for Wind Band
11
Transcript of for Wind Band
for Wind Band
Premio di Composizione Originale per Banda “La Bacchetta d’Oro” Sezione B - Trofeo “Benito Pica” (2021)
Gauthier Dupertuis
© 2021 Gauthier Dupertuis - All rights reservedEd. Musicali ACCADEMIA2008 - Via Arno,16 - 67057 Pescina (AQ)
Tel: 328 4854736 - Webmail: [email protected]: www.accademia2008.it
Postcards
from tomorrow(2021)
Postcards from tomorrowfor wind band
(2021)
Grade : 3Duration : ca. 7'
I. Abandoned BlockhousesII. Pagoda at the lake
III. Building up the bridges
INSTRUMENTATION
Piccolo (opt.)Flute I
Flute II (opt.)Oboe
Bassoon (opt.)
Eb Clarinet (opt.)Bb Clarinet IBb Clarinet II
Bb Clarinet III (opt.)Bb Bass Clarinet (opt.)
Eb Alto Sax IEb Alto Sax IIBb Tenor Sax
Eb Baritone Sax
Bb Trumpet IBb Trumpet II
Bb Trumpet III (opt.)F Horn IF Horn II
Trombone ITrombone II
Trombone III (opt.)
EuphoniumTuba
Double bass (opt.)
Percussion (4 - 6 players)
3 Timpani (+ reverted cymbal)
Percussion I : Rain Stick, Snare Drum, 4 toms, Triangle*, vibraslapPercussion II : Wind Chimes, Bass Drum, Triangle*, Cabasa
Percussion III (opt.): Rain stick (opt.), Tam-tam, 2 Bongos, Susp. Cymbal*, 2 temple blocks, Crash CymbalsPercussion IV (opt.): Suspended Cymbal*, Tambourine, Glockenspiel*, Claves
Mallets : Vibraphone, Glockenspiel*, Xylophone, Cowbell
All percussion instruments (*) are shared among percussionists.
Additional parts included :
Eb Horn I - IIBb Trombone I - II - III (TC)
Bb Euphonium (TC)Eb Tuba (TC )Bb Tuba (TC)
Percussion ScorePercussion I + IIIPercussion II + IV
If any needs or questions, please contact me on my website :
gauthierdupertuis.com
About the composer
Program Notes
When they are children, some people put their toys, drawings and wishes for the future in a box thatthey bury somewhere in order to dig it up when they are adult. The title "Postcards from tomorrow"was inspired by this tradition. what wishes would we put in those boxes for the future, what kind ofpostcards would we send to our grandchildren ?
To write this piece, I was inspired by three pictures that have some symbolic meaning linked to thatquestion : each movement, played atttaca, refers to one of them.
I. Abandoned blockhouses
The title refers to the war and other horrors in the history of humanity. It is of absolute importancethat we never forget what has been done before : like abandoned blockhouses, the reliques of thewar will remain for a long time. but we must go forward.
The movement starts with an aleatoric passage and with the exposition of the earth theme (lowinstruments m. 5), that will come as a leitmotiv throughout the piece. The theme develops into a cry ofdespair in d minor (A), preceeding a section representing the horrors the war, figured by theaggressive percussions and low brass (m. 22). The ostinato at winds and vibraphone foreshadow thelast section, a fanfare based on the well-known gregorian dies irae, whose text asks god for pardon.
II. Pagoda at the lake
The second movement was inspired by the pagoda, a religous building that is aimed to house relics ofsaint people, in some asian worships. This could symbolise the fact that we humans need introspectionand have to look back to our roots. This calm, peaceful movement gives the lead to some solists in theensemble and follows an arch-form (abcba), symbolising the well-balanced architecture of a pagoda.
III. Building up the bridges
The last movement is a call for hope. Once our past remembered, we must now be "building up thebridges" between each other and towards a better world, facing much danger (war, climate change...),but with the faith to make this world better.
The rythmic pattern set in the first few measures is used like a "bridge" between the different sectionsof the movement, implying a rondo form. The first two sections remind the material of the previousmovements. Then, the motif is developped in a more funky way, aiming to an exhuberant finale in D major.
In July 2021, this piece was awarded the "Benito Pica" Trophy (section B) by the Premio di Composizione
Originale per Banda “La Bacchetta d’Oro”.
