CharaÉam (1)I viim I

(2) S<&sh< SharaÉam Shr& Guru CharaÉam (1)IVm I vii viim I

(1) Pratah Smaranam Shr& Guru CharaÉam (1)viim I

(1+1) Brahm<nanda Prad<yaka CharaÉam (1)IVm ii (viim) I

--- Prad<yaka CharaÉam (1)IVm (viim) I

(2) SharaÉam SharaÉam S<&sha CharaÉam (2)IVm ii I

276 C11 A9 Dm Fm

(2) Prathama Vandan< Gaur& N a n d a n a (1)V Im (ii) Im

(2) He Shiva Nandana S<& Gaj<nana (1)vi Im

(1) Prathama Vandan< Gaur& N a n d a n a (1)V Im (ii) Im

(2) Eka Danta GuÉavanta Vin<yaka (1)(vi) Im

(2) Vighna Harana Shubha MaËgala CharaÉa (1)vi (vi°) Im

(2) PraÉava Svar\pa S<& Gaj<nana (2)ii Im)

176

Page 171: harmonium study method.pdf

277 C11 A12 Am Cm

(2) Prema May& S<& M< JÒ<na May& S<& M< (1)Im IVm ii Im

(1) Jaya M< Jaya M< Jaya M< (1)(iii) ii Im

(1) Jaya M< Jaya M< Jaya M< ---(vi) ii Im

(2) Shiva Shakti R\pin& S<& M< Moksha Prad<yin& M< (1)(vi vii Im ii Im

(2) Jaya M< Jaya M< (2)ii viim Im

(2) Jaya M< Jaya M< Jaya M< (come finale)(iii) ii Im

278 C11 A10 Cm Ebm

(1) Prema Mudita Mana Se Kaho R<ma R<ma R<mIm(5) ((vii Im) vii

R<ma R<ma R<m R<ma R<ma R<m Shr& R<ma R<ma R<mVm Im vii Im vii Im

(1) P<pa GhaÃe DuÔkha MiÃe Leke R<ma N<miii vi vii Im

(1) Bhava Samudra Sukhada N<va Eka R<ma N<mvii Im vii (Vm) Im

(1) Parama Sh<nti Sukha Nidh<na Divya R<ma N<miii vi vii Im

(1) Nir<dh<ra Ko >dh<ra Eka R<ma N<mvii vi Im vii (Vm) Im

(1) M<t< Pit< Bandhu Sakh< Sab H& R<ma N<mVm vi vii Im

(1) Bhakta Janara J&vana Dhana Eka R<ma N<mvii Im vii (Vm) Im

(3) R<ma R<ma R<m R<ma R<ma R<m R<ma R<ma R<m Shr& R<ma R<ma R<mvii (Vm) Im vii Im vii Im)

177

Page 172: harmonium study method.pdf

279 C11 A11 B D

(1+1) Prema Se Bolo Eka B<r S<& R<m (1+1)I(5) (V I

(1) Jai Jai R < m S<& R<m (1)vii (IV) V I

(2) Bolo R < m S<& R<m (2)IV (vii) I

(1) Prema Se Bolo Eka B<r S<& R<m (1) V I

(1) He Madhura Manohara R<m (1)IV (vii IV)

(1) He Mohana M\rata R<m (1)vii

(2) He KaruÉa Sindhu R<m (2)IV vii I

(1) He Raghupati R<ghava R<m (1)IV I IV

(2) He Patita P<vana R<m (1)I IV I

(1) Jai Jai R < m S<& R<m (1)vii (IV) V I

(2) Bolo R < m S<& R<m (2)IV (vii) I)

280 C17 A5 Bm Dm

(2) Prema Se G<o P<vana N<m (1)Im vii Im

(2) R<ma R<ma Raghu Nandana R<m< (1)IV Im

(1) Prema Se G<o P<vana N<m (1)vii Im

(1) Jaya Jaya R<m< Jaya Raghu R<m< ---IV Im IV

(1) Jaya Jaya R<m< Jaya S<& R<m< (1)Im IV

(2) Jaya S<& R<m< Jaya Sathya N<m< (2)Im (iii) IV

178

Page 173: harmonium study method.pdf

281 C11 B1 C Eb T

(2) PuÉy< N<m Pavitra N<m R<ma N<m S<& R<m (1)I(5) (IV I

(2) Hare Krishna Hare R<m Madhura N<m S<& R<m (1)IV V I

(2) KaruÉa Sindhu S&t< R<m D&na Bandhu R<dhe Shy<m (1)IV (V) I

(2) Hare Krishna Hare R<m Madhura N<m S<& R<m (2)IV V I)

282 C11 B2 C Eb

(2) R<dh< M<dhava Gop<lan< (2)I(5) (V

(2) Govinda Gop<la N<r<yaÉ< (S<&) (2)I IV V I

(2) N<r<yaÉ< S<& N<r<yaÉ< (2)I

(2) N<r<yaÉ< D&n< N<r<yaÉ< (2)IV V I

(2) N<r<yaÉ< Veda P<r<yaÉ< (2)V I)

283 C17 A6 Em Gm

(2) R<dh< Raman< N<r<yaÉ< (1)Im(5)

(2) Veda Bharan< N<r<yaÉ< (1)(V Im

(2) Bhava Bhaya Haran< N<r<yaÉ< (1)Im

(2) P<vana CharaÉ< N<r<yaÉ< (1)iii vii v i Im

(1) N<r<yaÉ< Hari N<r<yaÉ< (1)Im V

(1) N<r<yaÉ< Sathya N<r<yaÉ< (1)V Im

(2) N<r<yaÉ< S<& N<r<yaÉ< (2)vii Im)

179

Page 174: harmonium study method.pdf

284 C11 B3 D F

(2) R<dhe Govinda Gop<l< Jaya Govinda R<dhe Gop<l< (2)I(5) (V I

(2) Govinda Govinda Gop<l< (1)I (vii I)

(2) Govinda Govinda Gop<l< (S<&) (1)IV I V I

(1) R<dhe Govinda Gop<l< Jaya Govinda R<dhe Gop<l< (1)V I

(2) Krishna Madhus\dhan< Madhus\dhan< Krishna (2)I IV V (I)

(2) Gop<la Gop<la Gop<l< (S<&) (2)IV I V I)

285 C11 B4 D F

(2) R<dhe Govind< Jai Jai R<dhe Gop<l< (2)I(5) (VIm IV (V) I

(2) D&n< N<th< Govind< An<tha N<th< Gop<l< (1)V I

(1) R<dhe Govind< Jai Jai R<dhe Gop<l< (1)VIm IV (V) I

(2) R<dh< Lol< Govind< R<sa Vilol< Gop<l< (2)IV V I

(2) Govind< Jai Govind< Gop<l< Jai Gop<l< (2)V I)

180

Page 175: harmonium study method.pdf

286 C11 B5 C#m Em T

(2) R<dhe Govinda Krishn< Mur<r& (1)Im(5) (vii IV Im

(1) Jaya S<& Mukunda Mur<r& (1)I IV

(1) Jaya S<& Mukunda Mur<r& ---I IV

(1) R<dhe Govinda Krishn< Mur<r& (1)Im vii IV Im

(2) Nand< Nand< R<dhe Govind< (1)I (IV I)

(2) R<dhe Govind< S<& Govind< (1)IV V I

(2) S<& Mukunda Mur<r& (Sathya) (2)I IV)

287 C11 B6 A C

(2) R<dhe R<dhe R<dhe R<dhe Govind< (1)I vi I

(2) R<dhe Govinda Bhajo R<dhe Gop<l< (1)IVm I

(2) R<dhe Govinda Bhajo R<dhe Gop<l< (1)IVm (viim) I

(1) R<dhe R<dhe R<dhe R<dhe Govind< (1)Vm I

(2) Mural& Manohara Govind< He M<dhava Murahara Govind< (2)vi I

(2) Mural& Manohara Govind< He M<dhava Murahara Govind< (2)IVm (viim) I

181

Page 176: harmonium study method.pdf

288 C11 B7 Am Cm

(2) R<ghava Sundara R<ma Ragh\ Vara (1)I(5) (ii5b I

(2) Parama P<van< He Jaga Vandana (1)viim6 I

(1) R<ghava Sundara R<ma Ragh\ Vara ---ii5b I

(2) Patitoddh<raÉa Bhakta Par<yaÉa (1)viim6 I

(1+1) R<vana Mardana Vighna BhaÒjana (1)viim6 I

(2) Parth& Pur&shvara S<& N<r<yaÉa (2)viim6 I)

289 C11 B10 Bm Dm

(2) Raghupate R<ghava R<j< R<m< (2)I(5) iii Im

(2) O R<j< R<m< ---

--- Patita P<vana S&t< Pathe R<ma (2)II (vi) Im

(1) Raghupate R<ghava R<j< R<m< (1)vi vii Im

(2) Dasharatha Nandana R<j< R<m< (2)vii Im

(2) Kaushaliy<tmaja Sundara R<m< (2)ii

(2) R<ma R<ma Jai R<j< R<m< (2)vi vii Im

(2) R<ghava Mohana Megha Shy<m< (2)Im vii Im

(2) Jai Jai R<m Jai Jai R<m (2)Im vii vi vii

(1) Jai Jai R<m Jai Jai R<m Jai Jai R<ma R<ma R<j< R<m (2)Im (vi vii Im)

(1) Jai Jai R<m Jai Jai R<m Jai Jai R<ma R<ma S<& R<m (1)Im (vi vii Im)

(2) Patita P<vana S&t< Pathe R<ma (come finale + 1ª riga)

II (vi) Im)

182

Page 177: harmonium study method.pdf

290 C11 B9 A C

(2) Raghupate Shr& R<ma Chandr< R<ghav< Day<nidhe (1)I(5) ((IV I) V I

(2) Raghupate Shr& R<ma Chandr< R<ghav< Day<nidhe (1)VIm IIIm V I

(2) M<dhav< Shr& R<dhikesh< Govind< Hare Krishn< (1)(V I) V I

(2) M<dhav< Shr& R<dhikesh< Govind< Hare Krishn< (2)VIm IIIm V I

(1) Pashupate Shr& P<rvat&sh< ShaËkar< Sad<shiv< (1)(IV I) V I

(2) Pashupate Shr& P<rvat&sh< ShaËkar< Sad<shiv< (2)VIm IIIm V I)

291 C11 B8 D F

(2) Raghuv&ra RaÉadh&ra R<ma R<ma R<m (1)I(5) (V I

(2) R<ma R<ma R<m (1)I

(1) Raghuv&ra RaÉadh&ra R<ma R<ma R<m (1)V I

(2) Rakhum<& ViÃÃhal< Shy<ma Shy<ma Shy<m (2)V I

(1) Raghuv&ra RaÉadh&ra R<ma R<ma R<m (1)V I

(2) Sukum<ra Sundara R<ma R<ma R<m (2)IV I

(2) R<ma R<ma R<m (1)I

(1) Sukum<ra Sundara R<ma R<ma R<m (1)IV I

(2) ShirÁ&sha Parth&sha R<ma R<ma R<m (2)V (IIIm) IV I

--- Jai Jai R<m S&t< R<m (2+2+2)V I)

183

Page 178: harmonium study method.pdf

292 C11 B11 Ab B

(2) R<ja R<jeshvar& Jagan Mohin& (2)I(5) ((IV) V I

(2) Jagadambe MaËgala K<riÉ& (1)V I

(1) R<ja R<jeshvar& Jagan Mohin& (1)(IV) V I

(2) Jagadoddh<rin& Vighna Vin<shin& (1)(II7) I

(2) Chira Sukha D<yin& S<& Janan& (2)(V II I) V I)

293 C12 A1 Em Gm

(2) Raksh< Karo Bhagav<n Sathya S<& Bhagav<n (2)Im(5) (vii Im (vii) vi (vii) Im

(2) P<hi Day<lu Dehi Krip<lu (1)Im iii

(1) Raksh< Karo Bhagav<n Sathya S<& Bhagav<n (1)vi vii Im (vii) vi (vii) Im

(2) Sathya Dharma Sh<nti Prema Prad<t< (2)vii Im

(1) Nitya NiraÒjana J&vana D<t< (1)IVm Vm Im

(1) Nitya NiraÒjana J&vana D<t< ---vii Im

(2) Brahma VishÉu Maheshvara R\p< (2)vii Vm Im

(1+1) Sathyam Shivam Sundaram (1+1)Vm vi Im)

184

Page 179: harmonium study method.pdf

294 C12 A3 E G

(2) R<ma Hare S<& Krishna Hare Sarva Dharma Priya S<& Hare (2)I IV I (V I)

(1) All<h $shvara S<& Hare (1)I

(1) N<nak Yeshu Buddha Hare (1)I

(1) Zor<shÃra Mah<v&ra S<& Hare (1)(I) II7

(2) Sarva Dharma Priya S<& Hare (2)V

--- R<ma Hare S<& Krishna Hare (1)V

--- R<ma Hare S<& Krishna Hare (1)I

--- R<ma Hare S<& Krishna Hare (1)V

--- R<ma Hare S<& Krishna Hare (2)II V

--- Sarva Dharma Priya S<& Hare (come finale)V (II V)

295 C12 A4 D F

(2) R<ma Krishna Govinda N<r<yaÉa Keshav< (1)V I IV V

(1) R<dh&k< Ramana M<dhav< Jaya RaËg< Dev< (1)V IV I VIm

(1) R<dh&k< Ramana M<dhav< (1)V IV I

(2) Hare R<ma Hare Krishna S<i R<ma R<ghav< (1)I II I

(1) R<dh&k< Ramana M<dhav< Jaya RaËg< Dev< (1)V IV I VIm

(1) R<dh&k< Ramana M<dhav< (1)V IV I

185

Page 180: harmonium study method.pdf

296 C12 A5 C#m Em

(2) R<ma Krishna Prabhu T\ Jaya R<m Jaya R<m (1)Im vii Im

(1) S<& Krishna Prabhu T\ S<& R<m S<& R<m (1)Vm (vii) vi Im

(2) Yeshu Pit< Prabhu T\ He R<m He R<m ---vi vii Im

--- Yeshu Pit< Prabhu T\ Jaya R<m Jaya R<m (1)vi vii Im

(1) All<h $shvara T\ All<h Ho Akbar (1)vi vii VII Im

(1) All<h Ho Akbar ---vii VII Im

(2) ShirÁ& S<& Prabhu T\ S<& R<m S<& R<m (1)vi Im

297 C12 A6 D F

(2) R<ma Rah&ma Ko Bhajane V<le Tere Puj<r& B<b< (1)I(5) (IV I

(2+1+1) Ter< N<m Ek Sah<r< (1+1+1)IV I

(2) Tumhi Ho G&t< Tumhi R<m<yaÉa Tumhi Ho Veda Pur<É (1)IV I (IVm I)

(1+1+1)Ter< N<m Ek Sah<r< (1+1+1)IV I)

186

Page 181: harmonium study method.pdf

298 C12 A2 D F

(2) R<m R<m Bhajo Mana Hare Hare (1)V I

(2) R<m R<m Bhajo Mana Hare Hare (1)IV I

--- S<& R<m R<m R<m Hare Hare (1)IV I

--- R<m R<m Bhajo Mana Hare Hare (1)V I

(1) S<& R<m R<m R<m Hare Hare ---V I

(1) R<m R<m Bhajo Mana Hare Hare ---V I

(2) Raghupati R<j< R<ma R<m Patita P<vana Shr& R<m R<m (1)I IV (I IV) I V

--- R<m R<m R<m R<m Hare Hare (1)V I

(1) Hare R<m R<m R<m Hare Hare ---V I

(1) S<& R<m R<m R<m Hare Hare (2)IV I

(1) S<& Hare Hare ---IV I

(1) S<& R<m R<m R<ms Hare Hare ---IV I

187

Page 182: harmonium study method.pdf

299 C12 A7 G Bb

(2) R<ma R<ma R<m Raghu Nandana He Ghana Shy<m (Shr&) (1)I(5) (V (VIm) IV V I

(2) Shr& R<m Jaya R<m Jaya Jaya R<m (1)V I

(2) Shr& R<m Jaya R<m Jaya Jaya R<m (1)V

(2) Shr& R<m Jaya R<m Jaya S<& R<m (1)I (IV) V I

(2) Raghupati R<ghava R<j< R<m (1)V I

(2) Patita P<vana S&t< R<m (1)V (IV) I

(2) Shr& R<m Jaya R<m Jaya Jaya R<m (1)V

(2) Shr& R<m Jaya R<m Jaya S<& R<m (2)I V I)

300 C12 A8 D F

(2) R<ma R<ma S<& R<m< (1)I(5) (V I

(2) Parth&pur&sha S<& R<m (1)V I

(1) R<ma R<ma S<& R<m< (1)V I

(2) Madhura Manohara Sundara N<m (1)V I (IV)

(2) Shy<mala Komala Nayanabhir<m (1)IV V I

(2) Ravikula Mandala R<jala R<m (1)IV (V) I

(2) Parama P<van< MaËgala Dh<m (2)V I)

188

Page 183: harmonium study method.pdf

301 C12 A9 A C

(2) R<ma Sumira Mana R<ma Sumira Mana (2)I(5) (vii I)

(2) R<ma Sumira Mana R < m (1)IV I

(2) J<nak& Vallabha Dasharatha Nandana (1)I IV V

(1) R<machandra Shr& R<m (1)(I IV) V

(1) R<machandra Shr& R<m (1)V (I IV) I

(2) Bhaja Mana S&t< R<ma R<m Bhaja Mana S&t< R<m (1)V I V I

(2) Bhaja Mana R<dhe Shy<m Shy<m Bhaja Mana R<dhe Shy<m (1)I V

(2) Bhaja Mana S<& R<ma R<m Bhaja Mana S<& R<m (2)V IV V I)

302 C12 A10 F Ab

(2) R<sa Vilol< Nandal<l< (1)I(5) (V I

(2) S<& M<dhava Nandal<l< (1)V I V I

(1) R<sa Vilol< Nandal<l< (1)V I

(2) Nanda Kishor< Nandal<l< (1)II I

(2) Navan&ta Chora Nandal<l< (He) (1)II (V) I

--- Nandal<l< S<& Nandal<l< (2)V I (V) I

--- Nandal<l< S<& Nandal<l< (He) (2)II V I)

189

Page 184: harmonium study method.pdf

303 C12 A11 D F

(2) Sad< Nirantara Hari GuÉa G<o (1)I(5) (vii I

(2) Prema Bhakti Se Bhajana Sun<o (1)IV I

(1) Sad< Nirantara Hari GuÉa G<o (1)vii I

(2) S<& N<tha Ke CharaÉa Men >o (1)vi I

(2) Mana Mandira Men D&pa Jal<o (1)vi I

(2) J&vana Naiy< P<ra Lag<o (2)vi vii I)

304 C12 A12 Am Cm

(2) Sadguru Brahma San<tana He (2)Im(5) (vii Vm Im

(2) Parama Day<gana P < v a n a He (1)vii I vi (vii) Im

(2) Janmaja DuÔkha Vin<shana He (1)vii Im (vi) Im

(2) Jagadoddh<rana K<raÉa He (1)vii Vm V Im

(2) S<& Krishna Jan<rdhana He (1)Vm vi vii Im

--- Jan<rdhana He (1)Im

--- Jan<rdhana He (1)vii

--- Jan<rdhana He (1)Im

--- S<& Krishna Jan<rdhana He (1)Vm vi vii Im

(1) Bhava Bhaya Jaladhi T<rana He (1)iii (V) Im vii Im

(1) Bhava Bhaya Jaladhi T<rana He (1)Vm V Im vii Im)

N.B.: * = (or) Im

190

*

Page 185: harmonium study method.pdf

305 C12 B1 Gm Bbm

(2) Sah<r< Do Bhagav<n (1)IVm6 (vii) Im

(1+1) Mujhe Day< Karo Mujhe K r i p < Karo (1+1)IVm vii (vi) Im

(1) Sunmati Do Bhagav<n (S<&) (1)vii vi vii Im

(1) Sah<r< Do Bhagav<n (1)IVm6 (vii) Im

(1) Sad< S<th Raho He Bhagav<n (1)IVm (iii vi vii) I

(1) Sad< Raksh< Karo He Bhagav<n (1)vii Im vii Im

(1) Sad< S<th Raho He Bhagav<n (1)IVm (Im vi vii) Im

(1) Sad< Raksh< Karo He Bhagav<n (1)vii Im vii Im

(2) Sh<nti Bhakti Prem Do Bhagav<n (1)vii vi Im

306 C12 B2 E G

(2) S<& Avat<ra Yuga Avat<r< (1)I(5) (vi V Im

(2) D&na Day<l< SamkaÃa H<r< (1)vii I vii I

(1) S<& Avat<ra Yuga Avat<r< (2)I vi V Im

(2) S<& Brahm< S<& VishÉu ---vii I vii I

(2) S<& Maheshvar< ---vi I

(1) S<& Avat<ra Yuga Avat<r< ---vi V I

(1) Sathya S<& Prema S<& ---vii I vii I

(1) Saba Dharmon Ke B<b< S<& ---vii I vii I

(2) S<& Parameshvar< ---vi I)

191

Page 186: harmonium study method.pdf

307 C17 B3 A C

(1) S<& B<b< Bolo S<& B<b< Bolo (1)I(5) (IV I

(1+1) Nara Hari R\pa N<r<yaÉa (1+1)IV V I

(1) S<& B<b< Bolo S<& B<b< Bolo (1)V I

(1+1) Nity<nandam Sacchid<nandam (1+1)IV V I

(1) S<& B<b< Bolo S<& B<b< Bolo (1)V I

(1+1) S<& N<tha K a r u É < S<gara (1+1)IV V I

(1) S<& B<b< Bolo S<& B<b< Bolo (1)V I)

308 C12 B3 Bb Db

(2) S<& B<b< G&ta Sudh< Madhuram Madhuram >nandam (1)I (ii) I IVm I IVm ii I

(2) S<& B<b< G&ta Sudh< Madhuram Madhuram >nandam (1)IVm I IVm I IVm ii I

(2) Parth& B < b < G&ta Sudh< Madhuram Madhuram >nandam (1)IVm (ii I) IVm I ii I

(2) ShirÁ& B<b< G&ta Sudh< Madhuram Madhuram >nandam (1)IVm (ii) I IVm I IVm ii I

192

Page 187: harmonium study method.pdf

309 C12 B4 Dm Fm

(2) S<& B<b< PraÉ<m (Sathya) (2)Im(5) (vi vii Im

(1) ShirÁ& B<b< PraÉ<m (1)Im (vi) vii

(2) O Mere >tm< R<m (2)Im vi vii

(2) Le Lo Mere PraÉ<m (S<&) (1)vi vii Im

(1) S<& B<b< PraÉ<m (Sathya) (1)vi (vii4) Im

(1) $shvara All<h R<m (1)(vi Im)

(1) Saba Ke Ghar S<& R<m (1)vii (vi vii)

(1) $shvara All<h R<m (1)Im (vi Im)

(1) Saba Ke Ghar S<& R<m (1)vii (vi vii)

(2) P\raÉa Karo Mere K<m (2)Im vii vi

(1) Parama Sh<nti Priya R<m (He) (1)vi vii Im

(1) Parama Sh<nti Priya R<m (He) (1)vi vii Im)

193

Page 188: harmonium study method.pdf

310 C12 B5 F Ab

(2) S<& B<b< Ter< N<m Sathya S<& B<b< Ter< N<m (1)I(5) (ii I

(2) T\ H& Brahm< T\ H& VishÉu (1)I (ii I)

(2) T\ H& N<nak T\ H& Yeshu (1)ii I

(2) T\ H& Buddha T\ Zor<shÃra (1)I (ii I)

(2) T\ H& All<h T\ Mah<v&r (1)I ii I

(2) Sab Hai S<& Bhagav<n (1)I

(2) Sab Hai S<& Bhagav<n (1)I (vi I)

--- S<& R<m S<& N<m S<& B<b< Ter< N<m (1)ii I

--- All<h S<& Ter< N< Maula S<& Ter< N<m (1)ii I

--- Yeshu S<& Ter< N<m Buddha S<& Ter< N<m (1)ii I

--- S<& B<b< Ter< N<m S<& B<b< Ter< N<m (2)ii I)

194

Page 189: harmonium study method.pdf

311 C12 B6 A C

(2) S<& Bhajana Bin< Sukha Sh<nti Nah&n (1)I(5) (( V IV I) V I

(2) Hari N<ma Bin< >nanda Nah&n (1)IV I

(1) Prema Bhakti Bin< Uddh<ra Nah&n (1)vii IV I

(1) Guru Sev< Bin< Nirv<Éa Nah&n (1)V I V IV I

(1) S<& Bhajana Bin< Sukha Sh<nti Nah&n ---(V I) V I

(1) Japa Dhy<na Bin< Samyoga Nah&n (1)IV V I

(1+1) S<& Darisha Bin< PrajÒ<na Nah&n (1)V I vii IV (I)

(1) Day< Dharma Bin< Satkarma Nah&n (1)(I) V

(2) Bhagav<n Bin< Ko& Apn< Nah&n (1)I V I

(1+1) S<& N<th Bin< Param<tm< Nah&n (1) vii IV I)

N.B.: * = (or) vii

312 C12 B7 G Bb

(2) S<& Gaj<nana Vin<yaka (1)I(5) (V I

(2) Sindh\ra Vadana Shrita Jana P<lana (1)V I

(1) S<& Gaj<nana Vin<yaka (1)V I

(2) Ambik< Tanaya Amarad&shvara (1+1)I V

(2) Aganita GuÉa GaÉa >nanda D<yaka (2)I V I)

195

*

Page 190: harmonium study method.pdf

313 C13 A1 C#m Em

(2) S<& He J&van J&van Sathya S<& (1)Im(5) (vi vii Im

(2) S<& Mera J&van Sah<r< (1)vii Im

(1) S<& He J&van J&van Sathya S<& (1)vi vii Im

(2) Tere Bin< S<& Sab Hai Andher< (2)vi vii Im

(2) P<ra Karo Mere J&vana Naiy< (2)vii Im

(1) CharaÉa Lag<lo Mujhe S<& Kanhaiy< (1)vii Vm Im)

(1) CharaÉa Lag<lo Mujhe S<& Kanhaiy< (1)vi vii Im)

314 C12 B8 C#m Em

(2) S<& Ham<r< Ham S<& Ke Ais< Prema Ham<r< (1)Im(5) (IVm vi vii

(2) S<& R<m Ham<r< S<& R<m H a m < r < (1)Im (vi) vii IVm vii Im

(1) Sathya S<& Hai N<ma Tumh<r< ShirÁ& S<& Avat<r< (1)Im IVm vi vii

(2) S<& R<m Ham<r< S<& R<m H a m < r < ---Im (vi) vii IVm vii Im

--- Hindu Muslim Sikha Is<& Sabak< P<lana H<r< (1)Im IVm vi vii

--- S<& R<m Ham<r< S<& R<m H a m < r < (1)Im (vi) vii IVm vii Im)

