Post on 21-Jan-2016
description
UNIVERSITÀ DEGLI STUDI DI PAVIA FACOLTÀ LETTERE E FILOSOFIA, SCIENZE POLITICHE, GIURISPRUDENZA,
INGEGNERIA, ECONOMIA
CORSO DI LAUREA MAGISTRALE INTERFACOLTÀ IN COMUNICAZIONE PROFESSIONALE E MULTIMEDIALITÀ
DISCOVERING THE ART WITHOUT SIGHTThe accessibility to the museums’heritage for the blind
Relatrice:Prof.ssa Marilisa Di GiovanniCorrelatore: Lucia De Maio Prof. Mario Dossoni 397393
BLINDNESS
Blindness is not only a deficiency, a flaw, a weakness, but in a sense, also originates new skills, new benefits, new forces.A disability, because it forces us to encounter obstacles, determines the subject who experiences the effects, a search for strategies to overcome them and start a reorganization of one’s resources.
THE COMPENSATION
How can the blind enjoy art?
The sense of touch
The first benefit what the sense of touch led to the blind and that leads us
already on the plane of art is the ability to read through Braille.
ISTITUTO DEI CIECHI DI MILANO
Lombardy and especially Milan, at the forefront in the works of solidarity, could not make an institution where “the blind
children could have had some training as to make them able to take an honorable livelihood and needed relief to the spirit.”
Michele Barozzi, Founder
care for the elderly
IT consultancy
autonomy
the printing of texts in Braille and large print
the production of teaching materials
vocational training
THE SERVICES AND ACTIVITIES OFFERED BY ISTITUTO DEI CIECHI DI MILANO
Tactile Museum OmeroThe purpose of the Museum is to promote the cultural growth, to integrate the visually handicapped and to widen their knowledge of reality.
The non- and partially- sighted will be able to enjoy free, easy access to the computer and all its programmes thanks to a system which is equipped with a voice synthesizer and magnifying glass.
Bright Ubuntu
The Museum of Tactile Antique and Modern Painting
ANTEROS
Image perception, cognition and signification: these are in summary the three stages of the artistic image analysis corresponding to the three interpretation levels of
Panofsky’s tripartite method.
Tactile itinerary experimental at Bagatti Valsecchi Museum in Milan