Performance notes
Concerning the senza misura part in the beginning of the first movement : try to build a misteriousatmosphere gradually. The notes in the boxes are to be played staccato or tenuto, variating the tempiand dynamics. Make sure that the musicians enter and stop gradually, not all at the same time, taking abreak between their motives. Use of additional rain sticks by non-percussionists is possible.
notes on percussion : Timpani, Percussion I, Percussion II, and Mallets are obbligati. When morepercussionists are available, Percussion III should be added first, and then Percussion IV. Mixed parts(percussion I + III and II + IV) and a percussion score are also included to provide more flexibility. In anycase, it is up to the conductor to adapt this to the technical and logistical possibilities of the band.
For obvious reasons, the writing for ensembles with optional parts requires a lot of doubling.Please make sure to adjust the harmonic and dynamic balance to your ensemble.
I tried to compose a piece full with contrasts, also with interesting challenges for a grade 3.I hope that you as well as your musicians will enjoy playing it !
Gauthier Dupertuis (1997*) is a young composer fromSwitzerland. He holds a bachelor degree in musicology andphilosophy from Fribourg University and a certificate inconducting from Fribourg Conservatory. He is currentlyheading for his Master degree and studies orchestralconducting at the Bern School of Arts. He also teaches musicand conducts bands in the region.
More information on gauthierdupertuis.com.
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
Full Score
© 2021 Gauthier Dupertuis - All rights reserved - gauthierdupertuis.comEd. Musicali ACCADEMIA2008 - Via Arno,16 - 67057 Pescina (AQ)
Tel: 328 4854736 - Webmail: [email protected] - Website: www.accademia2008.it
Piccolo(opt.)
Flute I
Flute II(opt.)
Oboe
Bassoon(opt.)
Eb Clarinet(opt.)
Bb Clarinet I
Bb Clarinet II
Bb Clarinet III(opt.)
Bb Bass Clarinet(opt.)
Eb Alto Sax I
Eb Alto Sax II
Bb Tenor Sax
Eb Baritone Sax
Bb Trumpet I
Bb Trumpet II
Bb Trumpet III(opt.)
F Horn I
F Horn II
Trombone I
Trombone II
Trombone III(opt.)
Euphonium
Tuba
Double Bass(opt.)
Timpani
Percussion I
Percussion II
Percussion III (opt.)
Percussion IV(opt.)
Mallets
mp
mp
mp
mp
ppp
mp
mf
ppp
mp
°
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
&∑ ∑ ∑ ∑ ∑
I. Abandoned blockhousesSenza misura (ca. 20-25 sec.)
Premio di Composizione Originale per Banda “La Bacchetta d’Oro” Sezione B - Trofeo “Benito Pica” (2021)
Gauthier Dupertuis
Postcards from tomorrow
1 2 3 4 5
&∑
&∑ ∑ ∑
&∑ ∑ ∑
?
(breathe when necessary)> >
&∑ ∑ ∑ ∑ ∑
&∑
&∑ ∑
&∑ ∑ ∑
&∑ ∑ ∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑ ∑
>
>
&∑ ∑ ∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑ ∑ ∑
&∑ ∑
harmon mute
I. Abandoned blockhousesSenza misura (ca. 20-25 sec.)
&∑ ∑ ∑
harmon mute
&∑ ∑ ∑ ∑
harmon mute
&
(breathe when necessary)
&∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑ ∑ ∑
/
cymbal reverted on medium timpaniadding free glissando effect (w/timpani medium mallets)3 Timpani : A, [cymbal], D
sim.
∑?
/
rain stick
/ ∑
wind chimes
/
Rain Stick (opt.) To Tam-Tam
∑ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
/ ∑
Susp. Cymbal
sim.
&
Vibraphonemotor on, soft mallets
œ œ œ œ œ
œ œ œ œ œ
œ œ œ œ œ
œ œ œ œ œ
w w w w w œ œ ™ œ œ œ ™ œ
œ œ œ œ œ
œ œ œ œ œ
œ œ œ œ œ
œ œ œ œ œ
œ# œ ™ œœ œ ™ œ
w w
œ œ œ œ œ
œ œ œ œ œ
œ œ œ œ œ
w w w wœ œ œ œ œ
w w
æææw
æææw
æææw
æææw
æææw
w
w
w
æææw
æææw
æææw
æææw
æææw
æææw w
w
˙
˙
˙
˙
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
Picc.
Fl. I
Fl. II
Ob.
Bsn.
Eb Cl.