196

Page 191: harmonium study method.pdf

315 C13 B11 G Bb

(2) Shaila Gir&shvara Um< Maheshvar< K<sh& Vishveshvara Sad<shiv< (2)I(5) ((VIm I) IV V (IV) I

(2) Sad< Shiva Sad<shiv< (2)Im vi V

(2) Sad< Shiva Shambho Sad<shiv< (Om) (2)Im IV Im IV

--- Sad< Shiva Sad<shiv< (2)Im vi V

--- Sad< Shiva Shambho Sad<shiv< (Om) (2)IV I IV I)

316 C13 A3 Dm Fm

(2) S<& M a h < d e v < (Sathya) (2)Im(5) (vii Im

(2) Parth& Pur&shvara He S<& B<b< Maheshvara He (1)(vi) Vm Im

(1) S<& M a h < d e v < (Sathya) (1)vii Im

(1) Nir\pama GuÉa Sadan< S<& N&raja Dala Nayana (1)(iii IV) iii IV Im

(2) Vibh\ti Sundara He S<& B<b< Maheshvara He (2)Vm vi vii Im)

197

Page 192: harmonium study method.pdf

317 C17 B2 Dm Fm

(2) S<& N<ma H& Madhuram S<& R\pa H& MadhuramIm vii

Madhuram S<& Madhuram S<& Sarvam Madhuram (1)Vm vi IVm Im

(2) S<& Drishyam Madhuram S<& V<É& Madhuram ---Im I IVm I

(2) S<& P<duka Madhuram S<& B<b< Madhuram ---Im vii Im

--- ShirÁ& Niv<sam Madhuram He Prash<nti Nilayam Madhuram (1)Im I IVm I

--- S<& L&l< Madhuram Madhuram S<& Madhuram (1)Im vii Im

--- S<& N<ma H& Madhuram S<& R\pa H& Madhuramvii

Madhuram S<& Madhuram S<& Sarvam Madhuram (2)Vm vi IVm Im

318 C13 A4 Dm Fm

(2) N<r<yaÉa Hari Om Hari Om Hari Om (Hari) (1)Im vi Im

(2) S<& N<r<yaÉa Hari Om Hari Om Hari Om (1)IVm V

(1) S<& N<r<yaÉa Hari Om Hari Om Hari Om (1)Im vi vii Im

(2) Sh<nt< K<r< BhujaËga Shayan< (1)I (Vm)

(2) Padman<bha Hari Om (1)I vi v i i I

(2) S<& N<r<yaÉa Hari Om (2)vi I

198

Page 193: harmonium study method.pdf

319 C13 A5 Em Gm

(2) S<& N<r<yaÉa N<r<yaÉa (2)Im(5)

(2) Sathya N<r<yaÉa N<r<yaÉa (1)(vii vi Im

(1) S<& N<r<yaÉa N<r<yaÉa (1)(vi vii Im)

(2) GaÉa Lol< Prabhu N<r<yaÉa (1)I IV

(2) D&n< P<la Jaya N<r<yaÉa (2)Im vi vii Im)

320 C13 A6 Em Gm

(2) S<& N<tha Bhagav<n S<& N<tha Bhagav<n (2)Im(5) (vii vi vii Im

(2) Sathyam Shivam Sundaram S<& N<tha Bhagav<n (2)iii Im vii Im

(1) S<& N<tha Bhagav<n S<& N<tha Bhagav<n (1)vii vi vii Im

(2) Buddham SharaÉam Gacch<m& (2)(vi Im)

(2) Dharmam SharaÉam Gacch<m& (2)vii Im

(2) SaËgam SharaÉam Gacch<m& (2)vii (Vm)

(2) S<&sha SharaÉam Gacch<m& (Sathya) (2)Im vi vii Im)

199

Page 194: harmonium study method.pdf

321 C13 A7 F# A

(1) S<& N<th< D&n< N<th< Brahma R\pa Sadguru (1)I(5) (V I V I

(1) Nir<kara He Ak<ra Sathya S<& Sadguru (1)V I

(1) S<& N<th< D&n< N<th< Brahma R\pa Sadguru (1)V I V I

(2) Omk<ra Sadguru Sakala T\ H& Sadguru (1)I V

(1) Nirvik<ra Sadguru Sathya S<& Sadguru (1)I V I

(1) S<& N<th< D&n< N<th< Brahma R\pa Sadguru (1)V I V I

(2) Nir<kara He Ak<ra Sathya S<& Sadguru (1)V I)

322 C13 A8 E G

(2) S<& Om S<& Om S<& Om (1)I(5) (V IVm I

(2) Tana Mana Pr<Éa Men S<& Om (1)I (IVm) I V I

(1) S<& Om S<& Om S<& Om (1)I V IVm I

(1) Shayana Sapana Men S<& Om (1)IV V I

(1) Gagana Pavana Men S<& Om (1)I IV I

(1) Shayana Sapana Men S<& Om (1)IV V I

(2) Nayana Nayana Men S<& Om (2)vi I

(2) Janama Marana Men S<& Om (2)(IVm I) V I)

200

Page 195: harmonium study method.pdf

323 C13 A9 F# A

(2) S<& Prema De Sh<nti De >nanda De B<b< Prema De (1)Im(5) (V Im V Im

(2) Tuma Ho B<b< Day< Ke S<gara (1)(V) Im V

(2) Tuma Ho GuÉa Mandira N<tha N<gara (1)Im V

(1) >di Ananta He Sathya San<tana (1)IV (V IV) V

(1) >di Ananta He Sathya San<tana ---V IV (V IV) iii

(2) Alakha NiraÒjana S<& Jan<rdhana (1)Im vi v i i (V) Im

(1) Sacchid<nanda Prabho Krip< Karo Prema DeV (IV V) Im V

Sh<nti De >nanda De B<b< Prema De (1)Im V Im

(1) S<& Prema De Sh<nti De >nanda De B<b< Prema De (1)V Im V Im)

324 C13 A12 D F

(2) S<& R<m< He Ghana Shy<m< (1)Im ii Im

(2) Parama Day< Ghana >tm< R<m< (1)vi7 Im

(1) S<& R<m< He Ghana Shy<m< (1)ii Im

(2) Sh<nta SaguÉa Hari Hara Param<tm< (1)vi v vi

(2) Bhakta Samrakshaka Day<bhir<m< (1)ii (iii) IVm

(2) Patita P<vana Sathya S<& R<m< (1)vi (v) ii vi

(2) SharaÉam SharaÉam He S<& R<m< (2)iim (v) vi

201

risponde con lariga successiva

Page 196: harmonium study method.pdf

325 C13 A10 Dm Fm

(2) S<& R<m S<& R<m (2)Im(5) (IVm Im

(2) S<& R<m Jai S<& R<m (1)vi vii Im

(2) Parth& Pur&shvara S<& R<m (1)(IVm) vii Im

(1) S<& R<m S<& R<m (1)IVm Im

(1) Raghupati R<ghava R<j< R<m (1)vi vii Im

(1) Patita P<vana S&t< R<m (1)IVm vii Im

(1) Raghupati R<ghava R<j< R<m (1)vi vii Im

(1) Patita P<vana S&t< R<m (1)IVm vii Im

(2) $shvara All<h Tere N<m (2)vii Im

(1) Sabako Sunmati De Bhagav<n (1)vi vii Im

(1) Sabako Sunmati De S<& R<m (1)vi vii Im)

202

Page 197: harmonium study method.pdf

326 C13 A11 Abm Bm T

(2) S<& R<m S<& Shy<m Mere S<& R<m (1)Im vii Im vi vii Im

(2) Mere S<& Mere B<b< Mere Pr<Éa N<tha R<m ---vii Im IVm vii Im

(1) S<& R<m S<& Shy<m Mere S<& R<m ---vii Im vi vii Im

(2) [Mere S<& Mere R<m] Mujhe Sh<nti Do Bhagav<n (1)vii Im vi vii

(2) Mujhe Sh<nti Do Bhagav<n (1)vi vii Im

(2) Mere J & v a n a Mere S<th Raho S<& R<m Mere (2)IVm vii vi Im vi vii Im

N.B.: * = (or) Tere Dvarape Me Aya

327 C13 A13 B D

(2) S<& S<& Smarana Karo (2)I(5) (I5b I

(2) Guru CharaÉa Kamala Dhy<na Karo (1)I5b I

(1) S<& S<& Smarana Karo (1)I5b I

(2) Keshava M<dhava Bhajana Karo (1)IVm I

(2) Sadguru S<& Sev< Karo (Shr&) (2)I5b I)

203

*

Page 198: harmonium study method.pdf

328 C13 B1 C#m Em

(2) S<& Shy<m< He Ghana Shy<m< (1)Im(5) (vi V Im

(2) Gaur& M<dhava MaËgala Dh<m< (1)Im vi V

(1) S<& Shy<m< He Ghana Shy<m< (1)Im vi V Im

(2) Jaya Jaya Jaya He Megha Shy<m< (1)Vm Im vi V

(2) Megha Shy<m< Megha Shy<m< (1)(Im) Vm vi iii

(2) Jaya Jaya Jaya Vrind<vana Dh<m< (2)Im vii Vm Im)

329 C17 B5 Abm Bm

(2) S<& Shy<m S<& Shy<m S<& Gop<l< (1)Im(5) (IVm Im vi vii Im

(2) Jaya M<dhava Jaya Keshava He Mural& G<na Lol< (1)vii IVm V Im

(1) S<& Shy<m S<& Shy<m S<& Gop<la (1)IVm Im vi vii Im

(2) PanÁar&n<tha P<ÉÁuraËga (1)Im

(2) Parth& Niv<sa S<& Dev< (1)vi vii V Im

(2) Jaya M<dhava Jaya Keshava He Mural& G<na Lol< (2)vii IVm V Im)

204

Page 199: harmonium study method.pdf

330 C13 B2 E G

(1+1) SaËkaÃa Haran< Shr& S<& R<mana (1+1)V I(5) (IV VIm V

(2) PaËkaja CharaÉ< Namo Namo (1)V

(2) Vedoddharan< VeËkaÃa R<mana (2)I V (I)

(1) Lakshm& N<r<yaÉa Namo Namo (1)I (VIm) V

(1) S<& N<r<yaÉa Namo Namo (1)I (VIm) V

(2) Namo Namo Namo Namo (1)V I (VIm)

(2) PaËkaja CharaÉ< Namo Namo (2)V (IV) I)

331 C13 B3 F# A

(2) Sarva Dharma Priya Dev< (1)I(5)

(2) Sathya S<& Dev< (1)(IV I IV

(2) All<h Yeshu Buddha N<naka (1)I (V I)

(2) Zor<shÃr< Mah<v&ra Tuma Ho (1)V I

(2) R<ma H& Tuma Ho Krishna H& Tuma Ho (1)I (IV) V

(1) Vishvar\pa Tuma Ho (1)I

(2) Vishvar\pa Tuma Ho (S<&) (2)V (IV V) I)

205

Page 200: harmonium study method.pdf

332 C13 B4 Am Cm T

(2) Sathya Dharma Sh<nti Prema Sab Ko D&jo (2)Im(5) ((vi) V

(2) Sathya Dharma Sh<nti Prema Svar\pa >pa Hain (2)II Im

(2) Sathya Dharma Sh<nti Prema J&vana K< Marma Hain (2)vi V Im

--- J&vana K< Marma Hain (1)V Im

--- J&vana K< Marma Hain (1)V

--- J&vana K< Marma Hain (1)V Im

--- Sathya Dharma Sh<nti Prema J&vana K< Marma Hain (1)vi V Im

(1) Gurudev GurudevIm ii

(1) Gurudev Gurudevvi V)

333 C13 B5 Cm Ebm

(2) Sathya Dharma Sh<nti Prema Svar\p< Prash<nti Nil<y< Dev< (1)Im(5) (vii Im

(1+1) R<ma Ho Krishna Ho S<& R<ma Dev< (1)vi vii Im

(1) Shiva Shakti Svar\pa B<b< He D&na Phalana B<b< (1)iii IV vi vii Im

(1) He Prash<nti Nil<y< B<b< He P\ran<vat<ra B<b< (1)I IV vi vii Im

(1+1) All<h Ho Maul< Ho S<& R<ma Dev< (1)vi vii Im)

206

} (come finale)

Page 201: harmonium study method.pdf

334 C13 B10 D F

(2) Sathyam JÒ<nam Anantam Brahm< (2)I(5) (V IV I

(2) Sathyam JÒ<nam Anantam Brahm< (1)IV I

(2) Sathyam JÒ<nam Anantam Brahm< (1)(I) V

(1) Sathyam Brahm< (1)I

(1) JÒ<nam Brahm< (1)I V

(2) Anantam Brahm< (2)V)

335 C13 B6 E G T

(2) Sathya N<r<yaÉa Govinda M<dhava S<& N<r<yaÉa Govinda Keshava (1)I(5) (vii I

(2) Sathya N<r<yaÉa Govinda M<dhava S<& N<r<yaÉa Govinda Keshava (1)IV (I) vii I

(1) Hare Krishna Hare Krishna Hare Krishna Hare Hare (come finale)IV I vii I

(1) Hare R<ma Hare R<ma Hare R<ma Hare Hare ---IV I vii I)

207

Page 202: harmonium study method.pdf

336 C13 B7 Bm Dm

(2) Sathya S<& SmaraÉam SmaraÉam Parth& S<& SmaraÉam (1)Im (vii Im) vi vii Vm

(2) Tribhuvana P<laka S<& Mahesha Sathya S<& SmaraÉam (1)Im vii Im vi vii Im

(2) Shr& Guru CharaÉam Bhava DuÔkha HaraÉam (1)(Vm) Im)

(2) Sathya S<& SmaraÉam SmaraÉam (1)vii v i Im

(1) Sathya S<& SmaraÉam (1)vi vii Im

(1) Sathya S<& SmaraÉam (1)vi (vii) Im

337 C13 B8 C# Em

(2) Sathya San<tana Nitya NiraÒjana Bhakta Par<yana N<r<yaÉa (1)Im vi vii Vm Im

(2) Govinda Govinda N<r<yaÉa (1)(Vm vi) Im

(2) Govinda Govinda N<r<yaÉa (1)vi vii Im

(2) N<r<yaÉa S<& N<r<yaÉa (1)vi Im

(2) Parth& P\randara N<r<yaÉa (PuÃÃ<) (1)IVm vi vii Im

(2) Govinda Govinda N<r<yaÉa (2)Vm (vi) Im

208

Page 203: harmonium study method.pdf

338 C13 B9 D F

(2) Sathya Svar\pin& M< S<& Prema Svar\pin& M< (1)I(5) IV (V

(2) >nanda D<yin& Hridaya Vih<rin& Parth& Niv<sin& M< (P<ra) (1)V I

(2) Vighna Vin<shin& Bhava Bhaya H<rin& K<l& Kap<lin& M< (1)V I V I

(2) He Tribhuvana Dh<rin& MaËgala K<rin& Moksha Prad<yin& M< (1)IV I V I

(2) >nanda D<yin& Hridaya Vih<rin& Parth& Niv<sin& M< (P<ra) (1)V I)

339 C13 B12 C Eb

(2) Shambho Mah<dev< Shiva Shambho Mah<dev< (1)I (VIm V) I

(2) S<mba Sad< Shiva S<& ShaËkara Shambho Mah<dev< (1)(VIm) V I

(2) Hara Hara Hara Shambho Bhava Bhaya Hara Hara Shambho (1)IV I (IV V) I

(2) Shiva Shiva Shiva Shambho Sathya S<&shvara Shambho (1)IV (VIm) V I

209

Page 204: harmonium study method.pdf

340 C14 A5 F#m Am

(2) Shambho Mur<re ShaËkara Mur<re (1)Im(5) V

(2) Mura Hara P<É& Dhara ShaËkara Mur<re (1)(V vi Im

(2) Shambho Mur<re ShaËkara Mur<re (2)V Im V

(2) Mura Hara P<É& Dhara ShaËkara Mur<re (2)V vi Im)

341 C14 A1 Ab B

(2) Shambho ShaËkara D e v < (1)I(5) (vii IV I

(1) Bhole B<b< Mah<dev< (1)vii I

(1) S<& B<b< Mah<dev< (1)vii I

(1+2) P<hi Prabho SharaÉam Dev< (1+1)vii I vii I

(1) Bhole B<b< Mah<dev< (1)vii I

(1) S<& B<b< Mah<dev< (1)vii I

(1) Hara Hara GaËge Mah<dev< (2)vii I vii I

(1) Hara Hara GaËge Mah<dev< (1)vii

(2) Hara Hara GaËge Mah<dev< (2)I vii I

(1) Bhole B<b< Mah<dev<vii I

(1) S<& B<b< Mah<dev<vii I)

210

} (come finale)

Page 205: harmonium study method.pdf

342 C14 A2 C Eb

(1+1) Shambho ShaËkar< Shiva Shambho ShaËkar< (1+1)Im(5) (iii Im

(2) Shambho ShaËkara Samba Sad< Shiva Shambho ShaËkar< (1)iii Im vii Im

(1+1) Parth& N<yak< Paramesh< P<hi M< (1+1)Im vii iii

(1) P<rvat& N<yak< Paramesh< P<hi M< (1)vii (iii) Im

(1) Paramesha P<hi M< (1)(vii Im)

(1) P<rvat& N<yak< Paramesha P<hi M< (1)vii Im

(2) Shambho ShaËkar< Samba Sad< Shiva Shambho ShaËkar< (2)vi iii vii Im vii Im)

343 C14 A3 Eb Gb

(2) Shambho Shiva ShaËkar< (1)I(5) (IV I

(2) GaËg< Dhara Hara Gaur& Shiv< (1)V IV I

(1) Shambho Shiva ShaËkar< (1)IV I

(2) Hara Hara Mah<deva Kail<sa V<s< (2)IV I

(2) Paramesha Parth&sha P<hi Prabho (2)(VIm) IV I)

211

Page 206: harmonium study method.pdf

344 C14 A4 E G

(2) Shambhu Kum<r< Gaur& Tanaya (1)I(5) (IV I vii

(1) Gaj<nana Sadaya Jaya Jaya (1)I vii I

(1) Gaj<nana Sadaya ---vii I

(2) Varada GaÉesha Dhurita Vin<sh< (1)IVm I

(2) PraÉavak<ra N<tha Sadaya (1)I vii I IV

(1) Gaj<nana Sadaya Jaya Jaya (1)I vii I

(1) Gaj<nana Sadaya (1)vii I)

345 C14 A6 G Bb T

(2) ShaËkara Sad< Shiva Chandra Shekhar< (2)I(5) (V I

(2) Chandra Shekhara S<& ShaËkar< (1)(VIm) V I

(1) ShaËkara Sad< Shiva Chandra Shekhar< (1)V I

(2) N&lakanÃha Shula Dh<r& S<& ShaËkar< (1)IV

(2) Bhal< Netra Tripur<r& S<& ShaËkar< (1)I

(2) Chandra Shekhara S<& ShaËkar< (2)(VIm) V I

346 C14 A7 Abm Bm

(2) ShaËkara ShaËkara ShaËkar< (2)Im(5)

(2) ShaËkar< AbhayaËkar< (1)(IVm vi Im

(2) P<hi M<m Krip<kar< (2)Im

(2) P<hi M<m S<&shvar< (2)IVm vi Im)

212

Page 207: harmonium study method.pdf

347 C17 A8 Abm Bm

(2) ShaËkara ShaËkara ShaËkara ShaËkara Shambho ShaËkara (1)Im(5) (vii vi V Im vi Im

(2) Shiva Shambho Hara Shambho Shiva Shiva Shiva Shambho (1)Im V Im vi V

(2) Shiva Shambho Hara Shambho (1)Im V IVm Im

(2) Shambho ShaËkara S<& Shy<m (1)(iii) V Im

(2) ShaËkara ShaËkara ShaËkara ShaËkara Shambho ShaËkara (1)vii vi V Im vi Im

(2) Trish\la D h < r & Trinetra Dh<r& (2)Im (vi Im) V

(2) Shiva Shambho Hara Shambho (1)Im V IVm Im

(2) Shambho ShaËkara S<& Shy<m (1)(iii) V Im)

348 C14 A8 Dm Fm

(2) ShaËkara Shiva ShaËkara Shiva ShaËkara Shambho (1)Im (vii Im) (vii Im)

(2) ShaËkara Shiva ShaËkara Shiva Shambho Mah<deva (1)I IVm (vi)

(1) ShaËkara Shiva ShaËkara Shiva ShaËkara Shambho (1)Im (vii Im) (vii Im)

(2) Àama Àama Àamar\ Bjaje ShaËkara GhaÉa GhaÉa GhaÉÃ< Bhaje (1)I vi vii I

(2) Hara Bhole N<tha Shambho Hara S<& N<tha Shambho (2)IV V vi I

213

Page 208: harmonium study method.pdf

349 C14 A10 C Eb

(2) SharaÉam SharaÉam S<&sha SharaÉam (2)I(5) (IV I IV I

(2) Shr& Guru M<ma Guru Sadguru S<& Guru (2)I vii

(1) SharaÉam SharaÉam S<&sha SharaÉam (1)I IV I IV I

(2) Parth& Pur&sh<m S<& Gop<lam (1)Vm vii I

--- S<& Gop<lam (1+1)I

--- S<& Gop<lam (1)IV

--- S<& Gop<lam (1)I

--- Parth& Pur&sh<m S<& Gop<lam (1)Vm vii I

(2) Sh<nti Niv<sam Gurudeva CharaÉam (2)vii I)

350 C14 A9 C Eb

(2) SharaÉam SharaÉam P<hi Gaj<nanam (1)I(5) (V

(1+1) Vighna Vin<shaka Ghana N<tham (1)IV V I

(2) Buddhi Prad<yaka S<& Gaj<nanam (1)II IV I

(2) Asura NikhanÁana P<hi Gaj<nanam (1)IV V I

(2) P<hi Gaj<nanam P<hi Gaj<nanam (1)V IV I

(2) S<& Gaj<nanam S<& Gaj<nanam ---V IV I

(1+1) Vighna Vin<shaka Ghana N<tham (1+1)IV V I)

214

Page 209: harmonium study method.pdf

351 C14 A11 C#m Em

(2) ShirÁ& Ke S<& Parth& Ke B<b< (1)Im(5) (vi vii Im

(2) Tuma Ho Ham<re Py<re S<& B<b< (1)vi vii Im

(1) ShirÁ& Ke S<& Parth& Ke B<b< (1)vi vii Im

(2) Prema Maya S<& Prema Prad<t< (1)vi vii Im

(2) Ishvaramba Nandana Jagat Parip<l< (1)iii (vi) vii Im

(2) P<p< Vin<shaka Parama Krip<l< (2)vi Im vii (vi) Im)

352 C14 A12 Em Gm

(2) ShirÁ& S<& Dv<rak< M<& Prash<nti V<s& S<& R<m (1)Im(5) (vii vi vii Im

(1+1) S<& R<m S<& R<m Eka N<m Sundara N<m ---vii vi vii Im

(1) ShirÁ& S<& Dv<rak< M<& Prash<nti V<s& S<& R<m ---vii vi Im

(2) All<h $shvara S<& R<m (1)(vii Im)

(2) Parth& Puri Ke He Bhagav<n (1)IVm (vi°)

(1) Day< Karo Day< Karo Day< Karo He Bhagav<n (1)Im vii vi vii Im

(1) Day< Karo Krip< Karo Raksh< Karo He Bhagav<n (1)vii vi vii Im)

215

Page 210: harmonium study method.pdf

353 C14 B1 D F

(2) ShirÁ& S<& Parth& S<& Hamako D&jo I(5) (IV I

Prem<mrita Dh<r< Prem<mrita Dh<r< (1)IV V I V I

(2) Tava Sev< K& Avasara D&jo Sathya S<& Mah<dev (2)IV V I

(2) Gan<mrita Me Bh<va Bh& D&joIIm IIIm VIm

Prema S<& Bhagav<n Prema S<& Bhagav<n (1)V (IIIm I (VIm) II V I)

354 C15 B5 C# E

(2) S&t< R<ma Shr& Raghu R<ma (1)I(5) (VI V

(1) Dasharathe He Sarag<ma (1)V I V I

(1) Dasharathe He Jaya R<ma ---V I V I

(2) Atm< R<ma Aganita GuÉa R<ma (2)I II7

(2) P<vana N<ma Bala R<ma ---V I V I

--- P<vana N<ma Sarag<ma (2)V I V I)

216

Page 211: harmonium study method.pdf

355 C17 B4 Bm Dm

(2) Shiva Hara He Hara Shiva He (1)Im(5) (iii vii Im

(2) Samba Sad< Shiva Shiva Hara He (1)vii Vm V Im

(2) Hara Hara Hara Hara Mah<deva (1)(vii) iii Im

(2) P<rvat& R<manam Sad< Shiva (2)V Im vii Im

(2) N<mami ShaËkara Tava CharaÉam (1)vii vi vii Im

(2) Bhav<n& ShaËkara Tava SharaÉam (2)vii Vm V Im)

356 C14 B2 Dm Fm

(2) Shiva Maheshvar< Shiva Maheshvar< Shiva Maheshvar< S<& R<m (1)Im(5) (vi Im

(2) Shiva Maheshvar< Shiva ShaËkar< Shiva Mah<dev< S<& R<m (1)(iii vi Im) vii Im vii (vi vi i) Im

(1) Kail<sa V<s< Mah<dev< (1)(vii Im)

(1) Jagad&shvara S<& Mah<dev< (1)vii Im

(1) Kail<sa V<s< Mah<dev< (1)(vii Im)

(1) Jagad&shvara S<& Mah<dev< (1)vii Im

(2) Tribhuvana P<la B<b< S<& Dev< (Om) (2)(vi) vii Im)

217

Page 212: harmonium study method.pdf

357 C14 B3 Dm Fm

(2) Shiva Om Shiva Om Shiva Om S<& Om (2)Im(5) (vii vi vii Im

(2) Shiva Om Shiva Om Shiva Om S<& Om (1)vii IVm Vm Im

(1) Shiva Om Shiva Om Shiva Om S<& Om (1)vii vi vii Im

(1) Bhakta Janon Ke Bhakton Ke Pr<É Hain S<& N<tha Shiva Om ---Im IVm

(1) Bhakta Janon Ke Bhakton Ke Pr<É Hain S<& N<tha Shiva Om ---IVm Im

(1) Prema Prad<yaka Sh<nti Prad<yaka S<& N<tha Shiva Om ---Im IVm

(1) Prema Prad<yaka Sh<nti Prad<yaka S<& N<tha Shiva Om ---IVm Im

(2) Jai Jai Jai Shiva Om ---Im (vii Im))

