Grygorii Kovalchitarra Recital per il conseguimento delMaster of Arts in Music Performance

Conservatorio della Svizzera italiana Scuola universitaria di Musica Via Soldino 9 CH-6900 Lugano

T +41 (0)91 960 23 62 eventi@conservatorio.ch

SABATO

08.08.20 Aula Magna

ORE

15:00Entrata libera

Grygorii Koval

È nato nel novembre del 1991 a Vinnytsia, Ucraina.

Ha studiato dal 2011 al 2017 presso la Zurich University of the Arts (ZHdK)

nella classe del M° Anders Miolin, dove ha conseguito il Bachelor of Arts e il

Master of Arts in Music Performance. Ha beneficiato di diverse borse di studio di

diverse fondazioni vicine alla ZHdK. Le esibizioni da solista in Svizzera e nelle

città dell'Ucraina caratterizzano le sue intense attività concertistiche. Inoltre,

suona spesso in vari gruppi di musica da camera. Grygorii partecipa

regolarmente ad alcune delle masterclass più prestigiose d'Europa. Compresa

la scuola estiva di chitarra con il M°Oscar Ghiglia a Siena (Italia), lezioni con

Pablo Marquez, Marcin Dylla, Aniello Desiderio. Attualmente frequenta il Master

of Arts in Music Performance presso il Conservatorio della Svizzera italiana con

il M°Lorenzo Micheli.

Manule Maria Ponce 1882 – 1948

Variations on "Folia de España" and Fugue Theme

Variations

Fugue

Sofia Gubaidulina *1931

Serenade

Mathias Duplessy *1972

Cavalcade

Classe di chitarra di Lorenzo Micheli

Manuel Maria Ponce (1882-1948)

Variations sur "Folia de España" et Fugue (1932)

The folia (in literal translation meaning 'mad or empty

headed') originated from Portugal and featured greatly in

music of both Spain and Italy during the early 17 century.

The Variations on the Folia Theme originally written for

guitar being the largest solo work by Manuel Ponce.

Theme and variations form proved to be an ideal vehicle

for Ponce to demonstrate his musical inventiveness, in a

free exploitation of the theme showing different characters and technical

possibilities. The Fugue at the and of the piece, as a unique example of Ponce’s

compositional style, emphasizes the main character of the composition and

resolves its problematic nature.

Sofia Gubaidulina (1931) - Serenade (1969)

The composer Gubaidulina as a profoundly spiritual

person has her own unique style, which speaks to her

musical language of expressive mood and often

mysterious but precise sonorities. The Serenade for

solo guitar by Gubaidulina shows at times a fascinating

new sound of the guitar saving its original technique.

The most eloquent chorales, which play a deeply poetic

role seem to sound very familiar to the listener while using remarkable effects

imitating a jaw harp, which appears as a lyrical and intimate instrument in

Serenade. The piece ends with an unexpected resolution reaching the highest

tones of the instrument.

Mathias Duplessy (1972) - Cavalcade (2007)

A lover of traditional music, Deplussy learned to play

instruments from all over the world like percussions of

all kinds, saz, oud, banjo which made a great influence

on his musical ideas for his solo compositions,

orchestrations, and film music. Mathias takes pleasure

mixing and reinventing the universe of these

instruments, sometimes far from idea of their original

way of playing by superimposing their sound. The word Cavalcade means a part

of ceremony with a line of people, vehicles, horses etc. In this composition

Duplessy tries to convey the picture of a cavalcade through the music written for

guitar with recollection of traditional instruments and effects.

2020.08.08_Koval_manifestino.pdf