Cl. I
Cl. II
Cl. III
B. Cl.
A. Sax. I
A. Sax. II
T. Sax.
Bari. Sax.
Tpt. I
Tpt. II
Tpt. III
Hn. I
Hn. II
Trb. I
Trb. II
Trb. III
Euph.
Tba.
Db.
Timp.
Perc. I
Perc. II
Perc. III
Perc. IV
Mall.
mf
D
mf
f
f
mf
mf
f
f
f
D
ff f
ff f
ff f
ff f
f
f
f
mf f
f
f
fmeno
f
f
f
f
43 44 45 46 47 48 49
44
24
44
54
44
24
44
54
44
24
44
54
44
24
44
54
44
24
44
54
44
24
44
54
44
24
44
54
44
24
44
54
44
24
44
54
44
24
44
54
44
24
44
54
44
24
44
54
44
24
44
54
44
24
44
54
44
24
44
54
44
24
44
54
44
24
44
54
44
24
44
54
44
24
44
54
44
24
44
54
44
24
44
54
44
24
44
54
44
24
44
54
44
24
44
54
44
24
44
54
44
24
44
54
44
24
44
54
44
24
44
54
44
24
44
54
44
24
44
54
44
24
44
54
&
.̂ .̂ .̂ .̂∑ ∑ ∑
&∑ ∑ ∑
&∑ ∑ ∑
&
-
> > > > > > > >
?> > > > > > > > >
&
.̂.^ .̂
.^
∑ ∑ ∑
&∑ ∑ ∑
&∑ ∑ ∑
&∑ ∑ ∑
&
--
- >
∑ ∑
&
- >
∑ ∑ ∑
& -
>∑ ∑ ∑
&-
- >
∑ ∑ ∑
&-
- ->
∑ ∑
&-
∑ ∑ ∑
>
open (tutti)
> >> > > > >
&
^
.
^
.
^
.
^
.
^
.
^
.
^
.
^
.
∑ ∑
open
> > > > >>
> >
&
^
.
^
.
^
.
^
.
^
.
^
.
^
.
^
.
∑ ∑
open
> > > > >>
> >
&
(muted).^
.^
.^
.̂.^
.^
.^
.̂ ∑
open>
>>
>
>
>
> >
&
(muted).^
.^
.^
.̂.^
.^
.^
.̂ ∑ ∑ ∑
open
> >
?
> > > > >>
> >
?> > > > > > > > >
?
- - --
>> >
>> > > >
? >> >
>> > > >
?
--
-∑ ∑ ∑
?-
--
∑ ∑ ∑
?∑ ∑ ∑
>∑
/ ∑ ∑ ∑
Snare Drum >
∑
/
on bass drum frame
∑
> (normal)
∑ ∑
/ ∑ ∑ ∑
Bongos (w/ snare drum sticks)>
∑
&
Glockenspiel (metal mallets)>
∑
^ ^ ^^
∑ ∑ ∑ ∑
&
glockenspiel (perc. iv)>
∑
^ ^ ^^
∑ ∑ ∑ ∑
w œ ™ œ œ œ ™ œb œ œ
j‰
œ œ œœ œ
œ w
w œ ™ œ œ œ ™ œb œ œ ™ œ œ œ œœ w
Œ œœ œ œ ™
œ œ œ ™ œb œ œ ™ œ œ œ œœ w
œ