358 C14 B4 B D

(2) Shiva Shambho Shambho Shiva Shambho Mah<dev< (2)I IV V

(2) Hara Hara Hara Hara Mah<dev< Shiva Shambho Mah<dev< (1)II V IV I

(2) Hal< Hala Dhara Shambho An<tha N<tha Shambho (2)V I V I

(2) Hari Om Hari Om Hari Om NamaÔ Shiv<ya (1)II IV V I

(2) Hari Om Om Om Hari Om Hari Om NamaÔ Shiv<ya (2)II IV V I

218

Page 213: harmonium study method.pdf

359 C14 B5 B D

(2) Shambho Mah<dev< (Shiva) (2)vi vii Im

(1) Shambho Mah<dev< (1)Vm

(1) Shiva Shambho Mah<dev< (1)vi vii Im

(2) Chandra Kal<dhara GaËg<dhara Shiva (2)vii Im vi vii

(2) Gaur& Vara Sundara (Hara) (2)vi vii Im

(1) Hara Hara Hara Shambho (Om) (2)Im (vi Im)

(1) Shiva Shiva Shiva Shambho (1)Vm

(1) Hara S<& N<tha Shambho (1)IV vii Im

(1) Hara Bhole N<tha Shambho (1)IV vii Im

360 C14 B7 Cm Ebm

(2) Shiva ShaËkara Shashi Shekhara (2)Im(5) (vi Im ii Im

(2) Sarveshvara S < & s h v a r a (2)vii Im viim Im

(2) Shiva ShaËkara Shashi Shekhara (1)vi Im ii Im

(2) Hara Hara ShaËkara Sad< Shiva (2)(vi Vm Im)

(2) Hara Hara ShaËkara Sad< Shiva (2)vi (Im Vm Im)

(2) Shiva Shiva Shiva Shiva ShirÁ&shvara (2)IVm vii Vm Im)

219

Page 214: harmonium study method.pdf

361 C14 B6 Dm Fm

(2) Shiva ShaËkara Shiva ShaËkara Shiva ShaËkara R\pa Maheshvara S<& (2)Im(5) (vii vi vii Im

(2) Shiva ShaËkara ShaËkara ShaËkara S<& (2)vii Im

(2) Omk<ra Priya Shiva ShaËkara S<& (2)Im vii (IVm V)

(1) Kail<sa Priya Shiva ShaËkara S<& (1)vii Im vi vii V

(1) Omk<ra Priya Shiva ShaËkara S<& (1)Im vii (IVm V)

(2) Kail<sa Priya Shiva ShaËkara S<& (1)IVm Vm

(1) N<tha Jana Priya Shiva ShaËkara S<& (1)IV iii vii Im

(1) N<tha Jana Priya Shiva ShaËkara S<& (1)vii (vi vii) Im

(1) Om ShaËkara S<& (1)Im

(2) ShaËkara ShaËkara ShaËkara S<& (Shiva) (2)vii vi Im)

362 C14 B8 B D

(2) Shiva Shiva Shambho Hara Hara Shambho S<& Shambho ShaËkara (1)I(5) (V I vii I

(2) Vy<ghrambara Dhara Vibh\ti Sundara S<& Shambho ShaËkara (1)Vm I Vm I vii I

(2) Chandra Kal<dhara ShaËkara GaËg< JaÃ<dhara ShaËkara (1)I V IV I V IV

(2) T<ÉÁava Priyakara NaÃana Manohara Hala Hala Dhara ShaËkara (1)vii IV I

(2) Vy<ghrambara Dhara Vibh\ti Sundara S<& Shambho ShaËkara (2)vii I Vm I vii I)

220

Page 215: harmonium study method.pdf

363 C14 B9 D F

(2) Shiva Shiva Shambho T<ÉÁava Priyakara (2)I(5) (vii I)

(2) Bhava Bhava Bhairava Bhav<n& ShaËkara (2)(VIm V I

(2) Shiva Shiva Shambho T<ÉÁava Priyakara (1)(vii I)

(1) Hara Hara Bam Bam Bhol< Maheshvara (1)IV I

(1) Bhol< Maheshvara (1)IV I

(1) Hara Hara Bam Bam Bhol< Maheshvara (1)I vii I

(2) Àama Àama Àamar\ NaÃana Manohara (2)IV V I

(2) Sathyam Shivam S<& Sundaram (2)V IV I)

364 C14 B10 G Bb

(2) Shiva Shiva ShaËkara Hara Parameshvara (1)I(5) (II I

(2) Bala GaËg< Dhara S<& (1)I IV

(1) Shiva Shiva ShaËkara Parth& Pur&shvara (1)I II I

(1) Shiva Shiva ShaËkara Parth& Pur&shvara (1)V I

(2) N<tha Shiva ShaËkara S<& (1)I (V) IV (V)

(2) Bala GaËg< Dhar< S<& (1)I IV)

221

Page 216: harmonium study method.pdf

365 C15 A1 F#m Am

(2) Shiva Shiva Shiva Shiva Shiv<ya NamaÔ Om (2)Im(5) vii Im

(2) Hara Hara Hara Hara Har<ya NamaÔ Om (1)vii Im (iii) Im

(1) Shiva Shiva Shiva Shiva Shiv<ya NamaÔ Om (1)vii Im

(2) Alakha NiraÒjana Bhava Bhaya BhaÒjana (1)(vi vii Im)

(2) S<&shvar<ya NamaÔ Om (Sathya) (2)vii Im

(2) PraÉava Svar\pa Parameshvara (1)vii Im

(2) Parth&shvaraya NamaÔ Om (PuÃÃ<) (2)vii vi Im

366 C15 A2 C Eb

(2) Shiva Shiva Shiv<ya NamaÔ Om (1)I(5) V

(2) Bhava Bhava Bhav<ya NamaÔ Om (1)I V I

(2) ShirÁ& Pur&shvara Shambho ShaËkara (1)V (I)

(2) Hara Hara Har<ya NamaÔ Om (1)IV V I

(2) Parth& Shiv<ya NamaÔ Om (1)(II I)

(2) S<mba Shiv<ya NamaÔ Om (1)IV I IV

(2) Parth& Pur&shvara Shambho ShaËkara (1)I V (I)

(2) Hara Hara Har<ya NamaÔ Om (2)IV V I

222

Page 217: harmonium study method.pdf

367 C15 A3 F Ab

(2) Shiv<ya NamaÔ Shiva Shiv<ya NamaÔ ShivaI(5) (IV

Shiv<ya NamaÔ Om NamaÔ Shiv<ya (1)V I

(2) Shiv<ya NamaÔ Shiva Shiv<ya NamaÔ Shiva (2)IV V I

(2) Shiv<ya NamaÔ Om NamaÔ Shiv<ya (2) V I)

368 C15 A4 Dm Fm

(2) Shiv<ya Parameshvar<ya Chandrashekhar<ya NamaÔ Om (1)Im(5) (IV V IV (V) IV V Im

(or) Im vi (II) V Im

(1) Bhav<ya GuÉasambhav<ya Shiva T<ÉÁav<ya NamaÔ Om (1)Im V Im IV V Im

(or) Im(6) iii° V Im(6)

(2) Shiv<ya P a r a m e s h v a r < y a C h a n d r a s h e k h a r < y a NamaÔ Om (1)Im (iii° Im vi Im iii° Im vi Im)

(2) Bhav<ya GuÉasambhav<ya Shiva T<ÉÁav<ya NamaÔ Om (1)Im V Im IV V Im)

(or) Im(6) iii° V Im(6))

223

Page 218: harmonium study method.pdf

369 C15 A5 Gm Bbm T

(2) Shr& GaÉesha Shr& GaÉesha Shr& GaÉesha P<hi M<m (2)Im(5) (Vm) vii Im

(2) Jaya GaÉesha Jaya GaÉesha Jaya GaÉesha Raksh< M<m (2)(iii) v i i Im

(2) Shr& GaÉesha P<hi M<m Jaya GaÉesha Raksh< M<m (2)vii Im vii Im

(2) Jaya GaÉesha Jaya GaÉesha Jaya GaÉesha Raksh< M<m (2)vii (vi) Im)

370 C15 A6 Ab B

(2) Shr& GaÉesha Vin<yak< (1)I(5) (IV

(2) Vighna Vin<shaka Vin<yak< (1)I IV I

(2) MaËgala D<yaka Vin<yak< (1)vii I

(2) Bhava Bhaya N<sh< Vin<yak< (2)vii I IV

(2) Parth& Pur&shvara Vin<yak< (2)I IV I)

224

Page 219: harmonium study method.pdf

371 C15 A7 Am Cm

(2) Shr& Hari Bol Shr& Hari Bol Mukunda M<dhava Hari Hari Bol (2)Im(5) (IVm Im IVm vi ii Im

(1) Eka Prabhu Se Amrita G<o Prema Se Bolo Jai S<& R<ma (1)Vm Im Vm ii Im

(1) Prema Se Bolo Jai S<& R<m (1)Vm ii Im

(1) Eka Prabhu Se Amrita G<o Prema Se Bolo Jai S<& R<m ---Vm Im Vm ii Im

(1) Shr& Hari Bol Shr& Hari Bol Mukunda M<dhava Hari Hari Bol (1)IVm Im IVm vi ii Im

(1) Hari N<ma Se Prabhu GuÉa G<o Dina Dina Hara Hara Hari Hari G<o (1)Vm Im Vm ii Im

(1) Dina Dina Hara Hara Hari Hari G<o (1)Vm ii Im

(1) Hari N<ma Se Prabhu GuÉa G<o Dina Dina Hara Hara Hari Hari G<o (1)Vm Im Vm ii Im

--- Shr& Hari Bol Shr& Hari Bol Mukunda M<dhava Hari Hari Bol (1)IVm Im IVm vi ii Im

--- Mukunda M<dhava Hari Hari Bol (1)IVm vi ii Im

225

Page 220: harmonium study method.pdf

372 C15 A8 Ab B

(2) Shr& Hari Jaya Hari Nanda Mukunda Hari (1)I(5) (IVm I

--- Nanda Mukunda Hari (1)IVm I

--- Shr& Hari Jaya Hari Nanda Mukunda Hari (1)IVm I

(2) R<dh< R<mana Hari N<r<yaÉ< (2)V° I

(1) Shr& Hari Jaya Hari Nanda Mukunda Hari ---IVm I

(1) R<dh< R<mana Hari N<r<yaÉ< ---V° I

(2) N<r<yaÉ< Hari N<r<yaÉ< (2)IVm I

(2) N<r<yaÉ< S<& N<r<yaÉ< (2)IVm I)

373 C15 A9 Ab B T

(2) Shr& Kare Krip< Kare Kshemam Kare S<&shvare (1)I(5) (ii I viim I

(2) ShaËkare AbhayaËkare Shubham Kare S<&shvare (1)vii I

(1) Shr& Kare Krip< Kare Kshemam Kare S<&shvare ---ii I viim I

(2) T<ÉÁava Keli Priya Kare Bhairav& Pralayam Kare (1)ii I

(2) Sarveshvari Sundare Day< Kare Maheshvare (2)IV vii I (vii) I ii I)

226

Page 221: harmonium study method.pdf

374 C15 A10 Am Cm

(2) Shr& Lakshm& Ramana N<r<yaÉa (1)Im(5) (ii Im VII Im

(2) N<r<yaÉa Veda Par<yaÉa (2)Im (VII) vi7

(1) Shr& Lakshm& Ramana N<r<yaÉa (1)Im (ii Im) VII Im

(1) Bhava Bhaya Harana Vandita CharaÉa (1)(ii Im) ii Im

(1) Vandita CharaÉa (1)ii Im

(1) Bhava Bhaya Harana Vandita CharaÉa (1)(ii Im) ii Im

(1) Alakha NiraÒjana N<r<yaÉa (1)ii (viim iii) IVm

(1) S<& N<r<yaÉa (1)ii IVm

(1) Alakha NiraÒjana N<r<yaÉa (1)ii (viim iii) Im

(1) Vaideh& Mohana N<r<yaÉa (1)Im III (VII) vi7 (VII)

(1) Vaideh& Mohana N<r<yaÉa (1)Im III VII (vi7))

N.B.: * = (or) vi

375 C15 A11 Am Cm

(2) Shr& Niv<s< Gov i n d a Shr& VeËkaÃesha Govinda (1)Im(5) (iii Im

(2) Pur<n< Purusha Govinda PuÉÁar&k<ksh< Govinda (1)(II) V Im

(2) Dasha Vishvar\p< Govinda Krishn< R<m< Govinda (1)(iii° IV V iii° V Im)

(1) Krishn< R<m< Govinda R<m< Krishn< Govinda (1)(vi) II V Im

(1) S<& R<m< Govinda S<& Krishn< Govinda (1)(vi) II V Im)

227

*

*

Page 222: harmonium study method.pdf

376 C15 A12 A C

(2) Shr& Raghunandana Dasharatha Nandana (1)I(5) (vi I

(2) Bhadra D&shvara R<m< (1)I vi

(2) Vaideh& Priya VaikunÃha V < s < (1)I V vi I

(2) Sad< Smar<mi R<meti R<m< (2)(vi I) IVm I)

377 C15 B1 A C

(2) Shr& R<ma CharaÉam Shr& R<ma CharaÉam Shr& R<ma CharaÉam Bhaje (2)I(5) (vi I) IV I

(2) Shr& R<ma CharaÉam Shr& R<ma CharaÉam Shr& R<ma CharaÉam Bhaje (1)V IV V I

(2) Vaideh& R<mam VaikunÃha R<mam (1)IV I

(1+1) Bh\p<la ChuÁaman& (1+1)IV I

(2) >tm< Bh& R<mam Prabhu S<& R<mam (1)V I

(1+1+1) Shr& R<ma CharaÉam Bhaje (1+1+1)IV V I

(1) S<& R<ma CharaÉam Bhaje (2)IV V I)

228

Page 223: harmonium study method.pdf

378 C15 B2 Gm Bbm

( 2 ) S h r & R < m < J a y a R < m < ( 1 )Im(5) (vi vii Im vi vii Im

(2) Dasharathe Jaya Raghur<ma (1)vi vii Im

(1+1) Kaly<Éa R<ma KodaÉÁa R<ma (1+1)Vm Im

(2) S&t< R<ma Shr& Raghur<ma (1)vi vii Im

(2) Shr& R<m Jaya R<m (2)vi vii Im

(1) S<& R<m R<m R<m S<& R<m R<m R<m ---(Vm) vii Im

(1) S<& R<m R<m R<m Jaya R<m R<m R<m (1)(Vm) vii Im

--- Shr& R<ma Jaya R<ma Sathya S<& R<ma (2)vi vii Im)

379 C15 B3 Ab C

(2) Shr& S<& N<tha Guru Govinda (1)I (V I)

(2) Parth&pur&shvara Jaya Govinda (1)V

(2) Prash<nti N&laya R<dhe Govinda (1)I

(1) R<dhe Govinda (1)I

(1) Prash<nti N&laya R<dhe Govinda (1)I

(2) Shr& Guru Jaya Guru ViÃÃhala Govinda (2)V I

229

Page 224: harmonium study method.pdf

380 C15 B6 F Ab

(2) SubrahmaÉyam SubrahmaÉyam ShaÉmukh<n<th< SubrahmaÉyam (3)I(5) (V I

(1) SubrahmaÉyam SubrahmaÉyam ShaÉmukh<n<th< SubrahmaÉyam (2)V I (V I)

(2) Shiva Shiva Shiva Shiva SubrahmaÉyam Hara Hara Hara Hara SubrahmaÉyam ---I V I

(2) Shiva Shiva Hara Hara SubrahmaÉyam Hara Hara Shiva Shiva SubrahmaÉyam ---V IV V I

--- Shiva SaravaÉa Bhava SubrahmaÉyam Guru SaravaÉa Bhava SubrahmaÉyam (2)I V I

--- Shiva Shiva Hara Hara SubrahmaÉyam Hara Hara Shiva Shiva SubrahmaÉyam (2)V I (V I))

381 C15 B4 E G

(1) Shukl<mbara Dhara GaÉapati Mantram (2)I(5) (V IV

(1) Nityam Nityam Bhajo Bhajo (2)V I V I

(1+1) Vighna Vin<shaka Vishvam Vy<paka (1+1)V I

(2) V&ra GaÉapati Bhajo Bhajo (2)V I V I

--- Shukl<mbara Dhara GaÉapati Mantram (1)I (V IV

--- Nityam Nityam Bhajo Bhajo (ad libitum)V I V I)

230

Page 225: harmonium study method.pdf

382 C15 B7 Abm Bm

(2) Sundara Shy<ma Mur<r& S<& (1)Im(5) (vi V

(1) Gop<la Shr& Hari Shr& Hari (1)vi Im V

(1) Gop<la Shr& Hari Shr& Hari (1)Im V Im

(1+1) Parama NiraÒjana M<dhava S<& (1)vi (V) Im

(2) Sakala Chara Chara Vy<paka S<& (1)Im vi V

(1) Gop<la Shr& Hari Shr& Hari (1)vi Im V

(1) Gop<la Shr& Hari Shr& Hari (1)Im V Im)

383 C15 B8 G Bb

(2) Sundara Vadan< Sarasija Nayana (1)I(5) (II I

(2) Parth&pur& Bhagav<n (1)II I

(2) Jagat Parip<l< Prash<nti Nilaya (1)II I

(2) Tuma Ho Mere Bhagav<n (1)V I

(2) Day< Karo Bhagav<n (1)I V

(2) Krip< Karo Bhagav<n (1)V I

(2) Parth& Pur&sh< He Paramesha (1)I V

(2) Day< Karo Bhagav<n (Mujhe) (1)V I)

231

Page 226: harmonium study method.pdf

384 C15 B9 Ab B

(2) Sundara Vadan& SuguÉa Manohar& (1)I(5) ((V I)

(2) Mandahasa Mukha Shashi Vadan& (1)V I

(1) Sundara Vadan& SuguÉa Manohar& (1)(IV) I (V) I

(2) Chandana Kumkuma AlaËkrita Vadan& (1)V I IV V

(2) S<& Maheshvar& R<j< R<jeshvar& (1)I IV V I

--- Om Shakti Om Om Shakti Om Om Shakti Om Om Shakti Om(1)IV V I

--- Om Shakti Om Om Shakti Om Om Shakti Om Om Shakti Om(2)V IV I)

385 C15 B10 Ab B

(2) Kal< Vat& Amb< Sarasvat& (2)I(5) (V I

(2) Nada Brahma Hari Vedavat& (1)II7 I

(2) >nanda R\p&ni Vidy<vat& (1)II7 I

(2) Veda Brahma M<yi S<& Bhagavat& (1)II7 I

--- S<& Bhagavat& (2)I

--- Veda Brahma M<yi S<& Bhagavat& (1)II7 I

(2) Parth& Pur&shvari Amb< Sarasvat& (1)II7 I

(2) Nada Brahma Hari Vedavat& (2)II7 I)

232

Page 227: harmonium study method.pdf

386 C18 A1 Bb Db

(1) Tere Siv< Prabhu Koy& Nah&n Hai Tu Jhako Mer< PraÉ<m (1)I(5) (vi I

(1+1) Tuja Ko Mer< PraÉ<m S<& R<ma Tu Jhako Mer< PraÉ<m (1+1)IV vi I

(or) IV vi III I

(1) Mural& Manohara >sh< Na ToÁo (1)IVm I

(1) DuÔkha BhaÒjana Mer< S<t Na ChoÁo (2)IV I IV V I

(1) Mural& Manohara >sh< Na ToÁo ---IVm I

(1) DuÔkha BhaÒjana Mer< S<t Na ChoÁo ---IV I IV V I

(1+1) Dv<raka Rahu Mai Dukhiy<r< (1+1)vii I

(2) Sunle Mere Puk<r S<& R<ma Sunle Mere Puk<r (2)vii (IV) IV vi V I)

387 C18 A3 Dm Fm

(2) Tuma Ho Shy<ma R<ma Rah&m (1)Im vi Im

(2) R<ma Rah&m Shy<ma Rah&m (1)(iiim) ii Im

(1) S<& Tuma Ho Shy<ma R<ma Rah&m (1)vi Im

(2) All<h Yeshu Buddha M a h < v & r a (1)(vii) Im

(2) N<nak S<& Zor<shÃra Bh& Ho (1)vi Im

(1) Sarva Dharma Priya S<& N<r<yaÉa (1)(iiim) ii Im

(1) Sarva Dharma Priya S<& ShaËkara ---(iiim) ii Im

--- Tuma Ho Shy<ma R<ma Rah&m (1)vi Im

--- R<ma Rah&m Shy<ma Rah&m (1)(iiim) ii Im

--- R<ma Rah&m Shy<ma Rah&m (1)ii Im

--- R<ma Rah&m Shy<ma Rah&m (2)vi ii Im

233

Page 228: harmonium study method.pdf

388 C18 A2 F#m Am

(2) Tu Mere Sv<m& Antaray<m& (1)Im(5) ((vi) vii Im

(2) AkhanÁa Jyoti Jal<o S<& (1)vii (Vm) Im

(2) Tu Mer< Pit< T\ Hai Mer& M<t< (2)IVm vii Im

(2) Tu Mer< Bandhu T\ Mer< D<t< (1)vi vii Im

(2) Tu Mer< M<lika Mai Ter< B<laka (2)vii Im

(1) Day< Karo Prabhu D&n< N<tha (1)vii vi Im

(1) Sunmat& Do Mere S<& N<tha (1)vii vi Im)

389 C18 A4 Dm Fm

(2) Vahe Guru Vahe Guru Vahe Guru J& BoloIm(5) vii Im (vii)

(2) Sathya N<m Sathya N<m Sathya N<m J& BoloIm vii Im

(2) Nitya Nitya Japiye Tere N<m J& BoloI IV I (V)

(2) Sathya N<m Sathya N<m Sathya N<m J& BoloV (I) V I

(1) R<m R<m R<m R<m R<m R<m J& BoloI IV

(1) R<m< R<m< R<m< R<m< R<m< R<m< J& BoloI IV

(1) Sathya N<m Sathya N<m Sathya N<m J& BoloV (I) V I

(2) Krishna Krishna Krishna Krishna Krishna Krishna J& BoloIV I (V)

(2) Nitya Nitya Japiye Krishna N<m J& BoloV (I) V I

(2) Hari Hari Hari Hari Hari Hari J& BoloI IV

(2) Sathya N<m Sathya N<m Sathya N<m J& BoloV (I) V I °/°

234

Page 229: harmonium study method.pdf

(2) Govinda Jai Jai Gop<la Jai JaiI V I

(2) R<dh< RamaÉa Hari Govinda Jai JaiI (IV) V I

(1) Govinda Jai Jai I

(1) Gop<la Jai JaiI

(1) Govinda Jai Jai Gop<la Jai JaiV I V I

(1) R<dh< RamaÉa Hari Govinda Jai Jai(IV) V I

(2) Govinda Jai Jai Gop<la Jai JaiI

(1) Govinda Jai Jai Gop<la Jai JaiIV V I

(2) Govinda Jai Jai Gop<la Jai JaiI

(2) R<dh< RamaÉa Hari Govinda Jai Jai(IV) V I

(2) Govinda Jai Jai Gop<la Jai JaiI

(2) Govinda Jai Jai Gop<la Jai JaiIV V I

(2) Govinda Jai Jai Gop<la Jai JaiI

(2) R<dh< RamaÉa Hari Govinda Jai Jai(IV) V I

(3) Govinda Jai Jai Gop<la Jai JaiI

(1) Govinda Jai Jai Gop<la Jai JaiIV V I

(3) Govinda Jai Jai Gop<la Jai JaiI

(2) R<dh< RamaÉa Hari Govinda Jai Jai(IV) V I

(1) Vahe Guru Vahe Guru Vahe Guru J& BoloIm vii Im vii

Sathya N<m Sathya N<m Sathya N<m J& Bolo (ad libitum)Im vii Im

235

Page 230: harmonium study method.pdf

390 C18 A5 D F

(2) Vans&dhara Kanhaiy< Ghana Shy<ma Sundar< (1)I (VIm) V I

(2) Giridh<r& Gopa B<l< Vrind<vana Vih<r< (1)V I IV I V

(1) Vans&dhara Kanhaiy< Ghana Shy<ma Sundar< (1)I (VIm) V I

(2) Govinda M<dhav< Hare Madhus\dan< Mukund< (1)IV (IIm) I IV vii IV I

(2) S<& Govinda S<& Gopala S<& Govinda S<& (2)IV I V I

391 C18 A6 Ab B

(2) Vighna Vin<shaka GaÉan<th< (1)I IV

(2) Gaj<nan< He Gajavadan< (1)I (IIm) vii I

(2) GaÉan<th< GaÉan<th< (1)vii I

(2) P r a É a v a s v a r \ p < GaÉan<th< (1)IV I vii I

(2) Parth& Pur&shvara GaÉan<th< (1)I IV

(2) Gaj<nan< He Gajavadan< (2)I (IIm) vii I

236

Page 231: harmonium study method.pdf

392 C18 A7 Am Cm

(2) Vighna Vin<shaka Vin<yak< (1)Im IVm (I°) I m

(2) Vighna Vin<shaka Vin<yak< (1)vii Im

(1) Vighna Vin<shaka Vin<yak< (1)IVm (vii) Im

(2) Amba Bhav<n& Shiva Shambho Kum<r< (1)vii I Im

(2) KaruÉya L<vaÉya Akhil<nÁeshvar< (2)I vii Im

393 C18 A8

(2) Vin<yak< Vighna N<shak< (1)Im IVm V Im

(2) An<tha Rakshaka >nanda D<yak< (2)V Im

(2) Um< Maheshvara He Shiva Nandan< (2)V Im (IVm) V

394 C18 A9 D F

(2) Vin<yak< Vin<yak< (1)I(5) (vii I

(2) Vishva Dh<r< Vin<yak< (He) (1)(VIm) vii I

(1) Vin<yak< Vin<yak< (1)vii I

(2) Siddhi Vin<yaka Bhava Bhaya N<sh< (1)IV vii I

(1+1) Sura Muni Vandita Shr& GaÉesh< (1)vii IV (V) I

(2) Vishva Dh<r< Vin<yak< (He) (2)(VIm) vii I)

237

Page 232: harmonium study method.pdf

395 C18 A10 D F

(2) Vin<yak< Vin<yak< (1)I V I

(2) Vighna Vin<shaka Vin<yak< (1)V I

(2) Gaur& Nandana He Shiva Nandana (1)V I

(2) P<rvat& Nandana G a j < n a n < (1)V IV (V) I

(1) Mushika V<hana Gaj<nan< (1)V I V

(1) Modaka Hast< Gaj<nan< (1)V I V I

(1) Mushika V<hana Gaj<nan< ---V I V

(1) Modaka Hast< Gaj<nan< ---V I V I

396 C18 A11 Fm Ab2

(2) ViÃÃhal< Hari ViÃÃhal< (1)I(5) (vii I

(2) ViÃÃhal< Hari ViÃÃhal< (1)I (IV I)

(2) ViÃÃhal< Hari ViÃÃhal< (1)IV vi I

(1) P<ÉÁuraËga ViÃÃhale Hari N<r<yaÉa (1)vi I

(1) Purandara ViÃÃhale Hari N<r<yaÉa (1)vi I

(1) Hari N<r<yaÉa Bhajo N<r<yaÉa (1)VI I

(1) S<& N<r<yaÉa Sathya N<r<yaÉa (1)IV VI I)