j ‰ œœ œ œ ™ œ œ œ ™ œb œ œ ™
œ œ œ œœ w
œ œ œœ œ
œ œ œ ˙ ™
w œœ
œœ
œ ˙
œ œ œœ w
œ œ œ œ œ œ œ œ œ ˙ ™
w œ ™
œ# œ œ ™ œ œ# œ
J‰
œ œ# œœ œ
œ w
w œ ™ œ# œ œ ™
œ œ œ ™ œ œ# œ œœ w
œ
j ‰ œœ œ# œ ™ œ# œ œ ™ œ œ œ ™
œ œ# œ œœ w
œ
j ‰ Œ˙ œ ™ œ# œ œ ™ œ œ œ ™
œ œ# œ œœ w
˙˙
˙
œœ ˙#
œ œ œ
œ# ˙ œœ œ œ
œ
j ‰ Œ Ó
œ
J
‰ œœ œ œ#
œ œœ œ ‰
œ œ œ ™ œ œ# œ œœ œ ™
œ
J
˙#
œ
J
‰œ#
œ œ# œœ œ
œ# œ# œœ ˙ œ œ#
œ œ# ™œ
J
˙
œ
j‰
œœ œ œ
œ œœ œ œ
œ ˙# œœ
œ# œ ™œ
J
˙
˙˙
˙#œ
œœ œ ™ œ œ# œ œ
œ ˙ œœ# œ œ
œ
J
‰ Œ Ó
w
œ œ# œœ œ#
œ œ œ ˙ ™
Œœ œ# œ
œŒ
œ œ# œœ
Óœ œ# œ
œ œ#œ
œ œ ˙ ™
Œœ œ# œ
œŒ
œ œ# œœ
Óœ œ œ œ œ
œœ œ ˙ ™
Œ œ œ œœ Œ œ œ œ
œ Ó ∑ œ œ œœ œ
œœ œ ˙ ™
Œ œ œ œœ Œ œ œ œ
œ Ó ∑ œ œ ˙ ™
w œœ
œœ
œ ˙ œ œœ w
œ œ œ œ œœ
œ œ ˙ ™
wb œœ
œœ
œ ˙ œœ
œ wœ œ œ œ œ œ œ œ œ ˙ ™
w œœ
œœ
œ ˙
œ œ œœ w œ œ œ œ œ œ œ œ œ ˙ ™
w œ ™ œ œ œ ™ œb œ œ ™ œ œ œ œœ ˙ œ
œ œ œœ œ œ œ œ œ œ œ œ ˙ ™
˙˙b
˙
œœ ˙
œ œ œœ w
˙˙b
˙
œœ ˙
œ œ œœ w
Ó ‰œ
j
œ œ œ œœ Œ Ó Œ ‰
œ
j
œ œ œ œ œ œ
Ó ‰ œ
j
œ œ œ œ œŒ
ÓŒ ‰ œ
j
œ œ œ œ œ œ
Œ¿ ¿ ¿ ¿
Œ¿ ¿ ¿ ¿ Ó
Œ¿ ¿ ¿ ¿
Œœ
ŒÓ
Ó‰
œ
j
œ œ œ œœ
ŒÓ
Œ ‰œ
j
œ œ œ œ œ œ
wŒ
œ œ œœ
Œ
w
Œ
œ œ œœ
Œ
Postcards from tomorrow - full score
11
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
Picc.
Fl. I
Fl. II
Ob.
Bsn.
Eb Cl.
Cl. I
Cl. II
Cl. III
B. Cl.
A. Sax. I
A. Sax. II
T. Sax.
Bari. Sax.
Tpt. I
Tpt. II
Tpt. III
Hn. I
Hn. II
Trb. I
Trb. II
Trb. III
Euph.
Tba.
Db.
Timp.
Perc. I
Perc. II
Perc. III
Perc. IV
Mall.
Calmando
Calmando
mf
mf mf
mf
mf mf
88 89 90 91 92 93 94
&
-
∑
&
-
∑
&
-
∑
&-
∑
?
&
-
∑
&
-∑
&
-∑
&∑
&
&
&
&
&
&
-
&
-
&
&
&
?
?
?
?
?
?