238

Page 233: harmonium study method.pdf

397 C18 A12

(2) ViÃÃhal< Jai ViÃÃhal< P<ÉÁuraËga ViÃÃhal< (2)Im(5) (vii vi (vii) Im

(1) P<ÉÁuraËga ViÃÃhal< Jai P<ÉÁar& N<tha ViÃÃhal< (1)I vii vi vii Im

--- P<ÉÁuraËga ViÃÃhal< Jai P<ÉÁar& N<tha ViÃÃhal< (1)I vii vi vii Im vii

(1) ViÃÃhal< Jai ViÃÃhal< P<ÉÁuraËga ViÃÃhal< (1)vii vi (vii) Im

(1) ViÃÃhal< Jai ViÃÃhal< P<ÉÁuraËga ViÃÃhal< (1)I vii IV I

(1) P<ÉÁuraËga ViÃÃhal< (Jai) ---vii IV I

(1) ViÃÃhal< Jai ViÃÃhal< P<ÉÁuraËga ViÃÃhal< ---I vii IV I

(2) Purandara ViÃÃhal< Jai P<ÉÁar& N<tha ViÃÃhal< (2)I Vm vi vii Im)

239

Page 234: harmonium study method.pdf

240

398 C18 B1 Bm Dm

(2) Yadunandana Yashod< B<la (2)Im vii Im

(2) M<dhava Keshav< (2)I vii

(1) Yadunandana Yashod< B<la (1)Im vii Im

(1+1) Mathur< N<tha M<ma S<& N < t h a (1)I V IV I

(1) M<ma S<& N<tha (1)I

(1) M<ma S<& N<tha (1)IV

(1) M<ma S<& N<tha (1)I

(1) Mathur< N<tha M<ma S<& N < t h a (1)I V IV I

(2) Mandara Giridhara Madhus\dana He (2)I IV V Im

399 C18 B2 Eb F#

(2) Yuga Avat<ra S<& R < m a (1)I(5) (V (vi) I

(2) R<ma R<ma R<m (S<&) (1)ii I

(1) R<ma R<ma R<m S&t< Pate Shr& R<m ---II I

(2) Yuga Avat<ra S<& R < m a ---V (vi) I

(1) R<ma R<ma R<m ---VI I

(2) Parama NiraÒjana Prash<nti R<ma (1)I II I

--- Prash<nti R<ma (1)II V

--- Parama NiraÒjana Prash<nti R<ma (1)I II I

(2) Shr& Raghu R<ma S<& R<ma (1)(II) V (I)

(2) R<ma R<ma R<m (S<&) (3)VI I)

Page 235: harmonium study method.pdf

400 C18 B3 Cm Ebm

(2) Yuga Yuga Ke Avat<r< S<& R<ma S<& Krishn< S<& B<b< (1)Im vii vi vii Im

(2) B<b< S<& B<b< B<b< S<& B<b< (1)vii (Vm) Im

(1) Yuga Yuga Ke Avat<r< S<& R<ma S<& Krishn< S<& B<b< (1)vii vi vii Im

(1) All<h Yeshu N<naka S<& (1)vii Im

(1) Buddha Zor<shÃra Mah<v&ra S<& (1)vii (Vm) Im

(1) All<h Yeshu N<naka S<& (1)vii Vm Im

(1) Buddha Zor<shÃra Mah<v&ra S<& (1)vii (Vm) Im

(1) R<m Rah&m Jai R<m Rah&m Jai R<m Rah&m Jai R<m (1)Im vii vi vii

(1) R<m Rah&m Jai R<m Rah&m Jai R<m Rah&m Jai R<m (1)vi V Im

(1) R<m Rah&m Jai R<m Rah&m Jai R<m Rah&m Jai R<m (1)Im vii vi vii

(1) R<m Rah&m Jai R<m Rah&m Jai R<m Rah&m Jai R<m (1)vi vii vi Im

241

Page 236: harmonium study method.pdf

Appendix and exercisesAs you can see, there are many chord sequences, but once you have acquired a certain masteryof one sequence of three chords, sequences with 4-5 chords of the same type will be learntmuch more easily.The concept is that of capitalizing on the work carried out.One of two approaches may be adopted:1) Learning the main three-chord sequences.2) Learning one three-chord sequence and the related sequences that derive from it, up to amaximum of five chords per sequence.

E.g.:Seq. I IV VSeq. I IIm IV VSeq. I IIIm IV VSeq. I IV V IVmetc.Five-chord sequences should be studied at a later stage.

The first sequences to learnIn order to use this method to the full, it is a good idea to study the following sequences in the order set.The sequences have been divided into four basic groups, from which most of the sequences with more chordsderive.Knowledge of these sequences enables accompanying nearly all the Bhajans.

1) I(5) Done

242

2) I V

3) Im vii

4) Im V

5) I IV V

34) I IV vii

17) I IV IVm

32) I V vii

39) I V VIm

33) I V Vm

12) I vii Vm

57/58) I II(7) V

75) Im vi vii

77) Im IVm vi

78) Im IVm V

76) Im V vi

187) Im ii IV°

144) I ii IVm

145) I ii vi

EXERCISE No. 1 – Using the Chordbook (theory).Choose a Bhajan from the list of the chord sequence that you are studying and, in the Bhajanavali with the origi-nal chords, transform the chords of the Bhajan into notes. E.g.:

9 C2 A9

(2) An<tha Bandho S<& Prabho (2)Bbm(5) (FIm(5) (V

(2) Apar<dha Ksham< Karo S<& Prabho (1)E bm Eb° (F) BbmI V m IV° (V) Im

Page 237: harmonium study method.pdf

EXERCISE No. 2 (theory and practice)Reverse exerciseChoose a Bhajan from the list of the chord sequence that you are studying and transform the notes of the Bhajaninto the chords of the keys for men and women indicated in the grey box at the top of each Bhajan. E.g.:

19 C2 B3

kkeeyy ffoorr wwoommeenn

(2) Ayodhy< V<s& R<m R<m R<m Dasharatha Nandana R<m (1)I(5) (IV V IG(5) (C D G

(2) Patita P<vana J<nak& J&vana S&t< Mohana R<m (1)(V) I (IV) V I(D) G (C) D G

19 C2 B3

kkeeyy ffoorr mmeenn

(2) Ayodhy< V<s& R<m R<m R<m Dasharatha Nandana R<m (1)I(5) (IV V IBb(5) (Eb F Bb

(2) Patita P<vana J<nak& J&vana S&t< Mohana R<m (1)(V) I (IV) V I(F) Bb (Eb) F Bb

When you have completed the transposition, practice in the two keys.

EXERCISE No. 3 (practice)

Practice the chord sequence in the main keys:Major:C, D, Eb, F, G, A and BbMinor:C, C#, D, E, F, G, A and B

243

G Bb

G Bb

Page 238: harmonium study method.pdf

List of sequences1) I(5) Drone2) I V3) Im V4) Im vii5) I IV V6) I IIm IV V7) I IIIm IV V8) I IIIm IV V VIm9) I Im IV V V510) I I5 I5b IVm11) I I5 V5 V5b12) I vii Vm13) I iii IV vii14) I IV IVm vii15) I vi IVm viim Vm16) I V VI vii17) I IV IVm18) I IV vii Vm19) I IV vi vii20) I IVm V vi21) I Im IV V vi22) I Im IV vi vii23) I V V5 VI24) I I5 V V5 vi25) I I7 IV vii Vm26) I I4 IV V vii Vm27) I II IVm V28) I IIm IV vii29) I iii IV V30) I III IV V31) I v V32) I V vii33) I V Vm34) I IV vii35) I IV V vii36) I iii Im V vii37) I Im IV V vii38) I IIm IV V vii VIm39) I V VIm40) I IV V VIm41) I IIm V VIm42) I IV V vii Vm43) I IV V vii VIm44) I IV V vi vii45) I IV vi vii Vm46) I IV IVm V vi47) I IV IVm vi48) I iii IV vi vii49) I IV IV5 vi vii Vm50) I IV vi VI vii51) I IV V V5b52) I IV V Vm

244

Page 239: harmonium study method.pdf

53) I IV V vi54) I Im IV V vi VIm55) I IV V V7 VIm56) I IV V vi vi5b vii57) I II V58) I II7 V59) I II II7 V60) I II7 IV V61) I II IV V62) I II IV V vii63) I II Im IV V64) I II II7 IV V65) I II IV V VIm66) I II7 V VI67) I II V vi VI68) I II7 IV V vi vii VIm69) I I5b II V70) I I5b II V VIm71) I I5b II IV V72) I I5b IIm IV V73) I II IIIm IIm IV V VIm74) I III IV IVm V vi vii75) Im vi vii76) Im V vi77) Im IVm vi78) Im IVm V79) Im vi vii Vm80) Im V vi vii81) Im V vi vii Vm82) Im IVm vi vii83) Im IVm V vi vii84) I Im V vi vii85) Im IVm vi vii Vm86) Im IVm V vi vii Vm87) I Im IVm V vi vii Vm88) I Im IV V vi vii89) I Im IVm vi vii Vm90) I Im IV IVm V vi vii91) Im iii vi vii92) Im iii IV vii93) Im iii vii Vm94) Im iii vi vii Vm95) Im iii IVm vi vii96) Im iii V vi vii97) Im iii IVm vi vii Vm98) I iii Im IV vii Vm99) Im iii V vi vii Vm100) Im iii IV IVm vi vii101) Im iii IV V vi vii102) Im iii IVm V vi vii103) Im iii IV vi vii Vm104) Im iii IV IVm V vi vii Vm105) I iii Im IV vii106) Im iii IV vii Vm

245

Page 240: harmonium study method.pdf

107) Im iii IV vi vii108) ii iii Im IVm vii109) I ii iiim Im IVm viim110) I iii Im IV vi vii111) I iii Im IVm6 vi vii112) Im iii IVm V vii VIm113) ii iii iim Im IVm v vi vi7114) I iii Im IV V vi vii115) I iii Im IV V5 vi vii Vm116) I iii Im IV IVm V vi vii117) I iii Im IV IVm V vi vii118) Im iii iii5b IV IV4 IVm V vi vii119) ii iii Im IVm vi vii viim120) ii iii Im IVm vi vii viim121) ii ii5b iii Im IVm vi vii viim122) ii iii III Im IVm vi vi7 VII viim123) Im iii V vii Vm124) Im IV vi vii Vm125) Im vi vii VII Vm126) ii Im vi vii viim127) ii iii Im vi vii128) ii iiim Im vi vii129) II ii Im V vi130) I Im IV V V5# vi131) I Im IV vi vii Vm132) I IIm Im IV V Vm133) Im IV V vi vii Vm134) Im IV7 V vi vii vm135) II Im IV v V V7136) II iii Im Im5 V vi137) I IIm Im IV vi vii Vm138) I iii Im V vi vii Vm139) ii Im IV V vi vii viim140) ii iii Im vi VI VII VIm Vm141) II Im IVm V142) Im vi vii vii4144) I ii IVm145) I ii vi146) I ii5b viim6147) I ii IV viim148) I ii IVm vi viim149) I ii IVm vii viim150) ii Im IVm vi viim151) ii Im IVm vi Vm152) Im ii IVm vi vii Vm153) ii Im IVm vi vii viim Vm154) I ii IV vii viim155) I ii IV IV° IVm vi vii156) I ii IV IVm V vii Vm157) ii Im IVm V vi vii Vm158) Im ii iii IVm V vi vii159) I ii ii° viim VIm160) I ii V° viim viim6161) I ii ii° iii IVm vi

246

Page 241: harmonium study method.pdf

162) I ii ii° IV° IVm viim

163) I ii III Im IVm V

164) I ii III IVm V° viim

165) I ii Im IV V vi Vm

166) I ii ii° IVm vi viim viim5

167) I ii II° IVm V V° vi

168) I I5b II ii II7 V vi vi°

169) I II ii iii Im vi vii

170) I Im IVm V vi

171) Im Im6 IVm V7 vi vii

172) I Im Im6 IV IVm6 V vim6

173) I Im IV IVm V V7 vii

174) I Im IV IVm V vi vii

175) I Im IV IVm V vii Vm

Diminished chord sequences177) I IVm V°

178) I Im V v°

179) I IV° IVm V

180) I I5b7+ IV V v°

181) I IV IV° IVm IVm6 V

182) I° Im Im6 IV V V7 vi

183) I IV IVm V vi vii VII°

184) I iii Im IVm IVm6 V vi VI°

185) I Im IV IV° IVm V v° vi vii

186) I III iii Im IV° IVm V V7 vi vii

187) Im ii IV°

188) Im iii° Vm

189) I I° Im IVm vii

190) I° Im vi vii VII

191) I° II Im IV vi

192) I° II iii Im IV

193) Im IV° IVm V vi

194) Im IVm vi vi° vii

195) ii Im V vi vi°

196) I Im IV° IVm V vi

197) I Im V vi vii VII°

198) Im iii V V7 vi VII°

199) Im IV V VI° vii Vm

200) I II Im IV° IVm V vi

201) II Im6 IV V v° V7 vi

202) II iii° Im Im6 IV V vi

203) II iii iii° Im IV V vi

204) I Im IV IV° IVm V vi vii

205) I iii iii° Im Im6 IV V V7 vi

247

Page 242: harmonium study method.pdf

1) seq. I(5) BordoneC5C#5Db5D5Eb5E5F5F#5Gb5G5Ab5A5Bb5B5

Bh 01 Alakha Niranjana Bhava Bhaya BhanjanaBh 03 Allâh Nâma Bhajo Bhajore Bhajo Bh 05 Ambâ Bhavânî Shiva Shambhu KumârâBh 06 Ambâ Mandahasa Vadanî Manoharî Sâî Jaga JananîBh 07 Ambikâ Tanayâ GajânanâBh 08 Ânanda Sâgarâ Muralîdharâ Bh 09 Anâtha Bandho Sâî PrabhoBh 10 Antara Jyoti Jalâo SâîBh 11 Antar Jyoti Namo Paramâtma Jyoti NamoBh 12 Antaranga Sâî Anâtha Nâthâ SâîBh 13 Antaryâmî Sâî MurârîBh 14 Âo Mahâ Bhutta LingaBh 15 Âo Pyâre Nayana Hamâre Sâî Hamâre ÂoBh 18 Ayodhyâ Vâsî Râma Hai Dvârakâ Men ÂyeBh 19 Ayodhyâ Vâsî Râm Bh 20 Badâ Cita Cora Vrndâvana SancârâBh 21 Bâla Gopâlâ (Sâî)Bh 23 Bedâ Pâra Karo Mere SâîBh 24 Bhagavân Bhagavân Patita Pâvana RâmBh 25 Bhaja Mana Govinda GopâlaBh 26 Bhajo Mana Râma Krishnâ Jaya BoloBh 29 Bhajo Bhajo Râm Sathya Sâî RâmBh 30 Bhajo Bhajo Vitthala Pânduranga VitthalaBh 31 Bhajo Ghana Shyâma Bhajo Muralî Gopâla BhajoBh 32 Bhajo Ghanashyâma Bhajo Sîtâ Râma Bh 33 Bhajo Mana Nârâyana Nârâyana NârâyanaBh 34 Bhajo Mana RâmBh 35 Bhajo Râdhe Govinda Bhajo Shyâma Gopâl Bh 36 Bhajore Bhâî Sâî RâmBh 37 Bhajo Sîtâ Râm Bhajo Râdhe ShyâmBh 38 Bhasma Bhûshitânga Sâî Chandra Shekharâ Bh 39 Bhasma Vibhûshitâ Bhavânî ShankaraBh 40 Bhava Bhaya Haranâ Vandita CharanâBh 41 Bholâ Bhandârî Bâbâ Shiva Shiva Shiva Sâî BâbâBh 42 Bhola Nâtha Hare JagadîshâBh 43 Bolo Bolo Sab Mil Bolo Om Namah ShivâyâBh 44 Bolo Jai Jai Kâr Bolo Jai Jai KârBh 45 Bolo Nârâyana Jai Jai Vitthalâ

Bh 46 Bolo Râm Sâî Râm Sathya Sâî RâmBh 48 Charana Kamala Bandho Sâînâtha Ke Charana Kamala BandhoBh 49 Chitta Chorâ Muralî VâlâBh 50 Chitta Chora Yashodâ Ke Bâl Navanîta Chora GopâlBh 51 Dam Dam Dam Dam Damaru BajeBh 52 Dânava Bhanjana Râma Sâî Shyâmala Komala RâmBh 53 Dayâbhirâma Jânakî Râmâ Bh 54 Dayâbhirâma Shrî Raghu RâmâBh 56 Dayâ Karo Bhagavân Shankara Dayâ Karo Bhagavân (Sâî)Bh 58 Dayâ Karo Shiva Gangâ DhârîBh 59 Dayâ Sâgarâ Karunâ KarâBh 64 Dhanya Ho ÎshvarambâBh 65 Dhimita Dhimita Dhim Dhimita Dhimita Dhim Bh 66 Dîna Bândhavâ Shrî Sâî DevâBh 70 Durge Durge Durge Jai Jai MâBh 72 Gajamukha Gajamukha GananâthâBh 74 Gajânanâ He ShubhânanâBh 75 Gajavadanâ Gananâthâ Gajavadanâ DînâharanâBh 78 Ganesha Charanam Parama Pâvanam Bh 79 Ganesha Sharanam Sharanam GaneshâBh 80 Ganga Jatâdhara Gaurî Shankara Bh 81 Garudâ Vâhana NârâyanâBh 82 Gaurî Ganesh Umâ GaneshBh 83 Gaurî Nandana Bala GajânanâBh 84 Gaurî Nandana GajânanâBh 86 Giridhara Gopâlâ He Giridhara Gopâlâ Bh 90 Giridhârî Murârî GovindaBh 91 Gopâlâ Gopâlâ Devakî Nandana GopâlâBh 92 Gopâla Gopâla Nâcho GopâlâBh 93 Gopâla Gopâla Râdhe NandalâlâBh 95 Gopâla Râdhâ LolâBh 96 Gopâla Râdhe Krishnâ Govinda Govinda GopâlBh 98 Govinda Gopâla He Nandalâlâ Bh 99 Govinda Gopâla Prabhu GiridhârîBh100 Govinda GovindaBh102 Govinda Hare Gopâla Hare He Gopî Gopâ BâlâBh104 Govinda Krishnâ Jai Gopâla Krishnâ Jai Bh106 Govindâ Mâdhavâ Gopâlâ KeshavâBh107 Govinda Mâdhavâ Gopâla KeshavâBh108 Govinda Murahari Mâdhavâ (Hari) Bh109 Govinda Nârâyana Gopâla NârâyanâBh110 Govinda Râdhe (2) Govinda Govinda Gopâla RâdheBh111 Guru Bâbâ Guru BâbâBh115 Gurudevâ Sharanam DevâBh116 Gurudevâya Namo NamoBh117 Guru Nânak Jî Kî Jai Jai KârBh119 Guru Vâyur Pura Shrî Hari Krishnâ Nârâyana GopâlBh121 Hara Hara Hara Hara Bholâ Nâth (Om)Bh122 Hara Hara Hara Hara MahâdevâBh123 Hara Hara Hara Hara Namâmi ShankaraBh125 Hara Shiva Shankara Shashânka ShekharaBh126 Hare Krishnâ Hare Krishnâ Krishnâ Krishnâ Hare HareBh127 Hare Krishnâ Hare Râmâ Hare Hare Hare HareBh128 Hare Murâre Sâî Râm Hare Murâre Râm

248

Page 243: harmonium study method.pdf

Bh131 Hari Hari Bolo Râdhe Krishnâ BoloBh132 Hari Hari Govinda Hari Hari BolaBh134 Hari Hari NârâyanâBh137 Hari Nârâyanâ Hari Nârâyanâ Hari Nârâyanâ Bhajo ReBh138 Hari Om Hari Om Hari Om NârâyanâBh142 Hari Om Namo Shiva Shakti NamoBh143 Hari Om Tat Sat Namah ShivâyâBh147 He Mâdhavâ He MadhusûdanâBh148 He Nanda Nanda Gopâlâ Ânanda Nanda GopâlâBh150 He Parthî Purîshâ Prashânti Vâsâ Sadguru Sâî RâmBh151 He Râm BhagavânBh152 He Sâî Jagan NâthâBh153 He Shiva Shankara Namâmî Shankara Bh155 Jagadâshraya Shrî Raghu RâmâBh157 Jagadîsha Hare Jaya HoBh158 Jagadîshvari Dayâ Karo Mâ Bh159 Jagadoddhârinî Mâtâ Durgâ Jagadoddhârinî MâBh164 Jagat Uddhârana Parthî VihâranaBh166 Jai Durgâ Lakshmî Sarasvatî Sâî JaganmâthâBh168 Jaya Guru Jaya Guru Sâî RâmaBh169 Jaya Guru Omkârâ Jaya Jaya Sadguru Omkârâ OmBh170 Jai Hari Bolo Jai Sîtâ Râm Bh172 Jaya Jagadîsha Hare Jaya Govinda HareBh173 Jai Jai Bhavânî Mâ Ambe Bhavânî Mâ Bh174 Jaya Jaya Girijâ Bâla GajânanaBh175 Jai Jai GopâlâBh177 Jai Jai Gurudevâ Shrî Sâî MahâdevâBh178 Jai Jai Jai Gananâyakâ Jai Jai Vighna VinâshakâBh179 Jaya Jaya Jaya He GajânanâBh182 Jai Jai Jai Manamohanâ Jai Jai Jai MadhusûdanâBh184 Jaya Jaya Krishnâ YadunandanâBh186 Jaya Jaya Sadguru Sâî Sadâ ShivâBh189 Jai Jai Vaishnavî Devî Mâ Jai Jai Vaishnavî Devî MâBh193 Jai Sâî Râm Jai Sâî RâmBh194 Jai Sâî Râm Jai Sâî RâmBh195 Jaya Sâî Shankara Jaya AbhayankaraBh197 Jaya Vallabha GananâyakâBh200 Keshavâ Mâdhavâ Jaya Devâ MadhusûdanâBh201 Koti Pranâm Shata Koti PranâmBh203 Krishna Krishna Govinda Krishna Gopâla Bâla KrishnâBh204 Krishnâ Mâdhavâ Govindâ GopâlâBh205 Krishnâ Mâdhavâ Mâdhavâ KrishnâBh206 Krishnâ Murârî Bhava Bhaya Hârî He Giridhârî GopâlBh207 Krishnâ Râmâ Govinda NârâyanâBh208 Kshîrabdhi Shayana NârâyanâBh209 Lambodarâ Gananâtha GajânanaBh210 Lambodarâ He VighneshvarâBh215 Madhura Madhura Muralî Ghana ShyâmâBh219 Madhuvana Sanchârî Shyâma MurârîBh220 Mahâdevâ Shiva Shambho ShankaraBh221 Mahâ Ganapathe NâmostuteBh222 Mana Eka Bâra Hari BolBh223 Mana Mohanâ Muralî DharâBh224 Mana Mohanâ Nandalâl

Bh225 Mânasa Bhajare Guru CharanamBh228 Mâtanga Vadanâ Ânanda SadanâBh229 Mîta Smita Sundara Mukhâravindâ Bh230 Mohana Raghu RâmâBh231 Mrityum Jayâya Namah OmBh232 Mukunda Murârî Murârî GopâlBh235 Muralî Krishnâ Mukunda Krishnâ Bh236 Nâche Tribhangâ Krishnâ MurârîBh238 Namah Pârvatî Pataye Hara HaraBh239 Namo Namo Natarâja Namo Hara Jatâ Jûtadhara ShambhoBh240 Nanda Gopâl Nanda GopâlBh241 Nandalâlâ Nandalâlâ Dayâ Karo BhagavânBh242 Nandalâlâ Yadu NandalâlâBh243 Nandâ Nandana Hari Govinda GopâlâBh244 Nârâyanâ Bhaja Nârâyan Nârâyan Bhaja Nârâyan NârâyanBh248 Nârâyanâ Hari Nârâyanâ Hari Nârâyanâ Veda PârâyanâBh249 Natarâjâ Namâmî ShankarâBh250 Natarâjâ Natarâjâ Narthana Sundara NatarâjâBh251 Navanîta Chora Bâla GopâlBh252 Nityânandam SacchidânandamBh253 O Bhagavân O Bhagavân Araja Suno Mere Sâî BhagavânBh254 O Bhagavân O Bhagavân O Bhagavân Sâî Bâbâ BhagavânBh255 Om Dhim Dhim Dhim Dhim Natana ShivâBh256 Om Namah Shivâya Shivâya Namah Om (2)Bh257 Om Namah Shivâya Shivâya Namah OmBh258 Om Namo Bhagavate Vâsudevaya Bh259 Om Shiva Shambho Jaya Shiva ShambhoBh260 Om Shivâyâ Om Shivâyâ Shambho Shankara Om ShivâyâBh261 Om Shrî Râm Jai Râm Jai Jai RâmBh262 Pânduranga Vitthale Hari Nârâyana Bh263 Pânduranga Vitthala Jai Pândari Nâtha VitthalâBh265 Pâra Karo Uddhâra Karo Prabhu Parthî Purî BhagavânBh267 Parthî Purî Sâî Gopâla BâlâBh269 Pârvatî Nandana GajânanâBh270 Pashupati Tanayâ Bâla GajânanâBh271 Patita Pâvana Râm Parthî Purîshvara RâmBh272 Pranamâmî Shrî Durge Sâî NârâyanîBh273 Pranava Svarûpa Hari Om SâîBh274 Prashânti Nilayâ Râm He Parthî Purî Bhagavân (He)Bh276 Prathama Vandanâ Gaurî NandanaBh278 Prema Mudita Mana Se Kaho Râma Râma RâmBh279 Prema Se Bolo Eka Bâr Sâî RâmBh281 Punyâ Nâm Pavitra Nâm Râma Nâm Sâî Râm Bh282 Râdhâ Mâdhavâ GopâlanâBh283 Râdhâ Ramanâ Nârâyanâ Veda Bharanâ NârâyanâBh284 Râdhe Govinda Gopâlâ Jaya Govinda Râdhe GopâlâBh285 Râdhe Govinda Jai Jai Râdhe GopâlaBh286 Râdhe Govinda Krishnâ Murârî Bh288 Râghava Sundara Râma Raghû VaraBh289 Raghupate Râghava Râjâ RâmaBh290 Raghupate Shrî Râma Chandrâ Râghavâ DayânidheBh291 Raghuvîra Ranadhîra Râma Râma RâmBh292 Râjâ Râjeshvarî Jagan MohinîBh293 Rakshâ Karo Bhagavân Sathya Sâî Bhagavân