?∑ ∑ ∑ ∑ ∑
/ ∑ ∑ ∑
/ ∑ ∑ ∑ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ∑ ∑ ∑
/ ∑ ∑ ∑
&∑
&∑
œb ™ œ œœb
œ ™œ
J
œ ™ œ œb œbœ œ
œb œœ œb ™ œ œ œb œ w
Ó Œ
œœb w
œb ™ œ œœb
œ ™œ
J
œ ™ œ œb œbœ œ
œb œœ œb ™ œ œ œb œ w
Ó Œ
œœb w
œb ™ œ œœb
œ ™œ
J
œ ™ œ œb œbœ œ
œb œœ œb œb œ w
Ó Œ
œœb w
œb ™ œ œœb
œ ™œ
jœ ™ œ œb œb
œ
œœb œ
œ œb ™ œ œ œb œ wÓ Œ
œœb w
wb‰
œ
J
œb œb œœ
œœb
‰œ
J
œbœb œ
œbœn
œb œb œ œbœ œb ˙
‰œ
J
œb œ ˙ w
œ ™ œ œœ
œ ™œ
J
œ ™ œ œ œœ œ
œ œœ œ ™ œ œ œ œ w
Ó Œœ
œ w
œ ™ œ œœb
œ ™œ
J
œ ™ œ œ œbœ œ
œ œœ œ ™ œ œ œb œ w
Ó Œ œœ w
œ ™ œ œœb
œ ™œ
J
œ ™ œ œ œbœ œ
œ œœ œ œb œ
œ œb œ œ ˙ ™œ
œ w
œ ™ œ
jœb
œœ
œ ˙ œ œœ œ
œb œ œ œ wÓ Œ œ
œ w
wb˙b ˙ ˙ ˙
‰œb
jœ œ œb
œw
w w
œ ™ œ
J
œœ
œœ ˙ œ
œœ
œ œœ œ œ œ ˙ œ
œbœ
œ œ œ œ œœ
œ w w
œ ™œ
J
œœ
œœ ˙b ˙ ‰
œ
jœ
œb œ œ œ œ œb œ œœ
œ œ œ œ œœ
œw w
wb ‰œ
jœb œ ˙ ‰
œ
jœ
œb œœb
œœb
œbœ œ œ
œ˙ ™ œ
˙ œ œœ œ
wb
w˙b ˙ ˙ ˙ wb w
w w
œ ™ œ œœb
œ ™œ
J
œ ™ œ œ œbœ œ
œ œœ œ ™ œ œ œb œ wb Ó Œ œ
œ w w
œ œœb
œ ™œ
J
œ ™ œ œ œbœ œ
œ œœb œ œ œ w ˙ ™
œœ
w w
wb˙ ˙
˙b ˙ w˙ ™ œ w wb
wb‰
œ
jœb œ œ œ
œbœ œb œ œ œ œb œb œb œ œ
œœb œb œ œ œ
œœb ‰
œ
jœ œ ˙ w
wb ‰
œ
jœb œ œ
œœ
œb ˙b ˙b˙b œ
œbœ
œb œb œ œ œœ œ w
w
wb˙b ˙ ˙b ˙b œb ˙b ™ ˙b ™
œb w w
w˙b ˙b ˙b ˙
‰ œb
J
œ œ œbœ œ œb ˙
wb wb
wb˙b ˙ ˙b ˙ wb w
w w
wb ˙b ˙b
‰œ
J
œbœb œ
œbœn
œb œb œ œbœ œb ˙b
‰œ
J
œb œ œœ
œ œwb
w
wb
b˙b ˙ ˙b ˙ wb w
w w
wb˙b ˙ ˙b ˙ wb w
w w
wb
w
Ó
ææææ˙ œ
ŒÓ Ó
Œææææœ œ
ŒÓ
w
Ó
ææææ˙ œ
ŒÓ Ó
Œ
ææææœ œ
ŒÓ
œb ™ œ œœb
œ ™œ
jœ ™ œ œb œb
œ œœb œ
œ œb œb œ wÓ Œ
œœb w
œb ™ œ œœb
œ ™œ
jœ ™ œ œb œb
œ œœb œ
œ œb œb œ wÓ Œ
œœb w
Postcards from tomorrow - full score
18
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
Picc.
Fl. I
Fl. II
Ob.
Bsn.
Eb Cl.
Cl. I
Cl. II
Cl. III
B. Cl.
A. Sax. I
A. Sax. II
T. Sax.
Bari. Sax.
Tpt. I
Tpt. II
Tpt. III
Hn. I
Hn. II
Trb. I
Trb. II
Trb. III
Euph.
Tba.
Db.
Timp.
Perc. I
Perc. II
Perc. III
Perc. IV
Mall.
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff furioso
fffurioso
ff furioso
ff furioso
ff furioso
ff furioso
ff
ff
ff
ff
ff
ff
ff
ff
159 160 161 162
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
&
> > . . . > . . > . > .̂
&
> > . . . > . . > . > .̂
&
> > . . . > . . > .> .̂
&
> > >>
> . . . > . . > . > .̂
?
>> > > . . . > . . > . > .̂
^ ^ ^
&
> > . . . > . . > .> .̂
&
> > . . . > . . > . > .̂
&
> > . . . > . . > . > .^
&>
>
>
>
^
.
&
> > > >> >
>
∑^ ^ ^
&
> > > > >>
>
>
>> > > .̂
&
> > > > >>
>
>
> > > > .̂
&
> > > > >>
> . . . > . . > . > .̂
&> > > > >
>>
∑^ ^ ^
&
> >>
>> > > > > .̂
&
> > >>
>> > > > .