249

Page 244: harmonium study method.pdf

Bh297 Râma Rahîma Ko Bhajane Vâle Tere Pujârî BâbâBh299 Râma Râma Râm Raghu Nandana He Ghana Shyâm (Shrî)Bh300 Râma Râma Sâî RâmaBh301 Râma Sumira Mana Râma Sumira ManaBh302 Râsa Vilolâ NandalâlâBh303 Sadâ Nirantara Hari Guna GâoBh304 Sadguru Brahmâ Sanâtana HeBh305 Sahârâ Do BhagavânBh306 Sâî Avatâra Yuga AvatârâBh307 Sâî Bâbâ Bolo Sâî Bâbâ BoloBh309 Sâî Bâbâ Pranâm (Sathya)Bh310 Sâî Bâbâ Terâ Nâm Sathya Sâî Bâbâ Terâ NâmBh311 Sâî Bhajana Binâ Sukha Shânti NahînBh312 Sâî Gajânana VinâyakâBh313 Sâî He Jîvan Jîvan Sathya SâîBh314 Sâî Hamârâ Ham Sâî Ke Aisâ Prema HamârâBh315 Shaila Girîshvara Umâ Maheshvarâ Bh316 Sâî Mahâdevâ (Sathya)Bh319 Sâî Nârâyana NârâyanaBh320 Sâî Nâtha Bhagavân Sâî Nâtha BhagavânBh321 Sâî Nâthâ Dînâ Nâthâ Brahma Rûpa SadguruBh322 Sâî Om Sâî Om Sâî OmBh323 Sâî Prema De Shânti De Ânanda De Bâbâ Prema DeBh325 Sâî Râm Sâî RâmBh327 Sâî Sâî Svarana KaroBh328 Sâî Shyâmâ He Ghana ShyâmâBh329 Sâî Shyâm Sâî Shyâm Sâî GopâlaBh330 Sankata Haranâ Shrî Sâî RâmanaBh331 Sarva Dharma Priya DevâBh332 Sathya Dharma Shânti Prema Saba Ko Dîjo Bh333 Sathya Dharma Shânti Prema Svarûpâ Bh334 Sathyam Jnânam Anantam BrahmâBh335 Sathya Nârâyana Govinda Mâdhavâ Bh338 Sathya Svarûpinî Mâ Sâî Prema Svarûpinî MâBh340 Shambho Murâre Shankara MurâreBh341 Shambho Shankara DevâBh342 Shambho Shankarâ Shiva Shambho ShankarâBh343 Shambho Shiva ShankarâBh344 Shambhu Kumârâ Gaurî TanayaBh345 Shankara Sadâ Shiva Candra Shekharâ Bh346 Shankara Shankara ShankarâBh347 Shankara Shankara Shankara Shankara Shambho ShankaraBh349 Sharanam Sharanam Sâîsha SharanamBh350 Sharanam Sharanam Pâhi GajânanamBh351 Shirdî Ke Sâî Parthî Ke BâbâBh352 Shirdî Sâî Dvârakâ Mâî Prashânti Vâsî Sâî RâmBh353 Shirdî Sâî Parthî Sâî Hamako DîjoBh354 Sîtâ Râma Shrî Raghu RâmaBh355 Shiva Hara He Hara Shiva HeBh356 Shiva Maheshvarâ (3) Sâî RâmBh357 Shiva Om Shiva Om Shiva Om Sâî OmBh359 Shambho Mahâdevâ (Shiva)Bh360 Shiva Shankara Shashi ShekharaBh361 Shiva Shankara Shiva Shankara

Bh362 Shiva Shiva Shambho Hara Hara Shambho Bh363 Shiva Shiva Shambho Tândava PriyakaraBh364 Shiva Shiva Shankara Hara ParameshvaraBh365 Shiva Shiva Shiva Shiva Shivâya Namah OmBh366 Shiva Shiva Shivâya Namah OmBh367 Shivâya Namah Shiva Shivâya Namah ShivaBh368 Shivâya Parameshvarâya Candrashekharâya Namah OmBh369 Shrî Ganesha Shrî Ganesha Shrî Ganesha Pâhi Mâm Bh370 Shrî Ganesha VinâyakâBh371 Shrî Hari Bol Shrî Hari Bol Mukunda Mâdhavâ Bh372 Shrî Hari Jaya Hari Nanda Mukunda HariBh373 Shrî Kare Kripâ Kare Kshemâm Kare Sâîshvare Bh374 Shrî Lakshmî Ramana NârâyanaBh375 Shrî Nivâsâ Govinda Shrî Venkateshva GovindaBh376 Shrî Raghunandana Dasharatha NandanaBh377 Shrî Râma Charanam Bh378 Shrî Râmâ Jaya RâmâBh380 Subrahmanyam Subrahmanyam Bh381 Shuklâmbara Dhara Ganapati MantramBh382 Sundara Shyâma Murârî SâîBh383 Sundara Vadanâ Sarasija NayanaBh384 Sundara Vadanî Suguna ManoharîBh385 Kalâ Vatî Amba SarasvatîBh386 Tere Sivâ Prabhu Koyî Nahîn Bh387 Tuma Ho Shyâma Râma RahîmBh388 Tu Mere Svâmî AntarayâmîBh394 Vinâyakâ VinâyakâBh396 Vitthalâ Hari VitthalâBh397 Vitthalâ Jai Vitthalâ Pânduranga Vitthalâ

2) I VC GDb AbD AEb BbE BF CF# C#G DAb EbA EBb FB F#

Bh100 Govinda GovindaBh194 Jai Sâî Râm Jai Sâî RâmBh197 Jaya Vallabha GananâyakâBh242 Nandalâlâ Yadu NandalâlâBh260 Om Shivâyâ Om Shivâyâ Shambho Shankara Om ShivâyâBh312 Sâî Gajânana VinâyakâBh321 Sâî Nâthâ Dînâ Nâthâ Brahma Rûpa SadguruBh379 Shrî Sâî Nâtha Guru Govinda3) Im V

250

Page 245: harmonium study method.pdf

Cm GC#m G#Dbm AbDm AEbm BbEm BFm CF#m C#Gbm DbGm DAbm EbAm EBbm FBm F#

Bh266 Parthî Purîshâ Sâî Deva

4) Im viiCm BbC#m BDbm BDm CEbm DbEm DFm EbF#m EGbm EGm FAbm GbAm GBbm AbBm A

Bh 30 Bhajo Bhajo Vitthala Pânduranga Vitthala

5) I IV VC F GDb Gb AbD G AEb Ab BbE A BF Bb CF# B C#G C DAb Db EbA D EBb Eb FB E F#

Bh 19 Ayodhyâ Vâsî Râm Bh 32 Bhajo Ghanashyâma Bhajo Sîtâ Râma Bh 33 Bhajo Mana Nârâyana Nârâyana Nârâyana

Bh 34 Bhajo Mana RâmBh 36 Bhajore Bhâî Sâî RâmBh 45 Bolo Nârâyana Jai Jai VitthalâBh 49 Chitta Chorâ Muralî VâlâBh 51 Dam Dam Dam Dam Damaru BajeBh 71 Eka Bâr Kshamâ Karo Sâî Mere Bâbâ Shrî Sathya SâîBh 73 Gajânanâ GajânanâBh 75 Gajavadanâ Gananâthâ Gajavadanâ DînâharanâBh 86 Giridhara Gopâlâ He (3)Bh 90 Giridhârî Murârî GovindaBh 93 Gopâla Gopâla Râdhe NandalâlâBh 95 Gopâla Râdhâ LolâBh 97 Govinda Bolo Gopâla BoloBh125 Hara Shiva Shankara Shashânka ShekharaBh135 Hari Hari Om Shiva Shankara OmBh136 Hari Nâma Sumira Hari Nâma Sumira Bh147 He Mâdhavâ He MadhusûdanâBh148 He Nanda Nanda Gopâlâ Ânanda Nanda GopâlâBh153 He Shiva Shankara Namâmî Shankara Bh159 Jagadoddhârinî Mâtâ Durgâ Jagadoddhârinî MâBh173 Jai Jai Bhavânî Mâ Ambe Bhavânî Mâ (T)Bh174 Jaya Jaya Girijâ Bâla GajânanaBh181 Jai Jai Jai Jai Ganapatî DevâBh198 Kab Loge Khabar More RâmBh206 Krishnâ Murârî Bhava Bhaya Hârî He Giridhârî GopâlBh229 Mîta Smita Sundara Mukhâravindâ Bh240 Nanda Gopâl Nanda GopâlBh243 Nandâ Nandana Hari Govinda GopâlâBh245 Nârâyanam Bhajo NârâyanamBh248 Nârâyanâ Hari Nârâyanâ Hari Nârâyanâ Veda PârâyanâBh249 Natarâjâ Namâmî ShankarâBh251 Navanîta Chora Bâla GopâlBh265 Pâra Karo Uddhâra Karo Prabhu Parthî Purî BhagavânBh281 Punyâ Nâm Pavitra Nâm Râma Nâm Sâî Râm (T)Bh282 Râdhâ Mâdhavâ GopâlanâBh298 Râm Râm Bhajo Mana Hare HareBh300 Râma Râma Sâî RâmaBh307 Sâî Bâbâ Bolo Sâî Bâbâ BoloBh331 Sarva Dharma Priya DevâBh334 Sathyam Jnânam Anantam BrahmâBh338 Sathya Svarûpinî Mâ Sâî Prema Svarûpinî MâBh367 Shivâya Namah Shiva Shivâya Namah ShivaBh380 Subrahmanyam Subrahmanyam Bh381 Shuklâmbara Dhara Ganapati MantramBh384 Sundara Vadanî Suguna ManoharîBh395 Vinâyakâ Vinâyakâ (Vigna)

251

Page 246: harmonium study method.pdf

6) I IIm IV VC Dm F GC# D#m F# G#Db Ebm Gb AbD Em G AEb Fm Ab BbE F#m A BF Gm Bb CF# G#m B C#Gb Abm B DbG Am C DAb Bbm Db EbA Bm D EBb Cm Eb FB C#m E F#

Bh 11 Antar Jyoti Namo Paramâtma Jyoti NamoBh126 Hare Krishnâ Hare Krishnâ Krishnâ Krishnâ Hare HareBh152 He Sâî Jagan Nâthâ

7) I IIIm IV VC Em F GC# Fm F# G#Db Fm Gb AbD F#m G AEb Gm Ab BbE G#m A BF Am Bb CF# A#m B C#Gb Bbm B DbG Bm C DAb Cm Db EbA C#m D EBb Dm Eb FB Ebm E F#

Bh222 Mana Eka Bâra Hari BolBh291 Raghuvîra Ranadhîra Râma Râma Râm

8) I IIIm IV V VImC Em F G AmC# Fm F# G# A#mDb Fm Gb Ab BbmD F#m G A BmEb Gm Ab Bb CmE G#m A B C#mF Am Bb C DmF# A#m B C# D#mGb Bbm B Db EbmG Bm C D EmAb Cm Db Eb FmA C#m D E F#mBb Dm Eb F GmB Ebm E F# Abm

Bh199 Kâlâtîtâyâ Siddhi Rûpâyâ Yogishvarâya NamoBh230 Mohana Raghu RâmâBh290 Raghupate Shrî Râma Chandrâ Râghavâ Dayânidhe

9) I Im IV V V5C Cm F G G5Db Dbm Gb Ab Ab5D Dm G A A5Eb Ebm Ab Bb Bb5E Em A B B5F Fm Bb C C5F# F#m B C# C#5G Gm C D D5Ab Abm Db Eb Eb5A Am D E E5Bb Bbm Eb F F5B Bm E F# F#5

Bh108 Govinda Murahari Mâdhavâ (Hari) (T)

10) I I5 I5b IVmC C5 C5b FmDb Db5 Db5b GbmD D5 D5b GmEb Eb5 Eb5b AbmE E5 E5b AmF F5 F5b BbmF# F#5 F#5b BmG G5 G5b CmAb Ab5 Ab5b DbmA A5 A5b DmBb Bb5 Bb5b EbmB B5 B5b Em

Bh327 Sâî Sâî Svarana Karo

252

Page 247: harmonium study method.pdf

11) I I5 V5 V5bC C5 G5 G5bDb Db5 Ab5 Ab5bD D5 A5 A5bEb Eb5 Bb5 Bb5bE E5 B5 B5bF F5 C5 C5bF# F#5 C#5 C#5bG G5 D5 D5bAb Ab5 Eb5 Eb5bA A5 E5 E5bBb Bb5 F5 F5bB B5 F#5 F#5b

Bh180 Jaya Jaya Jaya Ho Sâî Nâthâ

12) I vii VmC Bb GmDb B AbmD C AmEb Db BbmE D BmF Eb CmF# E C#mG F DmAb Gb EbmA G EmBb Ab FmB A F#m

Bh236 Nâche Tribhangâ Krishnâ Murârî

13) I iii IV viiC Eb F BbDb E Gb BD F G CEb Gb Ab DbE G A DF Ab Bb EbF# A B EG Bb C FAb B Db GbA C D GBb Db Eb AbB D E A

Bh 28 Bhajare Râma Caran Satatam Bhajare Râma Caran

14) I IV IVm viiC F Fm BbDb Gb Gbm BD G Gm CEb Ab Abm DbE A Am DF Bb Bbm EbF# B Bm EG C Cm FAb Db Dbm GbA D Dm GBb Eb Ebm AbB E Em A

Bh344 Shambhu Kumârâ Gaurî Tanaya

15) I vi IVm viim VmC Ab Fm Bbm GmDb A Gbm Bm AbmD Bb Gm Cm AmEb B Abm Dbm BbmE C Am Dm BmF Db Bbm Ebm CmF# D Bm Em C#mG Eb Cm Fm DmAb E Dbm Gbm EbmA F Dm Gm EmBb Gb Ebm Abm FmB G Em Am F#m

Bh287 Râdhe Râdhe Râdhe Râdhe Govindâ

16) I V VI viiC G A BbDb Ab Bb BD A B CEb Bb C DbE B C# DF C D EbF# C# D# EG D E FAb Eb F GbA E F# GBb F G AbB F# Ab A

Bh255 Om Dhim Dhim Dhim Dhim Natana Shivâ

253

Page 248: harmonium study method.pdf

17) I IV IVmC F FmDb Gb GbmD G GmEb Ab AbmE A AmF Bb BbmF# B BmG C CmAb Db DbmA D DmBb Eb EbmB E Em

Bh297 Râma Rahîma Ko Bhajane Vâle

18) I IV vii VmC F Bb GmDb Gb B AbmD G C AmEb Ab Db BbmE A D BmF Bb Eb CmF# B E C#mG C F DmAb Db Gb EbmA D G EmBb Eb Ab FmB E A F#m

Bh349 Sharanam Sharanam Sâîsha Sharanam

19) I IV vi viiC F Ab BbDb Gb A BD G Bb CEb Ab B DbE A C DF Bb Db EbF# B D EG C Eb FAb Db E GbA D F GBb Eb Gb AbB E G A

Bh303 Sadâ Nirantara Hari Guna Gâo

20) I IVm V viC Fm G AbDb Gbm Ab AD Gm A BbEb Abm Bb BE Am B CF Bbm C DbF# Bm C# DG Cm D EbAb Dbm Eb EA Dm E FBb Ebm F GbB Em F# G

Bh376 Shrî Raghunandana Dasharatha Nandana

21) I Im IV V viC Cm F G AbDb Dbm Gb Ab AD Dm G A BbEb Ebm Ab Bb BE Em A B CF Fm Bb C DbF# F#m B C# DG Gm C D EbAb Abm Db Eb EA Am D E FBb Bbm Eb F GbB Bm E F# G

Bh112 Guru Devâ Guru Devâ

22) I Im IV vi viiC Cm F Ab BbDb Dbm Gb A BD Dm G Bb CEb Ebm Ab B DbE Em A C DF Fm Bb Db EbF# F#m B D EG Gm C Eb FAb Abm Db E GbA Am D F GBb Bbm Eb Gb AbB Bm E G A

Bh319 Sâî Nârâyana Nârâyana

254

Page 249: harmonium study method.pdf

23) I V V5 VIC G G5 ADb Ab Ab5 BbD A A5 BEb Bb Bb5 CE B B5 C#F C C5 DF# C# C#5 D#G D D5 EAb Eb Eb5 FA E E5 F#Bb F F5 GB F# F#5 Ab

Bh 91 Gopâlâ Gopâlâ Devakî Nandana Gopâlâ

24) I I5 V V5 viC C5 G G5 AbDb Db5 Ab Ab5 AD D5 A A5 BbEb Eb5 Bb Bb5 BE E5 B B5 CF F5 C C5 DbF# F#5 C# C#5 DG G5 D D5 EbAb Ab5 Eb Eb5 EA A5 E E5 FBb Bb5 F F5 GbB B5 F# F#5 G

Bh 84 Gaurî Nandana Gajânanâ

25) I I7 IV vii VmC C7 F Bb GmDb Db7 Gb B AbmD D7 G C AmEb Eb7 Ab Db BbmE E7 A D BmF F7 Bb Eb CmF# F#7 B E C#mG G7 C F DmAb Ab7 Db Gb EbmA A7 D G EmBb Bb7 Eb Ab FmB B7 E A F#m

Bh 63 Devî Sâî Mâ Devî Sarasvatî Mâ

26) I I4 IV V vii VmC C4 F G Bb GmDb Db4 Gb Ab B AbmD D4 G A C AmEb Eb4 Ab Bb Db BbmE E4 A B D BmF F4 Bb C Eb CmF# F#4 B C# E C#mG G4 C D F DmAb Ab4 Db Eb Gb EbmA A4 D E G EmBb Bb4 Eb F Ab FmB B4 E F# A F#m

Bh 67 Dîna Dayâlâ Hari Parama Dayâlâ

27) I II IVm VC D Fm GDb Eb Gbm AbD E Gm AEb F Abm BbE F# Am BF G Bbm CF# G# Bm C#G A Cm DAb Bb Dbm EbA B Dm EBb C Ebm FB C# Em F#

Bh200 Keshavâ Mâdhavâ Jaya Devâ Madhusûdanâ

28) I IIm IV viiC Dm F BbDb Ebm Gb BD Em G CEb Fm Ab DbE F#m A DF Gm Bb EbF# G#m B EG Am C FAb Bbm Db GbA Bm D GBb Cm Eb AbB C#m E A

Bh391 Vighna Vinâshaka Gananâthâ

255

Page 250: harmonium study method.pdf

29) I iii IV VC Eb F GDb E Gb AbD F G AEb Gb Ab BbE G A BF Ab Bb CF# A B C#G Bb C DAb B Db EbA C D EBb Db Eb FB D E F#

Bh 44 Bolo Jai Jai Kâr Bolo Jai Jai Kâr

30) I III IV VC E F GDb F Gb AbD F# G AEb G Ab BbE G# A BF A Bb CF# A# B C#G B C DAb C Db EbA C# D EBb D Eb FB Eb E F#

Bh 17 Ayodhyâ Shiromâni Dasharatha Râma

31) I v VC F# GDb G AbD Ab AEb A BbE A# BF B CF# C C#G Db DAb D EbA Eb EBb E FB F F#

Bh155 Jagadâshraya Shrî Raghu Râmâ

32) I V viiC G BbDb Ab BD A CEb Bb DbE B DF C EbF# C# EG D FAb Eb GbA E GBb F AbB F# A

Bh169 Jaya Guru Omkârâ Jaya Jaya Sadguru Omkârâ Om

33) I V VmC G GmDb Ab AbmD A AmEb Bb BbmE B BmF C CmF# C# C#mG D DmAb Eb EbmA E EmBb F FmB F# F#m

Bh111 Guru Bâbâ Guru Bâbâ

34) I IV viiC F BbDb Gb BD G CEb Ab DbE A DF Bb EbF# B EG C FAb Db GbA D GBb Eb AbB E A

Bh 20 Badâ Cita Cora Vrndâvana SancârâBh191 Jaya Mâ Jaya Mâ Dayâ Karo Sâî MâBh207 Krishnâ Râmâ Govinda NârâyanâBh212 Mana Mandira Men Âvo SâîBh220 Mahâdevâ Shiva Shambho Shankara

256

Page 251: harmonium study method.pdf

Bh239 Namo Namo Natarâja Namo Hara Jatâ Jûtadhara ShambhoBh335 Sathya Nârâyana Govinda Mâdhavâ Bh341 Shambho Shankara DevâBh370 Shrî Ganesha Vinâyakâ

35) I IV V viiC F G BbDb Gb Ab BD G A CEb Ab Bb DbE A B DF Bb C EbF# B C# EG C D FAb Db Eb GbA D E GBb Eb F AbB E F# A

Bh 22 Bâla Gopâl Jai Jai Sâî ShyâmBh 35 Bhajo Râdhe Govinda Bhajo Shyâma Gopâl (T)Bh 53 Dayâbhirâma Jânakî Râmâ Bh 54 Dayâbhirâma Shrî Raghu RâmâBh 89 Giridhârî He NandalâlâBh 96 Gopâla Râdhe Krishnâ Govinda Govinda GopâlBh 98 Govinda Gopâla He Nandalâlâ (T)Bh117 Guru Nânak Jî Kî Jai Jai KârBh190 Jaya Lambodara Pâhi MâmBh208 Kshîrabdhi Shayana NârâyanâBh224 Mana Mohanâ NandalâlBh261 Om Shrî Râm Jai Râm Jai Jai RâmBh263 Pânduranga Vitthala Jai Pândari Nâtha VitthalâBh274 Prashânti Nilayâ Râm He Parthî Purî Bhagavân (He)Bh279 Prema Se Bolo Eka Bâr Sâî RâmBh284 Râdhe Govinda Gopâlâ Jaya Govinda Râdhe GopâlâBh301 Râma Sumira Mana Râma Sumira ManaBh311 Sâî Bhajana Binâ Sukha Shânti Nahîn

36) I iii Im V viiC Eb Cm G BbDb E Dbm Ab BD F Dm A CEb Gb Ebm Bb DbE G Em B DF Ab Fm C EbF# A F#m C# EG Bb Gm D FAb B Abm Eb GbA C Am E GBb Db Bbm F AbB D Bm F# A

Bh 72 Gajamukha Gajamukha Gananâthâ

37) I Im IV V viiC Cm F G BbC# C#m F# G# BDb Dbm Gb Ab BD Dm G A CEb Ebm Ab Bb DbE Em A B DF Fm Bb C EbF# F#m B C# EGb Gbm B Db EG Gm C D FAb Abm Db Eb GbA Am D E GBb Bbm Eb F AbB Bm E F# A

Bh286 Râdhe Govinda Krishnâ MurârîBh389 Vahe Guru Vahe Guru Vahe Guru Jî BoloBh398 Yadunandana Yashodâ Bâla

38) I IIm IV V vii VImC Dm F G Bb AmC# D#m F# G# B A#mDb Ebm Gb Ab B BbmD Em G A C BmEb Fm Ab Bb Db CmE F#m A B D C#mF Gm Bb C Eb DmF# G#m B C# E D#mGb Abm B Db E EbmG Am C D F EmAb Bbm Db Eb Gb FmA Bm D E G F#mBb Cm Eb F Ab GmB C#m E F# A Abm

Bh390 Vansîdhara Kanhaiyâ Ghana Shyâma Sundarâ

257

Page 252: harmonium study method.pdf

39) I V VImC G AmC# G# A#mDb Ab BbmD A BmEb Bb CmE B C#mF C DmF# C# D#mGb Db EbmG D EmAb Eb FmA E F#mBb F GmB F# Abm

Bh104 Govinda Krishnâ Jai Gopâla Krishnâ Jai (T)Bh123 Hara Hara Hara Hara Namâmi Shankara

40) I IV V VImC F G AmDb Gb Ab BbmD G A BmEb Ab Bb CmE A B C#mF Bb C DmF# B C# D#mG C D EmAb Db Eb FmA D E F#mBb Eb F GmB E F# Abm

Bh 76 Gajavadanâ Gananâtha NâthâBh 82 Gaurî Ganesh Umâ GaneshBh 85 Ghana Shyâmâ SundarâBh142 Hari Om Namo Shiva Shakti NamoBh161 Jananî Sâî Devî Dayâ MâyiBh166 Jai Durgâ Lakshmî Sarasvatî Sâî JaganmâthâBh170 Jai Hari Bolo Jai Sîtâ Râm Bh171 Jai Hari Krishna Jai Hari Krishna Govardhana GiridhârîBh183 Jai Jai Jai NârâyanâBh213 Mâdhavâ GopâlâBh221 Mahâ Ganapathe NâmostuteBh223 Mana Mohanâ Muralî DharâBh238 Namah Pârvatî Pataye Hara HaraBh246 Nârâyanâ Hari Nâma Bhajo Re Nârâyanâ Veda PârâyanâBh269 Pârvatî Nandana GajânanâBh285 Râdhe Govinda Jai Jai Râdhe GopâlaBh299 Râma Râma Râm Raghu Nandana He Ghana Shyâm (Shrî)Bh330 Sankata Haranâ Shrî Sâî RâmanaBh339 Shambho Mahâdevâ Shiva Shambho MahâdevâBh343 Shambho Shiva ShankarâBh345 Shankara Sadâ Shiva Candra Shekharâ

41) I IIm V VImC Dm G AmC# D#m G# A#mDb Ebm Ab BbmD Em A BmEb Fm Bb CmE F#m B C#mF Gm C DmF# G#m C# D#mGb Abm Db EbmG Am D EmAb Bbm Eb FmA Bm E F#mBb Cm F GmB C#m F# Abm

Bh 79 Ganesha Sharanam Sharanam Ganeshâ

42) I IV V vii VmC F G Bb GmC# F# G# B G#mDb Gb Ab B AbmD G A C AmEb Ab Bb Db BbmE A B D BmF Bb C Eb CmF# B C# E C#mGb B Db E DbmG C D F DmAb Db Eb Gb EbmA D E G EmBb Eb F Ab FmB E F# A F#m

Bh175 Jai Jai GopâlâBh362 Shiva Shiva Shambho Hara Hara Shambho

43) I IV V vii VImC F G Bb AmC# F# G# B A#mDb Gb Ab B BbmD G A C BmEb Ab Bb Db CmE A B D C#mF Bb C Eb DmF# B C# E D#mGb B Db E EbmG C D F EmAb Db Eb Gb FmA D E G F#mBb Eb F Ab GmB E F# A Abm

Bh363 Shiva Shiva Shambho Tândava PriyakaraBh394 Vinâyakâ Vinâyakâ44

258

Page 253: harmonium study method.pdf

44) I IV V vi viiC F G Ab BbC# F# G# A BDb Gb Ab A BD G A Bb CEb Ab Bb B DbE A B C DF Bb C Db EbF# B C# D EGb B Db D EG C D Eb FAb Db Eb E GbA D E F GBb Eb F Gb AbB E F# G A

Bh 06 Ambâ Mandahasa Vadanî Manoharî Sâî Jaga JananîBh172 Jaya Jagadîsha Hare Jaya Govinda Hare

45) I IV vi vii VmC F Ab Bb GmDb Gb A B AbmD G Bb C AmEb Ab B Db BbmE A C D BmF Bb Db Eb CmF# B D E C#mG C Eb F DmAb Db E Gb EbmA D F G EmBb Eb Gb Ab FmB E G A F#m

Bh158 Jagadîshvari Dayâ Karo Mâ (T)

46) I IV IVm V viC F Fm G AbDb Gb Gbm Ab AD G Gm A BbEb Ab Abm Bb BE A Am B CF Bb Bbm C DbF# B Bm C# DG C Cm D EbAb Db Dbm Eb EA D Dm E FBb Eb Ebm F GbB E Em F# G

Bh322 Sâî Om Sâî Om Sâî Om

47) I IV IVm viC F Fm AbDb Gb Gbm AD G Gm BbEb Ab Abm BE A Am CF Bb Bbm DbF# B Bm DG C Cm EbAb Db Dbm EA D Dm FBb Eb Ebm GbB E Em G

Bh205 Krishnâ Mâdhavâ Mâdhavâ Krishnâ

48) I iii IV vi viiC Eb F Ab BbDb E Gb A BD F G Bb CEb Gb Ab B DbE G A C DF Ab Bb Db EbF# A B D EG Bb C Eb FAb B Db E GbA C D F GBb Db Eb Gb AbB D E G A

Bh 18 Ayodhyâ Vâsî Râma Hai Dvârakâ Men Âye

49) I IV IV5 vi vii VmC F F5 Ab Bb GmDb Gb Gb5 A B AbmD G G5 Bb C AmEb Ab Ab5 B Db BbmE A A5 C D BmF Bb Bb5 Db Eb CmF# B B5 D E C#mG C C5 Eb F DmAb Db Db5 E Gb EbmA D D5 F G EmBb Eb Eb5 Gb Ab FmB E E5 G A F#m

Bh 31 Bhajo Ghana Shyâma Bhajo Muralî Gopâla Bhajo

259

Page 254: harmonium study method.pdf

50) I IV vi VI viiC F Ab A BbDb Gb A Bb BD G Bb B CEb Ab B C DbE A C C# DF Bb Db D EbF# B D D# EG C Eb E FAb Db E F GbA D F F# GBb Eb Gb G AbB E G Ab A

Bh396 Vitthalâ Hari Vitthalâ

51) I IV V V5bC F G G5bDb Gb Ab Ab5bD G A A5bEb Ab Bb Bb5bE A B B5bF Bb C C5bF# B C# C#5bG C D D5bAb Db Eb Eb5bA D E E5bBb Eb F F5bB E F# F#5b

Bh119 Guru Vâyur Pura Shrî Hari Krishnâ Nârâyana Gopâl

52) I IV V VmC F G GmDb Gb Ab AbmD G A AmEb Ab Bb BbmE A B BmF Bb C CmF# B C# C#mG C D DmAb Db Eb EbmA D E EmBb Eb F FmB E F# F#m

Bh165 Jaya Devî Bhavânî Mâ

53) I IV V viC F G AbDb Gb Ab AD G A BbEb Ab Bb BE A B CF Bb C DbF# B C# DG C D EbAb Db Eb EA D E FBb Eb F GbB E F# G

Bh377 Shrî Râma Charanam (3) Bhaje

54) I Im IV V vi VImC Cm F G Ab AmC# C#m F# G# A A#mDb Dbm Gb Ab A BbmD Dm G A Bb BmEb Ebm Ab Bb B CmE Em A B C C#mF Fm Bb C Db DmF# F#m B C# D D#mGb Gbm B Db D EbmG Gm C D Eb EmAb Abm Db Eb E FmA Am D E F F#mBb Bbm Eb F Gb GmB Bm E F# G Abm

Bh315 Shaila Girîshvara Umâ Maheshvarâ

55) I IV V V7 VImC F G G7 AmDb Gb Ab Ab7 BbmD G A A7 BmEb Ab Bb Bb7 CmE A B B7 C#mF Bb C C7 DmF# B C# C#7 D#mG C D D7 EmAb Db Eb Eb7 FmA D E E7 F#mBb Eb F F7 GmB E F# F#7 Abm

Bh270 Pashupati Tanayâ Bâla Gajânanâ

260

Page 255: harmonium study method.pdf

56) I IV V vi vi5b viiC F G Ab Ab5b BbDb Gb Ab A A5b BD G A Bb Bb5b CEb Ab Bb B B5b DbE A B C C5b DF Bb C Db Db5b EbF# B C# D D5b EG C D Eb Eb5b FAb Db Eb E E5b GbA D E F F5b GBb Eb F Gb Gb5b AbB E F# G G5b A

Bh209 Lambodarâ Gananâtha Gajânana

57) I II VC D GDb Eb AbD E AEb F BbE F# BF G CF# G# C#G A DAb Bb EbA B EBb C FB C# F#

Bh 59 Dayâ Sâgarâ Karunâ KarâBh107 Govinda Mâdhavâ Gopâla KeshavâBh210 Lambodarâ He VighneshvarâBh262 Pânduranga Vitthale Hari Nârâyana Hari NârâyanaGovindaBh267 Parthî Purî Sâî Gopâla BâlâBh302 Râsa Vilolâ NandalâlâBh383 Sundara Vadanâ Sarasija NayanaBh385 Kalâ Vatî Amba Sarasvatî

58) I II7 VC D7 GC# D#7 G#Db Eb7 AbD E7 AEb F7 BbE F#7 BF G7 CF# G#7 C#Gb Ab7 DbG A7 DAb Bb7 EbA B7 EBb C7 FB C#7 F#

Bh267 Parthî Purî Sâî Gopâla BâlâBh385 Kalâ Vatî Amba Sarasvatî

59) I II II7 VC D D7 GC# D# D#7 G#Db Eb Eb7 AbD E E7 AEb F F7 BbE F# F#7 BF G G7 CF# G# G#7 C#Gb Ab Ab7 DbG A A7 DAb Bb Bb7 EbA B B7 EBb C C7 FB C# C#7 F#

Bh201 Koti Pranâm Shata Koti Pranâm

60) I II7 IV VC D7 F GC# D#7 F# G#Db Eb7 Gb AbD E7 G AEb F7 Ab BbE F#7 A BF G7 Bb CF# G#7 B C#Gb Ab7 B DbG A7 C DAb Bb7 Db EbA B7 D EBb C7 Eb FB C#7 E F#

Bh116 Gurudevâya Namo NamoBh219 Madhuvana Sanchârî Shyâma Murârî

261

Page 256: harmonium study method.pdf

61) I II IV VC D F GDb Eb Gb AbD E G AEb F Ab BbE F# A BF G Bb CF# G# B C#Gb Ab B DbG A C DAb Bb Db EbA B D EBb C Eb FB C# E F#

Bh 25 Bhaja Mana Govinda GopâlaBh164 Jagat Uddhârana Parthî VihâranaBh184 Jaya Jaya Krishnâ YadunandanâBh350 Sharanam Sharanam Pâhi GajânanamBh358 Shiva Shambho Shambho Shiva Shambho MahâdevâBh364 Shiva Shiva Shankara Hara ParameshvaraBh366 Shiva Shiva Shivâya Namah Om

62) I II IV V viiC D F G BbDb Eb Gb Ab BD E G A CEb F Ab Bb DbE F# A B DF G Bb C EbF# G# B C# EG A C D FAb Bb Db Eb GbA B D E GBb C Eb F AbB C# E F# A

Bh 07 Ambikâ Tanayâ Gajânanâ

63) I II Im IV VC D Cm F GDb Eb Dbm Gb AbD E Dm G AEb F Ebm Ab BbE F# Em A BF G Fm Bb CF# G# F#m B C#G A Gm C DAb Bb Abm Db EbA B Am D EBb C Bbm Eb FB C# Bm E F#

Bh127 Hare Krishnâ Hare Râmâ Hare Hare Hare Hare

64) I II II7 IV VC D D7 F GC# D# D#7 F# G#Db Eb Eb7 Gb AbD E E7 G AEb F F7 Ab BbE F# F#7 A BF G G7 Bb CF# G# G#7 B C#Gb Ab Ab7 B DbG A A7 C DAb Bb Bb7 Db EbA B B7 D EBb C C7 Eb FB C# C#7 E F#

Bh292 Râjâ Râjeshvarî Jagan MohinîBh294 Râma Hare Sâî Krishnâ Hare

65) I II IV V VImC D F G AmC# D# F# G# A#mDb Eb Gb Ab BbmD E G A BmEb F Ab Bb CmE F# A B C#mF G Bb C DmF# G# B C# D#mGb Ab B Db EbmG A C D EmAb Bb Db Eb FmA B D E F#mBb C Eb F GmB C# E F# Abm

Bh101 Govinda Govinda Gâyiye Bhajo Bh231 Mrityum Jayâya Namah OmBh295 Râma Krishnâ Govinda Nârâyana Keshava

66) I II7 V VIC D7 G ADb Eb7 Ab BbD E7 A BEb F7 Bb CE F#7 B C#F G7 C DF# G#7 C# D#G A7 D EAb Bb7 Eb FA B7 E F#Bb C7 F GB C#7 F# Ab

Bh354 Sîtâ Râma Shrî Raghu Râma

262

Page 257: harmonium study method.pdf

67) I II V vi VIC D G Ab AC# D# G# A A#Db Eb Ab A BbD E A Bb BEb F Bb B CE F# B C C#F G C Db DF# G# C# D D#Gb Ab Db D EbG A D Eb EAb Bb Eb E FA B E F F#Bb C F Gb GB C# F# G Ab

Bh399 Yuga Avatâra Sâî Râma

263

69) I I5b II VC C5b D GC# C#5b D# G#Db Db5b Eb AbD D5b E AEb Eb5b F BbE E5b F# BF F5b G CF# F#5b G# C#Gb Gb5b Ab DbG G5b A DAb Ab5b Bb EbA A5b B EBb Bb5b C FB B5b C# F#

Bh 10 Antara Jyoti Jalâo SâîBh 60 Deva Devottama Dîna Samrakshakâ

70) I I5b II V VImC C5b D G AmC# C#5b D# G# A#mDb Db5b Eb Ab BbmD D5b E A BmEb Eb5b F Bb CmE E5b F# B C#mF F5b G C DmF# F#5b G# C# D#mGb Gb5b Ab Db EbmG G5b A D EmAb Ab5b Bb Eb FmA A5b B E F#mBb Bb5b C F GmB B5b C# F# Abm

Bh 24 Bhagavân Bhagavân Patita Pâvana Râm

71) I I5b II IV VC C5b D F GDb Db5b Eb Gb AbD D5b E G AEb Eb5b F Ab BbE E5b F# A BF F5b G Bb CF# F#5b G# B C#G G5b A C DAb Ab5b Bb Db EbA A5b B D EBb Bb5b C Eb FB B5b C# E F#

Bh 61 Devakî Tanayâ Dayâ NidheBh103 Govinda Jai Jai Gopâla Jai Jai

72) I I5b IIm IV VC C5b Dm F GDb Db5b Ebm Gb AbD D5b Em G AEb Eb5b Fm Ab BbE E5b F#m A BF F5b Gm Bb CF# F#5b G#m B C#G G5b Am C DAb Ab5b Bbm Db EbA A5b Bm D EBb Bb5b Cm Eb FB B5b C#m E F#

Bh 88 Giridhârî Lâl Shyâma Gopâl

68) I II7 IV V vi vii VImC D7 F G Ab Bb AmDb Eb7 Gb Ab A B BbmD E7 G A Bb C BmEb F7 Ab Bb B Db CmE F#7 A B C D C#mF G7 Bb C Db Eb DmF# G#7 B C# D E D#mG A7 C D Eb F EmAb Bb7 Db Eb E Gb FmA B7 D E F G F#mBb C7 Eb F Gb Ab GmB C#7 E F# G A Abm

Bh225 Mânasa Bhajare Guru Charanam

Page 258: harmonium study method.pdf

73) I II IIIm IIm IV V VImC D Em Dm F G AmC# D# Fm D#m F# G# A#mDb Eb Fm Ebm Gb Ab BbmD E F#m Em G A BmEb F Gm Fm Ab Bb CmE F# G#m F#m A B C#mF G Am Gm Bb C DmF# G# A#m G#m B C# D#mGb Ab Bbm Abm B Db EbmG A Bm Am C D EmAb Bb Cm Bbm Db Eb FmA B C#m Bm D E F#mBb C Dm Cm Eb F GmB C# Ebm C#m E F# Abm

Bh353 Shirdî Sâî Parthî Sâî Hamako Dîjo

74) I III IV IVm V vi viiC E F Fm G Ab BbDb F Gb Gbm Ab A BD F# G Gm A Bb CEb G Ab Abm Bb B DbE G# A Am B C DF A Bb Bbm C Db EbF# A# B Bm C# D EG B C Cm D Eb FAb C Db Dbm Eb E GbA C# D Dm E F GBb D Eb Ebm F Gb AbB Eb E Em F# G A

Bh386 Tere Sivâ Prabhu Koyî Nahîn

264

75) Im vi viiCm Ab BbC#m A BDm Bb CEbm B DbEm C DFm Db EbF#m D EGm Eb FAbm E GbAm F GBbm Gb AbBm G A

Bh 08 Ânanda Sâgarâ Muralîdharâ (T)Bh 13 Antaryâmî Sâî MurârîBh 15 Âo Pyâre Nayana Hamâre Sâî Hamâre ÂoBh 26 Bhajo Mana Râma Krishnâ Jaya BoloBh 58 Dayâ Karo Shiva Gangâ Dhârî

76) Im V viCm G AbC#m G# ADm A BbEbm Bb BEm B CFm C DbF#m C# DGbm Db DGm D EbAbm Eb EAm E FBbm F GbBm F# G

Bh121 Hara Hara Hara Hara Bholâ Nâth (Om)Bh340 Shambho Murâre Shankara MurâreBh382 Sundara Shyâma Murârî Sâî

Page 259: harmonium study method.pdf

77) Im IVm viCm Fm AbC#m F#m ADbm Gbm ADm Gm BbEbm Abm BEm Am CFm Bbm DbF#m Bm DGbm Bm DGm Cm EbAbm Dbm EAm Dm FBbm Ebm GbBm Em G

Bh346 Shankara Shankara Shankarâ

78) Im IVm VCm Fm GC#m F#m G#Dbm Gbm AbDm Gm AEbm Abm BbEm Am BFm Bbm CF#m Bm C#Gbm Bm DbGm Cm DAbm Dbm EbAm Dm EBbm Ebm FBm Em F#

Bh393 Vinâyakâ Vighna Nâshakâ

79) Im vi vii VmCm Ab Bb GmC#m A B G#mDbm A B AbmDm Bb C AmEbm B Db BbmEm C D BmFm Db Eb CmF#m D E C#mGbm D E DbmGm Eb F DmAbm E Gb EbmAm F G EmBbm Gb Ab FmBm G A F#m

Bh 01 Alakha Niranjana Bhava Bhaya BhanjanaBh 04 Allâh Tuma Ho Îshvara Tuma HoBh131 Hari Hari Bolo Râdhe Krishnâ BoloBh182 Jai Jai Jai Manamohanâ Jai Jai Jai MadhusûdanâBh254 O Bhagavân (3) Sâî Bâbâ BhagavânBh313 Sâî He Jîvan Jîvan Sathya SâîBh336 Sathya Sâî Smaranam Smaranam Parthî Sâî SmaranamBh378 Shrî Râmâ Jaya Râmâ

80) Im V vi viiCm G Ab BbC#m G# A BDbm Ab A BDm A Bb CEbm Bb B DbEm B C DFm C Db EbF#m C# D EGbm Db D EGm D Eb FAbm Eb E GbAm E F GBbm F Gb AbBm F# G A

Bh256 Om Namah Shivâya Shivâya Namah Om (2)

265

Page 260: harmonium study method.pdf

81) Im V vi vii VmCm G Ab Bb GmC#m G# A B G#mDbm Ab A B AbmDm A Bb C AmEbm Bb B Db BbmEm B C D BmFm C Db Eb CmF#m C# D E C#mGbm Db D E DbmGm D Eb F DmAbm Eb E Gb EbmAm E F G EmBbm F Gb Ab FmBm F# G A F#m

Bh 05 Ambâ Bhavânî Shiva Shambhu KumârâBh113 Guru Dev Guru DevBh400 Yuga Yuga Ke Avatârâ

82) Im IVm vi viiCm Fm Ab BbC#m F#m A BDm Gm Bb CEbm Abm B DbEm Am C DFm Bbm Db EbF#m Bm D EGm Cm Eb FAbm Dbm E GbAm Dm F GBbm Ebm Gb AbBm Em G A

Bh 02 Allâh Allâh Karo PukârBh 29 Bhajo Bhajo Râm Sathya Sâî RâmBh 43 Bolo Bolo Sab Mil Bolo Om Namah ShivâyâBh 92 Gopâla Gopâla Nâcho GopâlâBh 99 Govinda Gopâla Prabhu GiridhârîBh109 Govinda Nârâyana Gopâla NârâyanâBh178 Jai Jai Jai Gananâyakâ Jai Jai Vighna VinâshakâBh314 Sâî Hamârâ Ham Sâî Ke Aisâ Prema HamârâBh325 Sâî Râm Sâî RâmBh326 Sâî Râm Sâî Shyâm Mere Sâî Râm

83) Im IVm V vi viiCm Fm G Ab BbC#m F#m G# A BDbm Gbm Ab A BDm Gm A Bb CEbm Abm Bb B DbEm Am B C DFm Bbm C Db EbF#m Bm C# D EGbm Bm Db D EGm Cm D Eb FAbm Dbm Eb E GbAm Dm E F GBbm Ebm F Gb AbBm Em F# G A

Bh120 Hara Hara Gange Hara Hara GangeBh329 Sâî Shyâm Sâî Shyâm Sâî Gopâla

84) I Im V vi viiC Cm G Ab BbDb Dbm Ab A BD Dm A Bb CEb Ebm Bb B DbE Em B C DF Fm C Db EbF# F#m C# D EG Gm D Eb FAb Abm Eb E GbA Am E F GBb Bbm F Gb AbB Bm F# G A

Bh306 Sâî Avatâra Yuga Avatârâ

266

Page 261: harmonium study method.pdf

85) Im IVm vi vii VmCm Fm Ab Bb GmC#m F#m A B G#mDbm Gbm A B AbmDm Gm Bb C AmEbm Abm B Db BbmEm Am C D BmFm Bbm Db Eb CmF#m Bm D E C#mGbm Bm D E DbmGm Cm Eb F DmAbm Dbm E Gb EbmAm Dm F G EmBbm Ebm Gb Ab FmBm Em G A F#m

Bh 48 Charana Kamala Bandho Sâînâtha Ke Bh168 Jaya Guru Jaya Guru Sâî RâmaBh227 Mangala Dâyaka He GananâthâBh252 Nityânandam SacchidânandamBh337 Sathya Sanâtana Nitya Niranjana Bh357 Shiva Om Shiva Om Shiva Om Sâî OmBh388 Tu Mere Svâmî Antarayâmî

86) Im IVm V vi vii VmCm Fm G Ab Bb GmC#m F#m G# A B G#mDm Gm A Bb C AmEbm Abm Bb B Db BbmEm Am B C D BmFm Bbm C Db Eb CmF#m Bm C# D E C#mGm Cm D Eb F DmAbm Dbm Eb E Gb EbmAm Dm E F G EmBbm Ebm F Gb Ab FmBm Em F# G A F#m

Bh 42 Bhola Nâtha Hare Jagadîshâ

267

87) I Im IVm V vi vii VmC Cm Fm G Ab Bb GmC# C#m F#m G# A B G#mD Dm Gm A Bb C AmEb Ebm Abm Bb B Db BbmE Em Am B C D BmF Fm Bbm C Db Eb CmF# F#m Bm C# D E C#mG Gm Cm D Eb F DmAb Abm Dbm Eb E Gb EbmA Am Dm E F G EmBb Bbm Ebm F Gb Ab FmB Bm Em F# G A F#m

Bh318 Nârâyana Hari Om Hari Om Hari Om (Hari)

88) I Im IV V vi viiC Cm F G Ab BbC# C#m F# G# A BDb Dbm Gb Ab A BD Dm G A Bb CEb Ebm Ab Bb B DbE Em A B C DF Fm Bb C Db EbF# F#m B C# D EGb Gbm B Db D EG Gm C D Eb FAb Abm Db Eb E GbA Am D E F GBb Bbm Eb F Gb AbB Bm E F# G A

Bh 66 Dîna Bândhavâ Shrî Sâî DevâBh233 Muralî Dhara Mukunda Murârî

89) I Im IVm vi vii VmC Cm Fm Ab Bb GmC# C#m F#m A B G#mDb Dbm Gbm A B AbmD Dm Gm Bb C AmEb Ebm Abm B Db BbmE Em Am C D BmF Fm Bbm Db Eb CmF# F#m Bm D E C#mGb Gbm Bm D E DbmG Gm Cm Eb F DmAb Abm Dbm E Gb EbmA Am Dm F G EmBb Bbm Ebm Gb Ab FmB Bm Em G A F#m

Bh317 Sâî Nâma Hî Madhuram Sâî Rûpa Hî Madhuram

Page 262: harmonium study method.pdf

90) I Im IV IVm V vi viiC Cm F Fm G Ab BbDb Dbm Gb Gbm Ab A BD Dm G Gm A Bb CEb Ebm Ab Abm Bb B DbE Em A Am B C DF Fm Bb Bbm C Db EbF# F#m B Bm C# D EG Gm C Cm D Eb FAb Abm Db Dbm Eb E GbA Am D Dm E F GBb Bbm Eb Ebm F Gb AbB Bm E Em F# G A

Bh348 Shankara Shiva Shankara Shiva Shankara Shambho

268

91) Im iii vi viiCm Eb Ab BbC#m E A BDbm E A BDm F Bb CEbm Gb B DbEm G C DFm Ab Db EbF#m A D EGbm A D EGm Bb Eb FAbm B E GbAm C F GBbm Db Gb AbBm D G A

Bh237 Nâcho He Natarâj Shiva ShambhoBh 62 Devî Bhavânî Mâ He Sâî Bhavânî MâBh139 Hari Om Namah ShivâyaBh204 Krishnâ Mâdhavâ Govindâ GopâlâBh342 Shambho Shankarâ Shiva Shambho ShankarâBh351 Shirdî Ke Sâî Parthî Ke BâbâBh356 Shiva Maheshvarâ (3) Sâî RâmBh365 Shiva Shiva Shiva Shiva Shivâya Namah Om

92) Im iii IV viiCm Eb F BbC#m E F# BDbm E Gb BDm F G CEbm Gb Ab DbEm G A DFm Ab Bb EbF#m A B EGbm A B EGm Bb C FAbm B Db GbAm C D GBbm Db Eb AbBm D E A

Bh118 Guru Vara Nâm Pâvana NâmBh280 Prema Se Gâo Pâvana Nâm94) .

93) Im iii vii VmCm Eb Bb GmC#m E B G#mDm F C AmEbm Gb Db BbmEm G D BmFm Ab Eb CmF#m A E C#mGm Bb F DmAbm B Gb EbmAm C G EmBbm Db Ab FmBm D A F#m

Bh 21 Bâla Gopâlâ (Sâî)

Page 263: harmonium study method.pdf

94) Im iii vi vii VmCm Eb Ab Bb GmC#m E A B G#mDbm E A B AbmDm F Bb C AmEbm Gb B Db BbmEm G C D BmFm Ab Db Eb CmF#m A D E C#mGbm A D E DbmGm Bb Eb F DmAbm B E Gb EbmAm C F G EmBbm Db Gb Ab FmBm D G A F#m

Bh 70 Durge Durge Durge Jai Jai MâBh110 Govinda Râdhe Govinda Râdhe Bh211 Lambodarâ Jaya GajânanâBh235 Muralî Krishnâ Mukunda Krishnâ Bh278 Prema Mudita Mana Se Kaho Râma Râma RâmBh320 Sâî Nâtha Bhagavân Sâî Nâtha BhagavânBh369 Shrî Ganesha Shrî Ganesha Shrî Ganesha Pâhi Mâm

95) Im iii IVm vi viiCm Eb Fm Ab BbC#m E F#m A BDbm E Gbm A BDm F Gm Bb CEbm Gb Abm B DbEm G Am C DFm Ab Bbm Db EbF#m A Bm D EGbm A Bm D EGm Bb Cm Eb FAbm B Dbm E GbAm C Dm F GBbm Db Ebm Gb AbBm D Em G A

Bh114 Guru Devâ Jaya Devâ Sâî Devâ DayâmayâBh130 Hari Hara Bol Hari Hara BolBh141 Hari Om Namah ShivâyaBh177 Jai Jai Gurudevâ Shrî Sâî MahâdevâBh179 Jaya Jaya Jaya He GajânanâBh271 Patita Pâvana Râm Parthî Purîshvara Râm

96) Im iii V vi viiCm Eb G Ab BbC#m E G# A BDbm E Ab A BDm F A Bb CEbm Gb Bb B DbEm G B C DFm Ab C Db EbF#m A C# D EGbm A Db D EGm Bb D Eb FAbm B Eb E GbAm C E F GBbm Db F Gb AbBm D F# G A

Bh 16 Aravinda Locana Ârata Janâvanâ Bh203 Krishna Krishna Govinda Krishna Gopâla Bâla KrishnâBh283 Râdhâ Ramanâ Nârâyanâ Veda Bharanâ Nârâyanâ

97) Im iii IVm vi vii VmCm Eb Fm Ab Bb GmC#m E F#m A B G#mDbm E Gbm A B AbmDm F Gm Bb C AmEbm Gb Abm B Db BbmEm G Am C D BmFm Ab Bbm Db Eb CmF#m A Bm D E C#mGbm A Bm D E DbmGm Bb Cm Eb F DmAbm B Dbm E Gb EbmAm C Dm F G EmBbm Db Ebm Gb Ab FmBm D Em G A F#m

Bh 65 Dhimita Dhimita Dhim Bh192 Jaya Mâ Jaya Mâ Jagadîshvarî Sâî MâBh293 Rakshâ Karo Bhagavân Sathya Sâî Bhagavân

269

Page 264: harmonium study method.pdf

98) I iii Im IV vii VmC Eb Cm F Bb GmC# E C#m F# B G#mDb E Dbm Gb B AbmD F Dm G C AmEb Gb Ebm Ab Db BbmE G Em A D BmF Ab Fm Bb Eb CmF# A F#m B E C#mGb A Gbm B E DbmG Bb Gm C F DmAb B Abm Db Gb EbmA C Am D G EmBb Db Bbm Eb Ab FmB D Bm E A F#m

Bh 27 Bhajana Karo Manavâ Govinda HareBh234 Muralî Gana Lolâ Nanda Gopa Bâlâ

99) Im iii V vi vii VmCm Eb G Ab Bb GmC#m E G# A B G#mDbm E Ab A B AbmDm F A Bb C AmEbm Gb Bb B Db BbmEm G B C D BmFm Ab C Db Eb CmF#m A C# D E C#mGbm A Db D E DbmGm Bb D Eb F DmAbm B Eb E Gb EbmAm C E F G EmBbm Db F Gb Ab FmBm D F# G A F#m