^
&>
> > > > >
^
.
&
> > >>
>
>>
> > >
>> .
^
&
> > >>
>
>>
>>
> >>
^
.
?
> > > > >>
>>
>> > .̂
?> > > >
>>
>> >
> > .̂
?
> > > > >>
> >
> >> .̂
^ ^ ^
?> > > >
>>
>
>
> >> .
^
^ ^ ^
?
> > > >> >
>
∑ ^ ^^
?
> > > > >>
>
∑^ ^ ^
? > >
>> >
> >
> > >
> ^ ^ ^
dampen
/
> > ^
/
> > > > ^ ^ ^ dampen
/> > >
dampen
∑
/ ∑
&∑
> > > ^
w ˙ œ
J‰ Œ
œ œ œ œ œ# œ œ œn œ# œ œ œ
J‰ Ó
w ˙ œ
J‰ Œ
œ œ œ œ œ# œ œ œn œ# œ œ œ
J‰ Ó
w ˙ œ
J‰ Œ
œ œ œ œ œ# œ œ œn œ# œœ œ
J ‰ Ó
w ˙ œ œœb
œ œ œ œ œ œ# œ œ œn œ# œ œ œ
J‰ Ó
˙b ™
‰
œ œ w œ œ œ œ œ# œ œ œn œ# œ œ œ
œ œ œ Œ
w ˙ œ
J‰ Œ
œ œ œ œ œ# œ œ œn œ# œœ# œ
J ‰ Ó
w ˙# œ
J ‰ Œœ œ œ œ œ# œ œ œn œ# œ œ œ
J‰ Ó
w ˙ œ
J‰ Œ
œ œ œ œ œ# œ œ œn œ# œœ œ
J
‰ Ó
w w˙ ™
Œœ œ
j ‰ Ó
Œ
œ œ ˙ œœ œ
˙
Œ ‰œ œ œ
Œ
Œ œ œ# œ œ œ#œ#
œœ
œœ#
˙# ™
‰
œ œ œ œ
J‰ Ó
Œ œ œ# œ œ œ#œ#
œœ
œœ#
˙# ™‰
œ# œ œ# œ
J ‰ Ó
˙ ™ ‰ œ œ ˙ œ œœb
œ œ œ œ œ œ# œ œ œn œ# œ œ œ
J‰ Ó
Œœ œ# ˙ œ#
œ œ˙
Œ ‰ œ œ œ Œ
w ˙# œœ
œbœ ˙ ™
‰œ œ œ œ
J‰ Ó
w ˙ œ œœb
œ˙n ™ ‰ œ œ œ œ
J
‰ Ó
w w ˙# ™ ‰œ œ œ œ
j ‰ Ó
Œ œ œ œ œ œœ
œœ
œœ
Œœ
œœb œb œ#
J‰ Ó
Œ œ œ œ œ œœ
œœ
œœ
Œ
œœb
œb œn œ
j‰ Ó
˙b ™
‰
œ œ ˙ œ œœb
œ
Œœn
œœb œb œ œ#
J‰ Ó
˙ ™‰
œ œ ˙ œœ
œbœ
Œœ
œbœb œn œ œ
J‰ Ó
Œœb œ ˙ œ
œ œ˙
Œ œœb
œb œb œ œnœ œ œ Œ
˙ ™‰
œ œ ˙œ
œœ
Œ œœb
œb œb œnœ œ œ Œ
Œ
œ
œb
b œ
œ
˙
˙
œ
œ
œ
œ
œ
œ
˙
˙Œ ‰
œ œ œ
Œ
Œœb œ ˙ œ
œ œ˙
Œ ‰ œ œ œ Œ
œ ™ œ
J
œ œœ œ
œ ™ œ
J
œœ œ œ
œ
J
‰ Œ Ó Œ ‰ œ œ œ Œ
œ
j‰ Œ
Ó Ó ‰ œ
j
œ œ œ œ œŒ
Ó
æææœ œ
j‰ Ó
œ ™ œ
j
Ó œŒ ‰ œ
j
œ œ œŒ
ÓŒ ‰ œ œ œ
Œ
w w w
œŒ
Ó Ó
æææ˙ œ
ŒÓ
œŒ Ó
œ œ œ œ œ# œ œ œn œ# œ
æææ
œ œ
J‰ Ó
Postcards from tomorrow - full score
29
ISBN : 979 12 59 830 77 7
!