Bh328 Sâî Shyâmâ He Ghana ShyâmâBh355 Shiva Hara He Hara Shiva He

100) Im iii IV IVm vi viiCm Eb F Fm Ab BbC#m E F# F#m A BDbm E Gb Gbm A BDm F G Gm Bb CEbm Gb Ab Abm B DbEm G A Am C DFm Ab Bb Bbm Db EbF#m A B Bm D EGbm A B Bm D EGm Bb C Cm Eb FAbm B Db Dbm E GbAm C D Dm F GBbm Db Eb Ebm Gb AbBm D E Em G A

Bh106 Govindâ Mâdhavâ Gopâlâ KeshavâBh195 Jaya Sâî Shankara Jaya Abhayankara

101) Im iii IV V vi viiCm Eb F G Ab BbC#m E F# G# A BDbm E Gb Ab A BDm F G A Bb CEbm Gb Ab Bb B DbEm G A B C DFm Ab Bb C Db EbF#m A B C# D EGbm A B Db D EGm Bb C D Eb FAbm B Db Eb E GbAm C D E F GBbm Db Eb F Gb AbBm D E F# G A

Bh216 Madhusûdanâ He Muralî DharâBh323 Sâî Prema De Shânti De Ânanda De Bâbâ Prema De

102) Im iii IVm V vi viiCm Eb Fm G Ab BbC#m E F#m G# A BDbm E Gbm Ab A BDm F Gm A Bb CEbm Gb Abm Bb B DbEm G Am B C DFm Ab Bbm C Db EbF#m A Bm C# D EGbm A Bm Db D EGm Bb Cm D Eb FAbm B Dbm Eb E GbAm C Dm E F GBbm Db Ebm F Gb AbBm D Em F# G A

Bh105 Govinda Krishnâ Vitthale Venu Gopâla Krishnâ VitthaleBh140 Hari Om Namah ShivâyâBh149 He Nirâkârî Allâh He Avatârî Prabhu RâmBh347 Shankara (4) Shambho Shankara

103) Im iii IV vi vii VmCm Eb F Ab Bb GmC#m E F# A B G#mDbm E Gb A B AbmDm F G Bb C AmEbm Gb Ab B Db BbmEm G A C D BmFm Ab Bb Db Eb CmF#m A B D E C#mGbm A B D E DbmGm Bb C Eb F DmAbm B Db E Gb EbmAm C D F G EmBbm Db Eb Gb Ab FmBm D E G A F#m

Bh258 Om Namo Bhagavate Vâsudevaya Bh316 Sâî Mahâdevâ (Sathya)

270

Page 265: harmonium study method.pdf

104) Im iii IV IVm V vi vii VmCm Eb F Fm G Ab Bb GmC#m E F# F#m G# A B G#mDm F G Gm A Bb C AmEbm Gb Ab Abm Bb B Db BbmEm G A Am B C D BmFm Ab Bb Bbm C Db Eb CmF#m A B Bm C# D E C#mGbm A B Bm Db D E DbmGm Bb C Cm D Eb F DmAbm B Db Dbm Eb E Gb EbmAm C D Dm E F G EmBbm Db Eb Ebm F Gb Ab FmBm D E Em F# G A F#m

Bh 55 Dayâ Karo Bhagavân Kripâ Karo BhagavânBh361 Shiva Shankara (3) Rûpa Maheshvara Sâî

271

105) I iii Im IV viiC Eb Cm F BbC# E C#m F# BD F Dm G CEb Gb Ebm Ab DbE G Em A DF Ab Fm Bb EbF# A F#m B EG Bb Gm C FAb B Abm Db GbA C Am D GBb Db Bbm Eb AbB D Bm E A

Bh 12 Antaranga Sâî Anâtha Nâthâ Sâî

106) Im iii IV vii Vm

Cm Eb F Bb GmC#m E F# B G#mDm F G C AmEbm Gb Ab Db BbmEm G A D BmFm Ab Bb Eb CmF#m A B E C#mGm Bb C F DmAbm B Db Gb EbmAm C D G EmBbm Db Eb Ab FmBm D E A F#m

Bh193 Jai Sâî Râm Jai Sâî Râm

107) Im iii IV vi vii

Cm Eb F Ab BbC#m E F# A BDm F G Bb CEbm Gb Ab B DbEm G A C DFm Ab Bb Db EbF#m A B D EGm Bb C Eb FAbm B Db E GbAm C D F GBbm Db Eb Gb AbBm D E G A

Bh124 Hara Hara Shankara Sâmba Sadâ Shiva Îshâ Maheshâ

108) ii iii Im IVm vii

Db Eb Cm Fm BbD E C#m F#m BEb F Dm Gm CE Gb Ebm Abm DbF G Em Am DGb Ab Fm Bbm EbG A F#m Bm EAb Bb Gm Cm FA B Abm Dbm GbBb C Am Dm GB Db Bbm Ebm AbC D Bm Em A

Bh196 Jai Santoshî Mâ Jai Jai Sâî Mâ

Page 266: harmonium study method.pdf

109) I ii iiim Im IVm viim

C Db Ebm Cm Fm BbmC# D Em C#m F#m BmD Eb Fm Dm Gm CmEb E Gbm Ebm Abm DbmE F Gm Em Am DmF Gb Abm Fm Bbm EbmF# G Am F#m Bm EmG Ab Bbm Gm Cm FmAb A Bm Abm Dbm GbmA Bb Cm Am Dm GmBb B Dbm Bbm Ebm AbmB C Dm Bm Em Am

Bh189 Jai Jai Vaishnavî Devî Mâ Jai Jai Vaishnavî Devî Mâ

110) I iii Im IV vi vii

C Eb Cm F Ab BbC# E C#m F# A BD F Dm G Bb CEb Gb Ebm Ab B DbE G Em A C DF Ab Fm Bb Db EbF# A F#m B D EG Bb Gm C Eb FAb B Abm Db E GbA C Am D F GBb Db Bbm Eb Gb AbB D Bm E G A

Bh333 Sathya Dharma Shânti Prema Svarûpâ

111) I iii Im IVm6 vi vii

C Eb Cm Fm6 Ab BbC# E C#m F#m6 A BD F Dm Gm6 Bb CEb Gb Ebm Abm6 B DbE G Em Am6 C DF Ab Fm Bbm6 Db EbF# A F#m Bm6 D EG Bb Gm Cm6 Eb FAb B Abm Dbm6 E GbA C Am Dm6 F GBb Db Bbm Ebm6 Gb AbB D Bm Em6 G A

Bh305 Sahârâ Do Bhagavân

112) Im iii IVm V vii VIm

Cm Eb Fm G Bb AmC#m E F#m G# B A#mDm F Gm A C BmEbm Gb Abm Bb Db CmEm G Am B D C#mFm Ab Bbm C Eb DmF#m A Bm C# E D#mGm Bb Cm D F EmAbm B Dbm Eb Gb FmAm C Dm E G F#mBbm Db Ebm F Ab GmBm D Em F# A Abm

Bh 50 Chitta Chora Yashodâ Ke Bâl Navanîta Chora Gopâl

272

113) ii iii iim Im IVm v vi vi7Db Eb Dbm Cm Fm F# Ab Ab7D E Dm C#m F#m G A A7Eb F Ebm Dm Gm Ab Bb Bb7E Gb Em Ebm Abm A B B7F G Fm Em Am A# C C7Gb Ab Gbm Fm Bbm B Db Db7G A Gm F#m Bm C D D7Ab Bb Abm Gm Cm Db Eb Eb7A B Am Abm Dbm D E E7Bb C Bbm Am Dm Eb F F7B Db Bm Bbm Ebm E Gb Gb7C D Cm Bm Em F G G7

Bh324 Sâî Râmâ He Ghana Shyâmâ

Page 267: harmonium study method.pdf

114) I iii Im IV V vi viiC Eb Cm F G Ab BbC# E C#m F# G# A BD F Dm G A Bb CEb Gb Ebm Ab Bb B DbE G Em A B C DF Ab Fm Bb C Db EbF# A F#m B C# D EG Bb Gm C D Eb FAb B Abm Db Eb E GbA C Am D E F GBb Db Bbm Eb F Gb AbB D Bm E F# G A

Bh202 Krishna Kanhaiyâ Krishna Kanhaiyâ

115) I iii Im IV V5 vi vii VmC Eb Cm F G5 Ab Bb GmC# E C#m F# G#5 A B G#mD F Dm G A5 Bb C AmEb Gb Ebm Ab Bb5 B Db BbmE G Em A B5 C D BmF Ab Fm Bb C5 Db Eb CmF# A F#m B C#5 D E C#mG Bb Gm C D5 Eb F DmAb B Abm Db Eb5 E Gb EbmA C Am D E5 F G EmBb Db Bbm Eb F5 Gb Ab FmB D Bm E F#5 G A F#m

Bh 78 Ganesha Charanam Parama Pâvanam Sathya Sâî Nâm Gajânanam

116) I iii Im IV IVm V vi viiC Eb Cm F Fm G Ab BbC# E C#m F# F#m G# A BD F Dm G Gm A Bb CEb Gb Ebm Ab Abm Bb B DbE G Em A Am B C DF Ab Fm Bb Bbm C Db EbF# A F#m B Bm C# D EG Bb Gm C Cm D Eb FAb B Abm Db Dbm Eb E GbA C Am D Dm E F GBb Db Bbm Eb Ebm F Gb AbB D Bm E Em F# G A

Bh185 Jai Jai Prabhu Giridhârî Natavara Nandalâlâ

273

Page 268: harmonium study method.pdf

117) I iii Im IV IVm V vi viiC Eb Cm F Fm G Ab BbC# E C#m F# F#m G# A BD F Dm G Gm A Bb CEb Gb Ebm Ab Abm Bb B DbE G Em A Am B C DF Ab Fm Bb Bbm C Db EbF# A F#m B Bm C# D EG Bb Gm C Cm D Eb FAb B Abm Db Dbm Eb E GbA C Am D Dm E F GBb Db Bbm Eb Ebm F Gb AbB D Bm E Em F# G A

Bh102 Govinda Hare Gopâla Hare He Gopî Gopâ Bâlâ

118) Im iii iii5b IV IV4 IVm V vi viiCm Eb Eb5b F F4 Fm G Ab BbC#m E E5b F# F#4 F#m G# A BDm F F5b G G4 Gm A Bb CEbm Gb Gb5b Ab Ab4 Abm Bb B DbEm G G5b A A4 Am B C DFm Ab Ab5b Bb Bb4 Bbm C Db EbF#m A A5b B B4 Bm C# D EGm Bb Bb5b C C4 Cm D Eb FAbm B B5b Db Db4 Dbm Eb E GbAm C C5b D D4 Dm E F GBbm Db Db5b Eb Eb4 Ebm F Gb AbBm D D5b E E4 Em F# G A

Bh244 Nârâyanâ Bhaja Nârâyan Nârâyan Bhaja Nârâyan Nârâyan

119) ii iii Im IVm vi vii viimDb Eb Cm Fm Ab Bb BbmD E C#m F#m A B BmEb F Dm Gm Bb C CmE Gb Ebm Abm B Db DbmF G Em Am C D DmGb Ab Fm Bbm Db Eb EbmG A F#m Bm D E EmAb Bb Gm Cm Eb F FmA B Abm Dbm E Gb GbmBb C Am Dm F G GmB Db Bbm Ebm Gb Ab AbmC D Bm Em G A Am

Bh 94 Gopâl Gopâl

274

Page 269: harmonium study method.pdf

120) ii iii Im IVm vi vii viimDb Eb Cm Fm Ab Bb BbmD E C#m F#m A B BmEb F Dm Gm Bb C CmE Gb Ebm Abm B Db DbmF G Em Am C D DmGb Ab Fm Bbm Db Eb EbmG A F#m Bm D E EmAb Bb Gm Cm Eb F FmA B Abm Dbm E Gb GbmBb C Am Dm F G GmB Db Bbm Ebm Gb Ab AbmC D Bm Em G A Am

Bh277 Prema Mâyî Sâî Mâ Jnâna Mâyî Sâî Mâ

121) ii ii5b iii Im IVm vi vii viimDb Db5b Eb Cm Fm Ab Bb BbmD D5b E C#m F#m A B BmEb Eb5b F Dm Gm Bb C CmE E5b Gb Ebm Abm B Db DbmF F5b G Em Am C D DmGb Gb5b Ab Fm Bbm Db Eb EbmG G5b A F#m Bm D E EmAb Ab5b Bb Gm Cm Eb F FmA A5b B Abm Dbm E Gb GbmBb Bb5b C Am Dm F G GmB B5b Db Bbm Ebm Gb Ab AbmC C5b D Bm Em G A Am

Bh 64 Dhanya Ho Îshvarambâ

122) ii iii III Im IVm vi vi7 VII viimDb Eb E Cm Fm Ab Ab7 B BbmD E F C#m F#m A A7 C BmEb F F# Dm Gm Bb Bb7 C# CmE Gb G Ebm Abm B B7 D DbmF G G# Em Am C C7 D# DmGb Ab A Fm Bbm Db Db7 E EbmG A A# F#m Bm D D7 F EmAb Bb B Gm Cm Eb Eb7 F# FmA B C Abm Dbm E E7 G GbmBb C C# Am Dm F F7 G# GmB Db D Bbm Ebm Gb Gb7 A AbmC D Eb Bm Em G G7 Bb Am

Bh374 Shrî Lakshmî Ramana Nârâyana

275

Page 270: harmonium study method.pdf

123) Im iii V vii VmCm Eb G Bb GmC#m E G# B G#mDm F A C AmEbm Gb Bb Db BbmEm G B D BmFm Ab C Eb CmF#m A C# E C#mGm Bb D F DmAbm B Eb Gb EbmAm C E G EmBbm Db F Ab FmBm D F# A F#m

Bh 68 Dîna Dukhiyon Ke Târana Kârana

124) Im IV vi vii VmCm F Ab Bb GmC#m F# A B G#mDm G Bb C AmEbm Ab B Db BbmEm A C D BmFm Bb Db Eb CmF#m B D E C#mGm C Eb F DmAbm Db E Gb EbmAm D F G EmBbm Eb Gb Ab FmBm E G A F#m

Bh359 Shambho Mahâdevâ (Shiva)

125) Im vi vii VII VmCm Ab Bb B GmC#m A B C G#mDm Bb C C# AmEbm B Db D BbmEm C D D# BmFm Db Eb E CmF#m D E F C#mGm Eb F F# DmAbm E Gb G EbmAm F G G# EmBbm Gb Ab A FmBm G A Bb F#m

Bh296 Râma Krishna Prabhu Tû Jaya Râm Jaya Râm

126) ii Im vi vii viimDb Cm Ab Bb BbmD C#m A B BmEb Dm Bb C CmE Ebm B Db DbmF Em C D DmGb Fm Db Eb EbmG F#m D E EmAb Gm Eb F FmA Abm E Gb GbmBb Am F G GmB Bbm Gb Ab AbmC Bm G A Am

Bh 77 Gananâtha Gananâthâ

127) ii iii Im vi viiDb Eb Cm Ab BbD E C#m A BEb F Dm Bb CE Gb Ebm B DbF G Em C DGb Ab Fm Db EbG A F#m D EAb Bb Gm Eb FA B Abm E GbBb C Am F GB Db Bbm Gb AbC D Bm G A

Bh 56 Dayâ Karo Bhagavân Shankara Dayâ Karo Bhagavân

128) ii iiim Im vi viiDb Ebm Cm Ab BbD Em C#m A BEb Fm Dm Bb CE Gbm Ebm B DbF Gm Em C DGb Abm Fm Db EbG Am F#m D EAb Bbm Gm Eb FA Bm Abm E GbBb Cm Am F GB Dbm Bbm Gb AbC Dm Bm G A

Bh387 Tuma Ho Shyâma Râma Rahîm

276

Page 271: harmonium study method.pdf

129) II ii Im V viD Db Cm G AbD# D C#m G# AE Eb Dm A BbF E Ebm Bb BF# F Em B CG Gb Fm C DbG# G F#m C# DA Ab Gm D EbBb A Abm Eb EB Bb Am E FC B Bbm F GbC# C Bm F# G

Bh332 Sathya Dharma Shânti Prema Saba Ko Dîjo (T)

130) I Im IV V V5# viC Cm F G G5# AbC# C#m F# G# G#5# AD Dm G A A5# BbEb Ebm Ab Bb Bb5# BE Em A B B5# CF Fm Bb C C5# DbF# F#m B C# C#5# DG Gm C D D5# EbAb Abm Db Eb Eb5# EA Am D E E5# FBb Bbm Eb F F5# GbB Bm E F# F#5# G

Bh215 Madhura Madhura Muralî Ghana Shyâmâ

131) I Im IV vi vii VmC Cm F Ab Bb GmC# C#m F# A B G#mD Dm G Bb C AmEb Ebm Ab B Db BbmE Em A C D BmF Fm Bb Db Eb CmF# F#m B D E C#mG Gm C Eb F DmAb Abm Db E Gb EbmA Am D F G EmBb Bbm Eb Gb Ab FmB Bm E G A F#m

Bh397 Vitthalâ Jai Vitthalâ Pânduranga Vitthalâ

132) I IIm Im IV V VmC Dm Cm F G GmC# D#m C#m F# G# G#mD Em Dm G A AmEb Fm Ebm Ab Bb BbmE F#m Em A B BmF Gm Fm Bb C CmF# G#m F#m B C# C#mG Am Gm C D DmAb Bbm Abm Db Eb EbmA Bm Am D E EmBb Cm Bbm Eb F FmB C#m Bm E F# F#m

Bh257 Om Namah Shivâya Shivâya Namah Om

133) Im IV V vi vii VmCm F G Ab Bb GmC#m F# G# A B G#mDm G A Bb C AmEbm Ab Bb B Db BbmEm A B C D BmFm Bb C Db Eb CmF#m B C# D E C#mGm C D Eb F DmAbm Db Eb E Gb EbmAm D E F G EmBbm Eb F Gb Ab FmBm E F# G A F#m

Bh214 Mâdhavâ Mohana Shyâma Gopâlâ

134) Im IV7 V vi vii vmCm F7 G Ab Bb F#mC#m F#7 G# A B GmDm G7 A Bb C AbmEbm Ab7 Bb B Db AmEm A7 B C D A#mFm Bb7 C Db Eb BmF#m B7 C# D E CmGm C7 D Eb F DbmAbm Db7 Eb E Gb DmAm D7 E F G EbmBbm Eb7 F Gb Ab EmBm E7 F# G A Fm

Bh167 Jaya Gopâla Jaya Gopâlâ

277

Page 272: harmonium study method.pdf

135) II Im IV v V V7D Cm F F# G G7D# C#m F# G G# G#7E Dm G Ab A A7F Ebm Ab A Bb Bb7F# Em A A# B B7G Fm Bb B C C7G# F#m B C C# C#7A Gm C Db D D7Bb Abm Db D Eb Eb7B Am D Eb E E7C Bbm Eb E F F7C# Bm E F F# F#7

Bh218 Madhuvana Muralî Shyâma Murârî

136) II iii Im Im5 V viD Eb Cm Cm5 G AbD# E C#m C#m5 G# AE F Dm Dm5 A BbF Gb Ebm Ebm5 Bb BF# G Em Em5 B CG Ab Fm Fm5 C DbG# A F#m F#m5 C# DA Bb Gm Gm5 D EbBb B Abm Abm5 Eb EB C Am Am5 E FC Db Bbm Bbm5 F GbC# D Bm Bm5 F# G

Bh 03 Allâh Nâma Bhajo Bhajore Bhajo (T)

278

137) I IIm Im IV vi vii VmC Dm Cm F Ab Bb GmC# D#m C#m F# A B G#mD Em Dm G Bb C AmEb Fm Ebm Ab B Db BbmE F#m Em A C D BmF Gm Fm Bb Db Eb CmF# G#m F#m B D E C#mG Am Gm C Eb F DmAb Bbm Abm Db E Gb EbmA Bm Am D F G EmBb Cm Bbm Eb Gb Ab FmB C#m Bm E G A F#m

Bh138 Hari Om Hari Om Hari Om Nârâyanâ

138) I iii Im V vi vii VmC Eb Cm G Ab Bb GmC# E C#m G# A B G#mD F Dm A Bb C AmEb Gb Ebm Bb B Db BbmE G Em B C D BmF Ab Fm C Db Eb CmF# A F#m C# D E C#mG Bb Gm D Eb F DmAb B Abm Eb E Gb EbmA C Am E F G EmBb Db Bbm F Gb Ab FmB D Bm F# G A F#m

Bh304 Sadguru Brahmâ Sanâtana He

Page 273: harmonium study method.pdf

139) ii Im IV V vi vii viimDb Cm F G Ab Bb BbmD C#m F# G# A B BmEb Dm G A Bb C CmE Ebm Ab Bb B Db DbmF Em A B C D DmGb Fm Bb C Db Eb EbmG F#m B C# D E EmAb Gm C D Eb F FmA Abm Db Eb E Gb GbmBb Am D E F G GmB Bbm Eb F Gb Ab AbmC Bm E F# G A Am

Bh 40 Bhava Bhaya Haranâ Vandita Charanâ

140) ii iii Im vi VI VII VIm VmDb Eb Cm Ab A B Am GmD E C#m A A# C A#m G#mEb F Dm Bb B C# Bm AmE Gb Ebm B C D Cm BbmF G Em C C# D# C#m BmGb Ab Fm Db D E Dm CmG A F#m D D# F D#m C#mAb Bb Gm Eb E F# Em DmA B Abm E F G Fm EbmBb C Am F F# G# F#m EmB Db Bbm Gb G A Gm FmC D Bm G Ab Bb Abm F#m

Bh 57 Dayâ Karo He Dayânidhe He Bhagavân

141) II Im IVm VD Cm Fm GD# C#m F#m G#E Dm Gm AF Ebm Abm BbF# Em Am BG Fm Bbm CG# F#m Bm C#A Gm Cm DBb Abm Dbm EbB Am Dm EC Bbm Ebm FC# Bm Em F#

Bh156 Jagadîsha Hare He Shiva Shambho

279

Page 274: harmonium study method.pdf

142) Im vi vii vii4Cm Ab Bb Bb4C#m A B B4Dm Bb C C4Ebm B Db Db4Em C D D4Fm Db Eb Eb4F#m D E E4Gm Eb F F4Abm E Gb Gb4Am F G G4Bbm Gb Ab Ab4Bm G A A4

Bh309 Sâî Bâbâ Pranâm (Sathya)

144) I ii IVmC Db FmC# D F#mDb D GbmD Eb GmEb E AbmE F AmF Gb BbmF# G BmGb G BmG Ab CmAb A DbmA Bb DmBb B EbmB C Em

Bh128 Hare Murâre Sâî Râm Hare Murâre RâmBh308 Sâî Bâbâ Gîta Sudha Madhuram Madhuram Anandam

145) I ii viC Db AbDb D AD Eb BbEb E BE F CF Gb DbF# G DG Ab EbAb A EA Bb FBb B GbB C G

Bh 39 Bhasma Vibhûshitâ Bhavânî ShankaraBh310 Sâî Bâbâ Terâ Nâm Sathya Sâî Bâbâ Terâ Nâm

146) I ii5b viim6C Db5b Bbm6Db D5b Bm6D Eb5b Cm6Eb E5b Dbm6E F5b Dm6F Gb5b Ebm6F# G5b Em6G Ab5b Fm6Ab A5b Gbm6A Bb5b Gm6Bb B5b Abm6B C5b Am6

Bh288 Râghava Sundara Râma Raghû Vara

147) I ii IV viimC Db F BbmDb D Gb BmD Eb G CmEb E Ab DbmE F A DmF Gb Bb EbmF# G B EmG Ab C FmAb A Db GbmA Bb D GmBb B Eb AbmB C E Am

Bh154 Îshvarâmbâ Priya Tanayâ Sâî Nârâyanâ

280

Page 275: harmonium study method.pdf

148) I ii IVm vi viimC Db Fm Ab BbmDb D Gbm A BmD Eb Gm Bb CmEb E Abm B DbmE F Am C DmF Gb Bbm Db EbmF# G Bm D EmG Ab Cm Eb FmAb A Dbm E GbmA Bb Dm F GmBb B Ebm Gb AbmB C Em G Am

Bh145 He Gananâtha Gajânanâ

149) I ii IVm vii viimC Db Fm Bb BbmDb D Gbm B BmD Eb Gm C CmEb E Abm Db DbmE F Am D DmF Gb Bbm Eb EbmF# G Bm E EmG Ab Cm F FmAb A Dbm Gb GbmA Bb Dm G GmBb B Ebm Ab AbmB C Em A Am

Bh275 Pratah Smaranam Shrî Guru Charanam

150) ii Im IVm vi viimDb Cm Fm Ab BbmD C#m F#m A BmEb Dm Gm Bb CmE Ebm Abm B DbmF Em Am C DmGb Fm Bbm Db EbmG F#m Bm D EmAb Gm Cm Eb FmA Abm Dbm E GbmBb Am Dm F GmB Bbm Ebm Gb AbmC Bm Em G Am

Bh 47 Chandra Shekharâya Namah Om

151) ii Im IVm vi VmDb Cm Fm Ab GmD C#m F#m A G#mEb Dm Gm Bb AmE Ebm Abm B BbmF Em Am C BmGb Fm Bbm Db CmG F#m Bm D C#mAb Gm Cm Eb DmA Abm Dbm E EbmBb Am Dm F EmB Bbm Ebm Gb FmC Bm Em G F#m

Bh 371 Shrî Hari Bol Shrî Hari Bol Mukunda Mâdhavâ

152) Im ii IVm vi vii VmCm Db Fm Ab Bb GmC#m D F#m A B G#mDm Eb Gm Bb C AmEbm E Abm B Db BbmEm F Am C D BmFm Gb Bbm Db Eb CmF#m G Bm D E C#mGm Ab Cm Eb F DmAbm A Dbm E Gb EbmAm Bb Dm F G EmBbm B Ebm Gb Ab FmBm C Em G A F#m

Bh 23 Bedâ Pâra Karo Mere Sâî

281

Page 276: harmonium study method.pdf

153) ii Im IVm vi vii viim VmDb Cm Fm Ab Bb Bbm GmD C#m F#m A B Bm G#mEb Dm Gm Bb C Cm AmE Ebm Abm B Db Dbm BbmF Em Am C D Dm BmGb Fm Bbm Db Eb Ebm CmG F#m Bm D E Em C#mAb Gm Cm Eb F Fm DmA Abm Dbm E Gb Gbm EbmBb Am Dm F G Gm EmB Bbm Ebm Gb Ab Abm FmC Bm Em G A Am F#m

Bh360 Shiva Shankara Shashi Shekhara

282

154) I ii IV vii vii4C Db F Bb Bb4Db D Gb B B4D Eb G C C4Eb E Ab Db Db4E F A D D4F Gb Bb Eb Eb4F# G B E E4G Ab C F F4Ab A Db Gb Gb4A Bb D G G4Bb B Eb Ab Ab4B C E A A4

Bh 69 Dînâ Nâtha Shankarâ

155) I ii IV vii viimC Db F Bb BbmDb D Gb B BmD Eb G C CmEb E Ab Db DbmE F A D DmF Gb Bb Eb EbmF# G B E EmG Ab C F FmAb A Db Gb GbmA Bb D G GmBb B Eb Ab AbmB C E A Am

Bh373 Shrî Kare Kripâ Kare Kshemâm Kare Sâîshvare

156) I ii IV IV° IVm vi viiC Db F F° Fm Ab BbDb D Gb Gb° Gbm A BD Eb G G° Gm Bb CEb E Ab Ab° Abm B DbE F A A° Am C DF Gb Bb Bb° Bbm Db EbF# G B B° Bm D EG Ab C C° Cm Eb FAb A Db Db° Dbm E GbA Bb D D° Dm F GBb B Eb Eb° Ebm Gb AbB C E E° Em G A

Bh150 He Parthî Purîshâ Prashânti Vâsâ Sadguru Sâî Râm

Page 277: harmonium study method.pdf

157) I ii IV IVm V vii VmC Db F Fm G Bb GmDb D Gb Gbm Ab B AbmD Eb G Gm A C AmEb E Ab Abm Bb Db BbmE F A Am B D BmF Gb Bb Bbm C Eb CmF# G B Bm C# E C#mG Ab C Cm D F DmAb A Db Dbm Eb Gb EbmA Bb D Dm E G EmBb B Eb Ebm F Ab FmB C E Em F# A F#m

Bh253 O Bhagavân O Bhagavân Araja Suno Mere Sâî Bhagavân

158) ii Im IVm V vi vii VmDb Cm Fm G Ab Bb GmD C#m F#m G# A B G#mEb Dm Gm A Bb C AmE Ebm Abm Bb B Db BbmF Em Am B C D BmGb Fm Bbm C Db Eb CmG F#m Bm C# D E C#mAb Gm Cm D Eb F DmA Abm Dbm Eb E Gb EbmBb Am Dm E F G EmB Bbm Ebm F Gb Ab FmC Bm Em F# G A F#m

Bh226 Manuvâ Bolo Jai Sîtâ Râm Bolo

159) Im ii iii IVm V vi viiCm Db Eb Fm G Ab BbC#m D E F#m G# A BDm Eb F Gm A Bb CEbm E Gb Abm Bb B DbEm F G Am B C DFm Gb Ab Bbm C Db EbF#m G A Bm C# D EGm Ab Bb Cm D Eb FAbm A B Dbm Eb E GbAm Bb C Dm E F GBbm B Db Ebm F Gb AbBm C D Em F# G A

Bh144 He Dîna Dayâlu Sâî Râmâ Râm

283

Page 278: harmonium study method.pdf

160) I ii ii° viim VImC Db Db° Bbm AmDb D D° Bm BbmD Eb Eb° Cm BmEb E E° Dbm CmE F F° Dm C#mF Gb Gb° Ebm DmF# G G° Em D#mG Ab Ab° Fm EmAb A A° Gbm FmA Bb Bb° Gm F#mBb B B° Abm GmB C C° Am Abm

Bh247 Nârâyanâ Hari Nârâyanâ

161) I ii V° viim viim6C Db G° Bbm Bbm6Db D Ab° Bm Bm6D Eb A° Cm Cm6Eb E Bb° Dbm Dbm6E F B° Dm Dm6F Gb C° Ebm Ebm6F# G C#° Em Em6G Ab D° Fm Fm6Ab A Eb° Gbm Gbm6A Bb E° Gm Gm6Bb B F° Abm Abm6B C F#° Am Am6

Bh 38 Bhasma Bhûshitânga Sâî Chandra Shekharâ

162) I ii ii° iii IVm viC Db Db° Eb Fm AbDb D D° E Gbm AD Eb Eb° F Gm BbEb E E° Gb Abm BE F F° G Am CF Gb Gb° Ab Bbm DbF# G G° A Bm DG Ab Ab° Bb Cm EbAb A A° B Dbm EA Bb Bb° C Dm FBb B B° Db Ebm GbB C C° D Em G

Bh143 Hari Om Tat Sat Namah Shivâyâ

163) I ii ii° IV° IVm viimC Db Db° F° Fm BbmDb D D° Gb° Gbm BmD Eb Eb° G° Gm CmEb E E° Ab° Abm DbmE F F° A° Am DmF Gb Gb° Bb° Bbm EbmF# G G° B° Bm EmG Ab Ab° C° Cm FmAb A A° Db° Dbm GbmA Bb Bb° D° Dm GmBb B B° Eb° Ebm AbmB C C° E° Em Am

Bh259 Om Shiva Shambho Jaya Shiva Shambho

164) I ii III Im IVm VC Db E Cm Fm GDb D F Dbm Gbm AbD Eb F# Dm Gm AEb E G Ebm Abm BbE F G# Em Am BF Gb A Fm Bbm CF# G A# F#m Bm C#G Ab B Gm Cm DAb A C Abm Dbm EbA Bb C# Am Dm EBb B D Bbm Ebm FB C Eb Bm Em F#

Bh272 Pranamâmî Shrî Durge Sâî Nârâyanî

165) I ii III IVm V° viimC Db E Fm G° BbmDb D F Gbm Ab° BmD Eb F# Gm A° CmEb E G Abm Bb° DbmE F G# Am B° DmF Gb A Bbm C° EbmF# G A# Bm C#° EmG Ab B Cm D° FmAb A C Dbm Eb° GbmA Bb C# Dm E° GmBb B D Ebm F° AbmB C Eb Em F#° Am

Bh176 Jaya Jaya Govinda Jaya Nandalâlâ

284

Page 279: harmonium study method.pdf

166) I ii Im IV V vi VmC Db Cm F G Ab GmDb D Dbm Gb Ab A AbmD Eb Dm G A Bb AmEb E Ebm Ab Bb B BbmE F Em A B C BmF Gb Fm Bb C Db CmF# G F#m B C# D C#mG Ab Gm C D Eb DmAb A Abm Db Eb E EbmA Bb Am D E F EmBb B Bbm Eb F Gb FmB C Bm E F# G F#m

Bh188 Jaya Jaya Sâî Namo Jaya Shubha Dâyî Namo

167) I ii ii° IVm vi viim viim5C Db Db° Fm Ab Bbm Bbm5Db D D° Gbm A Bm Bm5D Eb Eb° Gm Bb Cm Cm5Eb E E° Abm B Dbm Dbm5E F F° Am C Dm Dm5F Gb Gb° Bbm Db Ebm Ebm5F# G G° Bm D Em Em5G Ab Ab° Cm Eb Fm Fm5Ab A A° Dbm E Gbm Gbm5A Bb Bb° Dm F Gm Gm5Bb B B° Ebm Gb Abm Abm5B C C° Em G Am Am5

Bh 81 Garudâ Vâhana Nârâyanâ

168) I ii II° IVm V V° viC Db D° Fm G G° AbDb D Eb° Gbm Ab Ab° AD Eb E° Gm A A° BbEb E F° Abm Bb Bb° BE F F#° Am B B° CF Gb G° Bbm C C° DbF# G G#° Bm C# C#° DG Ab A° Cm D D° EbAb A Bb° Dbm Eb Eb° EA Bb B° Dm E E° FBb B C° Ebm F F° GbB C C#° Em F# F#° G

Bh 41 Bholâ Bhandârî Bâbâ Shiva Shiva Shiva Sâî Bâbâ

285

Page 280: harmonium study method.pdf

169) I I5b II ii II7 V vi vi°C C5b D Db D7 G Ab Ab°Db Db5b Eb D Eb7 Ab A A°D D5b E Eb E7 A Bb Bb°Eb Eb5b F E F7 Bb B B°E E5b F# F F#7 B C C°F F5b G Gb G7 C Db Db°F# F#5b G# G G#7 C# D D°G G5b A Ab A7 D Eb Eb°Ab Ab5b Bb A Bb7 Eb E E°A A5b B Bb B7 E F F°Bb Bb5b C B C7 F Gb Gb°B B5b C# C C#7 F# G G°

Bh273 Pranava Svarûpa Hari Om Sâî

170) I II ii iii Im vi viiC D Db Eb Cm Ab BbDb Eb D E Dbm A BD E Eb F Dm Bb CEb F E Gb Ebm B DbE F# F G Em C DF G Gb Ab Fm Db EbF# G# G A F#m D EG A Ab Bb Gm Eb FAb Bb A B Abm E GbA B Bb C Am F GBb C B Db Bbm Gb AbB C# C D Bm G A

Bh289 Raghupate Râghava Râjâ Râma

171) I Im IVm V viC Cm Fm G AbC# C#m F#m G# AD Dm Gm A BbEb Ebm Abm Bb BE Em Am B CF Fm Bbm C DbF# F#m Bm C# DG Gm Cm D EbAb Abm Dbm Eb EA Am Dm E FBb Bbm Ebm F GbB Bm Em F# G

Bh 268 Parthî Purîsha Prashânti Vâsâ Sâî Murârî (He)

286

Page 281: harmonium study method.pdf

172) Im Im6 IVm V7 vi viiCm Cm6 Fm G7 Ab BbC#m C#m6 F#m G#7 A BDm Dm6 Gm A7 Bb CEbm Ebm6 Abm Bb7 B DbEm Em6 Am B7 C DFm Fm6 Bbm C7 Db EbF#m F#m6 Bm C#7 D EGm Gm6 Cm D7 Eb FAbm Abm6 Dbm Eb7 E GbAm Am6 Dm E7 F GBbm Bbm6 Ebm F7 Gb AbBm Bm6 Em F#7 G A

Bh 232 Mukunda Murârî Murârî Gopâl

173) I Im Im6 IV IVm6 V vim6C Cm Cm6 F Fm6 G Abm6C# C#m C#m6 F# F#m6 G# Am6D Dm Dm6 G Gm6 A Bbm6Eb Ebm Ebm6 Ab Abm6 Bb Bm6E Em Em6 A Am6 B Cm6F Fm Fm6 Bb Bbm6 C Dbm6F# F#m F#m6 B Bm6 C# Dm6G Gm Gm6 C Cm6 D Ebm6Ab Abm Abm6 Db Dbm6 Eb Em6A Am Am6 D Dm6 E Fm6Bb Bbm Bbm6 Eb Ebm6 F Gbm6B Bm Bm6 E Em6 F# Gm6

Bh 162 Jaganmâte Jaga Jananî

174) I Im IV IVm V V7 viiC Cm F Fm G G7 BbC# C#m F# F#m G# G#7 BD Dm G Gm A A7 CEb Ebm Ab Abm Bb Bb7 DbE Em A Am B B7 DF Fm Bb Bbm C C7 EbF# F#m B Bm C# C#7 EG Gm C Cm D D7 FAb Abm Db Dbm Eb Eb7 GbA Am D Dm E E7 GBb Bbm Eb Ebm F F7 AbB Bm E Em F# F#7 A

Bh 217 Madhuvana Ke Muralî Bâlâ

287

Page 282: harmonium study method.pdf

175) I Im IV IVm V vi viiC Cm F Fm G Ab BbC# C#m F# F#m G# A BD Dm G Gm A Bb CEb Ebm Ab Abm Bb B DbE Em A Am B C DF Fm Bb Bbm C Db EbF# F#m B Bm C# D EG Gm C Cm D Eb FAb Abm Db Dbm Eb E GbA Am D Dm E F GBb Bbm Eb Ebm F Gb AbB Bm E Em F# G A

Bh 151 He Râm Bhagavân

176) I Im IV IVm V vii VmC Cm F Fm G Bb GmC# C#m F# F#m G# B G#mD Dm G Gm A C AmEb Ebm Ab Abm Bb Db BbmE Em A Am B D BmF Fm Bb Bbm C Eb CmF# F#m B Bm C# E C#mG Gm C Cm D F DmAb Abm Db Dbm Eb Gb EbmA Am D Dm E G EmBb Bbm Eb Ebm F Ab FmB Bm E Em F# A F#m

Bh 52 Dânava Bhanjana Râma Sâî Shyâmala Komala Râm

288

Page 283: harmonium study method.pdf

Diminished chord sequences

289

177) I IVm V°C Fm G°Db Gbm Ab°D Gm A°Eb Abm Bb°E Am B°F Bbm C°F# Bm C#°G Cm D°Ab Dbm Eb°A Dm E°Bb Ebm F°B Em F#°

Bh372 Shrî Hari Jaya Hari Nanda Mukunda Hari

178) I Im V v°C Cm G F#°Db Dbm Ab G°D Dm A Ab°Eb Ebm Bb A°E Em B A#°F Fm C B°F# F#m C# C°G Gm D Db°Ab Abm Eb D°A Am E Eb°Bb Bbm F E°B Bm F# F°

Bh 46 Bolo Râm Sâî Râm Sathya Sâî Râm

179) I IV° IVm VC F° Fm GDb Gb° Gbm AbD G° Gm AEb Ab° Abm BbE A° Am BF Bb° Bbm CF# B° Bm C#G C° Cm DAb Db° Dbm EbA D° Dm EBb Eb° Ebm FB E° Em F#

Bh132 Hari Hari Govinda Hari Hari Bola

180) I I5b7+ IV V v°C C5b7+ F G F#°Db Db5b7+ Gb Ab G°D D5b7+ G A Ab°Eb Eb5b7+ Ab Bb A°E E5b7+ A B A#°F F5b7+ Bb C B°F# F#5b7+ B C# C°G G5b7+ C D Db°Ab Ab5b7+ Db Eb D°A A5b7+ D E Eb°Bb Bb5b7+ Eb F E°B B5b7+ E F# F°

Bh 37 Bhajo Sîtâ Râm Bhajo Râdhe Shyâm

181) I IV IV° IVm IVm6 VC F F° Fm Fm6 GDb Gb Gb° Gbm Gbm6 AbD G G° Gm Gm6 AEb Ab Ab° Abm Abm6 BbE A A° Am Am6 BF Bb Bb° Bbm Bbm6 CF# B B° Bm Bm6 C#G C C° Cm Cm6 DAb Db Db° Dbm Dbm6 EbA D D° Dm Dm6 EBb Eb Eb° Ebm Ebm6 FB E E° Em Em6 F#

Bh 87 Giridhara Govinda Gopâlâ Ghana Shyâma Nandalâlâ

Page 284: harmonium study method.pdf

182) I° Im Im6 IV V V7 viC° Cm Cm6 F G G7 AbDb° Dbm Dbm6 Gb Ab Ab7 AD° Dm Dm6 G A A7 BbEb° Ebm Ebm6 Ab Bb Bb7 BE° Em Em6 A B B7 CF° Fm Fm6 Bb C C7 DbF#° F#m F#m6 B C# C#7 DG° Gm Gm6 C D D7 EbAb° Abm Abm6 Db Eb Eb7 EA° Am Am6 D E E7 FBb° Bbm Bbm6 Eb F F7 GbB° Bm Bm6 E F# F#7 G

Bh241 Nandalâlâ Nandalâlâ Dayâ Karo Bhagavân

183) I IV IVm V vi vii VII°C F Fm G Ab Bb B°Db Gb Gbm Ab A B C°D G Gm A Bb C C#°Eb Ab Abm Bb B Db D°E A Am B C D D#°F Bb Bbm C Db Eb E°F# B Bm C# D E F°G C Cm D Eb F F#°Ab Db Dbm Eb E Gb G°A D Dm E F G G#°Bb Eb Ebm F Gb Ab A°B E Em F# G A Bb°

Bh187 Jai Jai Sâî Mâ He Sâî Sarasvatî Mâ

184) I iii Im IVm IVm6 V vi VI°C Eb Cm Fm Fm6 G Ab A°Db E Dbm Gbm Gbm6 Ab A Bb°D F Dm Gm Gm6 A Bb B°Eb Gb Ebm Abm Abm6 Bb B C°E G Em Am Am6 B C C#°F Ab Fm Bbm Bbm6 C Db D°F# A F#m Bm Bm6 C# D D#°G Bb Gm Cm Cm6 D Eb E°Ab B Abm Dbm Dbm6 Eb E F°A C Am Dm Dm6 E F F#°Bb Db Bbm Ebm Ebm6 F Gb G°B D Bm Em Em6 F# G Ab°

Bh137 Hari Nârâyanâ Hari Nârâyanâ Hari Nârâyanâ Bhajo Re

290

Page 285: harmonium study method.pdf

185) I Im IV IV° IVm V v° vi viiC Cm F F° Fm G F#° Ab BbDb Dbm Gb Gb° Gbm Ab G° A BD Dm G G° Gm A Ab° Bb CEb Ebm Ab Ab° Abm Bb A° B DbE Em A A° Am B A#° C DF Fm Bb Bb° Bbm C B° Db EbF# F#m B B° Bm C# C° D EG Gm C C° Cm D Db° Eb FAb Abm Db Db° Dbm Eb D° E GbA Am D D° Dm E Eb° F GBb Bbm Eb Eb° Ebm F E° Gb AbB Bm E E° Em F# F° G A

Bh146 He Giridhara Gopâlâ He Giridhara Gopâlâ He Giridhara Gopâlâ

186) I III iii Im IV° IVm V V7 vi viiC E Eb Cm F° Fm G G7 Ab BbDb F E Dbm Gb° Gbm Ab Ab7 A BD F# F Dm G° Gm A A7 Bb CEb G Gb Ebm Ab° Abm Bb Bb7 B DbE G# G Em A° Am B B7 C DF A Ab Fm Bb° Bbm C C7 Db EbF# A# A F#m B° Bm C# C#7 D EG B Bb Gm C° Cm D D7 Eb FAb C B Abm Db° Dbm Eb Eb7 E GbA C# C Am D° Dm E E7 F GBb D Db Bbm Eb° Ebm F F7 Gb AbB Eb D Bm E° Em F# F#7 G A

Bh122 Hara Hara Hara Hara Mahâdevâ

291

187) Im ii IV°Cm Db F°C#m D F#°Dm Eb G°Ebm E Ab°Em F A°Fm Gb Bb°F#m G B°Gm Ab C°Abm A Db°Am Bb D°Bbm B Eb°Bm C E°

Bh186 Jaya Jaya Sadguru Sâî Sadâ Shivâ

188) Im iii° VmCm Eb° GmC#m E° G#mDm F° AmEbm Gb° BbmEm G° BmFm Ab° CmF#m A° C#mGm Bb° DmAbm B° EbmAm C° EmBbm Db° FmBm D° F#m

Bh129 Hari Bolo Hare Râma Nâm

Page 286: harmonium study method.pdf

189) I I° Im IVm viiC C° Cm Fm BbC# C#° C#m F#m BD D° Dm Gm CEb Eb° Ebm Abm DbE E° Em Am DF F° Fm Bbm EbF# F#° F#m Bm EG G° Gm Cm FAb Ab° Abm Dbm GbA A° Am Dm GBb Bb° Bbm Ebm AbB B° Bm Em A

Bh392 Vighna Vinâshaka Vinâyakâ

190) I° Im vi vii VIIC° Cm Ab Bb BC#° C#m A B CD° Dm Bb C C#Eb° Ebm B Db DE° Em C D D#F° Fm Db Eb EF#° F#m D E FG° Gm Eb F F#Ab° Abm E Gb GA° Am F G G#Bb° Bbm Gb Ab AB° Bm G A Bb

Bh157 Jagadîsha Hare Jaya Ho

191) I° II Im IV viC° D Cm F AbC#° D# C#m F# AD° E Dm G BbEb° F Ebm Ab BE° F# Em A CF° G Fm Bb DbF#° G# F#m B DG° A Gm C EbAb° Bb Abm Db EA° B Am D FBb° C Bbm Eb GbB° C# Bm E G

Bh115 Gurudevâ Sharanam Devâ

192) I° II iii Im IVC° D Eb Cm FC#° D# E C#m F#D° E F Dm GEb° F Gb Ebm AbE° F# G Em AF° G Ab Fm BbF#° G# A F#m BG° A Bb Gm CAb° Bb B Abm DbA° B C Am DBb° C Db Bbm EbB° C# D Bm E

Bh134 Hari Hari Nârâyanâ

193) Im IV° IVm V viCm F° Fm G AbC#m F#° F#m G# ADm G° Gm A BbEbm Ab° Abm Bb BEm A° Am B CFm Bb° Bbm C DbF#m B° Bm C# DGm C° Cm D EbAbm Db° Dbm Eb EAm D° Dm E FBbm Eb° Ebm F GbBm E° Em F# G

Bh133 Hari Hari Hari Hari Smarana Karo

194) Im IVm vi vi° viiCm Fm Ab Ab° BbC#m F#m A A° BDm Gm Bb Bb° CEbm Abm B B° DbEm Am C C° DFm Bbm Db Db° EbF#m Bm D D° EGm Cm Eb Eb° FAbm Dbm E E° GbAm Dm F F° GBbm Ebm Gb Gb° AbBm Em G G° A

Bh352 Shirdî Sâî Dvârakâ Mâî Prashânti Vâsî Sâî Râm

292

Page 287: harmonium study method.pdf

195) ii Im V vi vi°Db Cm G Ab Ab°D C#m G# A A°Eb Dm A Bb Bb°E Ebm Bb B B°F Em B C C°Gb Fm C Db Db°G F#m C# D D°Ab Gm D Eb Eb°A Abm Eb E E°Bb Am E F F°B Bbm F Gb Gb°C Bm F# G G°

Bh276 Prathama Vandanâ Gaurî Nandana

196) I Im IV° IVm V viC Cm F° Fm G AbC# C#m F#° F#m G# AD Dm G° Gm A BbEb Ebm Ab° Abm Bb BE Em A° Am B CF Fm Bb° Bbm C DbF# F#m B° Bm C# DG Gm C° Cm D EbAb Abm Db° Dbm Eb EA Am D° Dm E FBb Bbm Eb° Ebm F GbB Bm E° Em F# G

Bh 09 Anâtha Bandho Sâî Prabho

197) I Im V vi vii VII°C Cm G Ab Bb B°C# C#m G# A B C°D Dm A Bb C C#°Eb Ebm Bb B Db D°E Em B C D D#°F Fm C Db Eb E°F# F#m C# D E F°G Gm D Eb F F#°Ab Abm Eb E Gb G°A Am E F G G#°Bb Bbm F Gb Ab A°B Bm F# G A Bb°

Bh 74 Gajânanâ He Shubhânanâ

198) Im iii V V7 vi VII°

Cm Eb G G7 Ab B°C#m E G# G#7 A C°Dm F A A7 Bb C#°Ebm Gb Bb Bb7 B D°Em G B B7 C D#°Fm Ab C C7 Db E°F#m A C# C#7 D F°Gm Bb D D7 Eb F#°Abm B Eb Eb7 E G°Am C E E7 F G#°Bbm Db F F7 Gb A°Bm D F# F#7 G Bb°

Bh264 Pannaga Shayanâ Kâli Avatârâ

199) Im IV V VI° vii VmCm F G A° Bb GmC#m F# G# A#° B G#mDm G A B° C AmEbm Ab Bb C° Db BbmEm A B C#° D BmFm Bb C D° Eb CmF#m B C# D#° E C#mGm C D E° F DmAbm Db Eb F° Gb EbmAm D E F#° G EmBbm Eb F G° Ab FmBm E F# Ab° A F#m

Bh250 Natarâjâ Natarâjâ Narthana Sundara Natarâjâ

293

Page 288: harmonium study method.pdf

200) I II Im IV° IVm V viC D Cm F° Fm G AbC# D# C#m F#° F#m G# AD E Dm G° Gm A BbEb F Ebm Ab° Abm Bb BE F# Em A° Am B CF G Fm Bb° Bbm C DbF# G# F#m B° Bm C# DG A Gm C° Cm D EbAb Bb Abm Db° Dbm Eb EA B Am D° Dm E FBb C Bbm Eb° Ebm F GbB C# Bm E° Em F# G

Bh228 Mâtanga Vadanâ Ânanda Sadanâ

201) II Im6 IV V v° V7 viD Cm6 F G F#° G7 AbD# C#m6 F# G# G° G#7 AE Dm6 G A Ab° A7 BbF Ebm6 Ab Bb A° Bb7 BF# Em6 A B A#° B7 CG Fm6 Bb C B° C7 DbG# F#m6 B C# C° C#7 DA Gm6 C D Db° D7 EbBb Abm6 Db Eb D° Eb7 EB Am6 D E Eb° E7 FC Bbm6 Eb F E° F7 GbC# Bm6 E F# F° F#7 G

Bh160 Jagame Sarvam Vishnu Mayam

202) II iii° Im Im6 IV V viD Eb° Cm Cm6 F G AbD# E° C#m C#m6 F# G# AE F° Dm Dm6 G A BbF Gb° Ebm Ebm6 Ab Bb BF# G° Em Em6 A B CG Ab° Fm Fm6 Bb C DbG# A° F#m F#m6 B C# DA Bb° Gm Gm6 C D EbBb B° Abm Abm6 Db Eb EB C° Am Am6 D E FC Db° Bbm Bbm6 Eb F GbC# D° Bm Bm6 E F# G

Bh368 Shivâya Parameshvarâya Candrashekharâya Namah Om

294

Page 289: harmonium study method.pdf

203) II iii iii° Im IV V viD Eb Eb° Cm F G AbD# E E° C#m F# G# AE F F° Dm G A BbF Gb Gb° Ebm Ab Bb BF# G G° Em A B CG Ab Ab° Fm Bb C DbG# A A° F#m B C# DA Bb Bb° Gm C D EbBb B B° Abm Db Eb EB C C° Am D E FC Db Db° Bbm Eb F GbC# D D° Bm E F# G

Bh375 Shrî Nivâsâ Govinda Shrî Venkateshva Govinda

204) I Im IV IV° IVm V vi viiC Cm F F° Fm G Ab BbC# C#m F# F#° F#m G# A BD Dm G G° Gm A Bb CEb Ebm Ab Ab° Abm Bb B DbE Em A A° Am B C DF Fm Bb Bb° Bbm C Db EbF# F#m B B° Bm C# D EG Gm C C° Cm D Eb FAb Abm Db Db° Dbm Eb E GbA Am D D° Dm E F GBb Bbm Eb Eb° Ebm F Gb AbB Bm E E° Em F# G A

Bh 80 Ganga Jatâdhara Gaurî Shankara

205) I iii iii° Im Im6 IV V V7 viC Eb Eb° Cm Cm6 F G G7 AbC# E E° C#m C#m6 F# G# G#7 AD F F° Dm Dm6 G A A7 BbEb Gb Gb° Ebm Ebm6 Ab Bb Bb7 BE G G° Em Em6 A B B7 CF Ab Ab° Fm Fm6 Bb C C7 DbF# A A° F#m F#m6 B C# C#7 DG Bb Bb° Gm Gm6 C D D7 EbAb B B° Abm Abm6 Db Eb Eb7 EA C C° Am Am6 D E E7 FBb Db Db° Bbm Bbm6 Eb F F7 GbB D D° Bm Bm6 E F# F#7 G

Bh163 Jagat Pâlanâ Jagan Mohanâ

295